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EaseUS Data Recovery Review: Fast, Powerful, and Easy to Use

06 Jan

The post EaseUS Data Recovery Review: Fast, Powerful, and Easy to Use appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

EaseUS data recovery review

If you’ve ever deleted photos, videos, or documents by accident…

…then you know how important it is to have good data recovery software on hand. 

Unfortunately, not all recovery software works as promised – which is why you have to be extra-careful when purchasing. 

But what about EaseUS Data Recovery Wizard? It’s a popular recovery program, but can you trust it to bring back your precious files?

That’s what this article is all about. 

EaseUS data recovery review

I put EaseUS Data Recovery to the test, and I share all my findings with you. And honestly, it’s worth stating up front that EaseUS Data Recovery works really, really well. While I’ll share details with you later on in this review, I’d like to emphasize a few facts: 

First, EaseUS is remarkably fast. 

Second, it’s packed full of useful features for sorting and locating photo and video files.

And third: 

It does a great job (flawless, in my experience!) recovering deleted media. 

So to learn more about EaseUS Data Recovery, including what it can do, where you can purchase it, and how you can use it to recover your files…

…read on.

What can EaseUS Data Recovery software do?

EaseUS Data Recovery software offers a quick and easy way to recover deleted files. 

Specifically, you can use it to bring back desktop data that you’ve accidentally deleted, memory card files that you’ve formatted, or video files that you forgot to backup then deleted off your card. 

In other words: 

If you’ve lost your files through some method of accidental deletion, EaseUS Data Recovery can likely get them back.

EaseUS offers a huge list of file types you can recover with their recovery wizard, including plenty of photo file types (JPEGs, TIFFs, PNGs, CRWs, NEFs, ORFs, and DNGs, among others) and video file types (MP3s, WAVs, MPGs, WMVs, etc.), as well as document file types, audio file types, and more. 

the file types EaseUS can recover

Also note that EaseUS can go beyond recovery in select cases. The software can actually repair corrupted JPEGs, MP4, and MOV files, though this functionality unfortunately doesn’t extend to RAW files.

Now let’s take a look at how to actually use the EaseUS Data Recovery Wizard to resurrect your lost files:

How to use EaseUS: A quick guide

EaseUS is impressively simple to use. 

Start by installing the EaseUS software, which you can grab off the EaseUS website here for PC and here for Mac. 

installing EaseUS

Once you have the software set up, you’ll be prompted to select the location to target for recovery:

selecting a location to recover files from

Just hover over the relevant location, then click Scan:

click Scan to begin the recovery process

The scanning process will begin immediately, where EaseUS searches the targeted location for any and all files, including corrupted and deleted photos. 

EaseUS scanning for files

You’ll see a countdown at the bottom of the screen that gives you an estimated scan time.

And files will begin to appear in the EaseUS window as they’re identified for recovery. 

If you like, you can let the scan continue until completion, but you also have the option to recover already-discovered files. In other words, you can let the scan run in the background while you recover the files already present in the EaseUS window.

Eventually, you’ll need to select the files you’d like to recover. Just hit the check mark next to the file names:

choosing files to recover

Then select Recover:

clicking the Recover button

If you’d only like to recover certain files, you have the option to filter specific file types via tags: 

filtering by file type

Or filter specific file types via the Filter option:

using the Filter option

In fact, you can get even more granular with the Advanced Filter; simply open the Filter menu, then click Advanced Filter:

clicking the Advanced filter option

And select your filter options to bring up specific files while scanning: 

the filtering options

After you hit the Recover button, you’ll be prompted to select a location to store the recovered files:

select where to store your recovered files

Hit OK, and you can watch the progress bar as your files are recovered:

EaseUS data recovery review progress bar

Once the recovery is complete, EaseUS will automatically launch the location with your recovered files. You can also click the View Recovered button to launch the location manually:

view the recovered files

Then you can immediately access your recovered files!

the actual recovered files

How does EaseUS Data Recovery perform?

I tested EaseUS Data Recovery with a formatted memory card of my own, and it performed flawlessly. When I’d finished the recovery process, I had access to every one of my photos (all in perfect condition!). 

Of course, it’s impossible for me to test every scenario and every file type, but my Olympus RAW images came back safe and sound, and I’m confident that EaseUS could effortlessly handle plenty of other situations. 

I was handily impressed by the ease of recovery. The process was remarkably simple and took literally zero fumbling around with the software. And I was also pleased by the speed of recovery, because while some recovery software takes hours upon hours to scan and recover photos, EaseUS had all 20+ deleted photos ready for recovery within five to ten seconds. The recovery process itself took thirty seconds at most. 

