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Posts Tagged ‘Quest’

Video: One man’s quest to watercool a Canon R5 into an 8K video powerhouse

04 Dec

This July, Canon released a media advisory clarifying the overheating concerns of early Canon EOS R5 and R6 users. After Lensrentals took apart the R5, we better understood the thermal constraints of the design. The camera is very tightly sealed, which is great when you want to keep water out, but not so great when you want heat to escape.

In its media release, Canon stated the approximate recording time for 8K 30p video with the R5 before the camera overheated is about 20 minutes. After letting the camera cool for 10 minutes, users can expect to record another 3 minutes of 8K footage before the camera overheats again. It’s a better, albeit similar, situation when recording 4K 60p and 4K 30p (8.2K oversampling) video. The feature set of the R5 and its performance is impressive, but in many settings, overheating is problematic.

Matt from the YouTube channel DIY Perks wanted to prevent his own Canon R5 from overheating, so he dismantled it and modified the camera’s internals. Should you feel inspired, it is worth pointing out the obvious. Dismantling your camera and modifying it will void your warranty and comes with significant risks. However, for the adventurous among you, you can see how Matt modified his camera in the video below.

Matt used some standard liquid cooling components you might find in a performance-oriented PC. He also installed thermal paste, which he believes is much better than the thermal pads that the R5 has between the main processors and a metal plate. To try to remove heat from the main processing area, he also installed copper, as it’s a good conductor of heat.

Matt used PC liquid cooling components to water cool his Canon R5. As you can see, it’s not a compact solution. However, it is remarkably effective, allowing for unlimited 8K recording times.

After making these mods, would the R5 record 8K video for longer than 20 minutes? No. Even though the camera was staying much cooler than it did before it was modified, it still shut down after 20 minutes of recording due to a timer-based heat management solution baked into the camera’s firmware.

Matt updated to a recent firmware version, which changes how the camera manages overheating, and tried the test again. This time, with firmware version 1.1.1 installed on the R5, the water-cooled R5 breezed past the 20 minute mark and Matt speculates that the camera should theoretically be able to record indefinitely. It’s worth noting that in certain situations, such as Matt’s testing area, the firmware update alone can increase 8K recording time limit. In this case, it added about six minutes of 8K recording time before overheating.

With custom-fabricated copper, the R5 becomes a much better high-end video camera.

Of course, the liquid cooling solution is not very practical or elegant. It requires tubing, a water reservoir, a pump, radiator and you must have the back of the R5 remain detached. Matt wanted to devise an improved heatsink solution and reassemble the camera completely.

Using copper, improved thermal paste, and thermal padding, he was able to get nearly 40 minutes of uninterrupted 8K recording, a significant improvement over the production camera. A five minute break allowed an additional half an hour of recording. This is a very impressive passive cooling solution and a big step up over an unmodified R5.

Combining modified internal components with copper heatsinks and an external heatsink results in unlimited recording time. It adds bulk to the camera, but the rear heatsink is removable, allowing the camera to retain its original form factor.

If you require even longer record times, coupling the passive cooling modification with a copper heatsink mounted to the back of the camera does the trick. While a heatsink adds bulk, it is also easily removed when not needed, quickly returning the camera to its original form factor. Matt also designed a 3D-printable base for the camera that includes room for a fan and batteries. The base works in tandem with the internal copper plate modification. The files for the base have not been uploaded yet, but the link will be added to the video’s description when available. To view more videos from DIY Perks, click here.

Articles: Digital Photography Review (dpreview.com)

 
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Here are the winners for Red Bull Illume’s Image Quest 2019 competition

28 Nov

Red Bull Illume Image Quest 2019 Winners

At the beginning of this month, 260 semi-finalists were selected out of nearly 60,000 entries for Red Bull Illume’s photography and videography contest. The 5 finalists for each category attended the Winner Award Ceremony hosted at the LUMEN – Museum of Mountain Photography on November 20th. The Overall Winner, 11 Category Winners, and Top 60 finalist images were revealed at the ceremony hosted by Italian sports journalist Zoran Filicic.

Ben Thouard was this year’s Overall Winner.

This year’s Overall Winner is Ben Thouard for his underwater image of surfer Ace Buchan riding a massive wave in Teahupo’o, Tahiti. Here is Thouard’s story behind his winning image: ‘I‘ve dedicated the last few years to shooting underwater, looking for new angles and a new way to shoot surfing and waves. Shooting surfing from underwater is a whole new world and I love it! Tahiti has some of the clearest water in the world so it was easy for me to take advantage of it and explore it as much as I could. This photo was shot during a freesurf session right before the WCT event in Teahupo‘o. This is Ace Buchan kicking out from the barrel through the wave, a technique to escape a close-out wave.’

He continues, ‘luckily I was right below, breathless with my [underwater housing] waiting for this moment and I was able to capture the whole sequence of it; this frame from the beginning of the sequence is the most powerful one because of the water around his face and body.’ Thouard was a Red Bull Illume semi-finalist in 2013 and a finalist in 2016 before becoming the Overall Winner this year.

60 finalist images were on display outside the LUMEN.

Once all the winners and finalists were announced, attendees were able to view the 60 finalist photos illuminated with 2mx2m lightboxes outside the LUMEN. The winners for each category are:

Overall Winner 2019: Ben Thouard, French Polynesia

Category Winners 2019

Best of Instagram by SanDisk: Baptiste Fauchille, France
Creative by Skylum: Denis Klero, Russia
Emerging by Red Bull Photography: JB Liautard, France
Energy: Ben Thouard, French Polynesia
Innovation by Sony: Laurence Crossman-Emms, United Kingdom
Lifestyle: Alexander Wick, Germany
Masterpiece by EyeEm: Lorenz Holder, Germany
Moving Image: Rupert Walker, Canada
Playground: Lorenz Holder, Germany
RAW: Noah Wetzel, USA
Wings: Philip Platzer, Austria
Best Mountain Sports Image by Salewa: Kamil Sustiak, Australia
SanDisk Extreme Award: Philip Platzer, Austria

For those interested, a Limited Edition Red Bull Illume Photobook featuring 260 semi-finalist action and adventure sports images submitted to the competition is now available to order. 4,000 copies were made, each individually numbered and stamped, and they come with a SanDisk Ultra SD Memory Card containing the Moving Image Category videos plus the full Luminar 4: Creative Photo Editor suite from Skylum.

Energy & Overall Winner: Ben Thouard, France

About this photo: As the quotes in the introduction to this series illustrate, Thouard was in the right place at the right time, underwater, when he captured athlete Ace Buchan kicking out from the barrel through the wave in Teahupo’o, Tahiti.

Category Winner, Best of Instagram by SanDisk: Baptiste Fauchille, France

About this photo: This is a shot from a buddies trip with a business goal showing biker Alex Bibollet’s shadow in the bowl of Fillinges, France. In Fauchille’s words, ‘We were a team of riders, photographers, and videographers, leaving for the very first trip of the new BMX clothing brand linked to the BMX: ‘Unicorn, we are legends’. We travelled for 5 days in the middle of summer, through different spots in different cities; it was a buddies trip with a business goal.

This photo was taken at the bowl of Fillinges. I remember the heat was insane like it rarely had been in the Alps. When I arrived on the spot the first thought I had in mind was to make a top- shot video with the drone: a fixed plan with a rider who makes his line with the intention of creating a loop. Then I realized that the bowl was really clean: no tags, no dust. I was able to have the rider and his shadow to come out well. I asked Alex Bibollet — one of the riders — to do what he did best, and I immortalized this moment!’

