RSS
 

Posts Tagged ‘Realtime’

Video: First-ever look at crystals forming in real-time at atomic resolution

11 Oct

Researchers at the University of Tokyo have combined novel techniques to record the first-ever atomic resolution video of salt crystals as they form in real-time. The team used the novel technique of atomic-resolution real-time video recording and the similarly novel technique of conical carbon nanotube confinement to achieve this impressive feat.

Before diving in, it’s important to give context. Salt crystals, like other crystals such as snowflakes and diamonds, comprise repetitive arrangements of molecules. While crystals can take many different forms, something they all have in common is a highly ordered microscopic structure. The process of disorganized molecules arranging into an ordered crystalline structure is called nucleation. The time it takes for the first crystal to appear in this process is called primary nucleation time. Secondary nucleation is a new crystal structure being produced by a preexisting crystal.

Nucleation has been the subject of scientific study for centuries. Scientists have been able to observe molecules at an atomic level and see what a crystal looks like. Still, until now, nobody has observed the dynamic process of crystal formation. Observing the nucleation process should shed light on the process and help expand our understanding of molecular structure and crystallization.

Credit: American Chemical Society / University of Tokyo

‘One of our master’s students, Masaya Sakakibara, used SMART-EM to study the behavior of sodium chloride (NaCl) – salt,’ said Project Assistant Professor Takayuki Nakamuro. ‘To hold samples in place, we use atom-thick carbon nanohorns, one of our previous inventions. With the stunning videos Sakakibara captured, we immediately noticed the opportunity to study the structural and statistical aspects of crystal nucleation in unprecedented detail.’

SMART-EM is a single-molecule atomic-resolution real-time electronic microscopy technique developed by students at the Department of Chemistry at the University of Tokyo. The technique captures images at 25 frames per second.

Nakamuro and his team looked at Sakakibara’s videos and, per Phys.org, ‘were the first people ever to see tiny cuboid crystals made of tens of molecules of NaCl emerging from the chaotic mixture of separate sodium and chloride ions.’ They observed a statistical pattern in the frequency of crystal emergence that followed a normal distribution. A normal distribution of crystal emergence had long been a held theory but had yet to be verified through experiment.

Credit: American Chemical Society / University of Tokyo

University Professor Eiichi Nakamura added, ‘Salt is just our first model substance to probe the fundamentals of nucleation events. Salt only crystallizes one way. But other molecules, such as carbon, can crystallize in multiple ways, leading to graphite or diamond. This is called polymorphism, and no one has seen the early stages of the nucleation that leads to it. I hope our study provides the first step in understanding the mechanism of polymorphism.’

The team hopes to better understand polymorphism, which is an important process to produce various pharmaceutical and electronic components. To read more about the ongoing study, refer to ‘Capturing the Moment of Emergence of Crystal Nucleus from Disorder,’ by Takayuki Nakamuro, Masaya Sakakibara, Hiroki Nada, Koji Harano and Eiichii Nakamura.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Video: First-ever look at crystals forming in real-time at atomic resolution

Posted in Uncategorized

 

Video: Orbit around the moon for 4 hours in this real-time video

04 Feb

Seán Doran uses still images from organizations like NASA and JAXA to create stunning videos. His latest work is ‘MOON in Real Time I,’ which is the first video seen below. Doran denoised, graded, repaired and retimed footage from the JAXA/NHK Kaguya Orbiter archive.

The Kaguya spacecraft, officially known as SELENE, was first launched in September 2007 from the Tanegashima Space Center (TNSC). The Kaguya mission’s primary objective is to collect data to help scientists better understand the moon’s origin and evolutionary history. Kaguya comprises a primary orbiting satellite, which orbits at an altitude of just over 60 mi (100 km), and a pair of smaller satellites, the Relay Satellite and the VRAD Satellite. The smaller satellites are in polar orbit. The orbiters carry various instruments to investigate the moon, including spectrometers, imagers, altimeters and more.

Doran’s retooled and recompiled footage can be seen below. The video is four hours long and is almost hypnotic.

Doran has created a lot of space videos for his YouTube channel. He has hundreds of videos featuring Earth, the Moon, the Sun, Mars, Jupiter and more. I’ve selected a few to highlight, but if you’re interested in space, you must visit his YouTube channel.

The 8K video below features music by Phaeleh and follows the International Space Station from Central Africa to Japan in real-time. For this video, Doran converted still images into real-time video.