Since I was just recovering Olympus RAW images from an SD card, I didn’t have much use for the filtering functions. But if you’re looking to recover select media from an entire hard drive of files, filtering is invaluable – it’ll let you find and select the files you’re after, without having to waste precious time going through the entire set of recovered items. And I’m a huge fan of the “recover while scanning” option, which allows you to recover already-discovered items while EaseUS continues to scan the drive. When I was testing the software, I didn’t have to wait for the entire deep scan to finish. Instead, I started recovering images as soon as EaseUS identified them.

A word of caution: There are times when EaseUS Data Recovery will fail; that’s just the nature of recovery software. If your photos or videos are too far gone, even the best recovery software won’t be able to piece them back together. 

For instance, if you fill up a memory card, format it, and fill it up again, the first set of images will almost certainly be unrecoverable, which is why you should always, always, always have a proper backup system from the beginning. And if you ever find yourself with a formatted memory card that needs recovering, do not, under any circumstances, overwrite that card with new images. 

But here’s the bottom line:

EaseUS did a fantastic job recovering my images, and I wouldn’t hesitate to use EaseUS to deal with accidental file deletion of any type.

EaseUS Data Recovery: Plans and pricing

EaseUS offers three editions for PC users:

First, there’s the Free edition, which allows you to recover up to 2 GB of media. If you’ve accidentally deleted a handful of images, this may be enough.

The Pro edition offers unlimited data recovery, plus you get support from EaseUS specialists, all for $ 69.95 USD. This is perfect for most users, assuming you can boot up your drive. 

Finally, there’s the Pro+Bootable Media edition, which offers everything included in the Pro edition, plus the capability to recover files from a crashed drive, all for $ 99.90 USD. This is the edition to purchase if you cannot get your drive to run.

EaseUS Windows pricing table

Mac users also have access to the Free edition. Then there’s a Pro edition for Mac, which offers the functionality of the PC Pro+Bootable Media edition in a comprehensive, $ 89.95 USD package. 

EaseUS Mac pricing table

Who should get EaseUS Data Recovery?

If you’ve accidentally deleted photos or videos, then EaseUS Data Recovery is a fantastic solution. 

It’ll bring back any recoverable files quickly and efficiently – and it’ll even let you sort through the files for easy access. 

So if you’ve lost photos or videos on a memory card, a flash drive, a hard drive, or your desktop, I highly recommend you grab this EaseUS software. If the files can be recovered, then EaseUS will get it done!

You can purchase a version of EaseUS right here for PC users and right here for Mac users.

EaseUS is a paid partner of dPS.

The post EaseUS Data Recovery Review: Fast, Powerful, and Easy to Use appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Capture One 21 Has Been Released, a Powerful Alternative to Lightroom

14 Dec

The post Capture One 21 Has Been Released, a Powerful Alternative to Lightroom appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Phase One releases Capture One 21

Just last week, Phase One launched the latest version of their Capture One software: 

Capture One 21, which offers several powerful new features, plus all the tools that made the post-processing program so compelling in the first place. 

While Capture One is often pitched as a Lightroom alternative, it’s known among photographers as the “advanced” all-in-one photo editor, geared toward serious hobbyists and professionals looking for extensive editing capabilities in a single package.

In other words:

Compared to Lightroom, Capture One is more difficult to learn – but also the better program, once you get the hang of it. In nearly every area, Capture One (including Capture One 21) matches Lightroom edit for edit. But the program also outperforms Lightroom in a few key ways, which is why more and more serious photographers have been making the conversion to Capture One.

So what does Capture One 21 offer? 

First, the new features: 

Capture One 21 now boasts a Dehaze slider, which removes haze from your photos for a crisp, contrasty look. 

Capture One 21 release dehaze slider

You also get improved color profiles for certain cameras, including Sony’s high-end mirrorless models, plus a handful of Nikon and Canon DSLRs and MILCs.

Phase One has also promised performance upgrades, claiming that with Capture One 21 it’ll be “faster than ever to search and browse photos.” There’s also a brand-new “Speed Edit” feature, which lets you quickly edit images without using sliders; instead, you can make changes with a few hotkeys and the scroll wheel.

Additional new features include Capture One’s support of 8-bit HEIC files, so you can edit your HEIC smartphone photos directly in Capture One, and a set of integrated tips and tutorials for mastering Capture One 21 as quickly as possible.

Of course, Capture One 21 also packs its usual standout features. First, there’s the class-leading color tools, which allow you to take your photos to the next level with selective color adjustments and precise color grading. 

Capture One 21 release color tools

Then there’s the powerful digital asset management capabilities, which allow for both session-based and catalog-based organization, plus keywording, comprehensive export options, and seamless Photoshop integration. 

Finally, there’s a suite of powerful adjustment tools, including layers, luminosity masking, levels, curves, and more. 

