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Posts Tagged ‘Peter’

Photographic legends: Remembering Peter Lindbergh, Charlie Cole and Fred Herzog

18 Sep
Left: Peter Lindbergh, Right: Fred Herzog

Earlier this week, an outpouring of condolences directed toward legendary artist Robert Frank streamed through international news outlets and various social media channels. What we need to remember is that since September 3rd, the photography world also lost three other icons who deserve a tribute on DPReview. Peter Lindbergh passed away on the 3rd, Charlie Cole on September 5th, and Fred Herzog on September 9th — one day before Frank.

Peter Lindbergh

Peter Lindbergh 2015, via Wikipedia, used under CC BY-SA 4.0

Peter Lindbergh leaves behind a legacy as one of the fashion world’s most renowned and sought after fashion photographers. The German artist passed away on Tuesday, September 3rd, at the age of 74. Lindbergh’s style of capturing women with minimal makeup and forgoing any retouching in his black-and-white images presented a stark contrast to the typical 1980s aesthetic of big hair, loud makeup plus outfits, and excessive airbrushing.

Portrait of German Photographer Peter Lindbergh, taken by Stefan Rappo (New York, 2016), via Wikipedia, used under CC BY-SA 4.0

Lindbergh was born in Leszno, Poland, and grew up in Duisburg, Germany. He attended the Berlin Academy of Fine Arts. During that time, it was the pure love of capturing his brother’s children in action that inspired him to pursue a career in photography. In 1973, he opened his very first studio in Düsseldorf. Five years later, he would move to Paris and take a job at Vogue magazine, essentially the ‘fashion bible’ to this very day.

Lindbergh is most famously credited for ushering in the era of the 1990s supermodel. His January, 1990 cover shot plus accompanying spread for British Vogue featuring Naomi Campbell, Cindy Crawford, Tatjana Patitz, Christy Turlington, and Linda Evangelista catapulted them to a first-name basis level of fame. His powerful depiction of these women inspired singer-songwriter George Michael to cast them in his music video for his hit “Freedom! 90.”

Besides photographing fashion icons, Lindbergh also made an impact with Hollywood starlets such as Lupita Nyong’o, Sharon Stone, and Reese Witherspoon. “Over the years I’ve worked with Peter on many shoots. He was enormously kind and always made me feel beautiful no matter what kind of day I was having. He was a wonderful soul who put so much gorgeous art into the world,” wrote Witherspoon in a heartfelt Twitter post.

“When @therealpeterlindbergh shoots, it’s about the women,” said Crawford on her official Instagram account. “It’s not about the hair, makeup, or styling, really. He had a way of turning your imperfections into something unique and beautiful…and his images will always be timeless.” Lindbergh leaves behind his wife of 17 years, photographer Petra Sedlaczek, and his three sons Benjamin, Simon, and Jeremy.

Charlie Cole

Charlie Cole was an American photojournalist best known for one of the most resonant photographs of our time, ‘The Tank Man.’ The image’s central subject was a Chinese officer confronting a row of tanks during the 1989 Tiananmen Square crackdown. Cole passed away in Bali on Thursday, September 5th, at the age of 64.

He was one of four photographers at the scene who captured this pivotal moment in history. The framing and perspective he was able to get with a telephoto lens, from the balcony of his Beijing hotel room, is what won him the the 1990 World Press Photo of the Year award. He would later speak of watching the man in a white shirt walk into the center of Changan Avenue as the tanks approached. ‘I kept shooting in anticipation of what I felt was his certain doom. But to my amazement the lead tank stopped, then tried to move around him.’

‘I think his action captured peoples hearts everywhere and when the moment came, his character defined the moment, rather than the moment defining him,’ Cole commented to The New York Times. ‘He made the image. I was just one of the photographers. And I felt honored to be there.’ China’s Public Security Bureau would eventually seize the man in the photo and escort him out of the vicinity. To this day, his fate remains unknown and the image remains largely censored on the country’s Internet.

Cole instinctively knew that Chinese officials would search his room and confiscate any camera gear and film. He wrapped the one roll containing the image of ‘The Tank Man’ in plastic and attached it to the flush chain of the hotel room’s toilet. It worked. The men seized all other camera gear and film rolls, then left feeling satisfied with the evidence they confiscated.