Category Winner, Creative by Skylum: Denis Klero, Russia

About this photo: In Klero’s own words,’last year‘s trend reports have shown that as soon as the first snow starts falling the social media community bursts in excitement and instantly shares videos and photos showing the first flakes of the year. I didn‘t want to miss out on the trend and started working on a concept to show the change of seasons. To attract the attention of the social media world it had to be something that would make one stop and stare. Consequently, I developed an idea of a series of three main pictures with some supporting detail shots, which had to be visually strong and inherent to the world of Red Bull. This picture with Pavel (Alekhin, the athlete in this photo) is one of those.’

Category winner, Emerging by Red Bull Photography: Jean-Baptiste Liautard, France

About this photo: ‘Two things that I love when it comes to photography are silhouettes and reflections and I wanted to use both in a single frame for a long time. After a lot of drawings, I knew what I wanted but it took me six months to get the perfect conditions and final ideas.
Jeremy‘s trail is a piece of art and this jump is definitely a highlight. I knew I wanted to shoot it from the side and get that reflection but it was really dry at this time of the year and of course there was no water around,’ says Liautard.

‘When I saw a wheelbarrow hanging around by the jumps, I had the idea to fill it up with water to create a mirror. We didn‘t have any water hose that day, so I had to do round trips with water cans to a little ditch by the road. After spending a lot of time adjusting the wheelbarrow and cleaning the water in the afternoon, my mirror was finally ready for the evening shoot.’

We were lucky enough to have a few friends helping us with the fire that night and adjusting the smoke just as we needed. The hardest job was Jeremy‘s as he had to ride the trail almost blind. Riding bikes at night is so scary and I can‘t thank the athletes enough when they are in these kinds of conditions. After a few attempts, we got this one, just as I imagined it at the very beginning, and it was a great feeling to finally see the image I had in my head for months, displayed on the back of my camera.

Category Winner, Innovation by Sony: Laurence Crossman-Emms, United Kingdom

About this photo: In Laurence’s own words, ‘Blaenau Ffestiniog was once described as the wettest place in Wales, this is no lie. Even when the sun shines, the puddles are plentiful. I’ve always been attracted to their animations when struck by a bicycle at full steep. The tyres of Katy Winton making the perfect parting of this muddy sea. The combination of dynamic action and the silk-like curtains made me try each time more determined. There are always challenges when shooting bikes and water close up … don’t get run over and don’t get wet.

This concept had always been in the back of my mind but finding the perfect location and it aligning with both the weather and sufficient puddle depth was tough. This breathless day at Antur Stiniog with Katy proved ideal. You can never guess how water reacts when you hit it with force, sometimes the results exceed your expectations … this was one of those times.’

Category Winner, Lifestyle: Alexander Wick, Germany

About this photo: In Wick’s words, ‘Together with my boys Phil and Chris I went on a US West-Coast climbing trip. Obviously Yosemite is a must and so we tested our very humble European crack climbing skills right away on El Capitan‘s Salathé Wall. A climb I‘ve been dreaming of for quite a while.

The first Ascent of this line was a master piece way ahead of its time. Climber and photographer Tom Frost was part of the three man team back then. His photography of the same climb is just breathtaking. The picture of Royal Robbins napping on a rock atop El Cap Spire with loads of exposure is one of my favorites, so of course I planned on getting a tribute shot to the old masters once we reached the spot. As we got stuck behind another climbing party just up on El Cap spire I used the moment, aided my way up the next pitch and took the shot as the boys and our new friend Luke actually took a nap.

No old hemp ropes and linen haul bags like in 1961 but modern nylon and Dyneema this time. No uncharted terrain but a well known and established route. Having a rest amidst a sea of granite: probably almost as amazing as back in the days.’

Category Winner, Masterpiece by EyeEm: Lorenz Holder, Germany

About this photo: ‘The first time I saw this location was when I was watching Game of Thrones and I was blown away by the pure magic this road generated in me. First, I thought that it‘s of course a CGI composition, but after a little research I found out that this place is actually real and located in Northern Ireland. A year later I was actually standing there with Senad Grosic and trying to get a bunny-hop-tailwhip on camera.

It was early in the morning with the first sun rays hitting the road and we managed to get a pretty cool shot, but somehow I knew that there was pure potential in the spot. So, we decided to stay a couple days longer and waited for some kind of rain, fog or other particles in the air, so I could use one flash from behind and create a white background to make Senad stand out a bit more and get the focus a bit more on the action. The rain came on our last day and I still remember the goose-bumps I had when I saw the image appearing on the screen of the camera. That‘s when I felt the same magical feeling I got when I watched Game of Thrones for the first time.’

Category Winner, Moving Image: Rupert Walker, Canada

About this photo: This is a still from Walker’s award-winning video. Here’s his explanation for getting all the key shots: ‘It was particularly challenging because it required extreme precision from the FPV drone pilot, Jonny Durst, and during this shoot, we experienced very heavy rains, which caused the track to be nearly unrideable. From the moisture, the track was riding much slower than anticipated and caused the athletes to struggle at performing their best. The dig crew was all hands-on deck with tiger torches and shovels to dry up any wet spots and dig out any soft spots. With hard work from all, a solid shot plan, and great coordination between the drone pilot and the athletes, the shot was accomplished.’

Category Winner, Playground: Lorenz Holder, Germany

About this photo: Lorenz Holder’s reputation as a stellar location scout continues (he was a winner in this year’s Masterpiece by EyeEm category). Holder talks about his latest find: ‘The Ouse Valley Viaduct is pretty cool old railway bridge in the South of England. When you approach it from the side, you can‘t really see the secret this bridge has to offer, but once you get underneath of one of the arches you can‘t believe your eyes. You are caught in a place that could easily be in the movie Inception. The arches create a very surreal visual effect – when you are taking a picture, you don‘t understand if you are looking down into something or at least you get very confused about what you‘re actually seeing. I was blown away by this fact, but also blown away that this looked like a pretty good spot for skateboarding.

When I showed Vladic an image of the viaduct, he was on fire to try it out. To be honest it was super hard to ride and Vladic‘s quote that got stuck in my mind was: “This is so hard, when my brain is going down in the transition, my body is already going up again – this will be difficult to get something done here.“ A couple of hours later, when his brain and body came together, he landed this kickflip while the sun was just at the perfect angle as well.’

Category Winner, RAW: Noah Wetzel, USA

About this photo: ‘After weeks of preparation and creative conception, I loaded my Subaru and headed North to Wyoming for the Total Solar Eclipse in August of 2017. Arriving a couple days before the eclipse, I linked up with athletes Chris Brule, Evan Grott, and Blake Sommer. The imagery goal was to capture the Eclipse and showcase mountain biking utilizing an in-camera double exposure – a very complex process.

The morning of, we loaded our packs well before sunrise with light stands, powerful flashes, extra camera gear, and two magnum bottles of champagne to celebrate. After capturing the first image successfully during two minutes of totality, all we had to do was endure the midday sun, waiting for twilight and the attempt at the second frame.

