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Posts Tagged ‘Reclaims’

Now Complete, the Chicago Riverwalk Reclaims Disused Industrial Shore

03 Nov

[ By SA Rogers in Architecture & Cities & Urbanism. ]

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The final phase of the Chicago Riverwalk opened to the public this weekend, completing a project that connects the city’s downtown area to a previously neglected industrial waterfront. For decades or perhaps even centuries, this sort of prime real estate has been similarly misused and disused in cities all around the world, given over to factories, shipyards, power plants and other facilities that don’t exactly encourage public interaction with the shore, but the Riverwalk is part of a movement that’s taking them back.

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The Chicago Riverwalk development is a 1.5-mile promenade for pedestrians and bicycles that runs alongside the Chicago River, helmed by Sasaki and Ross Barney Architects. The first and second phases have been open since last year, attracting thousands of visitors to the south bank to patronize restaurants, bars and shops, and take water taxis to other spots along the river.

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The clean modern design, which sets off the city’s historic Beaux Arts architecture to its greatest advantage, won an annual design excellence award from the American Institute of Architects, which noted that the Riverwalk “has become the city’s backyard patio.” The promenade features an expansive stepped section planted with trees, effectively creating stadium seating from which to enjoy the water.

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It also crosses both over and under several of the city’s bridges, so you can take a continuous riverside walk without ever encountering motor vehicle traffic. Recreation areas, gardens ,lawns and sculptural accents give it the feel of one big park, and some of the gardens float upon the surface of the water.

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Many Chicago residents may be less than enthralled with their mayor, Rahm Emanuel, but his signature public works project seems to be going over pretty well, and it’s a valuable contribution to the urban landscape. The city has already ensured that its lakefront is open to the public rather than being claimed by big businesses and wealthy landowners, and it’s refreshing to see the river get the same treatment.

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[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Superblocks to the Rescue! Barcelona Reclaims Its Streets

19 May

[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Could ‘superblocks’ help Barcelona return to its late-19th-century vision of urban utopia, clearing out the snarled streets so mini neighborhood blocks can literally breathe? The rapidly expanding Catalan city was suffocating within its medieval walls before engineer Ildefons Cerdá came up with his controversial plan to tear them down and build a gridded district called Eixample way back in the 1870s. This orderly block-based approach met with a lot of resistance when it was proposed, yet ultimately became a model for urbanization before the burgeoning density of the industrial era choked it with cars and filled its air with pollution.

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The plan was for the population to be spread out equally, with green spaces, schools, markets and other necessary neighborhood functions easily accessible from every block. While it did help make Barcelona healthier at the time, each of those tiny streets has been invaded by too many cars for the city to handle, and apartment blocks have sprouted up where parks used to be. Eixample has just 1.85 meters of green space per inhabitant, compared to Amsterdam’s 87.5, and the air quality and sedentary lifestyle are leading causes of death.

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Barcelona’s urban planning committee wants to reverse that with ‘superilles,’ or superblocks. First, traffic would routed to larger roads on the perimeters, with cars, trucks and scooters only allowed within each block if they belong to residents. 186 new miles of cycling lanes throughout the city will encourage biking, and an orthogonal bus network keeps public transit on main thoroughfares. Each superblock would become like its own little city, with its own character.

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This new city structure would free up 160 intersections for foot traffic, events, gatherings and other community-based purposes. The process is being conducted through gradual changes utilizing existing infrastructure, starting with nine areas. Sant Martí, a district that already hosts car-free days, will act as one of the main guinea pigs in a series of trial and error experiments the councillors call “tactical urbanism.”

“We have, as a base [for the plan], Cerdá’s Eixample, which was undermined by greed,” says Salvador Rueda, director of Barcelona’s urban ecology agency. “What was green in the plan was slowly overtaken and built on. And then, when cars arrived, they slowly overtook more and more space… We want to reclaim those green spaces and that can only be done through a drastic mobility change.”

Images via The Guardian + Mobilitat

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[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Shocking Aftermath: Nature Reclaims Post-Disaster Fukushima

17 Oct

[ By Steph in Art & Photography & Video. ]

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Looking at photographs of highways entirely eaten by vines and destroyed shops filled with trash and cobwebs, it’s easy to downplay their tragedy by comparing them to the set of a post-apocalyptic film. All of these images of Fukushima, Japan, taken four years after the earthquake and tsunami that caused the local nuclear power plant to melt down, almost seem too shocking to be real. But they are, and photographer Arkadiusz Podniesinski doesn’t want you to forget it. Within the exclusion zone, contaminated by radiation, lies a haunting ghost town with signs of its abrupt abandonment strewn everywhere you look.

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If this all sounds reminiscent of another nuclear disaster, that’s part of the point of Podniesinski’s photo series. The photographer has visited Chernobyl a number of times over the past seven years, documenting its deterioration and subsequent reclamation by nature in the hopes that he could help remind the world that it’s human error that keeps causing these events to occur.

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“It is not earthquakes or tsunami that are to blame for the disaster at the Fukushima Daiichi nuclear power station, but humans. The report produced by the Japanese parliamentary committee investigating the disaster leaves no doubt about this. The disaster could have been foreseen and prevented. As in the Chernobyl case, it was a human, not technology, that was mainly responsible for the disaster.”

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“I came to Fukushima as a photographer and a filmmaker, trying above all to put together a story using pictures. I was convinced that seeing the effects of the disaster with my own eyes would mean I could assess the effects of the power station failure and understand the scale of the tragedy, especially the tragedy of the evacuated residents, in a better way. This was a way of drawing my own conclusions without being influenced by any media sensation, government propaganda, or nuclear lobbyists who are trying to play down the effects of the disaster, and pass on the information obtained to as wider a public as possible.”

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See dozens more incredible images and read the accompanying story of Podniesinski’s journey through the Fukushima Exclusion Zone on the photographer’s website.

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[ By Steph in Art & Photography & Video. ]

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Abandoned Bridge Amphitheater Reclaims Urban Space

06 Aug

[ By Steph in Art & Installation & Sound. ]

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An abandoned, deteriorating bridge in the city of Kosice in Slovakia has been rehabbed and modified to serve as an amphitheater and public gathering space that glows in bright rainbow colors at night. The urban intervention was organized by Atrium Studio and Esterni as a temporary installation to reclaim this prominent disused space.

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On one side of the bridge, a wooden framework was built that serves as a stage for concerts and performances. On the other, a wooden seating system makes the concrete surface more comfortable for those who come to enjoy the free public shows.

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This project echoes many other urban interventions that seek to take the ownership of neglected or abandoned urban spaces into the hands of the people.

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Urban interventions can be as subtle as adding eyeballs to mailboxes and other public objects, or as bold as repainting an entire abandoned church in shocking hues.

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[ By Steph in Art & Installation & Sound. ]

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