The remaining film roll was developed at the Associated Press bureau then delivered to Newsweek magazine on time for a deadline, thanks to a photo tech-photographer who had flown in to deliver it from the magazine’s Tokyo office. Cole would live to regret the fact that the image he captured had become synonymous with the Tiananmen Square tragedy. In his mind, it diminished the accomplishments of the other photographers on the scene that day documenting the crackdown against the demonstrators in the square. He rarely spoke of his career-defining photo as a result.

An accident on his Harley Davidson, taking place in Tokyo during the mid-1990s, ended his news career. His left leg was shattered but not amputated. He eventually relocated to Jakarta, then finally settled in Bali with his Indonesian wife Rosanna. For the remaining 15 years of his life, he worked quietly as a commercial photographer.

Fred Herzog

Fred Herzog taking photos in Vancouver’s Chinatown in the early 2000’s. Image captured by DPR reader Jack Simpson and used with permission.

In the 1950s and 60s, almost all street photography was black and white. Fred Herzog used Kodachrome slide film to produce rich colors in his images that captured vibrant city life in Vancouver, British Columbia, the industries it was built on, and its working class. Herzog passed away on Monday, September 9th, at the age of 88. His death marks the end of an era. The city he once documented has been largely replaced with upscale housing and corporate structures.

Fred Herzog, Curtains, 1972, Archival pigment print, Courtesy of Equinox Gallery.

Herzog was born in Stuttgart, Germany, in 1933. He emigrated to Canada in 1952, living briefly in both Toronto and Montreal before settling in Vancouver. Professionally, Herzog worked as a medical photographer and was the associate director of the UBC Department of Biomedical Communication. He would roam the streets of his new home base, spontaneously documenting its fleeting moments.

Fred Herzog, Crossing Powell, 1984, Archival pigment print, Courtesy of Equinox Gallery.

‘It’s not a question of learning all the techniques or learning composition or learning about the art of it. I think what is important is that you are out there as a person and relate to those objects and those people who intrigue you,’ said Herzog whose time capsule of photos taken during the 50s and 60s established his legacy as one of the pioneers of artistic color photography.

His photos were ahead of their time. It wouldn’t be until the 1970s that technology evolved to the point where Herzog felt the elements contained in his Kodachrome color slides could be properly processed in print. ‘The majority of his photographs are done on Kodachrome slide film which has this particular richness to it. The reds are just sort of extra velvety and there’s just something really particular to that color,’ said Equinox Gallery director Sophie Brodovictch.

Fred Herzog, Flaneur Granville, 1960, Archival pigment print, Courtesy of Equinox Gallery.

‘Printing techniques of the time […] just couldn’t reproduce those Kodachrome colors. So he patiently just filed his slides in his basement and waited for technology to catch up to show what he wanted to see in a tangible paper or printed format,’ Brodovictch added. Herzog, as a result, would not attain commercial success until later in life. His first retrospective was shown at the Vancouver Art Gallery in 2007, when he was 74 years old. He went on to show work in several major exhibits across Germany and Canada plus release several photography books.

Herzog briefly put his legacy in jeopardy during a 2012 interview with the Globe and Mail. He expressed doubts about the extent of the mass slaughter that occurred during what he deemed ‘the so-called Holocaust’ during World War 2. When he learned that the reporter, Marsha Lederman, was a child of Holocaust survivors, he retracted his statement.

In 1994, Herzog took part in an interview with Global News, who shared excerpts from it after the news of his passing.

He leaves behind his daughter, Ariane, and son, Tyson. His wife, Christel, passed away in 2013. While Vancouver may have changed dramatically over the decades, a new generation of street photographers continues to be inspired by his work. On a final note, artist Clayton Cubitt was able to articulate my feelings about Herzog’s work deftly with a single tweet, embeded above.

Articles: Digital Photography Review (dpreview.com)

 
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Shooting the moon: behind the shot with Peter Alessandria

14 Jan

Shooting the moon: behind the shot with Peter Alessandria

I planned this shot out two weeks in advance. I knew I wanted the moon to encompass Lady Liberty’s crown and torch. I love the ferry passing in front. This is a single exposure.