Unfortunately, I was unaware I had damaged the hot shoe connection on my camera four weeks prior while shooting fly fishing, preventing me from triggering my flashes.
Our only option required athlete Chris Brule to hit the feature in near darkness at 9pm, allowing me to set the camera to a 2.5 second exposure, manually firing the flashes and freezing Chris mid-air. Nearly escaping complete failure, we hiked out in darkness while sipping on champagne, truly in awe of the total solar eclipse and thankful we were able to capture something special.’

Category Winner, Wings: Philip Platzer, Austria

About this photo: Here is how Platzer captured athlete Marco Fürst flying hot air balloon swing in Austria: ‘Together with the Red Bull Skydive Team, I did this crazy Project called Megaswing back in 2016. After my assignment I already knew this had to be a tricky one: Two hot air balloons, one with a long rope attached and the other one to jump out with the swing, and of course the skydiver with his parachute.

After the first couple of jumps I realized that I wouldn’t get the perfect shot by simply shooting from the inside of the basket they where jumping out of. Lucky me, I had my monopod in the car as well as a pair of radio-triggers. My solution to get the right angle was to hold the camera, that I had attached to my monopod, as deep under the basket and just hope to get the perfect framing.

Another thing, I asked the athlete Marco Fürst to turn a little bit towards my direction to avoid getting an ass-shot and to get this playful mood in the image. In the end it was the very last try which gave us the moneyshot.’

Articles: Digital Photography Review (dpreview.com)

 
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These are the Red Bull Illume Image Quest 2019 semi-finalists

02 Nov

Red Bull Illume Image Quest 2019 semi-finalists

The fifth edition of Red Bull’s Illume contest attracted a record-breaking 59,551 submissions from around the world. It’s an increase of 72% compared to the number of entries from the last competition in 2016. Partnering with Sony, SanDisk, Skylum, COOPH, Red Bull Photography, EyeEm, and more, the latest Illume offered up 11 categories for adventure and action sports photographers and videographers to submit their work.

260 semi-finalists have been selected and will all be featured in a forthcoming limited-edition coffee table book. A panel of esteemed experts representing top news publications and digital photography brands will judge each entry and narrow the pool to 60 finalists. Those finalists will be invited to the Winner Award Ceremony that takes place from November 18th-20th, and their images will be on display in the Global Exhibit Tour that will commence immediately afterward.

5 finalists from each category, 11 category winners, and 1 overall winner will be crowned during the late November awards ceremony at the LUMEN – Museum of Mountain Photography on top of Kronplatz – a mountain of the Dolomites in South Tyrol, Italy. Winners will receive a set of prizes from sponsors, mentioned above, valued at €100,000 ($ 111,644 USD). Looking at the past winning galleries, it’s clear that Red Bull hosts this competition every three years. Maybe this will change as the competition has made significant gains recently and the promise of a special announcement at the awards ceremony has been made by conference organizers.

We were given the choice of 200 semi-finalist images to feature and narrowed them down, representing at least 1 image from every category, excluding Moving Image which can be viewed in the video above. Anyone interested in developments on winners and future contests is encouraged to follow Red Bull Illume on Instagram, Facebook, Twitter, Pinterest and YouTube.

Semi-finalist, Wings: Sergey Shakuto

Semi-finalist for the Wings category, Red Bull Illume 2019: Sergey Shakuto, Russia

Location: Russia, Kolomna, Aerograd DZ

Biography quote: ‘Inborn craving for experiments.’

Biography: I was born and grew up in a small town in Russia, but since childhood I was dreaming about traveling the world and doing extreme sports. As soon as I made my first money as a graphic designer, I started to realize my dream. So more than 16 years I’m doing all kind of sports from freediving to skydiving and capturing it with my camera.

My super-power is my insider knowledge about sports and it helps me to speak same language with all the athletes I’m shooting.

About the photo: In Shakuto’s words, ’it was one of the first photos that I took in free fall. I was completely new in skydiving when Eugene [Tarakhomin] suggested taking a picture of him. One day he called and said “Hey Serge, you are a cool photographer, let’s make something together.” I wasn’t sure about that, because had no freefly experience. But I bought a special helmet, took the cheapest camera which I had (Sony A6000), and the cheapest and lightest Sony lens (SEL16F28).

I spent about a month for preparing and training. In total, we took about 10 beautiful photos in two jumps at sunset. This project is a perfect example what can be achieved with a wealth of experience in action photography and good technical skills, professional athlete, and at the same time the cheapest equipment and little experience in sports.’

Gear and specs: Sony A6000; Sony 16mm f2.8 lens; ISO: 100; F-Stop: f/6.3; Shutter Speed: 1/1250 sec.

Semi-finalist, Wings: Tino Scherer

Semi-finalist for the Wings category, Red Bull Illume 2019: Tino Scherer, Switzerland

Location: Titlis/Titlisgletscher/Engelberg/CH

Biography quote: ‘My goal is to capture a moment so that each image fully reflects the energy expelled by its subject!’

Biography: I grew up in a little village in the heart of Switzerland and now call the beautiful city of Lucerne my home. I am a sports and lifestyle photographer who has worked with many brands and customers both in Switzerland and around the world. One of my first jobs was a project for Monster Energy. Since then I have completed multiple larger projects for renown Swiss and international customers such as Audi, Adidas, Leica Camera AG, and Schilthorn Piz Gloria.

The personal and direct exchange with the people I work with is something I highly value about my job. I always strive to understand and implement my clients vision and am fueled by my passion to master the technically more challenging side of photography. My goal is to capture a moment so that each image fully reflects the energy expelled by its subject!

About the photo: Fabian Bösch, from Engelberg, has long wanted to build a kicker at home and reflect the panorama and beauty of the Swiss Alps to the world. Around this time, almost everything is closed with us in the central Switzerland. I mean, in May nobody goes skiing with us any more.

Fabian was able to collect snow through the winter in cooperation with the Titlis railways to organize a shooting after the season, which has never been done before.At 3’020 m.a.s.l., Kobi Würsch, the Freestyle-Pak-Builder of SaasFee as well as of the Corvatsch course, built a kicker that was more than just a show-off. Perfect landing – “I’ve seldom seen such a long landing” – exactly aligned so that the sun disappears just before 9 pm directly into the Alps and an event where riders from all over the world were invited to spend a great session together.

The Titlis glacier was the Mecca this week and I was there spontaneously as a photographer. I had a lot to do during this time and could “only” participate in one day. But exactly this day was the best of the whole week and I took pictures throughout the day looking for my favorite spot.

From 20.00 [8:00 pm], the sunset shooting began and the boys banged out one hammer trick after the other. The light got better and better and I took pictures with 2 Leica Cameras. I had Studio-Broncolor flashes with me and wanted to take some flash pictures with the medium format camera with 1/1000 central shutter shortly before sunset. As it is, it gets more and more great and the atmosphere was really breathtaking.

So I went down and adjusted my flash, which was behind the kicker, but I hadn’t thought about the small radio transmitter not triggering over such distances. So Fabian came and I knew, with that camera i got no series, there are only single shots. Click – No The Flash has not triggered…then everything went so fast and the sun was only about half an hour there and the riders now skimmed out their stylish tricks.

I let the flash completely away and continue photographing and let the silhouette speak the picture. This picture with the very special flare was taken after a run with the same camera but faster shutter speed and I am super proud that I decided against the flash. So the picture has a very nice dynamic and fits perfectly into the scene.

Thanks Fabian for making this shooting possible!