For advanced photographers looking for a comprehensive alternative to Lightroom, Capture One 21 is the way to go. You can grab it here starting at $ 129 USD for a one-time license, or you can purchase a subscription starting at $ 9.99 USD per month. Alternatively, you can download a 30-day free trial right here. 

Now over to you:

Have you tried Capture One software? Are you a fan? And which do you prefer, Capture One or Adobe Lightroom? Share your thoughts in the comments!

The post Capture One 21 Has Been Released, a Powerful Alternative to Lightroom appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Apple adds more powerful GPU option to its 16″ MacBook Pro, new SSD option to Mac Pro Tower

17 Jun

Apple has released a new graphics option for the 16in version of its MacBook Pro which should deliver a dramatic increase in speed when dealing with large files. The AMD Radeon Pro 5600M is said to be a desktop-class GPU that comes with 8GB of High Bandwidth Memory (HBM2) that Apple claims will make the top-spec machine 75% faster than the AMD Radeon Pro 5500M standard option. The upgrade adds $ 700 / £700 to the cost.

The standard 16in MacBook Pro model comes with 1TB of SSD storage, but options of up to 8TB are available for an extra £2200/ which, along with all the other upgrades – 64GB of 2666MHz DDR4 memory and the 2.4GHz i9 processor with Turbo Boost to 5GHz – can take the price of the machine to a cool $ 6699 / £6699.

Mac Pro desktop users can also now buy user-changeable SSD kits for their Tower models, with 1TB, 2TGB, 4TB and 8TB options available. The kits come with two sticks each of half the total of the capacity and are designed to replace the existing storage in the machine. In order to replace them, Apple says a second Mac running Apple Configurator 2 is required. Prices for the SSD kits range from $ 600 / £600 for 1TB to $ 2800 / £2800 for 8TB.

For more information see the Apple website.

Articles: Digital Photography Review (dpreview.com)

 
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Flashpoint announces wireless XPLOR Power 1200 Pro R2 flash, its most powerful flash

11 Jun

Flashpoint has announced a new flagship portable flash, the XPLOR Power 1200 R2. The flash is the newest member of Flashpoint’s R2 series of portable, wireless flashes.

The XPLOR Power 1200 R2 is Flashpoint’s most powerful flash unit and it offers multiple flash modes, including power recycling of less than two seconds and long flash duration for continuous shooting. The XPLOR Power 1200 Pro power pack and flash head combine to weigh just over 17 pounds. Of the wireless flash, Flashpoint Brand Manager, Solomon Leifer, said the following:

The Flashpoint XPLOR Power 1200 Pro is our most robust and powerful wireless flash, while remaining lightweight and portable for location shooting. With 1200W output and an excellent battery-powered system, the XPLOR Power 1200 Pro flash is perfect for ‘big event’ and outdoor photographers.

The Flashpoint XPLOR Power 1200 Pro includes a built-in Flashpoint 2.4 GHz R2 wireless flash system and offers wireless control for Canon, Fujifilm, Nikon, Olympus, Panasonic, Pentax and Sony TTL camera systems. The strobe offers nine steps of output power, ranging from 1/1 to 1/256. The flash includes a high-speed sync (HSS) mode that can work with shutter speeds up to 1/8000s. For stopping action, flash durations range from 1/220 to 1/10,860s.

Photographers need more than speed and power; they also need color stability with their lighting. The flash offers a Stable Color Temperature mode to better control temperature changes. Flashpoint states that this mode keeps temperatures ranges within +/- 75K throughout the entire power range.

Connectivity features include a pair of 3.5mm sync cord plug holes for wired connection, a wireless control port and a USB Type-C port for future firmware upgrades. For connecting light modifiers, the flash head is compatible with Bowens S-Type modifiers, resulting in compatibility with hundreds of light modifiers.

For extended shooting, the large-capacity lithium-ion battery in the power pack delivers 480 full-power flashes and can be fully recharged in two hours. The battery is 36V/5200mAh and it can be swapped out of the power pack in seconds. There is also an optional AC adapter to replace the battery chamber for a direct main connection when shooting indoors or in a studio environment. If photographers want to travel by air, there’s also a 36V/2600mAh rechargeable battery pack option.

Close-up image of the Power Pack.

Additional features include a 40W LED modeling lamp with three selectable modes, fan cooled flash head, three active flash modes (Manual, TTL and Multiflash) and a Stroboscopic Mode capable of delivering 100 continuous flashes at 1/16 power output.

The Flashpoint XPLOR Power 1200 Pro R2 flash comes with the flash head, power pack, reflector, glass lamp cover, lithium-ion battery, battery charger, power cable, carrying case and rolling case.