Sticking with Earth, using the ESRSU image archive, Seán Doran created the ‘Orbit’ trilogy. The first part is seen below. You can view the other parts at the following links: Part 2 and Part 3. Like the previous video, ‘Orbit’ is a journey around Earth using ISS time-lapse photography. Likewise, the video is backed by music from Phaeleh. The 4K video below is simply stunning.

‘Lúnasa^171– One Month of Sun’ is an 8K video that Doran built by repairing and processing 78,846 frames captured by NASA/SDO/AIA/EVE/HMI in August 2014. The video is accompanied by the song ‘Spirit of Fire’ by Jesse Gallagher.

The video below, ‘Mars in Color – Crater in Tyrrhena Terra,’ is compiled using media from NASA/JPL/University of Arizona. The data came from HiRISE, which we wrote about last month.

To view more from Seán Doran, be sure to visit his YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Video: Orbit around the moon for 4 hours in this real-time video

Posted in Uncategorized

 

DPReview TV: How set up Sony’s ‘Real-Time’ autofocus tracking

26 Dec

Did Santa leave a new Sony camera in your Christmas stocking? If so, your first step should be to enable Sony’s ‘real-time’ autofocus tracking. In this video, we show you how to set up this useful feature.

These instructions should work for the Sony a6100, a6400, a6600, RX100 VII, RX10 IV, a7R IV, a9, and a9 II.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Tracking in Auto mode
  • Tracking modes
  • Animal eye-AF
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: How set up Sony’s ‘Real-Time’ autofocus tracking

Posted in Uncategorized

 

DPReview TV: This is how you set up Sony’s ‘Real-Time’ autofocus tracking

28 Nov

Sony’s ‘Real-Time’ autofocus promises to track almost anything you throw at it, but it’s not enabled by default. The words ‘Real-Time’ don’t even appear in the camera’s menu. In this video, Chris shows us how to set up this very useful feature.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Tracking in Auto mode
  • Tracking modes
  • Animal eye-AF
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: This is how you set up Sony’s ‘Real-Time’ autofocus tracking

Posted in Uncategorized

 

Sony adds Real-Time Animal Eye AF to the RX10 IV via firmware update

15 Nov

Sony, today, released a firmware update for its RX10 IV camera that gives it Real-Time Animal Eye AF and improves the overall stability of the camera.

Firmware version 2.00 adds the same functionality we’ve seen Sony add to a number of its other mirrorless cameras. As with the other cameras, the update makes it possible to use Sony’s AI-powered eye-tracking feature on certain animals. Sony doesn’t specifically say what animals the functionality is limited to, but does note in the firmware changelog that ‘Eye detection may not be possible depending on the environment, animal type or the movement of the animal.’

Below is a brief explainer video of the feature shared by Sony on its YouTube channel:

Firmware version 2.00 for the RX10 IV is available to download for macOS and Windows computers on Sony’s RX10 IV support page.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony adds Real-Time Animal Eye AF to the RX10 IV via firmware update

Posted in Uncategorized

 

Sony Japan says the RX10 IV will soon receive real-time Animal Eye-AF via firmware update

29 Oct

Sony Japan has announced its RX10 IV superzoom bridge-camera will receive the company’s Animal Eye-AF feature via an upcoming firmware update.

The impending firmware will add real-time Animal Eye-AF support for still images, improve the reliability of the real-time Eye-AF already present in the camera and overall improve general stability. No definitive date has been given for the update, but Sony says it should be out before the end of the year.

Translated press release:

RX10IV main unit software update schedule

Target product: “DSC-RX10M4”

Software update contents:

1. Real-time pupil AF support for animals (still images only)
2. Real-time pupil AF operability improvement (Support for half-pressing the shutter button)
3. Improved operational stability

Scheduled release date for software updates: Scheduled for 2019

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony Japan says the RX10 IV will soon receive real-time Animal Eye-AF via firmware update

Posted in Uncategorized

 

Sony announces a6600 with image stabilization and Real-time Tracking autofocus

29 Aug

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8073515466″,”galleryId”:”8073515466″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Sony has just announced the a6600, a camera it’s calling the new ”flagship” of its APS-C lineup. In it, you’ll find a host of enhancements, including in-body image stabilization, the latest implementation of Sony’s Real-time Tracking autofocus, which seamlessly transitions from subject tracking to face and eye-detection, as well as a Z-type battery, which should have around 2.2x the stamina of the older, smaller W-series battery. Weight has gone up as a result of all this, with the camera weighing in at 503g (the a6400 is 100g lighter at 403g).