Gear and specs: LEICA S (Typ 006); Hasselblad HC 3.2/150N lens; ISO: 200; F-Stop: f/3.2; Shutter Speed: 1/3000 sec.

Semi-finalist, RAW: Gaston Francisco

Semi-finalist for the RAW category, Red Bull Illume 2019: Gaston Francisco, Spain

Location: Barcelona, Spain

Biography quote: ‘After 25 years of shooting skateboarding photography, Gaston finally got the covers of the two biggest magazines in skateboarding, TWS Skateboarding and Thrasher.’

Biography: Gaston Francisco was born in Buenos Aires, Argentina in 1978. A self taught photographer, he got his first camera in 1995 and hasn’t stopped shooting ever since. He attended the University of Buenos Aires (UBA) for five years where he studied Media Science Communication. This was complemented by a year of Journalism.

In 2002 Francisco moved to Costa Rica where he founded and directed the first ever Central American skateboard magazine, FLOW. After living there for a year he moved to his present home in Barcelona, Spain, to work as a freelance photographer. His work has been published in the most important skateboarding publications worldwide, getting to the peak of this industry when he shot the covers of both TWS and Thrasher magazines recently. A passionate traveller, he has visited more than 70 countries and plans to visit even more in the coming years.

About the photo: In Francisco’s words, ‘this photo was shot during the filming of a video about Optical Illusions. We did about 8 different optical illusions and even though this one was not one of our favorites for the video, it did come out really good on the photo. The secret for the success of this picture was having [athlete] Vladik Scholz doing the trick over and over, and having an artist like Julian Lorenzo painting the stairs on the ground and shooting the photo from the right angle given that the optical illusions only work when seen from a very specific angle.’

Gear and specs: Nikon D800; Nikon Zoom lens 24-70mm, f/2.8 (this shot is at 56mm); ISO: 4000; F-Stop: 3.2; Shutter Speed: 1/800 sec.

Semi-finalist, RAW: Robert Garo

Semi-finalist for the RAW category, Red Bull Illume 2019: Robert Garo, Germany

Location: Duisburg, Germany

Biography quote: ‘Follow your passion, work hard, and never forget your dreams.’

Biography: My story as a photographer is probably more directly related to the Red Bull Illume competition than many others. After being thwarted by a shoulder injury, I bought a camera and started taking snaps. Nothing was safe in front of my lens. I think my environment was happy, and that changed when I got my hands on the second Illume book at the end of 2013. Exactly those pictures I wanted to do too!Every single image fascinated me and I burned for sports anyway. One thing led to the other and so it happened that in 2016 I was fortunate enough to win the worldwide photo contest of Red Bull Photography by 500Px. It was inspiring to be a guest at the winner’s ceremony in Chicago and meet all the other photographers. Now it was 100% clear where my way should lead. I wanted to be part of this community.

Since that time, a lot has happened. In 2017, I decided to quit my regular job and shortly after that, I became part of the Red Bull Photography Team. I was able to get to know many inspiring people and my job takes me to other countries again and again. I was allowed to work for some small and some major companies and share their passion for the sport. I am very grateful for that!

In the end, the Red Bull Illume has changed my life.

About the photo: ‘The shot was more complicated than you would think at the beginning. It started with the fact that there was only one angle to take the picture. The camera position was not allowed to be a millimeter farther left or right, because otherwise the sculpture was not fully in the picture or had parts in the picture I don’t want. As a result, Frank had only a very small flat surface available for the trick.After everything had been prepared and set up, we could not get started because to our astonishment many people visit the Tiger and Turtle even late at night. In the end, a time frame of under 10 minutes resulted in getting the shot in the box. To capture the triple spin that makes up the trick and expose the background right, I chose an exposure time of 3 seconds and the flash trigger on the second shutter curtain to freeze Frank sharply. Fortunately, the timing was already right on the third try,’ says Garo.

Gear and specs: Nikon D850; 14-24mm f/2.8 lens; ISO: 100; F-Stop: 11; Shutter Speed: 0.3 sec.

Semi-finalist, Playground: Lorenz Holder

Semi-finalist for the Playground category, Red Bull Illume 2019: Lorenz Holder, Germany

Location: Bushmills, Northern Ireland

Biography quote: ‘Walking through life with open eyes and seeing possibilities.’

Biography: I grew up in Munich, close to the Bavarian mountains, and it is those mountains that have always played a major role in my life. Being outside with my friends was always the thing that motivated me most, be it as a snowboarder back in the days or nowadays as a photographer.

I’ve never studied or learned photography but I was so impressed and fascinated, how one single image can describe a whole scene, a whole day or even a whole trip. This power of an image caught me straight away and passion became profession. I’ve finished my university for being a teacher and then went all in – All I wanted to do, is to shoot and create.

The biggest influence on my style of shooting comes from outside the action sport scene. I love to get impressed by creative work from landscape, architecture and fine-art photography. But for me, this was always a little bit too boring to shoot, so I tried to combine those genres with action sport and that’s where I found my true love for what I’m doing. Walking through life with open eyes and seeing possibilities.

About the photo: ‘The story of this image started around 60 million years ago, when lava cooled down, in a very slow way, leaving a vast field of a hexagonal stones behind. There are only a couple of places on earth, where we can see those formations nowadays.

When I’ve seen this location for the first time, I was blown away and I knew I had to shoot something there. Over a year later I was standing there with my camera at the beginning of a very good looking sunset. Everything was ready, I had my angle, wetted the stones in the foreground to get a bit more reflection there, but one crucial element was missing: Senad Grosic.

This was our first stop of a 10 days shooting trip in Northern Ireland. The problem was, that his flight from Vienna was 2 hours delayed and it was never clear if he would make it in time for the sunset shoot. So there I was, alone with a perfect setting sun and a perfect scenery, but no athlete. Senad was about 15 minutes away, when I gave him a phone call, that he should mount his bike in the moving car and hurry up. He got there – no time for a brohug – no time for warm up – just up there and perform in a really beautiful sunset. 5 minutes later we got the shot and what a cool way to start the 10 days shooting trip,’ says Holder.

Gear and specs: Phase One camera; Schneider Kreuznach LS 35mm lens; ISO: 800; F-Stop: 4.0; Shutter Speed:1/320 sec.

Semi-finalist, Playground: Piotrek Deska

Semi-finalist for the Playground category, Red Bull Illume 2019: Piotrek Deska, Poland

Location: Mirów, Poland

Biography quote: ‘Climber and photographer combined in one.’

Biography: I was born in Czestochowa, Poland, on November 20, 1986 – in the city located at the north side of the biggest climbing area in Poland – Jura. It was only a matter of time before I started to climb and explore the outdoor possibilities of the area. During my teenage years climbing became my true passion.

I was inspired by the rocks around and was always eager to climb another eye-catching line. As soon as I got my first camera from my father, who is also a photographer, I found out the great joy in creating long-lasting memories by shooting pictures. Both – climbing and photography – can be symbiotic, and since I was able to get some first good looking shots at an early age, I became more and more passionate about taking a camera at the crag every time.

Nowadays I’m still an active climber trying to spend free time either at the crag or in the mountains. A couple of years ago, I quit my job as a web analyst and decided to take a chance of being a full-time photographer. I’m focused mostly on the outdoor world, trying to picture passionate people doing what makes them happy – be it climbing, mountaineering or any other activity.