The Flashpoint XPLOR Power 1200 Pro R2 flash system is available now for $ 1,599 USD from Adorama and comes with a power pack, flash head, reflector, glass lamp cover, lithium-ion battery, battery charger, power cable, carrying case and rolling case.

As Adorama’s house brand in the United States, this flash is sold as a Flashpoint product. However, it can also be purchased as the Godox AD1200 Pro from other retailers and in other markets. As we noted in our coverage of the Flashpoint XPLOR 300 Pro, for customers in the United States, Flashpoint products are covered by a two-year warranty when purchased through Adorama.

Articles: Digital Photography Review (dpreview.com)

 
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The Sony ZV-1 Is a Powerful New Camera Designed for Vloggers

22 May

The post The Sony ZV-1 Is a Powerful New Camera Designed for Vloggers appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

New compact camera announcement teaser

Sony is preparing to launch a new camera, designed specifically for vloggers:

The Sony ZV-1, a small camera that will pack a large punch.

News of the ZV-1 has been leaking for weeks, but as we approach the likely announcement date (May 26th), information has appeared at a frenzied pace, including leaked product photos, leaked press announcements, and even a teaser from Sony.

What can you expect from this compact camera?

While nothing has been officially confirmed, Sony’s teaser shows a small camera with a full-articulating rear LCD. This is fully in line with the leaked press text, which suggests that the new ZV-1 will offer:

  • An articulating screen
  • A 1-inch, 20.1-megapixel sensor
  • A 24-70mm lens
  • Excellent AF (including Real-time Eye AF)
  • A soft skin effect “to reduce skin wrinkles and marks while ensuring you preserve skin-tones and the sharpness of eyes and mouths”

(And more!)

If all this information is accurate, vloggers will be in for a treat; the combination of an articulating screen, a 24-70mm focal length, and Sony autofocus capabilities (described in the leaked press text as “super-fast AF”) will be too good to pass up for plenty of content creators. The press text also promises “high-quality sound capturing performance and noise reduction in full stereo,” in addition to “a wind screen” and a “3.5mm input jack” for increased flexibility.

The camera will also likely appeal to still photographers looking for a compact, walkaround option. Twenty megapixels is just enough to satisfy beginners looking to enter the realm of higher-resolution photography, plus the 24-70mm lens offers a great range of focal lengths for street photography, landscape photography, architectural photography, portrait photography, and more.

So if you’re a vlogger or a still photographer looking for a camera that’s small, mighty, and tailored to the needs of content creators, the ZV-1 is certainly worth a look. Keep your eye out for news of the ZV-1’s official announcement on May 26th.

Now over to you:

What do you think of the ZV-1? Is it a camera you’d be interested in? Is it missing any features that you’d like to see? Share your thoughts in the comments!

The post The Sony ZV-1 Is a Powerful New Camera Designed for Vloggers appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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The Fujifilm X-T4 is a portable, powerful 4K video rig

11 Mar

I recently had an opportunity to shoot a short video while on vacation in New York, so decided to take the X-T4 with me. It’s a pre-production unit but one we’ve been told is close enough to final spec that we can show the video from it, so it seemed like a chance to put in some hours on the camera as we await a fully reviewable model.

I don’t regret that choice. Traveling for four days to a considerably colder city meant my carry-on luggage was already full, so any camera gear I wanted to take needed to fit under the seat in front of me on the plane. I’m 1.85m (6’1″) tall, so I’m already a bit pressed for legroom on US domestic flights, but I was able to fit the camera, a lens, my laptop and an SSD in a small, slim camera bag – everything I need to shoot and edit – and slot it vertically between my feet.

I was able to fit the camera, a lens, my laptop and an SSD under the seat in front of me on the plane

Much as I was impressed by the Panasonic S1H, I couldn’t have fitted it in my bag: not with an appropriately flexible lens. The same is true of the X-T3: adding either a tripod or a gimbal would have meant paying bag fees on my trip.

The camera, lens, mics, filters, SSD and laptop all fitted in a small, under-seat camera bag

In general, the footage lives up to the standard I’ve come to expect from the X-T3: very, very good. I shot the whole video in a combination of Eterna or F-Log, for the higher contrast scenes, safe in the knowledge that I had Fujifilm’s F-Log-to-Eterna LUT saved on my laptop to get a good color match with minimal effort.

The shoot itself went pretty smoothly, with no temperature concerns (no single clip is longer than 10 minutes but I shot around 30 minutes of footage essentially back-to-back). I remembered to pack the headphone dongle, so was able to monitor the audio, meaning I noticed when interference between the radio mic’s transmitter and receiver threatened to interrupt the interview recording.

With the ability to capture 10-bit footage internally and less need for a tripod or gimbal, the X-T4 ends up being a pretty self-contained video package.

