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Posts Tagged ‘Pavilion’

Book-Shaped Pavilion in Korea Celebrates Historic Birthplace of Printing

16 Oct

[ By WebUrbanist in Architecture & Public & Institutional. ]

printed-word-book

In 1377, nearly a century before the famous Gutenberg Bible was printed in Germany, the Jikji anthology was made using movable metal type, then bound and and protected for centuries to come.

book-pavillion-exterior

A new installation outside the Cheongju Art Centre in South Korea celebrates this historic achievement, acting as a shelter for public performances in the open plaza.

It also hints at a larger exhibit inside: an array of architecture, art, design and digital media that traces the history and impact of movable type on literacy and publishing.

book-art-stage

The pavilion itself, folded and stitched together with red twine, forms a canopy that mimics the properties of an open book “being pushed down onto a flat surface,” explains its creator Ron Arad. The thickness increases where the pages fan out, and the metal binding of the structure is derived from a traditional spine.”

movable-type

The Jikji is the abbreviated title of a Korean Buddhist document, whose title can be translated “Anthology of Great Buddhist Priests’ Zen Teachings.” It collects teachings of Buddhism passed down for generations.

Printed during the Goryeo Dynasty in 1377, it is the world’s oldest extant book printed with movable metal type. Prior printing techniques in China used ceramics to print volumes, but none of those works survive.

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While other versions survive thanks to wood engravings in temples, only the final volume of the metal-printed Jikji is preserved by the Manuscrits Orientaux department of the National Library of France. The process used to create the anthology was only rediscovered in the early 1900s in the West.

Johannes Gutenberg, meanwhile, was the first to create his type pieces from an alloy of lead, tin, and antimony—and these materials remained standard for 550 years as printing evolved in Europe.

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Architect Overboard: Rusted Ship Hull Flipped into Arts Pavilion

25 Aug

[ By WebUrbanist in Architecture & Public & Institutional. ]

rusted lead

Cut from a massive decaying sea vessel, this hollowed-out section of hull has been transformed into a seating and performance space outside of the National Museum of Modern and Contemporary Art in South Korea.

rusted pavillion space

rusted gutted sea vessel

Located in Seoul, the Temp’L features an original corroding exterior that contrasts with its freshly-painted white interior and an array of greenery adorning it inside and out.

rusted museum seoul

A balcony and spiral staircase let visitors wind their way up inside this partial shell of the old ship, making their way to a semi-enclosed alcove shrouded by trees.

rusted old and new

The red-and-white theme plays off of concrete and brick on the adjacent museum building while the shape and texture set it starkly apart.

rusted exterior display

“Any great cultural vestiges can lose their function,” says Shinslab Architecture. “In the same way, a material can also lose its original value over time.”

rusted trees interior

“The fact that the destiny of cultural relics is to be dismantled, should make us reflect upon what we need to consider for future generations.”

rusted visitors

rusted entryeway

“Temp’L is designed from recycled steel parts from an old ship. It shows not only a beauty of structure, but it has also a recycling purpose…It provokes thought about beauty in our time, coming from a recent past.”

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Zig-Zagging Cantilevered Shipping Containers Create a Dynamic Pavilion

28 Jun

[ By SA Rogers in Architecture & Cities & Urbanism. ]

cantilevered shipping crates 1

Recognizable in their original form, twelve shipping containers form a two-story recreational pavilion for the Chinese city of Shanxi, stacked and set at an angle with the top units cantilevered over the bottom ones. People’s Architecture Office (PAO) capped the ends of each container in glass and removed sections of the walls, floors and ceilings to create a surprisingly bright and open interior that carries natural daylight into every corner.

shipping crate architecture

shipping container building

The containers are staggered, which not only creates a terrace on the open ceilings of the lower red crates, but also produces a dynamic floor plan with lots of nooks and crannies for seating overlooking the surrounding city. This clever arrangement effectively multiplies the space without having to add additional containers, and each container acts like a viewfinder stretching out toward the skyline.

shipping container building 2

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Exterior stairs offer easy access to both rooftop terrace levels, providing residents with even more views. Perpendicularly set on top of the red containers, the yellow cantilevered units cast shadows on the ground to create sheltered spaces outside. Inside, there’s plenty of room to congregate, making it a convenient meeting space for people who live in the adjacent housing developments.

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Since the containers have barely been modified, it would also be a breeze to pack the whole thing up and transport it to a new location when necessary, or replace individual containers if they get damaged. While other architectural projects reclaiming used shipping containers often take pains to disguise them (and at least insulate the interiors, which seems like a budget-friendly but potentially uncomfortable oversight in this case), this one stands as a highly visible example of affordable alternative architecture making use of widely available portable materials.