With every picture, I’m trying to show something more than just an athlete. As photographers, we have only one frame that freezes just a split of a second, and it’s important to show something more in it. With every shot I make, I always try to create an image that will look great in large format on the wall.

About the photo: In Deska’s words, ‘last climb of the day in the typical Jurassic scenery. The common view of Polish Jura: bone-white limestone and a medieval castle ruins. Just add the climber, and you have a perfect combination for a picture.

While going to Mirów, I wasn’t thinking about a climbing picture. I had only a landscape shot in my mind of that specific frame. But I was lucky enough – even though it wasn’t one of the weekend days, which are usual time for climbing activity, I spotted a climber at the Turnia Kukuczki crag. Every piece came together – the timing (just before the sunset) and the climber, who filled up the frame. I “only” had to hit the shutter and make it a climbing picture instead of “just” a landscape photo.’

Gear and specs: Canon EOS 5D Mark IV; Canon EF 70-200 f2.8 lens; ISO: 100; F-Stop: 11; Shutter Speed: 1/15 sec.

Semi-finalist, Masterpiece by EyeEm: Leo Cittadella

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Leo Cittadella, Norway

Location: Preikestolen, Norway

Biography quote: ‘Skate or die!’

Biography: Half Norwegian/Italian, but born in Sedona, AZ 1990 – Now working as a freelance filmmaker based in Oslo, Norway since 2009 – I got my first paid film job in high school and got some extra motivation to make it my job. After a few years with tutorials and long nights, things worked out and I got heavily involved with the snowboard scene. Action sports has thought me to be free and that helped me create my own style. Now I do all types of film projects, but with my main focus still on the shred.

About the photo: ‘We went up to film a skate video sequence on the edge of Preikestolen (2000 foot cliff). We got the whole spot to ourselves and wrapped up just in time to snap a photo before all the selfie tourists arrived. First time trying the camera, so the settings were all messed up!’

Gear and specs: Sony Alpha 7S II; 67mm lens; ISO: 2000; F-Stop: 4; Shutter Speed: 1/8000 sec.

Semi-finalist, Masterpiece by EyeEm: Nils Ohlendorf

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Nils Ohlendorf, Germany

Location: Fruit Bowl, Moab, Utah, USA

Biography quote: ‘The wilder, the better-chasing raw emotion and that magic light.’

Biography: I have always had the travel bugs and the joy of being outdoors. Studying geography did not relieve that; on the contrary, it gave me plenty of excuses for extended trips abroad. Moving close to the Alps for university enabled me to develop my climbing and skiing, and to spend a lot of time getting lost in the mountains with my friends. Regarding work, I was always concerned about a good work/life balance as well as a decent town/mountain balance.

I achieved this quite well, working mostly based in Germany, and for two years in South America, with plenty of opportunities to explore the Andes. Photography has been a part of my life for a long time. I was 15 when I got my first analogue SLR. But it was until about 4 years ago that I shifted my professional focus towards sports, mountain, and outdoor photography.

The boy in the dark room, developing black and white prints, the love for being outdoors and roaming the world, all the time in the mountains and at that point, it all came together.

About the photo: ‘During a two month climbing trip in the USA, I stayed in Indian Creek when I heard about the GGBY Highline Festival happening outside of Moab. I went to check it out and was totally impressed by the place, the community and the aesthetics of people expressing themselves by moving through space.

Next to the highline area, I had the chance to witness Andy Lewis going for a basejump right into the setting sun above the green river. It was a one-shot kind of opportunity, but everything aligned perfectly.

Gear and specs: Nikon D600; 35mm f/1.4 lens; ISO: 640; F-Stop: 7.1; Shutter Speed: 1/800 sec.

Semi-finalist, Masterpiece by EyeEm: Jeremiah Watt

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Jeremiah Watt, USA

Location: Arch Canyon, Bears Ears National Monument, UT, USA

Biography quote: ‘Raw, authentic, inspired.’

Biography: In the late ’90s, after a college internship gone awry, I turned to photography as an educational possibility. Years later, after life in a van, following the seasons for rock and snow, my camera and I reconnected. Many cameras later I still love an eclectic crew and a wild endeavor. Currently based in Salt Lake City, UT, my hope is to create authentic, story, and character-driven imagery that places the viewer in the midst of the experience.

About the photo: ‘Pat Kingsbury and Jackson Marvell are true desert choss wranglers. On this occasion they were attempting to free “Hellbitch” – an old aid line ascending 800 feet of freestanding sandstone through everything ranging from bullet proof stone to absolute choss. This was my second visit and I desperately wanted shots of Pat redpointing the crux off-width on the third pitch. We’d shot on the pitch repeatedly and we’d created incredible photos but they weren’t the send. As a photographer bent on capturing authentic experience, being there and capturing the actual moment it all comes together, beginning to end, is priceless.

This trip we had five days to make it happen, however, it was getting late in the season, temps beyond noon were unbearable, and time was limited. The day before this, we’d ran from the heat, and sought refuge swimming in sand filled water with margarita’s in hand. The next morning found Pat barely able to stand, dry heaving in his sleeping bag. Being our last day to work and shoot we couldn’t rest and left him alone to recover.

Hours later, as we began to rappel and clean the tower, Pat showed up in flip flops and shorts, feeling better, but not much. Realizing this was his last opportunity to climb his pitch until after the long desert summer, he borrowed pants (a small women’s were all that was available), tied in, and proceeded to send the 30 feet of nearly horizontal off-width using everything from leading with his feet to jamming with his head. The fact that he went from prostrate and dry heaving to sending one of the hardest off-width pitches in the desert still defies comprehension. This photo is from that send and will be an all-time favorite memory and capture for years to come,’ reflects Watt.

Gear and specs: Nikon D810; Nikon 24-70mm f/2.8 lens; ISO: 250; F-Stop: 2.8; Shutter Speed: 1/800 sec.

Semi-finalist, Masterpiece by EyeEm: Ydwer van der Heide

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Ydwer van der Heide, The Netherlands

Location: Camps Bay, South Africa

Biography Quote: ‘Shooting kitesurfing action in tough conditions can be very challenging. You have to deal with wind, water, salt and sand at the same time. I love to be exposed to those conditions. It puts me in a space where I can capture the reality exactly how I see it. The reward is there when people look at the photo and get the same feeling I had.

In action sports photography you need to be lucky. For a good photo, all pieces have to fall into place. For me knowledge is king. Knowing every button and function of my camera and doing research about my subjects and locations means the chances of having lucky moments are bigger. It gives me room for creativity and I’ll end up with the best possible result.’

Biography: Ydwer van der Heide is an extreme sports photographer hailing from The Netherlands. As a fanatic rider himself, he has combined his early passion for photography and evolved to have one of the most instantly recognizable styles of imagery in kiteboarding. He blends natural elements with the movement and feel of the sport. A lot of people say that the texture of his shots is something else.

Ydwer has been coming to South Africa for many years to shoot with the best kiters in the world. His thrill for photography comes from reacting to the environment, improvising in the moment and accurately portraying the reality of the sports’ best riders braving the most extreme conditions.

His love for travel and adventure makes him criss cross the globe to shoot action sports and capture extraordinary moments of passionated athletes. He’s always looking for a challenge, new angles or locations and innovative ways of showing the sport.