Peter Alessandria is not only an award winning, full-time professional photographer but he also happens to be a resident DPReview community member. He recently submitted an image of the moon aligned with the Statue of Liberty, which we selected as a Top 10 image for our 2016 Reader’s Best Shots (Places), that garnered quite a bit of praise – as well as some skepticism. Many people wanted to know just how he could accomplish such a shot and if it was indeed the ‘real deal’.

With that in mind, Peter got in touch with us and we worked with him to create a ‘behind the shot’ guide to shooting the moon. As you can imagine, quite a bit of planning and dedication goes into getting any of the shots that are presented here in this how to guide.

To see more of Peter’s work check out his Instagram and the following websites:

www.greatproductshots.com
www.superstarheadshots.com
www.peteralessandriaphotography.com

What kind of equipment do you use to get those incredible moon photos?

Strawberry Moon rising above the World Trade Center. Shooting just after sunset left plenty of light in the sky for this single exposure. Taken from about five miles out.

Peter Alessandria: I currently shoot with a Canon EOS 6D and 70D. I like the 6D for its relatively low noise, high ISO files and the 70D for the swivel screen and the extra reach (at a given focal length) the APS-C sensor gives. My current lens of choice for most of my moon shots is the Sigma 150-600mm F5-6.3 | C.

You also need a sturdy tripod and cable release. Since you’re shooting at night, a head lamp or flashlight can also be helpful if there’s no ambient light. And of course depending on the time of year, weather protection for you and your camera may be necessary.

Do you have any apps or websites that you use to plan out where the moon will rise or set?

This photo (single exposure) was taken during the Super Moon we had in Nov. 2016. The moonrise came just after sunset meaning there was still a lot of light in the sky and on the Statue.

The main app I use to get my moon shots is The Photographer’s Ephemeris (TPE). The web browser version is free to use on your phone or computer while the app for Android and iOS is $ 4.99. Two additional apps that track the moon are “PhotoPills” (iOS) and “PlanIt!” (Android), these two Apps are also useful for shooting the Milky Way which I do a lot of.

TPE works by showing me where and when the moon (and sun) will rise and set based on my location. It includes moon phases and other useful information and allows me to plot the trajectory of the moon as it moves through the night sky. This is helpful since I want to identify where the moon’s path will intersect with my target. Lining the moon up with iconic landmarks such as the Empire State Building or Statue of Liberty, makes for dramatic and unusual photos.

Editor’s note: Star Walk is another excellent App that can be used to help plan shots of this nature.

Apps and gear aside, how do you go about planning to get to a prime vantage point or location to get the shot?

Moonrise Empire State Building (single exposure). This shot was taken last summer from seven miles out and required setting up in an old abandoned landfill in New Jersey.

Planning a shot with TPE is only the first half of the process. The second part is to find accessible locations on the ground that have clear lines of sight. This is where Google Map’s Street View comes in. Once I find the trajectory line I want, I use Street View to go to potential locations and see if there are any obstructions on the ground. This part can take hours since my optimal location is often to be as far away from my landmark as possible.

A couple of things to keep in mind when using Street View: images may be several years old so even though it looks good on the computer, when you arrive it may not end up being a good location. And Street View obviously only provides info on streets which Google has photographed. Sometimes when making these shots, the best location isn’t on a public street. Thus I sometimes end up in places I am not supposed to be, and as a result I was stopped by law enforcement eight times in 2016. Thankfully, the police have always been reasonable – and even helpful – once they found out what I was up to.

Once you’ve found out the time and the approximate position in which the moon will rise, what steps do you need to take to make sure that you nail the shot?

This is a photo (single exposure) of the full moon rising behind the Statue of Liberty in New York Harbor took a couple of weeks of planning.

The moon rises and sets at different times every night. Over the course of the month, rise/set times progress about 45-50 mins per day. This means you’ll need to check your charts carefully to make sure you aren’t late. You usually only have a few seconds to capture the exact moment of perfect alignment so it pays to be ready. Also, due to fluctuations in the Earth’s rotation and the Moon’s orbit, the spot on the horizon where the moon appears to rise/set also changes every night. In the long term certain locations repeat, but in the short term this means I have to make a new plan for almost every shoot.

