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Posts Tagged ‘Phil’

Godox XPro TTL Flash Trigger Review with Phil Steele [video]

03 Feb

The post Godox XPro TTL Flash Trigger Review with Phil Steele appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video, photography educator Phil Steele reviews the Godox XPro TTL Flash Trigger. While reviewing the Godox unit, he also makes a comparison to other flash triggers he uses; the Yongnuo YN622 and the Phottix Odin. The unit is available for Canon, Nikon, Sony, Olympus, Fuji, and Pentax.

So, if you are looking to do more flash photography, you should watch this handy review. You may be surprised at the features this unit packs, especially the cross-brand compatibility. Find out more in the video.

 

You may also find the following articles helpful:

How to Trigger an Off-Camera Flash with the Pop-up Flash

8 On-Camera Flash Tips: How To Get Better Lighting From Your On-Camera Flash

Bounce Flash Secrets – Bouncing Your Way to Better Photography

DIY Lighting Hacks for Digital Photographers

How to Understand the Difference Between TTL Versus Manual Flash Modes

How to Make Beautiful Portraits Using Flash and High-Speed Sync

 

If you want to learn more from Phil, check out some of his video courses covering topics like event photography, Lightroom, headshots and more on steeletraining.com.

The post Godox XPro TTL Flash Trigger Review with Phil Steele appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview 20th Anniversary: Founder Phil Askey on the first ten years

26 Dec

As DPReview enters its 20th year of publishing, we spoke to the site’s founder, Phil Askey – DPReview employee #1. In this interview, Phil remembers the first ten years of DPReview’s development from its original conception, through a period of massive growth, to the site’s acquisition by Amazon.


Pre-DPReview, what were you doing?

Before starting DPReview I was the lead developer for a software company based in Singapore, working on a web based business-to-business hospitality marketplace. The “world wide web” was still very new in 1998 but I had already established a sort of tech blog (before they were called that), mostly at that time discussing the Palm Pilot and similar electronic PDAs. The rough design for the PDA site ended up being the foundation for DPReview (including the love / hate black background).

How was the idea for DPReview born?

My passion for photography began with my first proper camera, a gift from my parents, an Olympus OM-10 with a 50mm F1.8. At the end of 1998 digital cameras were just starting to appear. I took an interest immediately, being a bit of a geek, loving my tech toys and being into photography.

I created a new sub-domain on my “blog” called photo.askey.net (props to anyone who can remember that) and began writing news articles about digital cameras, at that time quite a lot of my news leads came from Japanese digital camera sites like dcwatch. My first camera review covered the Canon Pro70 (at that time a groundbreaking product), supplied to me by the marketing department at Canon Singapore and the first proper DPReview review was born.

When you first started DPReview, what did the setup look like?

In the very early days, in our Singapore flat it was a very makeshift setup: a few fixed tables, tape marks on the floor, items arranged in a certain way, home printed charts, etc. Nobody was really trying to test digital cameras in a repeatable way, and that was my aim, to have tests we could apply over and over and get the same results (within a margin of error). When we returned to live in London in early 2000 we had a more permanent setup with a cove for product photography, permanently mounted professionally printed charts, studio lights and so on.

The DPReview homepage complete with its ‘love it or hate it’ black background, in November 1999 – just under a year after the site was launched.

From 1998 to 2008 all of the backend software (i.e., the site code), the testing, news, reviews, forums management was my job. My wife, Joanna, handled the growing load of actually running a business (paperwork, bills, invoicing) as well as being a fantastic photographer and model for the reviews. Many of the better gallery photographs from those days were taken by her. Simon Joinson joined us in mid-2004 contributing news and reviews (click here to check out Simon’s first review). At the beginning of 2008, after the Amazon acquisition, we established a larger office in London and grew the team out.

What was your ‘mission’ for DPReview?

Initially I had no particular expectations but as traffic grew I knew we must have been doing something right, and in hindsight I would pick out these four key values.

First, always be honest. Write a review truthfully as though you’re writing it for a family member. If a product has an issue, talk about it. Manufacturers may not like to hear it but it’s the right thing for the buyer and in the long term for the manufacturer. I also had a strict no-advertorial policy.

Second, try to be first, and most in-depth. Despite the massive amount of work involved in producing a review I always aimed to be the first to publish and to have the most detailed reviews. This became a little easier later as manufacturers provided us with pre-production units before launch.