About the photo: ‘During summer season many kitesurfers travel to Cape Town to enjoy the wind and the waves. For me as a photographer specialized in kitesurfing it’s the highlight of the season. I’m able to capture the biggest moments in kiteboarding history with the worlds best riders. These riders have become good friends throughout the years. One of them is Kevin Langeree, an athlete that pushes the sport in his own way.

Most of the people have seen photos from Cape Town and most of the time you’ll see Table Mountain in the background. This year I decided with Kevin to approach it from a different side. We started looking for other spots and angles. We found this tidal rock pool close to the city of Cape Town. It’s such a beautiful place where nature and city merge together seamlessly. I found this angle from above, where the clean pool was so nicely divided from the rough ocean by the typical bolder rocks that you find around Cape Town.’

Gear and specs: DJI Mavic Pro 2; Hasselblad L1D-20C lens; ISO: 100; F-Stop: 6.3; Shutter Speed: 1/400 sec.

Semi-finalist, Lifestyle: Tal Roberts

Semi-finalist for the Lifestyle category, Red Bull Illume 2019: Tal Roberts, USA

Location: Portland, Oregon

Biography: Tal Roberts got his start creating still images by hitting the pause button when the tricks looked just right on the classic skateboard videos of the mid 1990s. Though he didn’t use a real camera until years later the desire to document his passions was still intact. Tal kickstarted his photographic career while exploring the mountains around his home in Ketchum, Idaho and continues to focus on making pictures of his friends having fun.

About the photo: ‘Not much can match the stoke on Willow’s [the dog] face when she see’s we are going for a rip with the skateboard,’ says Roberts.

Gear and specs: Nikon D4; Nikon 16mm lens; ISO: 100; F-Stop: f5.6; Shutter Speed: 1/250 sec.

Semi-finalist, Innovation by Sony: Keke Leppälä

Semi-finalist for the Innovation by Sony category, Red Bull Illume 2019: Keke Leppälä, Finland

Location: Suvilahti DIY skatepark, Helsinki, Finland

Biography quote: ‘Keep shooting, keep exploring, keep doing what you love.’

Biography: I’m a Finnish photographer based in Helsinki. From an early age, I got into skateboarding and snowboarding. I bought my first camera when I was about 12. I shot quite a bit in b&w since my high school had a darkroom, and learned a lot about the “old school” photo development.

For a while in the ‘90s, I was a professional snowboarder. After that it was time for studies, and I ended up working with IT. About 15 years ago I moved to Denmark. We started a local skateboard mag (One Love) in Copenhagen and I got my first skate photo of Sam Beckett published in the Blind Skateboards catalog. From there on, skateboard photography has become a bigger part of my photo work.

2016 I moved back to Helsinki. I work as a freelance photographer but I have also worked with IT for many years now. I enjoy shooting action, wildlife, people and architecture – but skateboard photography combines two of my big passions: it gives me the chance to capture both the fun and beauty of skateboarding and the talent of the skaters.

I enjoy combining visual lines and clean backgrounds with the unexpected perspective.

About the photo: Every year, the legendary Suvilahti DIY skatepark in Helsinki is painted with new exciting artwork based on an idea by the local skaters and artists. In 2016 the theme was ‘Iceberg Ocean.’ During the HELride skateboard event held in Helsinki each summer, Suvilahti DIY has served as the scene for the breathtaking deathrace contest.

‘I am always in search of new unseen angles, and therefore I climbed the sketchy ladder up to 20 meters height of this metal light pole tower located next to the park. In shoots like these, you need to be right at the spot, hitting the shutter just at the right time. I shot many skaters during the deathrace, but my man Roope just got it perfectly aligned when he passed, and I managed to capture my idea into a picture. This angle really twists your mind, and you gotta love the beauty of the background. Artwork design by Laura Lehtinen.

Suvilahti DIY has been designed and built by skaters for skaters, expanding and evolving since 2011. The park, with a size of over 1000m2 [square meters], is one of the biggest of its kind in Europe. Sadly, it is under the threat of being demolished. An association called “The friends and supporters of Suvilahti DIY skatepark area” has been founded in order to save and develop this unique specimen of urban culture,’ says Leppälä.

Gear and specs: Canon EOS 5D Mark II; Canon EF100-400mm f/4.5-5.6L lens, IS USM @100mm; ISO: 100; F-Stop: 5.6; Shutter Speed: 1/640 sec.

Semi-finalist, Innovation by Sony: Vegard Breie

Semi-finalist for the Innovation by Sony category, Red Bull Illume 2019: Vegard Breie, Norway

Location: Numendal, Norway

Biography quote: ‘Hard work pays off.’

Biography: Vegard started his career, as many others, shooting friends on skis and bikes. From then he has been very fortunate to do projects like going to Kabul with special forces, shooting cars in Hollywood to TV promos on beaches of Mexico. He always returns to the action sports, though. Hard to change what you love!

About the photo: ‘Anders [Backe, the skier] is the most hardworking athlete I know and always has some crazy ideas. We tried something similar a few years back that didn’t work that well. But when he came across this pool in an old school he knew about, we knew this was a go!

It’s done with a smoke machine in the pool, the temperature of the landing makes the haze stay down there. And I have one flash behind the jump with a blue gel, and one to my left aiming at him. There was a really minimal innrun, but Anders has incredible pop so he still made it look really good,’ explains Breie.

Gear and specs: Nikon D850; 14-24mm, f/2.8 lens; ISO: 500; F-Stop: 4.5; Shutter Speed: 1/250 sec.

Semi-finalist, Innovation by Sony: Dominique Daher

Semi-finalist for the Innovation by Sony category, Red Bull Illume 2019: Dominique Daher, Switzerland

Location: Col de l’Isoard (Isoard Pass)

Biography quote: ‘The more you pedal less, the less you go faster,’ – Coluche.

Biography: I was born in 1976 in Marseille, Southern France. I live and work now near by Geneva in Switzerland. I’m a former photo editor for a press group, specialized in mountain and counter culture sport, and have been a freelance photographer for more than 15 years. My photography journey is clearly inspired by the world where I grew up. A world of athletes from frozen water to melted snow, more often call boardculture.

Since a bit more than 3 years ago, I co-founded neufdixieme.com, a website focused on behind-the-scenes of outdoor sports, with a photojournalism vision where the words are as important as the pictures as well as the graphic design.

Neufdixieme is also a photo studio dedicated to the athletes. My passion for photography is so strong that I’m only working on this medium. My other interests are in contemporary art, minimalism, design, and architecture. Sport is not in my interest as it’s 100 % part of myself.

I believe cycling can save the world.

About the photo: ‘The first idea was to document the behind the scene of a little funny internet movie called Mountain Skiing. When I did my research with the team, we decided to work in a way called American Night, like Zorro back in the days. You shoot during the daylight and darken it in post. I thought it could be a good idea to do the making of and to try my little project on the side. I order[ed] a blue filter as it was mention[ed] as an important part of the process. The filter never came on time but it worked out,’ says Daher.

Gear and specs: Canon EOS 5D Mark IV; 50mm f/1.2 lens; ISO: 50; F-Stop: 2.8; Shutter Speed: 1/1250 sec.

Semi-finalist, Energy: Michael Clark

Semi-finalist for the Energy category, Red Bull Illume 2019: Michael Clark, USA

Location: Little White Salmon River, Washington, USA

Biography quote: ‘With my work I am looking to push the envelope with the technology and the photographic possibilities.’