The camera’s stabilization is really rather good, too. There’s none of the ‘grabbiness’ that was apparent the last time I shot with the X-H1, and it was my lack of technique, rather than the camera, that undermined some of the movement in the final video. At least on the pre-production camera, I didn’t see an appreciable improvement in the IS when I switched the ‘Boost’ mode on. Here I’d expect the camera to try more vigorously to maintain the original framing, but I found any difference hard to notice. I’ll try Boost IS again with ‘In-body + Digital IS’ on a future project.

Assessing exposure

One big thing I did notice, though: a camera that shoots video this good really needs better exposure tools. It’s got zebras, to let you interpret when things are clipped or near clipping, but not much more than that. With a bit of fiddling you can set them to check skin tones or a grey card but they can’t be set below 50%, and in F-Log mode your middle grey is supposed to be below 50%. Still, the new F-Log Assist function meant I was able to make a reasonable assessment by ‘eyeing’ the corrected preview, which was hugely useful. Having got used to using waveforms on the GH5S and S1H, I found myself really missing them here.

Similarly, I found myself wanting the ‘shutter angle’ option from those cameras. Having to manually navigate from 1/48 sec shutter speed to 1/120 sec every time I switched from 24p to 60p shooting was an extra step that I wouldn’t have to make on the Panasonics. And an extra opportunity to get something wrong.

I was only shooting video on this occasion, but that dedicated stills/movie switch helps de-clutter the menus, whichever mode you’re using, which made the camera faster to operate.

As I always try to make clear, I’m learning as I go along, and this inevitably means making mistakes. Perhaps the most important lesson I learned on this project was to bring more memory cards than you think you need. I thought a 64GB card would be sufficient for a two minute video, but then decided to shoot the interviews from two different angles, doubling data requirements.

Perhaps the most important lesson I learned on this project was to bring more memory cards than you think you need

It was enough to force me to drop down to use the camera’s 200 mbps Long-GOP compression, rather than the maximum 400 mbps ALL-I mode. Apparently the difference is enough that you can begin to risk macro-blocking compression artifacts in high data scenes (F-Log scenes with finely textured suiting are more data-intensive than I realized).

One of these days I’ll get everything right. One of these days I’ll even remember to capture some ‘room tone’ to plug the gaps in between subjects talking. But for now I’ll keep enjoying the learning journey – a journey on which the X-T4 makes for a supportive traveling companion. I certainly look forward to having it with me on my next trip.

Articles: Digital Photography Review (dpreview.com)

 
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Minimalist Photography: A Powerful Medium That’s Not as Easy as You Think

05 Jan

The post Minimalist Photography: A Powerful Medium That’s Not as Easy as You Think appeared first on Digital Photography School. It was authored by Ana Mireles.

powerful-minimalist-Photography

Do you want to make more powerful minimalist photography? Then this is the article for you. Here, I’ll clarify what minimalism is, and more importantly, what is not. I’ll also give you some tips and tricks to improve your own images and share some quotes and links from the masters on the subject to get you inspired.

What is minimalist photography?

I find that some people use the term minimalism to describe a kind of photography, for example, when they are replying to what type of photography they do. That’s why it’s important to clarify that minimalism is a style of photography that you can apply to any genre of photography from landscape through to food photography.

Powerful minimalist photography

1/1000, f8, ISO 200

Actually, minimalism is a style that not only exists in photography but in everything from paintings through to design. It is even a way of life that has recently become popular. The one thing that minimalism has in common, no matter where you use it, is the idea that less is more. Because of this, the details are very important.

Know-how

While minimalism is simplistic in it’s visual aesthetic, it is not always easy to achieve. In fact, it can be more difficult because there’s really no place to hide. If it’s not a good photo, it will be fairly evident. One of the first rules of powerful minimalist photography is to isolate the subject and let the background be just that, a background. You can achieve this by using neutral backdrops or a shallow depth of field.

Image: 1/320, f11, ISO 400

1/320, f11, ISO 400

An isolated subject on a neutral background is not yet enough to qualify as minimalist because this description could include product photography from an e-commerce site and, of course, we are not talking about that.

So to achieve minimalism, you also have to give a message or emotion. Michael Kena, the great minimalist photographer says: “For me, approaching subject matter to photograph is a bit like meeting a person and beginning a conversation“.

Composition

You can use composition to give more impact to your image. There aren’t many elements in a minimalist image, so you have to be sure they are well-positioned and distributed correctly. You want to use composition to create a harmonic image and emphasize the subject. Always keep in mind the message and not just the aesthetics.

Composition for minimalist photography

1/60, f4, ISO 400

Using composition rules can really help you to master minimalist photography. Once you’re comfortable with them, keep experimenting because breaking the rules can sometimes be equally helpful.