Sony has also tweaked the design of the grip on the a6600, partly for ergonomic reasons of course, but also partly to make room for the much-bigger battery. You can also shoot full 14-bit Raw files, and Real-time Tracking functionality – including eye detection – is possible while shooting 4K video. Speaking of video, the a6600 makes room for both microphone and headphone ports, and can shoot 4K footage in HLG to help make the most of the camera’s dynamic range.

Other core features remain unchanged from the existing a6400, including a 24MP APS-C sensor, 11fps burst shooting with autofocus and auto exposure, 4K/30p video recording and a 2.36M-dot OLED viewfinder. The a6600 does have a touchscreen for touch focus, touch shutter and touch tracking functionality. We’re told the a6600 officially replaces the a6500.

The Sony a6600 will be available in November, 2019, at a price of $ 1400 US ($ 1900 CAN) body-only, and $ 1800 US ($ 2400 CAN) with an 18-135mm F3.5-5.6 kit lens.

Press release:

Sony Electronics Strengthens APS-C Mirrorless Line-up with Launch of Two New Cameras

Company Introduces Alpha 6600 with in-body Image Stabilization and Enhanced Battery Life, Also Boosts Product Portfolio with Introduction of Alpha 6100

SAN DIEGO — August 28, 2019 — Sony Electronics today announced two new additions to its ? (Alpha) series of mirrorless cameras with the launch of the Alpha 6600 (model ILCE-6600) and Alpha 6100 (model ILCE-6100). These new models bring many of Sony’s most advanced imaging technologies into compact, lightweight APS-C bodies.

The new, extremely versatile Alpha 6600 camera has been designed to address the needs of the most demanding photographers and videographers, while the new Alpha 6100 is targeted at users who are looking to produce high-quality photos and videos with an interchangeable lens camera.

In addition to the new bodies, the Sony APS-C range has been further strengthened by the launch of two new lenses: E 16-55mm F2.8 G and E 70-350mm F4.5-6.3 G OSS. Sony’s “One Mount” solution for both APS-C and Full-frame cameras provides creators an extreme amount of versatility for all of their photography and video needs.

“These new APS-C cameras provide excellent image quality in a compact package, with the ability to take full advantage of Sony’s growing lineup of 54 different E-mount lenses,” said Neal Manowitz, deputy president of Imaging Products and Solutions at Sony Electronics. “We are proud to bring so many of our innovations into our APS-C lineup and to provide creators with several new tools to realize their vision.”

The new Alpha 6600 and Alpha 6100 include a 24.2MP Exmor™ CMOS image sensor, the latest BIONZ X™ image processor, and a front-end LSI implemented in Sony’s full-frame cameras. This powerful trio combine to deliver all-around enhancements in image quality and performance across all areas of photo and video capture.

The Alpha 6600 and Alpha 6100 offer a lightning-fast autofocus acquisition time of 0.02 seconds. With 425 focal-plane phase-detection autofocus (AF) points covering approximately 84 percent of the image area and 425 contrast-detection AF points, the high density and wide coverage of the AF system ensure reliable AF, even in the most challenging light conditions. Both new models benefit from Sony’s ‘Real-time Tracking’ which utilizes Sony’s latest algorithm with Artificial Intelligence-based object recognition to ensure that subjects can be captured with excellent accuracy, even via the touch panel on the rear screen. In addition, the new models offer ‘Real-time Eye AF’, the latest version of Sony’s acclaimed Eye AF technology. Real-time Eye AF employs AI-based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF for both humans and animals, and it allows the photographer to concentrate exclusively on composition. The Alpha 6600 also offers Real Time Eye AF in video. When activated, the eye of a subject is automatically tracked with high precision and reliability, allowing the shooter to focus on the content itself as opposed to what is in focus or not.

Additionally, both cameras can shoot high-quality 4K video, and include a microphone jack and flip screen that allows for easy framing and shooting of vlog-style content. The Alpha 6600 also features a headphone jack to monitor audio.

An Eye for Detail

Based upon feedback from users of existing Sony APS-C camera users, Sony has added features to the Alpha 6600 and Alpha 6100 to fine tune the user experience. These include:

  • Improved color reproduction; algorithms inherited from full-frame models deliver natural color reproduction, particularly in skin tones
  • Hi-resolution internal 4K movie recording with full-pixel readout without pixel binning in Super 35mm format with easy smartphone transfers via the Imaging Edge™ Mobile application
  • Interval shooting for stunning time-lapse videos
  • 180-degree tiltable, 3.0-type 921k-dot (approx.) LCD touch screen
  • Integrated Microphone input for clear and crisp audio on video recordings

Alpha 6600

Across an ISO range of 100-32000 (expandable to ISO 50 – 102400), the new Alpha 6600 offers superb low-noise performance and delivers extremely high-quality images, even in low-light conditions. By applying noise reduction and sharpness processing optimally in each area, Area-specific Noise Reduction and Detail Reproduction Technology greatly reduce noise while preserving high resolution. This contributes to fine reproduction of subject textures and shadow details.