Biography: Michael Clark is an internationally-published outdoor photographer specializing in adventure sports, travel, and landscape photography. He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, big-wave surfers and mountain bikers in remote locations around the world.

Clark uses unique angles, bold colors, strong graphics, and dramatic lighting to capture fleeting moments of passion, gusto, flair and bravado in the outdoors. Balancing extreme action with subtle details, striking portraits and wild landscapes, he creates images for the editorial, advertising, and stock markets worldwide.

As a former physicist, Michael has worked on both sides of the technical revolution – helping refine the technology and using it for his current profession. Michael has worked as a professional photographer since 1996 and added digital photography to his repertoire in 2003. While Michael still shoots some film, mostly medium format, the lion’s share of his images are now produced with high-resolution digital cameras.

He has been featured in Digital Photo Pro (December 2011), Outdoor Photographer (September 2001), Nikon World Magazine (Summer 2006), Digital Photographer (UK, 2010), Rangefinder Magazine (May 2010), and New Mexico Magazine (2007) for his work with extreme sports. Digital Photo Pro proclaimed Michael a ‘Master of Adventure’ Photography in their 2011 Masters issue.

About the photo: In Clark’s words,Rafa Ortiz dropping over Spirit Falls while whitewater kayaking on the Little White Salmon river near White Salmon, Washington. This image was shot as part of the Elinchrom ELB 1200 battery-powered strobe launch, named “Lighting the Spirit.”‘

Gear and specs: Nikon D810; Nikon 14-24mm f/2.8 lens; ISO: 400; F-Stop:5.0; Shutter Speed: 1/400th sec.

Semi-finalist, Emerging by Red Bull Photography: Theo Burette

Semi-finalist for the Emerging by Red Bull Photography category, Red Bull Illume 2019: Theo Burette, France

Location: Cergy Pontoise, France

Biography quote: ‘It is so inspiring to be around people that have so much passion for what they do.’

Biography: I was born in Paris in 1996. At 18 years old, I received my first camera and began taking photos.

At 13 years old, I took up skateboarding. I have always loved taking photos of my friends at the skatepark. At that time, I was always hanging out outside. I’m a big fan of extreme sports. I skated for 8 years. In France, we are lucky to have some of the most beautiful ski resorts in the world. Since I was a kid, I go up to the mountain to snowboard every year.

I also fell in love with surfing. My parents have taken my brother and I surfing all over the world (Morocco, Sri Lanka, Lanzarote, the Maldives, Japan). We’ve always had this love of extreme sports in my family. With photography, I have always evolved in my style by practicing and trying different things.

I will never stop learning – that is the richness of photography. I particularly enjoy following athletes and working with them, discovering new styles, new kinds of sports, and coming to understand their personal vision behind their practice. I love translating this through photography. It is so inspiring to be around people that have so much passion for what they do.

About the photo: ‘A couple of years ago, I had the opportunity to meet Jonathan Viardot.
He practices Martial Art Tricking and I immediately asked him if he would be interested in working on a photography project involving this relatively unknown sport – Martial Art Tricking is more than a sport, there is a whole culture of tricks behind it.

I wanted to translate the beauty of the movements, the energy that we feel coming off of the athlete, that moment in the action where time seems to stop. We decided to do the photoshoot at night in a space that is familiar to both of us – we are both from a town outside of Paris called Cergy.

The amphitheater of Cergy was the perfect place for the photoshoot because it possesses a principal light source coming from the top of the bridge. We wanted to play on the human silhouette to reinforce the movement by isolating the background subject,’ explains Burette.

Gear and specs: Nikon D7000; Nikon Objectif AF-S DX 35 mm f/1.8 lens; ISO: 2540; F-Stop: 1.8; Shutter Speed: 1/1250

Semi-finalist, Creative by Skylum: Evgeny Pavlov

Semi-finalist for the Creative by Skylum category, Red Bull Illume 2019: Evgeny Pavlov, Russia

Location: Saint-Petersburg, Russia

Biography quote: ‘Explore, stay wild, creative and passionate.’

Biography: I was born in Saint-Petersburg, Russia, and was crazy about traveling and extreme sports since childhood. I started skateboarding at 15 and after few years tried snowboarding, which I fully felt in love with right away. A few years later, while competing in a snowboard contest, I got injured and had to hold on with a board for a while. In this period my girlfriend gifted me the first camera – a fully manual 35mm Zenit ET.

So I started learning photography by scrolling tonnes of web pages during the night, while during the daytime I had to combine my work at an architectural bureau with my diploma in the University. I tried to practice with roll of film every free minute.

As a photographer, I grew up working with different film cameras and it was something very special. Enjoying the process of getting the shot and a magic moments of waiting until you develop the film. In that time I discovered the pleasure of photography and decided to change my hobby into a part of life.

I’m also keen on urban exploration and rooftop climbing. In my photos I wanted to create something unique that no one had done before by combining that skills with photography and action sport. Different pictures that would really impress peoples minds. Traveling around the world, exploring new territories, climbing on the roofs, up trees and electricity poles, to get the best possible location and angle for the shot was my underlying goal.

Now I’m surrounded by 2 of my life passions – snowboarding and photography, still sponsored as a rider in Russia and able to shoot around the world for worldwide brands and top snowboard magazines.

About the photo: ‘Inspiration comes from everywhere. Sunday morning I went to the supermarket for groceries and while was walking through the rows of shelving – saw a little nameplate next to the canned fish, where was written “boneless”. I found it funny, because it was the same name as a skateboarding trick and just a moment later had an idea to create the shot with a skateboarder doing boneless and a pair of opened tins full of boneless fish.

Most of the time you can see riders doing this trick in a bowl, so nice curved “radius” out of the metal cap suits perfectly for that. [That] same day, I called my friend Alex, who’s pretty good at concrete bowls and explained him my idea. He found this artistic experiment interesting and few days later we’v made this photo.

I used 2 sheets of white paper to make a mobile studio straight in skate plaza, and made a shot of the tin straight away after snapping the trick, with the same light conditions as it was with the rider,’ explains Pavlov.

Gear and specs: Canon EOD 5D Mark III; Samyang 12mm f2.8 fisheye lens; ISO: 640; F-Stop: 4; Shutter Speed: 1/2000 sec.

Semi-finalist, Best of Instagram by SanDisk: Hamish Frost

Semi-finalist for the Best of Instagram by SanDisk category, Red Bull Illume 2019: Hamish Frost, United Kingdom

Location: Bidean nam Bian, Scotland

Biography: I’m an adventure and mountain sports photographer based in Scotland. My journey into photography began capturing images of the Scottish backcountry skiing scene. However since turning professional three years ago, I’ve expanded into shooting climbing, fell running and basically any sports which allow me to spend as much time out in the mountains as possible.

I find the creative process of trying to produce exciting images in tough and inhospitable environments really appealing. If it’s a particularly cold or wet day, then you’re fighting the conditions trying to look after yourself and keep your camera kit working; if the best position for a shot is half way up a cliff face, then you’ve got to work through the logistics of getting to that position. I also love the physical challenge – being fit enough to lug lots of camera gear around and stay motivated to keep pushing the shutter button even when you’re exhausted, maybe also a little scared, and overall would probably rather be anywhere but there. I think the combination of all these aspects is what draws me to this genre of photography over anything else.