Colors, shapes, and textures

You can try using only one color to emphasize the message or create an atmosphere and a feeling. There’s a long history in the arts about the cultural meaning and the psychological impact different colors have on the viewer. Use this to your advantage when doing minimalist images.

Urban powerful minimalist photography

1/640, f4.5, ISO 250

You can also go the other way and use bold, contrasting colors to create more compelling photographs.

Lea De Meulenaere said in an interview that she lives in a place that is not very colorful, so she does more profound research to use other characteristics of the minimalist style. Keeping this in mind, you can also use shapes and textures.

Constructing images

Minimalism can be found during long walks in the city for urban photography or nature for landscapes, but you can also construct it in still-life, food photography, advertising and other genres.

Image: 1/60, f11, ISO 400

1/60, f11, ISO 400

Some big brands like Disney or LG are using minimalism for their printed advertising. You can follow the creators of such campaigns on Instagram for inspiration. I particularly like Anna Devis and Daniel Rueda under the account name anniset.

Why you should give it a try

  • Trying new things will keep your photography improving. Going minimal doesn’t require you to buy any new equipment. You have nothing to lose and much to gain.
  • It will exercise your mind and creative process to give a clear and concise message with your images.
  • There’s such a big variety of minimalism that you can find your own. You can go about it as a meditative state or as a fun creative project. The choice is yours.

In conclusion

It’s not by chance that advertising is using minimalism. An image that clearly communicates what you want is something that stands out in between all the images we see every day. To make powerful minimalist photography is a skill that can take your work to the next level.

Powerful Minimalist photography monochrome nature

1/500, f5.6, ISO 100

Try it, practice it and most of all, enjoy it. Share with us your results in the comments section to get other readers inspired!

Want to read more about minimalist photography?

See these articles:

  • Tips for Minimalist Photography in an Urban Environment
  • Minimalist Photography ~ 4 Tips To Keep It Simple With A Maximum Impact
  • 21 Simple Images That Exemplify Minimalism
  • 4 Tips for the Minimalist Photographer
  • The Minimalist Landscape Photographer: What do you really need?
  • 5 Guidelines of Minimalist Photography to Help Improve Your Work
  • How to Embrace MINIMALISM for IMPROVED Landscape Photos
  • Tips for Achieving Minimalism in Photography

 

 

The post Minimalist Photography: A Powerful Medium That’s Not as Easy as You Think appeared first on Digital Photography School. It was authored by Ana Mireles.


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Five Powerful Ways to Get Your Photos Noticed

15 Oct

Managing to get your photos some attention is one of the biggest hurdles that you may face as a new photographer in the market. The situation becomes even tougher when there are well-known and well-established photographers available. Thousands of photographs are being clicked on a daily basis, so what will make your photographs stand out from them? How will you Continue Reading

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Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos

20 Aug

The post Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos appeared first on Digital Photography School. It was authored by Anthony Epes.

ways-to-improve-your-photos

Successful photographs usually have one thing in common – an obvious point of focus or a subject that is the dominating element.

One of the main reasons a photograph falls flat is because there is no central or main feature to draw in the viewer’s attention.

One very easy way to combat boring, flat photos is to practice the simple idea of filling the frame.

Of course, you might say – I always fill the frame; it’s impossible not to!

ways-to-improve-your-photos

With this idea, though, you are working on being a lot more intentional about how you compose.

When we “fill the frame,” we are attempting to make a photo’s intention completely clear. The viewer should have no doubt as to what the photograph is about.

Instead of getting fixated on your subject, and focusing your attention almost totally on that (something I see people doing all the time on my workshops), we are considering every single part of the frame.

ways-to-improve-your-photos

We are looking at the corners. This is probably the most common thing many of my students don’t do – look at what’s in their corners.

Often there are things that don’t need to be there which you only realize afterward when studying your images.

We are considering what is running alongside the edges. What’s poking in that shouldn’t be there? It’s amazing how a stray branch or a bit of litter can make its way into your image without you noticing.

ways-to-improve-your-photos

We become aware of every part of the frame to make sure that every single element is working to complement our subject.

Now, this is key. Every single thing in your frame needs to be working with, or complementing your subject.

If it’s not, you need to move around and try to work the subject and surrounding elements into a better composition.

Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos

Sometimes a photographer will react too quickly. They make a photo from where they are standing instead of thinking about the most favorable position to be in and how it can greatly improve the image.

I mention position here because I believe it is the first option when it comes to filling the frame with a subject.

Usually, what happens when we do not fill the frame with our subject is we end up creating a lot of space in the photograph. This is all fine if you are using this space with intent. However, if you are not, then it just looks vast and empty, and your subject is competing with the “bad space.”

Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos

Changing your position and getting closer to your subject is your best first choice. Remove that unwanted space by physically moving closer or zoom in if you must. (I will always prefer moving to zooming).