The Alpha 6600 features many of the technology breakthroughs that are attracting praise on Sony’s high-end full-frame cameras. These include:

  • Sony’s innovative 5-axis in-body image stabilization system that results in a 5.0-step shutter speed advantage
  • Implementation of the industry-leading long battery life with Sony Z Battery for the first time on an APS-C camera, enabling extended power performance; approx. 720 still images using viewfinder, approx. 810 images using LCD monitor
  • A tough magnesium alloy design that is dust and moisture resistant
  • Real-time Eye AF for movie shooting; when activated, the eye of a subject is automatically tracked with high precision and reliability, allowing the shooter to focus on the content itself as opposed to what is in focus or not in focus. Touch Tracking functionality will also automatically initiate Eye AF when a human subject is selected
  • Integrated headphone jack which allows the user to connect high-quality headphones for accurate monitoring of recorded sound

4K Recording

The Alpha 6600 and Alpha 6100 boasts internal 4K movie recording in Super 35mm format with full pixel readout without pixel binning, to enable them to capture approximately 2.4x the amount of information required for 4K movies. This oversampling results in stunning footage, delivered in the XAVC S™ format with unparalleled resolution. The Alpha 6600 also equips an HLG (Hybrid Log-Gamma) picture profile that supports an instant HDR workflow. Recorded movies played back on an HDR (HLG) compatible TV will appear true-to-life, with no blocked shadows or blown highlights, and without the need for color grading. For users who want to color grade their footage in post-production, S-Log3 and S-Log2 Gamma profiles are provided.

Pricing and Availability

The new Alpha 6600 will be available in November and will be sold at a variety of Sony authorized dealers throughout North America at below prices:

Camera body – $ 1,400 US / $ 1,900 CA

Camera kit with Sony 18-135mm Lens – $ 1,800 US / $ 2,400 CA

Sony a6600 specifications

Price
MSRP $ 1400 (body only), $ 1800 (w/18-135mm lens)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor Bionz X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-32000 (expandable to 102400)
Boosted ISO (maximum) 102400
White balance presets 8
Image stabilization Sensor-shift
Image stabilization notes 5-axis
Uncompressed format RAW
JPEG quality levels Extra fine, fine, standard
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Sony E
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.07× (0.71× 35mm equiv.)
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • iAuto
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
Flash X sync speed 1/160 sec
Drive modes
  • Single
  • Continuous (Hi+/Hi/Mid/Lo)
  • Self-timer
  • Bracketing
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes (3 frames, H/L selectable)
Videography features
Format MPEG-4, AVCHD, XAVC S
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC + Memory Stick Pro Duo
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FZ1000
Battery Life (CIPA) 810
Weight (inc. batteries) 503 g (1.11 lb / 17.74 oz)
Dimensions 120 x 67 x 69 mm (4.72 x 2.64 x 2.72)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony announces a6600 with image stabilization and Real-time Tracking autofocus

Posted in Uncategorized

 

Unreal Engine’s Project Spotlight uses LED walls for real-time in-camera visual effects

24 Aug

Epic Games has showcased Project Spotlight, an Unreal Engine-powered way to capture real-time visual effects in-camera. The company has detailed the work in a new video showing off the system, including its ability to track the camera’s position in space in real-time for a realistic and customizable background.

Rather than filming in front of a blue or green screen for post-production later on, the Project Spotlight system enables filmmakers to shoot in front of LED walls showing the virtual environment in real-time. Creators can digitally manipulate this 3D virtual scene when necessary and the LED walls adjust the on-set lighting for realistic ambient light.

‘No matter what the project is,’ Lux Machina chief technology officer Philip Galler said, ‘creatives always want to see the closest representation to the final product as early on in the creative process [as possible].’

Experts featured in the video explain that because the virtual environment can be adjusted in real-time, the project saves critical time that may otherwise be wasted waiting for changes. As well, people from different departments can work together to determine how the virtual world is portrayed.