Despite the massive amount of work involved in producing a review I always aimed to be the first to publish and to have the most detailed reviews

Third, always listen to your community – I spent hours and hours analyzing logs and trying to understand how people used the site. I scrapped many an idea when it didn’t work, and added lots of features based on user requests. We always had an open “feedback” system which I believe to be invaluable.

Finally, build a strong relationship with the manufacturers through mutual respect. This might seem slightly counterintuitive for an independent review site but as long as your testing is rigorous and your writing is honest you will earn respect on all sides.

What were the biggest challenges, running DPReview in the early days?

The single biggest issue back in those days was simply technical; scaling the servers to cope with the massive growth in visitors. A good 30% of my time was developing, optimizing and maintaining the site code and the servers. There weren’t many “small businesses” running servers out of hosting facilities dealing with the amount of traffic we had, and cloud services had yet to be invented.

Also as a small business there is also a lot of pressure to keep the site up. My phone would always be with me and there were many instances of early morning panic getting the servers back up and running.

Phil (left) and his son Kai.

Has anything surprised you about how the digital photography industry has evolved over DPR’s lifespan?

I was pleasantly surprised by how receptive the camera manufacturers were / are to our often critical feedback, this I believe has had a direct influence on the development of certain models. I can think of a few cameras that I can say “it’s that way because we pointed out X, Y and Z on the previous version” or “that’s the camera we always talked about”.

I remember one factory tour trip in particular to Tokyo where we labelled “VIP” which took me by surprise

When did you realize that DPReview had the potential to be very influential?

When we moved back to London in early 2000 and begun working full time on the site, we had already surpassed any other digital camera site in terms of visitor numbers and were being taken seriously by the manufacturers, I remember one factory tour trip in particular to Tokyo where we labelled “VIP” which took me by surprise as we were sharing the trip with many industry veterans. It was I think at that time I realized we had earned enough respect to be taken seriously.

What were those first years of growth like?

Crazy is probably the correct adjective. We went from around 40,000 visitors per month in January 1999 to 600,000 by January 2000, to over 3 million per month by January 2002. By January 2006 we were seeing almost 20 million visitors per month. All this though simply drove us to keep doing more and building the site out.

How did Amazon approach you and how did the acquisition affect DPReview?

Amazon simply emailed me and a long, long conversation began, it wasn’t the first M&A approach we’d had but it was the most attractive, in terms of Amazon’s track record of helping sites at that tipping point (and we were definitely there) to grow without spoiling them. Amazon was by far the best fit for DPReview and we knew their assurances about editorial neutrality and supportive site development were invaluable to growing the site.

After the acquisition we opened an office in London and grew out the staff, creating a whole new studio space and introducing a host of new site and review features.

Announcement of Amazon acquisition (May 2007)

What are you most proud of from those early years?

This question took me the longest to answer, I guess I’m proud that we built up such a loyal and strong community, I put a lot of effort into the forums and I still believe it’s the backbone of the site (remember, back then discussion “boards” were far less feature-rich). I guess today I’m still very proud that we made the right choices at the right time and that Amazon are giving the site everything it needs to continue to be the leading voice for everything photography related.

What are you up to these days, post-DPReview?

These days I’m likely to be found at the side of a race track somewhere in Europe (mostly Italy) supporting my son’s racing career.


Keep an eye on the site tomorrow, when Simon Joinson, DPReview’s general manager during the period when the team moved from London, UK, to Seattle, USA, will share his memories.

Articles: Digital Photography Review (dpreview.com)

 
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How to Crop to Exact Pixel Size Using Photoshop – with Phil Steele

10 May

If you’ve struggled to resize images to an exact pixel size watch this video tutorial by Phil Steele. He will show you exactly how to crop your images to fit a specific pixel size (like for a Facebook banner, etc.) using one quick step in Photoshop.

Crop to pixel size using Photoshop

Phil also mentioned that it’s a good idea to sharpen your image after cropping. Here is some help on that topic:

  • Photoshop Tip: Using the High Pass Filter to Sharpen Images
  • Smarter Sharpening in Photoshop using Adobe Camera Raw

If you want more Photoshop tutorials, try these:

  • How to Understand the Curves Tool in Photoshop
  • How to Use the Levels Tool in Photoshop
  • How to do Digital Blending in Photoshop to Create a Composite Photo
  • How to Create a Rim Light Effect Using Photoshop
  • How to Add a Sun Flare to Your Images Using Photoshop
  • How to do Non-Destructive Editing in Photoshop

Want more from Phil? Check out his Photoshop Basics course here. 