Have a look at the photos of mine that I’ve included in this article. They are all images where everything in the frame is 100% relevant. Even with a complex image like this, I have considered every part of it:

Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos

5 Simple but Powerful Ways to Improve Your Photos

1. Always think about your position

In general, bad photographs have way too much wasted space. You can easily remedy this by thinking about your position relative to your subject.

Do you need to get closer to reduce wasted space around your subject? This also has the added benefit of making a photo more intimate when you get closer.

Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos

2. If moving is not an option, then consider switching lenses

If changing position is not possible, then now would be a good time to switch lenses. This method is not as good (I think) as changing your physical position, but it can allow you to fill the frame, drawing interest to your subject.

ways-to-improve-your-photos

3. Check the edges of the frame

This is a very common mistake for beginner-photographers.

Some do not put enough effort into looking at the entire frame and what lies on the edges of it. When you shoot this way, you find yourself cropping a lot more to remove those things you overlooked when shooting.

It is better to learn to see the whole frame than to get good at cropping because you didn’t see it in-camera.

Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos

4. Photography is a process of reduction

Let’s say you moved in closer to fill that frame. Now is a good time to ask yourself – is there anything else that does not need to be in the frame?

You can find the answer to this by asking if it is helping or hurting your subject. If you decide the element does not need to be there then take it out.

This usually requires a change of position or some movement from you!

ways-to-improve-your-photos

5. Don’t fixate on your subject

If you are really dedicated to filling your frame and making better images, then my one ultimate piece of advice is to NOT fixate on your subject.

This is the #1 reason photographers are dissatisfied with their images later.

Sure, be in awe and wonder of what you are shooting, that’s part of the joy of doing photography. However, don’t lose yourself to the point your composition is not it’s very best.

ways-to-improve-your-photos

Conclusion

Remember to always shoot with intent.

I would love to know what you think of my tips and ideas about ways to improve your photos. Please let me know in the comments below.

Is this an idea you practice? Alternatively, is this new and you think you might use this in the future?

Thanks for reading.

 

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The post Filling the Frame: 5 Simple Yet Powerful Ways to Improve Your Photos appeared first on Digital Photography School. It was authored by Anthony Epes.


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Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images

31 May

The post Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images appeared first on Digital Photography School. It was authored by Anthony Epes.

Being an artist has nothing to do with your camera, your kit or your photo knowledge.

It has nothing to do with how long you’ve been taking photos or if you shoot on manual or automatic.

Being an artist is totally and completely about the mindset you inhabit when you are out shooting, and what you create from this state.

It’s about looking at the world in a way that is different from how we usually see it. It’s ridding ourselves of the habits to ‘get somewhere,’ to accomplish and tick things off our to-do lists.

It’s all about immersing ourselves, our senses, our beings in this beautiful, wild, chaotic and amazing world.

It’s diving deeper, seeing more and finding new and interesting ways to capture what we discover.

What you get from bringing this artistic approach into your photography are unique images.

Your photos become about expressing who you are, encompassing everything that you have seen and experienced in your life.

This to me is the joy of photography. So I have some simple, but immensely powerful tips that will help you connect to your inner artist.

“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas

7 Powerful Techniques to Help You See More Compelling Images

First – ignore everyone

We spend so much of our lives in contact with other people. At work, our efforts are analyzed by our colleagues, boss or clients.

At home, our children, partner or family will comment on how we live, wash clothes, what we eat etc. We post something on Facebook and someone comments; everyone has an opinion.

As we are in constant contact with other humans, we find ourselves playing a role, fitting into expectations or rules or ways of living. We probably don’t even think about how the constant stream of people in and out of our lives makes us adjust and alter our behavior.

Creating art operates in a very different space – completely outside this interaction with other humans.

Being in the space of creativity is about forgetting what other people might think of our work, what other people are doing, literally everything that connects us to other human beings.

We need to release ourselves from our ‘normal lives’ and the way we live.

Because art can never be created by a committee. And what is completely unique and interesting about you is what will make the most compelling photos.

2. Know that we aren’t seeing the world as it really is

“Vision is the art of seeing what is invisible to others.” – Jonathan Swift

Did you know that your brain processes two billion pieces of visual data per second? And yet we only see about 50 bits of this information.

Of course, our brains are doing us a massive favor. If it didn’t block out most of what was happening around us, we couldn’t focus.

What’s interesting here is what 50 bits of information are you seeing, and what 50 bits am I seeing?

If we are seeing such a small selection of what’s available, then it’s highly unlikely we are all seeing similar things.

Which makes our personal world highly selective.

I find this so exciting because it shows how we are always able to create something new if we only open up our awareness.