Next, the moon doesn’t travel in a straight line (relative to the rise and set points) as it passes overhead. In the Northern Hemisphere the moon arcs to the south as it rises and then arcs back to the north as it sets. The arc is more dramatic the farther north you go and it arcs in the opposite direction in the Southern Hemisphere. This means to get my shots, I have to anticipate the path of the moon along its arc relative to the height of my landmark (TPE does give elevation and angle information but I’ve never quite figured out how to use it).

So if I want a shot of the moon atop the spire of the Empire State Building, I need to anticipate the moon’s path and how long it will take to reach that point. I often end up ‘leading’ the moon (like a skeet shooter does with a clay target) since I have very limited time to reposition if my calculations are off.

Of course none of this matters if clouds or rain are in the forecast, so make sure to check the weather ahead of time.

Since camera settings are often a topic of discussion when it comes to photos like these; what settings do you find yourself using most often?

Living in New Jersey means seeing the Statue of Liberty from behind. To see her face means traveling to Red Hook, Brooklyn and paying as much as $ 30 in tolls from NJ!

There are lots of factors that determine the proper exposure for these shots. Generally speaking, I try to keep my shutter to less than 2 seconds – and closer to 1 second or less if possible – to avoid motion blur of the moon (a sharp landmark is more important than a sharp moon but you still need to be conscious of this). My aperture is usually wide open (F5.6-6.3) on the Sigma 150-600. Even at 600mm, the lens is sharp enough to get good shots. My ISO is generally in the 160–320 (or occasionally higher) range.

One advantage of shooting the moon when it’s low on the horizon is that it is easier to get everything properly exposed in one shot. The general rule is the higher the moon gets the brighter it gets (assuming clear skies). Even though my NYC landmarks are usually pretty well lit, they are no match for the moon once it gets above 30-40 degrees on the horizon. Since the moon is reflecting sunlight, it is by far the brightest thing in the scene which exceeds the dynamic range of most cameras. Therefore, once it gets above a certain point, you will probably need to bracket your shots and combine them later in post. This is also why I prefer shooting the moon around sunrise or sunset. The ambient light in the sky makes it easier to capture everything in one exposure.”

The moon looks unusually large and colorful in your images, why is that?

Moonrise behind the World Trade Center (single exposure). This is an extreme example of how distance affects the relative size of the moon. This photo was taken from 23 miles away making the moon appear huge.

There are three factors that determine the size of the moon:

  • Most of my photos are shot when the moon is low on the horizon and the moon appears larger when it is on the horizon than when it is overhead.
  • I am often at 300-600mm FF equivalent on these shots. The telephoto compression enhances the apparent size of the moon.
  • I try to find locations as far away from my landmarks as I can. This is because the greater the distance I am from the landmark, the larger the moon appears relative to the landmark. Of course the farther away you are the more difficult it becomes to find a clear line of sight. I usually look for elevated locations for this reason.

When it is low on the horizon the moon appears red or yellow for the same reason the sun does: its light has more atmosphere to travel through than when it is directly overhead. Particles in the atmosphere (moisture, dust, pollution) tend to scatter the blue (shorter) wavelength of light while allowing the longer red wavelength light to pass through to our eyes. As the moon rises there is less atmosphere to contend with so the light we see becomes more white.

Anything else you’d like to say?

New Year’s Day 2017 Crescent Moonset – taken from Brooklyn, NY.

First I want to give a shout out to the readers and staff of DPReview. Back in 2002, when I was new to photography and had a question, it was the amazing DPReview forum members that helped me out. And for the last 15 years I’ve relied on the great, in-depth news and reviews the DPReview staff provides. I still visit here several times per week to stay up to date on the world of photography. Thank you DPReview for being such an important part of my photography career! (Editor’s note: Thanks Peter, your check is in the mail.)

I also want to thank my friend and colleague Jen Khordi. Jen founded the New Jersey Photographers Facebook group (closed – 1,600+ members) and brought myself and Jo Hendly on as co-admins. Jen introduced the TPE app to the group and was one of the first to see its potential in connection with NYC landmarks. If you live in the NJ/NY/PA area send us a Facebook request so we can add you to the group.