The post How to Crop to Exact Pixel Size Using Photoshop – with Phil Steele by Darlene Hildebrandt appeared first on Digital Photography School.


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Everything You Need to Know About Tripods with Phil Steele

23 Apr

In this really helpful video Phil Steele covers everything you need to know about tripods including; how to choose the right one, how to use them, and special features you may not know about.

  • How to choose the right tripod
  • How to use a tripod properly
  • Special features you may not even know about

Here are some tripod articles and reviews for you to check out:

  • Overview of the Vanguard VEO 235AB Aluminum Travel Tripod
  • Benro FGP18C SystemGo Plus Travel Tripod with B2 Ball Head Review
  • Product Review: Polaroid Carbon-Fiber Travel Tripod and Varipod
  • The 3Pod P3COR Tripod and SH-PG Ball Head Review
  • How to Build the Ideal Tripod
  • Tripod versus Monopod – a Comparison and When to Use Each
  • 5 Tips to Get Sharp Photos While Using a Tripod

If you want to learn more from Phil check out some of his video courses covering topics like event photography, Lightroom, headshots and more on Steele Training.com.

The post Everything You Need to Know About Tripods with Phil Steele by Darlene Hildebrandt appeared first on Digital Photography School.


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Apple’s Phil Schiller explains why the new MacBook Pro doesn’t have an SD card slot

04 Nov

There’s a fair amount of controversy surrounding Apple’s newly unveiled MacBook Pro laptops, with one major criticism from photographers focusing on the removal of the SD card slot. Owners must use an SD-to-USB adapter to physically transfer files from a card to the laptop, otherwise wireless transfer is the only option. When asked about this design decision during an interview with The Independent, Apple’s Phil Schiller explained that SD card slots are ‘cumbersome.’

When asked why the new MacBook Pro laptops don’t have an SD card slot, Schiller explained:

“Because of a couple of things. One, it’s a bit of a cumbersome slot. You’ve got this thing sticking halfway out. Then there are very fine and fast USB card readers, and then you can use CompactFlash as well as SD. So we could never really resolve this – we picked SD because more consumer cameras have SD but you can only pick one. So, that was a bit of a trade-off. And then more and more cameras are starting to build wireless transfer into the camera. That’s proving very useful. So we think there’s a path forward where you can use a physical adaptor if you want, or do wireless transfer.”

During the end of the interview, Schiller admitted that the level of criticism around the new MacBook Pro ‘has been a bit of a surprise.’ He went on to say that he has ‘never seen a great new Apple product that didn’t have its share of early criticism and debate — and that’s cool. We took a bold risk, and of course with every step forward there is also some change to deal with.’

Via: Independent

Articles: Digital Photography Review (dpreview.com)

 
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Solving the Biggest Newbie Confusions with Lightroom by Phil Steele

07 Aug

Photography educator Phil Steele has taught Lightroom to tens of thousands of people. In this video tutorial he helps clear up the biggest confusion around using Lightroom that most beginners have – understanding how Lightroom and the catalogue work.

Watch this video to get a better understanding of how Lightroom works behind the scenes. If you’ve been using it for a while you can either confirm that you’ve got it right, or clear up some things that you may still not be 100% clear on.

Learn about several common sources of confusion when using Lightroom including:

  • The Lightroom database or catalog, what it is and how the “mind” of Lightroom works
  • Where Lightroom stores your images
  • How to get the edited versions out of Lightroom

If you enjoyed that video, and want to learn even more about Lightroom you can check out Phil’s course: Lightroom Made Easy.

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Readers’ Showcase: Phil Garcia

10 Apr

Readers’ Showcase: Phil Garcia

Arctic fox, Iceland 2014. A young white morph Arctic Fox sunbathing in front of his den. After spending a week camping close to that place, the family just accepted me as one of them. Probably because of the smell! Photo and caption by Phil Garcia

Phil Garcia made a career of shooting mountain sports, but found his hobby photographing wildlife becoming more than a side project. Now he maintains a home in Iceland, studying and capturing the country’s native Arctic Fox. Garcia is about to publish a book of his Arctic Fox photographs, and shares with us his views on photographing wildlife, respecting the natural world and what it takes to weather Iceland’s rain.