This explains why we can all stand in front of the same scene and take different photos (this happens all the time on my workshops.)

Let’s celebrate that there is so much more to discover in the world around us.

3. Take your time to really observe the world around you

One thing I constantly see in my workshops is when people find a subject they love, they shoot it, then move on way too quickly.

I think it’s a natural response to how we live in this modern life. We are very driven by results. We shoot something, then we move on to the next thing. Almost like we are ticking a box.

But the way to be more creative in your photography is to forget about where you want to go next.

In fact, forget about everything that is not totally related to the present moment you are inhabiting, and the subject you are facing.

Take your time. Watch the light. Maybe wait for the light to change to see what would happen to your subject.

Look at the shadows. The people that are passing. What’s happening around your subject? Feel the atmosphere, and maybe how it is changing.

Observe.

As you see more and get to know your subject more, new angles will open up on how to shoot. Maybe the weather will change, making more dramatic images, or the light will soften creating a totally different feel to the mood of the shot.

The more you observe your subject the more it will reveal different qualities to you. You will notice more subtleties.

There is no rush. Allow yourself all the time you need to observe and shoot your subject.

4. It’s all about the light

“I am forever chasing light. Light turns the ordinary into the magical.” – Trent Parke

When people ask me what I photograph, I always say the same thing – light.

My biggest passion and main subject in photography is light. I love light in all of its forms.

The joyful, effervescent light of a spring morning; the deep, brooding, metallic grey light before a storm; the deep, deep blues of twilight in the city; the misty, melancholic light of a winter’s afternoon.

Light is always changing. Each day brings us something different and each part of the day has different qualities. And when you have interesting light it makes your subject so much more compelling.

Your job is to play with light and your subject, seeing what happens when the light changes.

What qualities are revealed in your subject in different light?

“Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.” – George Eastman

5. Photography is all about feeling

When we see a photo we really love it’s rarely only because it’s nice to look at.

Beyond the composition, color, light and all of the things that we can organize, there is a more important element to a photograph that is more elusive and hard to capture.

This element is emotion.

“Photography’s a case of keeping all the pores of the skin open, as well as the eyes. A lot of photographers today think that by putting on the uniform, the fishing vest, and all the Nikons, that that makes them a photographer. But it doesn’t. It’s not just seeing. It’s feeling.” – Don McCullin

When a subject stirs emotion in us – joy, love, fear – it will transfer into our photo. And when the viewer sees that image, we want that emotion to be evoked in them too.

Capturing emotion is an art, and it’s not automatic. But it’s totally worth focusing on. Find subjects that stir your emotion, and try to capture that feeling in your images.

The most iconic photos that we remember for years, or the ones that really speak to us personally, will be communicating a powerful feeling.

6. Be in awe

“Instructions for living a life. Pay attention. Be astonished. Tell about it.” – Mary Oliver

If we think that photography is all about feeling then the most sensible option when deciding what to photograph is to find subjects that fill you with emotion.

I like to ask myself – what fills me with such deep excitement I am in total awe when I see it?

You can probably guess that light is what makes my heart burst with excitement and makes me want to get my camera out.

But there are other things too.

Exploring nature is always something that excites me. Spending days walking through the hills near where I live in Southern Spain, or through the pretty English countryside of my adopted homeland on a beautiful summer’s morning.

Cities too, especially at sunrise when they are empty and beautiful. I like to explore, wander and see what I come across.

It doesn’t matter though what your subject is, the most important part of your decision of what to photograph is that it has to be something that stirs your soul. It has to thrill you. It has to fill you with awe.

Otherwise, what’s the point of taking the photo?

7. Stop thinking

Now, the last step is often the hardest. We are trained from an early age to be in our heads. To be thinking and doing all the time.

However, if you want to hit that artistic mindset where you are present, connected to the world and in total creative flow, you will not be thinking or analyzing what’s happening around you.

“Don’t think. Thinking is the enemy of creativity. It’s self-conscious, and anything self-conscious is lousy. You can’t try to do things. You simply must do things” – Ray Bradbury

Once you have made the choices of when and what to shoot, then you can let yourself go.

Being an artist is losing yourself and becoming part of this magical and amazing world.

It’s daring to lose yourself to see what you can find. It’s being prepared to forget all the things that you have to do or worry about.

For this we have to be a little courageous, we have to experiment and try, we have to make mistakes and trust that we will take good photos (eventually). But –

“What would life be if we had no courage to attempt anything?” – Vincent Van Gogh

I hope you enjoyed these ideas.

I’d love to know if these sparked ideas or inspiration for you. Let me know in the comments below. Thanks!

 

The post Learning to See Like an Artist – 7 Powerful Techniques to Help You See More Compelling Images appeared first on Digital Photography School. It was authored by Anthony Epes.


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