About the photo: ‘Guy [Robertson] and Greg [Boswell] had invited me along to get some photos of them trying a new winter route on Bidean nam Bian. They’d been casually vague about their objectives for the day – ‘we’ve got some unfinished business on Bidean nam Bian, get you at the car park at 5.30am!’ It’s nice to be able to do a bit of planning before photographing a climb, however I also enjoy the challenge of having to improvise on the hill. Reaching the foot of the imposing Church Door Buttress just before first light, their “unfinished business” became apparent. The summer line Lost Arrow Direct – an impossibly steep looking series of cracks and roofs leading up the cliff.

The weather that day had been poor for photos, however I knew that if the clouds were to clear slightly, then the west face of Stob Coire nan Lochan might come into view in the background. I waited patiently for a few hours and sure enough, just as Guy was making good progress on the third pitch, the clouds broke momentarily and I was able to get the shot I’d hoped for. Four hours later, Guy completed a sequence of grade 10 moves (in the dark!) to pull through a final roof section and top out on the route,’ explains Frost.

Gear and specs: Sony A7RII; Sony FE 70-200mm f4.0 OSS lens; ISO: 250; F-Stop: 7.1; Shutter Speed: 1/250 sec.

Articles: Digital Photography Review (dpreview.com)

 
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The Red Bull Illume Image Quest 2019 competition is open for submissions

09 May

Red Bull has returned once again with its action and adventure sports photography competition, Red Bull Illume. This marks the fifth iteration of Red Bull’s photo competition and with it comes a few changes.

Most notably, the competition will now run once every two years instead of every three years. Additionally, Red Bull has added four new categories, bringing this year’s total to 11 individual categories.

A panel of 50 international photo editors and digital media experts will select the top 55 finalists—five per category—before ultimately deciding the 11 category winners and one overall winner. In November 2019, the winners will be unveiled at a winner award ceremony. Following the ceremony, the 55 finalist images will travel around the world to be showcased in indoor and outdoor exhibitions.

Below are the 11 categories in this year’s competition, with an explainer, provided by Red Bull, of what each category is (the new ones will be marked with an asterisk):

Best of Instagram by SanDisk* — Images submitted on Instagram – photographer’s most gram- worthy moments of show-stopping adventure and action sports. Stuff so cool you have to stop scrolling.
Creative by SkylumImages that have been enhanced digitally or in the darkroom through alterations made in the production or digital editing process. This is an open category so anything goes!
Emerging* — A fresh approach offers new angles. The up-and-coming category is for rising talents to compete on similar footing – submissions accepted only from photographers 25 years old or less. No video, no image manipulation. Show us your greatest capture!
Energy Images that demonstrate the force that powers an action and show the energy, speed and strength required for an athlete to perform.
Innovation by SonyImages that reveal a unique angle, a visual idea, a different format, light and flash effects… something never seen before! It‘s the purely creative image.
LifestyleImages that visually capture the creativity of the lifestyle, music and culture that surrounds action and freesports, or represents what happens before, between, and after the action.
MasterpieceImages that illuminate your artistic skill, your personal best, your unique style – give us your best shot!
Moving Images* — Images are no longer standing still. The Moving Image category is an open playing field for video sequences between 5 and 30 seconds. Ready… set… action!
Playground Images that showcase the landscapes, locations, platforms, and environments in which athletes play.
RAW* — Shots that are straight out of the camera showcasing the real image. Composition, exposure, lighting done in front of the lens and in the scene, not behind a screen. That’s the Raw category — un-cropped, un-touched, no filter.
Wings Images that capture the point in a performance in which the athlete jumps, catches air, free falls, soars.

The winners of the eleven individual category prizes will win a collection of prizes valued at that include a Sony a7 III with the 24-105 F4 G Master Lens, a ‘bundle’ of SanDisk memory cards, Skylum Luminar 3 with accompanying presets, and photography apparel/accessories from COOPH. Separately, the winner of the ‘Creative by Skylum’ category will be welcomed on as part of the Global Skylum Ambassador Team and the winner of the ‘Emerging by Red Bull Photography’ category will get a spot at the Red Bull Rising Talent photography workshop in 2020, travel, accommodation and boarding included.

Finally, the overall winner of the Red Bull Illume Image Quest 2019 will win ‘a shooting experience with the SanDisk Extreme Team and take home the Sony Alpha A9 camera with a 24-70mm f2.8 lens from the G-Master range.’

Any image captured after March 31, 2016 is eligible for the contest and submissions are open through July 31, 2019. After signing up for a Red Bull Illume account, you can submit up to 10 images in each of the eleven categories. An image can be used in no more than two categories; photographs must be JPEGs larger than 8MP and videos for the ‘Moving Image’ category must be Full HD (1080p) and between 5-30 seconds.

Red Bull has provided a thorough list of rules and regulations for the contest and the images submitted to it. Red Bull has also shared a video showing how to upload submissions to the contest. You can find the winners from past competitions on the Red Bull Illume website.

Articles: Digital Photography Review (dpreview.com)

 
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Clear Skies Ahead: Quest for a Complete Global Aerial Atlas

13 Sep

[ By WebUrbanist in Conceptual & Futuristic & Technology. ]

altas generation stack algorithm

If you have ever zoomed out in Google Maps (or Mapquest, Yahoo or Bing), you may have been surprised find your field of view relatively unclouded by inclement weather patterns, yet marred by strange and inconsistent seasons. Instead of a continuous satellite view, you see an apparent patchwork quilt of misfit images, incoherently stitched together.

atlas global clouded default

MapBox (which powers FourSquare among other services) is on a mission to make satellite images not only more beautiful but also more consistent and comprehensible. Their task begins with eliminating blurry landscapes, strange seams and the surreal endless summer you see on other aerial images of the globe, but the potential scope of the project goes far beyond that as well.

atlas stacked pixel maps

Talking to Wired, Charlie Loyd describes how the company is sifting through data from Terra and Aqua, two orbiting NASA satellites, to solve this problem pixel by pixel: “For the new release we’re processing two years of imagery, captured from January 1, 2011 through December 31, 2012. This amounts to over 339,000 16-megapixel+ satellite images, totaling more than 5,687,476,224,000 pixels. We boil these down to a mere 5 billion or so.”

atlas consistent cloud free

The industry paradigm is to combine parts of images representing the clearest available shots, but the result can create a clash of color from various seasons. Simply overlapping all of the different possibilities creates a mess of indistinct brown, which is not terribly attractive or useful either. Thus a middle road was found: stacking the images, sorting them by cloudiness, selecting pixels from each picture and filtering around peak growth periods. The result is a consistent yet naturally texture-rich whole both synthetic in composition yet ultimately organic in origin at the same time.

atlas mapbox future potential

The goal for now is to create a single seamless atlas that wraps the world, accurately (but with an eye towards aesthetics) reflecting what the planet actually looks like from above while also being useful in real-life mapping. Future potential iterations, however, could evolve beyond just looking and working best in traditional contexts: “If you do a web search for, say, infrared remote sensing, you’ll get an idea of the richness of possibilities, and you can start to imagine the cross-cutting inquiries that these large, open archives of multi-spectral satellite data enable,” writes Loyd. “Glaciers, wildfires, crops, droughts and floods, cities and forests, surface temperature, plankton blooms, seasonal dynamics, even smog –- it’s all there. It just needs a little work to see clearly.” 

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