You can see more of his work at his website, and reserve a copy of his forthcoming book by contributing to his crowdfunding campaign. Interested in having your work featured in an upcoming Readers’ Showcase? Let us know! Include your DPR user name a link to your online portfolio.

Readers’ Showcase: Phil Garcia

Common Vulture, Pyrénées mountains, Spain 2016. Vultures are quite common in my area and they are my winter favorite. I spend loads of time every year at the top of this cliff in the biting wind to catch this kind of shot. Photo and caption by Phil Garcia

Tell us where you’re from and your history with photography.

I’m a French photographer – I was born in the Pyrenees mountains, close to the Spanish border. It’s a mountain area with lots of wildlife, such as eagles, vultures, capercaillie, foxes, mountain goats, deers, etc. I bought my first camera when I was 15, that was 30 years ago. Then I became a full time photographer in the sports business, specifically mountain sports such as skiing and mountain biking. I shot for big brands like Oakley and Redbull and also for many magazines, while shooting wildlife and nature photography as a hobby.

Readers’ Showcase: Phil Garcia

Atlantic puffin, Iceland, 2015. Some years ago, I made my first trip to Iceland. That was the time before I went completely mad about that country and decided to buy a house there and spend lots of time photographing its nature. This puffin was shot in the midnight light on the westernmost point of Iceland, facing Greenland. Photo and caption by Phil Garcia

What do you shoot with now?

I’m a Canon guy, and at the moment I shoot with the EOS 5D Mark III and 7D II. I don’t use the 1D series anymore, mainly for weight reasons. Because I travel lots I like to take advantage of the APS-C format with smaller and lighter lenses. My lens kit include the 300mm F2.8, 70-200mm F2.8, 100mm macro, TS-E 90mm, 50mm and 16-35mm F4, all L-series.

Readers’ Showcase: Phil Garcia

Eurasian Nuthatch, Pyrénées Mountains, France 2013. Snow is also one of my favorites subjects, but this picture was made from a comfortable shelter in my garden! Photo and caption by Phil Garcia

What kind of subjects do you specialize in photographing?

In my wildlife and nature photography, I like mountain mammals and birds of prey. But I shoot any kind of animal if it makes an aesthetic picture. I’m more after the good light and scene than after some particular or rare species. There are lots of animals I’ve never photographed properly but I don’t really mind, I’m not ticking boxes. I prefer a good shot of a sparrow than 50 average shots of eagles.

Readers’ Showcase: Phil Garcia

Arctic Fox, Iceland 2016. In winter, the arctic foxes of the white morph turn completely white. That’s a picture that took me a long time to get, as most of their areas are so remote that it’s quite impossible to get there in the middle of the winter, as the roads are often closed and the boats can’t sail. Photo and caption by Phil Garcia

You’re preparing a book featuring the Arctic Fox for publication. What draws you to this subject in particular?

I’ve spent a lot of time in Iceland over the last five years, as I bought a house there. Iceland is full of birds but there is only one proper mammal to photograph: the Arctic Fox. And it’s a hard one, it took me two years to get my first proper shot of an Arctic Fox. I spent lots of time in the field, and I got to know Ester, an Icelandic biologist specialized in Arctic Foxes. With my wife, we participate in local studies for its protection, spending weeks taking notes in front of a den in the cold and rain. In the end, it has become a full time passion, even when I’m not in Iceland!

Readers’ Showcase: Phil Garcia

Arctic fox, Iceland 2014. July is the time for the young foxes to learn many things from their parents. Although the animal is a canid, the cubs love to play in a very kitten-like way. Photo and caption by Phil Garcia

Iceland is an important photographic subject to you as well. What is it that makes it such a unique destination for photographers?

Like in many Arctic countries, I think the light makes all the difference. It has amazing light and a very wild nature. I can spend a week in the field and hardly meet a couple of people. I photograph animals that may see a man twice a year. And many places are not hunted, meaning the animals are not extremely afraid of man, like in many other places in the world. 

Readers’ Showcase: Phil Garcia

Arctic fox, Iceland 2014. After spending a week around them, the mother of this cub was so confident in me that she very often left me at her den with her cubs around while she went hunting guillemots for them. During that time, the male kept on checking the territory from a distance. He never got that friendly. Photo and caption by Phil Garcia

What advice would you give a photographer visiting Iceland for the first time?