I’ll close by saying you don’t need to live near New York City to capture cool moon photos. Look for familiar landmarks in your own town or city and then plan your shot the next time the lunar cycle allows it. Your friends and neighbors will love it!”

To see more of Peter’s work check out be sure to check out his website and to find out just how Peter got his start as a professional photographer check out this video and give his about me section a read on his website. 

Articles: Digital Photography Review (dpreview.com)

 
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Behind the Camera: A conversation with Peter Hurley

31 Dec

Peter Hurley wasn’t always a noted portrait photographer with a great head of hair – before he ever picked up a camera he was a bartender, actor and model. With encouragement from Bruce Weber he purchased a camera and lens and the rest is history. Ever the engaging storyteller, Hurley takes us through the beginnings of his career and how he learned to stand out in a crowded field.

See more videos at our YouTube channel

Articles: Digital Photography Review (dpreview.com)

 
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Peter Lik’s ‘Phantom’ photograph breaks world record with $6.5 million sale

12 Dec

The world’s most expensive photograph has sold for $ 6.5 million to a private collector. The photograph ‘Phantom’ was taken by fine art photographer Peter Lik, and was joined by sales of his “Eternal Moods” for $ 1.1 million and “Illusion” for $ 2.4 million for a total of $ 10 million. Read more

Articles: Digital Photography Review (dpreview.com)

 
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How Peter Hurley became a top portrait photographer

10 May

Screen_Shot_2014-05-08_at_12.28.16_PM.png

Renowned advertising and commercial shooter Peter Hurley is the subject of a video in a series called #BehindtheGlass, where the New York and Los Angeles based photographer talks candidly about his non-traditional path into the industry. It’s one of those head-smacking, jaw-dropping stories that shows photography is part skill, some chance and a lot of hard work. Learn more

News: Digital Photography Review (dpreview.com)

 
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Peter Hart

16 Mar

A few nice visual art images I found:

Peter Hart
visual art
Image by helvildt
A very loud ThAnKs for all your wonderfull comments and visual communikation Peter! I’m especialy happy to thank you with a drawing of you!

These digital drawings are all handmade on an antique smart-phone Motorola A925.
| the drawings | the projekt | my facebook | my twitter |

 
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Meet The Photographers Who Write For Digital Photography School ~ Peter West Carey

24 Dec

You’ve been reading their articles for months or years, have you ever wondered “Who are the photographers who write for dPS”? We thought it would be a good time to introduce them to you through a series of interviews. No worries, Darren will get his turn too!

Today meet Peter West Carey, Seattle and LA based photographer and long time contributor for Digital Photography School.

1. Hi Peter! How long have you been shooting? 

I became addicted to photography about 22 years ago. I started shooting professionally five years ago.

2. Do you have a full time job or are you a full time photographer?

I live a freelance lifestyle, which means a little of this and a little of that. I earn my wages from writing about photography on DPS and other sites, teaching photography through local and international workshops, leading photography tours to Nepal, Bhutan and Hawaii (and sometimes Alaska) as well as shooting occasional weddings, portraits and products. It’s a mix of all things photography.

3. If you had to limit yourself to one genre of photography, what would it be and why?

I’m going to go broad on this one and call it “Outdoor”. That’s mostly landscape photography but in my mind that also includes travel photography, which some people consider a separate genre. The majority of my travel photography includes landscapes. Can I call it “Outdoor Travel” and cover it all?

4. When did you start writing for dPS ?

I started writing for DPS in the Spring of 2008 when the blog had about 30,000 subscribers.

5. What do you shoot with and what is your favorite lens?

I shoot with a Canon 7D and 28-300mm L lens most of the time. I also use a Canon EF 10-22mm wide angle lens. Throw on top of that a Tamron 90mm Macro as a kick around lens I picked up for doing some work for them. I use f-stop bags (the Satori and Guru being two excellent bags) and have recently fallen in love with a Think Tank Aviation Navigator roller bag. That bag will help keep my back from bending out of shape. I have three flashes (580 EX II, 580 EX and 420 EX) and some gel filters and Gary Fong adapters for them. I use Singh Ray graduated filters and Hoya haze filters. I also test a variety of gear throughout the year, thanks to shops like BorrowLenses.com and often use Nikon and Pentax gear. I’m not one to be a brand snob; I’ll use whatever is handed to me as long as it produces quality results and won’t take me five hours to read the manual.