The technology was demonstrated at SIGGRAPH 2019 by Epic Games in partnership with Magnopus, Lux Machina, Quixel, Profile Studios, DP Matt Workman and ARRI. Future plans for the system are unclear at this time.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Unreal Engine’s Project Spotlight uses LED walls for real-time in-camera visual effects

Posted in Uncategorized

 

Sony a9 ‘real-time tracking’ update makes it the highest scoring camera in its class

03 Jul

We were already impressed with the Sony a9 when we reviewed it, giving it a score that put it on par with its two very capable rivals, the Nikon D5 and the Canon EOS-1DX II. In April this year, nearly two years after the camera’s launch, Sony introduced a significant firmware update that largely revamped the autofocus system of the camera, adding a new ‘real-time tracking’ AF mode that works seamlessly with face and eye detection. Sony also updated face and eye detection algorithms by using machine learning to understand human subjects and features more accurately.

Gold Award

90%
Overall score

We’ve spent some time shooting with the updated a9 in a variety of situations, and have previously written and in-depth look into what the new AF system brings. After further testing, we’ve re-scored the a9 with the boosted autofocus in mind, and it brings the score up to 90% (from 89%). This makes the a9 the highest-scoring camera in its class, out-ranking the Nikon D5 and Canon EOS-1D X II.

The increased score reflects the precision of the updated a9’s subject tracking system, as well as its ease-of-use that makes it valuable for nearly all types of photography. Click ‘Read our review’ above to jump to our full review (originally published in 2017), and read on for a description of the new real-time tracking mode, with some examples and videos of the system in use.


Real-time tracking in use

‘Real-time tracking’ refers to the ability of the a9 (and a6400) to understand the subject you initiated focus on, and track it in three dimensions, much like 3D Tracking on Nikon DSLRs, and the respective subject tracking modes on various mirrorless cameras. What sets the a9’s system apart are both its performance (we found it to reliable enough to be useful for portrait, event, candid, sports and even landscape photography), and its ease-of-use.

To pick a target, you can simply reframe your composition to place your AF point over your subject, half-press the shutter, and real-time tracking will collect color, brightness, pattern, distance, face and eye information about your subject so it can use it to keep track of your subject.

It’s robust enough that it will even, again reliably, switch in and out of Eye AF as necessary if a face or eye is detected on the subject you are tracking, as you can see in the video above.* Collectively, this means you can concentrate on the composition and the moment. There is no longer a need to focus (pun intended) on keeping your AF point over your subject, which for years has constrained composition and made it difficult to maintain focus on erratic subjects.

In practice, the system excels. While many professional sports photographers that know their sport, and can anticipate the action, have successfully used Single Point or Zone AF for years, real-time tracking can help both the amateur and the pro achieve potentially better results. First, it frees up the photographer to compose freely, as composition is no longer constrained by having to keep an AF point over the subject. But perhaps more importantly, not having to keep a fixed AF point or zone over a fast moving subject is a boon when it comes to fast, erratic subjects shot using long telephoto lenses, where framing is increasingly difficult. The sequences below were shot with the 600mm F4 GM lens at a soccer match (click on any thumbnail to launch the gallery):

$ (document).ready(function() { SampleGalleryStripV2({“galleryId”:”0909301542″,”isMobile”:false}) })

Sample photoSample photoSample photoSample photoSample photo
Unpredictable motion combined with a 600mm focal length makes it difficult to keep a fixed AF area over your subject. Here, real-time tracking tracked our players even as others passed in front of them, switching in and out of Eye AF, and reverting to generic subject tracking, as necessary so as to not lose the original subject. Photos by Barney Britton

And below, despite erratic motion, changing directions, and nearby similarly-dressed players, the camera tracks the original player in both instances. In the first sequence we targeted the player in red (Everton); in the second, the player in silver (Ivan). Only one or two shots in the sequence are slightly misfocused.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3823304888″,”galleryId”:”3823304888″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Away from sports and burst photography, we found the performance of Sony’s ‘real-time tracking’ to be beneficial for even more stationary subjects, as it frees you up to try different poses and framings quickly, as we’ve done below.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2553378816″,”galleryId”:”2553378816″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Most of the 20 shots above were captured in under 19 seconds, without ever letting off the AF-ON button. The camera never lost our model, and the seamless transitioning between Eye AF and general subject tracking allowed the AF system to remain on our subject throughout the series. By not having to think about focus, you can work faster, and come home with a greater variety of images to choose from.