Any photographer I’ve met who has traveled to Iceland for the first time has one thing to say: ‘When will I be able to go back there?!’ It’s amazing but it’s a hard country too: it’s cold at any time of the year, and you always need a good rain outfit. I mean a real rain outfit, not just Goretex, thick rubber like sailors wear! If you visit Iceland, you must also take a lot of care to not disturb the natural environment – don’t break any plants, don’t walk on moss. It took the moss three hundreds of years to grow some centimeters thick and can be ruined instantly.

Readers’ Showcase: Phil Garcia

Stilt, Mediterranean area, France, 2015. I love to play with lights and water, especially when I use my floating hide. This stilt was playing with the light too. Photo and caption by Phil Garcia

What’s the experience of publishing a photo book been like so far?

It’s been going pretty well so far as I decided to publish it myself, so I’m the boss of everything! It’s a subject that is hard to sell for a publisher so I didn’t even bother to propose it. It’s really a lot of work to promote the book, but the crowdfunding went pretty well, it’s almost done. Now comes the fun part of checking the files, the paper orders and the printing. I’ve done that already in a previous job, so it should be fine and the book will be beautiful!

Readers’ Showcase: Phil Garcia

Arctic fox, Iceland 2014. This was certainly the first time that this blue-morph Arctic Fox met a man in a short distance. He was not scared at all, just very curious. Photo and caption by Phil Garcia

What advice would you give to new wildlife photographers?

That’s an easy one, as I have guided workshops in Iceland for the last three years. I’ll tell you what I tell my people: First, learn everything about the animal, from books or the internet. Second, learn about its habitat. Then you can open your camera bag and hopefully shoot something. Let the animal determine the distance, never follow it when it leaves and most importantly, as my friend Ester would say: ‘Don’t feed the foxes!’ What that generally means is ‘Don’t interfere in the animal’s life, just look at it.’

Articles: Digital Photography Review (dpreview.com)

 
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Today Only: 54% OFF Phil Steele’s Event Photography Course

19 Dec

It is day 5 in our 12 Deals of Christmas and today we’ve got a great deal that is perfect for anyone who gets asked to photograph events (birthday parties, concerts, school plays, reunions, weddings etc).

It’s 54% off Phil Steele’s Event Photography Course.

NewImage

We are all Event Photographers

While not all of us see ourselves as ‘event photographers’ most of us are. As Phil says:

“Let’s face it, we are ALL event photographers. Even if you have no desire to shoot professional events for money, if you are the person in your family with a decent camera, then you get called on to shoot the kid’s birthday party, your friend’s concert, the school play, or the family reunion.”

With 25 videos and over 5 hours of training this course teaches you the techniques used by professionals to get great photos—every time—even in the most difficult conditions.

See full details of what Phil covers in his training here.

For the next 24 hours you can pick this practical course for just $ 67 USD – that’s 54% off the normal price of $ 147.

Lastly – as with all our products during this 12 days of deals this one comes with a money back guarantee. If you buy it and are unsatisfied in any way Phil will gladly refund the purchase price with no questions asked.

Become a Great Event Photographer

We are all event photographers – this course will help you to become a great one!

Get full details of Phil Steele’s Event Photography Course.

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Lightroom Walk Through – Event Photography Workflow with Phil Steele

12 Apr

Phil Steele is a well-known and respected photography educator. In this video tutorial he walks you through exactly how he works through the post-processing of an event he has just shot.

Learn tips on importing, rating, culling, organizing in Collections, exporting, and delivering the photos as Phil goes through his entire event photography workflow step by step.

If you enjoyed that and want more you can check out Phil’s courses here:

  • How to Shoot Headshots and Portraits on a Budget with Small Flashes
  • Photoshop Basics for Photographers
  • Lightroom Made Easy
  • Event Photography course

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Setting Your White Balance with a Gray Card – a Tip from Phil Steele

15 Dec

Setting your white balance can be done two ways: in camera when you’re shooting or later in post-processing. In this short video tutorial Phil Steele shows you how to do both methods.

Part one is using a gray card to set a custom white balance. Read more about that topic with: Get your White Balance Right in Seconds Using Grey Card.

Part two is how to adjust the white balance using a gray card in Lightroom. Read more here: Adjusting White Balance in Lightroom.

Phil also mentioned where to buy gray cards, you can find several options on Amazon:

If you liked this tip, you can find out more about Phil’s Lightroom course or his brand new Event Photography course here.

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