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Marine Miracle: Walk on Water at This Sunken Seaside Pavilion

29 Mar

[ By Steph in Architecture & Public & Institutional. ]

walk on water pavilion 3

Walk right out onto the surface of the sea or follow a path that takes you into a tranquil space beneath the waves at the ‘Thematic Pavilion,’ a mostly-submerged nautical exhibition space envisioned for South Korea. Daniel Valle Architects intentionally give the structure an uneasy, delicate sense of equilibrium with the water, drawing parallels to the realities many coastal communities could face in the not-so-distant future as sea levels rise. A visitor’s experience changes depending on the state of the water, with paths appearing and disappearing.

walk on water pavilion

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The pavilion features subtle raised areas offering clear paths that remain above the surface even when water levels are high and, presumably, when rocked by the wake of a nearby ship. In much the same fashion as a submarine, a water tank keeps the ship-like structure submerged for exhibitions featuring water-based technologies, and raises it above the surface afterward so it can be used like an ordinary boat.

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The exhibitions themselves range from the dazzlingly visual, like water shows, to the technical, like hydraulics and cooling systems. “The design aims to raise people’s attention on the ocean and coastal environmental crisis,” say the architects. “The design hopes to provoke the deepest impression to the visitors and prepare them for information and critique on all issues related to the oceans and coastlines. The beauty of scene after visiting the exhibition space and returning to the top plaza will contribute to develop an optimistic conclusion.”

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While it seems like a lack of railings could lead some people to walk right off the edge, people in other areas of the world don’t seem to require the same kind of safety hand-holding as Americans, so maybe they’d be fine. The renderings look especially cool after dark, with illuminated water spouts shooting up into the sky. Though the proposal wasn’t chosen for the Expo 2012 in Yeosu, it’s an interesting idea that could provide inspiration to other structures blurring the lines between architecture and ship building.

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[ By Steph in Architecture & Public & Institutional. ]

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Forest Pavilion is World’s First 3D-Printed Architecture

29 Aug

[ By Steph in Conceptual & Futuristic & Technology. ]

Worlds First 3D Printed Architecture 1

There has been a lot of competition to design and execute the first prototype of a 3D-printed architectural structure, including complex concepts for houses inspired by nests and möbius strips. But it looks like that honor goes to Smith | Allen, an Oakland, California-based duo of designers who have created the Echoviren Pavilion.

Worlds First 3D Printed Architecture 2

The airy white pavilion consists of 585 interlocking components made of plant-based bio plastics, printed over 10,800 hours, mimicking the look and feel of its setting in a redwood forest. Measuring 10x10x8, the structure was assembled in four days.

Worlds First 3D Printed Architecture 3

The bioplastics will enable the pavilion to eventually decompose naturally within the forest, just like the trees that grow all around it. That process will take 30 to 50 years. It will also become a habitat for insects, moss and birds during its time in the forest.

Worlds First 3D Printed Architecture 4

The Echoviren Pavilion was made using 7 of the Type A Machines Series 1 printers. The team actually used these small-scale printers to create large bricks with which to build, leading some critics to state that it’s not a truly 3D-printed structure, printed in much larger parts to create the whole. The true test of 3D architecture will come when larger printers are used to lay out the material for the components, layer by layer, but the Echoviren Pavilion is still a beautiful example of what 3D printers can do.

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Living Architecture: Evolving Pavilion Made by Silk Worms

06 Jun

[ By Steph in Art & Sculpture & Craft. ]

Silk Worm Pavilion 1

Growing and transforming like a living organism, the Silk Pavilion created by the MIT Media Lab is a collaboration between digital and biological fabrication. The basis of the pavilion is a network of silk threads made by a CNC machine, which has become a cloud-like structure with the addition of natural netting from the dozens of silk worms that squirm all over its surfaces.

Silk Worm Pavilion 2

Twenty-six polygonal panels with silk thread stretched between them form a sort of scaffolding that enables the silk worms to work their magic of naturally produced architecture. The geometry of the base structure was created using an algorithm that routes a single continuous thread across the open sections to provide varying degrees of density.

Silk Worm Pavilion 3

The silkworms were deployed as a biological ‘printer’ to create the secondary structure. If the sculpture, which is installed at MIT, were allowed to remain in place indefinitely, the moths could produce 1.5 million eggs with the potential of constructing up to 250 additional pavilions.

Silk Worm Pavilion 4

“Affected by spatial and environmental conditions including geometrical density as well as variation in natural light and heat, the silkworms were found to migrate to darker and denser areas. Desired light effects informed variations in material organization across the surface area of the structure. A season-specific sun path diagram mapping solar trajectories in space dictated the location, size and density of apertures within the structure in order to lock-in rays of natural light entering the pavilion from South and East elevations.”

Silk Worm Pavilion 5

“The central oculus is located against the East elevation and may be used as a sun-clock. Parallel basic research explored the use of silkworms as entities that can “compute” material organization based on external performance criteria. Specifically, we explored the formation of non-woven fiber structures generated by the silkworms as a computational schema for determining shape and material optimization of fiber-based surface structures.”

via design boom

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