*This video demonstrates ‘real-time tracking’ on the a6400, but the principle is the same on the a9.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony a9 ‘real-time tracking’ update makes it the highest scoring camera in its class

Posted in Uncategorized

 

Sony adds enhanced Real-time Eye AF, Animal Eye AF and interval shooting to the a7R III, A7 III

11 Apr

Sony has released firmware version 3.0 for its a7R III and a7 III full-frame mirrorless cameras, bringing enhanced real-time Eye AF functionality as well as an Eye AF mode designed specifically for animals.

Enhanced Real-time Eye AF

Sony’s enhanced Real-time Eye AF is now available in the AF-C focus mode and works with a half-press of the shutter button, or when pressing the AF-ON button. When set to function with a half press of the shutter or with the AF-ON button, Real-time Eye AF will continue to operate as usual, even if no eye is found in the scene. If you choose to map the Real-time Eye AF function to a custom button, you will lose out on this functionality.

Firmware version 3.0 seen installed on an a7 III camera.

Real-time Animal Eye AF

It’s not just human eyes Sony is focusing on either. Firmware version 3.0 brings — for the first time ever in an interchangeable lens camera — Animal Eye AF, a new autofocus mode that uses AI-trained algorithms to pinpoint and focus on the eyes of wild animals and pets.

Like Real-time Eye AF, Animal Eye AF works with AF-C focus mode and is activated with the half press of the shutter button or when assigned to the AF-ON button. It’s worth noting however, that you must choose between the ‘Human’ and ‘Animal’ Eye AF mode in the menu before shooting. Sony also notes that due to the large amount of data required to track animal eyes, the Animal Eye AF likely won’t perform as well as the Human Eye AF.

Interval Shooting mode

Firmware version 3.0 also brings an interval shooting mode first seen in the Sony a6400. Now, it’s easy to capture between 1 and 9999 photographs in 1 to 60 second intervals. The new feature also includes an auto exposure (AE) sensitivity setting that can be adjusted between High, Mid or Low to account for changing exposures throughout the set capture time.

The resulting images can also be put together into a full video using Sony’s Imaging Edge app, which will process the Raw photographs and output the final video to YouTube, PlayMemories Online and other online video services. Below is a video shared by Sony showing a video produced with the new Interval Shooting mode.

Other changes found in firmware version 3.0 for a7R III and a7 III cameras include support for Sony’s wireless remote commander RMT-P1BT, the ability to assign the ‘Menu’ button to a custom key and general stability improvements.

As for the a9, Sony anticipated firmware version 6.0 will be released Summer 2019 and will include Animal Eye AF and the interval shooting modes now available for the a7R III and a7 III.

Firmware update 3.0 is available to download now on Sony’s website via the Sony a7R III support page and the Sony a7 III support page. As the firmware was only released at the time of publishing this article, we will be spending time with the firmware update to provide more hands-on insight at a later time.

Press release:

New Firmware Update for Sony a7 III and Sony a7R III Boosts Eye AF Capabilities and Adds Interval Shooting for Time Lapse

Sony’s acclaimed a7 III and a7R III mirrorless cameras have received an exciting firmware update—Software Version 3.0— that enhances Real-time Eye AF performance and adds Real-time Animal Eye AF and interval shooting for time lapse.

Real-time Eye AF

Software Version 3.0 brings Real-time Eye-AF to the a7R III and a7 III, an AI-driven, enhanced eye detection system that’s based on the results of machine learning. Through machine learning, Sony has created a system that can detect—and focus on—the human eye even if the subject is looking down, partially blocked in the frame, turning or backlit. This feature is available in AF-C mode with a simple half-press of the shutter button.

Real-time Animal Eye AF

As with human eye recognition, Software Version 3.0 brings AI-driven animal eye detection to Sony cameras for the first time. Advanced subject recognition allows the a7 III and a7R III to detect and track animal eyes, and is the first step in a robust animal-tracking AF system.

The development of Animal Eye AF performance will continue, increasing the range of animals recognized by the system as well the system’s ability to track their movement.

Interval Shooting

This new software adds a built-in interval timer that can be set for anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999. AE tracking sensitivity is available to be adjusted to “High”, “Mid” or “Low” in order to reduce changes in exposure.

For more information on Software Version 3.0 for the a7R III and a7 III cameras, please visit AlphaUniverse.com.


Update (April 11, 2019): Text edited to clarify Real-time Eye AF and Animal Eye AF work with AF-C focus mode.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony adds enhanced Real-time Eye AF, Animal Eye AF and interval shooting to the a7R III, A7 III

Posted in Uncategorized