6. What would be your number one tip for any new photographer?

My number one tip to a new photographer is to look at light all the time, not just when you have a camera. Start asking questions about how light is falling on the street where you walk to work, the trees above you or the buildings. How does it reflect off surfaces and what is the quality of the light at different times of day. Also, how does the same subject (building, for instance) look in different light? Photography is about capturing light and the sooner you start thinking critically about the light around you every day, the sooner you can improve on capturing that light.

7. What’s your next big project?

I am hell bent on finishing a series I started on my blog in October called 31+ Days Of Photography Experiments and then turning it into an ebook for those taking my photography classes. The best way to learn photography is to do it, all the time. And to keep learning by experimenting. I am halfway through the series with 20 days of free photography experiments already listed, but I need to hammer out the remaining 15 or so.

8. Where can people go to find out more about you and your work?

I am on the normal slew of sites: Facebook, Twitter, 500px, Google+, Flickr, Etsy, Pinterest. I have a blog and a professional site where people can learn more about the photo tours I lead. I love to help people learn more about photography and that is the main reason I write for DPS. If you have a specific photography question, drop me a line and I’ll do my best to answer it either here or on my blog. And lastly, a link to the 31+ Days Of Photography Experiments previously mentioned. http://thecareyadventures.com/blog/2012/31-days-of-photography-experiments/

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Meet The Photographers Who Write For Digital Photography School ~ Peter West Carey


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The Hobbit Production Blog 8 [HD]: Comic Con Excitiement & Peter Jackson’s Final Days Of Filming

10 Dec

The 8th “Hobbit” Production Video Blog from Peter Jackson. This production blog includes the “Hobbit” at Comic Con including all the actors like Martin Freeman and Ian McKellen. With the Hobbit done filming principal photography, the long post-production process has begun. Future installments of the video blog will include a look behind the scenes of post-production.

As her viral video tops 4 million, yoga instructor Briohny Smyth returns to the mat for an intimate session with her husband, Dice Iida-Klein. Read the full article on Q: q.equinox.com Another Briohny Smyth yoga video for Equinox: www.youtube.com Download the song, “Point Light,” here: projectdstllrymusic.bandcamp.com Q Editors: Liz Miersch & Ashley Martin Video by: Project Dstllry www.dstllry.com Creative Director Michael Godshall Executive Producer: Bradley Myers Scored by: Sanford Livingston and Jamie Biden // Project Dstllry Music Production Company: Starworks Group Directed by: Brody Baker Director of Photography: Carlos Veron

 
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Peter Hurley The Art Behind The Headshot Tutorial Free Download.mp4

27 Nov

Peter Hurley is one of the world’s most successful headshot photographers. In his 4 hour tutorial The Art Behind The Headshot, Peter shares everything he knows about taking the perfect headshot. This excerpt from the download shows just one real session and a short business interview. For all of the real time sessions and Peter’s entire interview, download the entire tutorial at www.peterhurley.com/dvd
Video Rating: 4 / 5

 
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Lio – House Broken Balloon and Peter Pan

05 Nov

RingTales presents a Lio animated cartoon. Lio is the hit internationally syndicated comic strip created by Mark Tatulli featuring the wordless macabre adventures of a young boy and his giant squid. Lio cleans up after his friend. Lio’s ride.
Video Rating: 4 / 5

Just a quick update on the clay soldiers project or as some people are now calling it TCSP. Hope you enjoy! keep them ideas coming Link to the mod: www.minecraftforum.net Thanks for you support on the Minecraft clay soldiers Project! Thesneakybros love you all for helping make the clay soldiers project so big! Keep up to date with the project below Show: www.youtube.com Find us on facebook: www.facebook.com Follow us on twitter: www.twitter.com Join our group on TGN: tgn.tv

 
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