RSS
 

Posts Tagged ‘Panasonic’

Hands-on with the new Panasonic Lumix DC-BGH1

13 Oct

Hands-on with the new Panasonic Lumix DC-BGH1

Panasonic’s Lumix DC-BGH1 is a new type of product for Panasonic: a box-style video camera that is designed to be as adaptable and flexible as possible.

It’s built around an oversized Four Thirds sensor very similar to the one found in the GH5S, and the ‘GH’ in its name is designed to invoke that series of cameras, but the BGH1 expands far beyond those models in terms of what it can do.

The idea is that it can be connected to a wide variety of other devices, depending on your needs. The expectation isn’t that anyone needs everything the camera offers, but instead that it offers a wide number of users the couple of features they need.

Video specs

The core video specifications of the BGH1 are similar to those of the GH5S, but with the added ability to capture 4K/60p footage in 10-bit quality. The 60p footage is 4:2:0, with 4:2:2 available for 4K at up to 30p.

Panasonic has also reworked the sensor’s output, optimizing for noise at the base ISO steps of its two gain modes (rather than trying to offer the most consistent performance at all settings). This decision has helped lower noise and hence boost DR at those settings.

In turn, this has prompted Panasonic to expand how much of the V-Log gamma curve the camera uses. The V-Log system works by using the same curve shape, with each camera using different extents of the curve depending on how much dynamic range they can usably capture, so that the footage of any two Log-capable Panasonic cameras can be used with a single set of LUTs, when they’re being processed.

So, while the BGH1 is still classified as shooting V-Log L, it’s using a larger region with more DR than the GH5S does.

All the usual features

As you might expect from a camera whose name explicitly references the GH series, the BGH1 does pretty much everything the GH5S does, in video terms. This includes Variable Frame Rate mode, with 1080 capture at up to 240p and 4K at up to 60p, output at a variety of frame rates.

There’s also 10-bit HLG capture and anamorphic support, with corrected previews output over HDMI or SDI. The BGH1 uses the latest improvements to Panasonic’s DFD autofocus system.

The only thing missing, really, is the ability to output waveforms or vectorscope, which Panasonic says it expects to be offered (often with more precision) by many of the things you might connect the BGH1 to.

As a self-contained unit

Before we discuss how the BGH1 can be used with other equipment, it’s worth pointing out that it can be used as a self-contained camera. Not the most ergonomic one, perhaps, but it has a series of customizable buttons and a control dial to mean that, other than the lack of screen, the BGH1 can be operated as a standalone device.

In its simplest form, the camera can be framed using the Lumix Connect app on a smart device, and set to record.

Internal capture

Anyone using the BGH1 as a standalone camera, or building it into a rig with an external monitor will find the inclusion of dual UHS-II SD card slots immediately valuable.

The provision of internal capture options also means it can be attached to a drone and can record onboard while in flight. But Panasonic’s expectation is that only a proportion of users will ever make use of the SD card slots.

A hotshoe sounds useful

A hotshoe might seem like an odd addition to a video camera with no mechanical shutter, but its provision means it’s compatible with Panasonic’s DMW-XLR1 module, that provides XLR balanced audio inputs.

HDMI

As you’d expect, the BGH1 includes an HDMI socket, to allow the output of Raw or gamma encoded streams. This is the most consumer-friendly of the camera’s outputs, allowing the use of external monitors and recorders while shooting.

As well as Raw, the port is fast enough to allow a 10-bit stream of DCI 4K at up to 60p.

SDI

Under one of the covers on the camera’s corners is an array of SDI connectors.

The first of these connectors can be used to output a video signal. It’s a 3G SDI socket so the output is limited to Full HD but can output a signal with less latency than is possible using HDMI, which is essential for audio syncing in some live environments.

The next one along is a timecode in/out socket, allowing the camera’s use as part of multi-camera shoots.

But it’s the third socket in the line that shows the camera’s ambitions: a Genlock port that allows perfect synchronization with other devices. Whereas timecode allows multi-device sync as precise as a single frame, Genlock allows even finer precision, for applications such as 3D, VR and volumetric capture, where multiple perspectives need to line-up exactly, in order to work.

Ethernet

Another way of using the camera is via its Ethernet connection. The BGH1 supports power over Ethernet, in addition to video transmission and camera control signals, allowing it to run without a battery or plug-in power. Additionally, up to 12 cameras can be operated remotely from the Lumix Tether app, which provides a complete array of camera controls.

Panasonic says that it’s working on firmware that will allow the streaming of video using the RTMP system over Ethernet, meaning the camera can be sent to an interviewee, configured remotely and then stream back to the studio using a low-latency RTMP connection.

Panasonic says it will release an SDK to allow users to develop their own software to fully control the camera, though it only refers to USB control, since the same SDK will also cover many of the company’s existing cameras.

The BGH1 will be able to output over HDMI, SDI and USB simultaneously, if you so require it.

Batteries

If you’re not using Ethernet or the camera’s 12V DC input (shown above) to power the camera, the BGH1 can use Panasonic’s large VW-VB video camera batteries.

These are available in capacities of 43, 65 and 86 Wh (7.28V 11,800 mAh), which will provide battery life way beyond anything we’re used to in the stills sphere. For reference, a Sony NP-FZ100, which is one of the most powerful batteries we usually encounter, is rated at 16.4Wh.

Weight

In order to allow drone use, the BGH1 has been designed to be as light as possible. Rather than the 730g of the stabilized GH5, the BGH1 weighs just 545g without a battery.

The use of 7.2V batteries allowed a higher voltage, lower current design, which reduces heat built-up, and the camera also features a fan much like the one in Panasonic’s full-frame S1H, since this adds less weight than adding additional metal to act as a heatsink.

Conclusion

The Panasonic Lumix DC-BGH1 doesn’t look like most of the cameras we review and its sheer flexibility, as much as its physical shape, makes it a little hard to get a handle on. To a degree, it feels like Panasonic hasn’t so much tried to design a camera to do a particular job, they’ve tried to design a camera that can lend itself to a vast range of different jobs, probably beyond the expectations of the company itself.

To an extent, we won’t know what the BGH1 is really for until videographers and production companies start using it and pushing to explore its potential.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with the new Panasonic Lumix DC-BGH1

Posted in Uncategorized

 

Panasonic introduces Lumix DC-S5 stills/video hybrid camera

05 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3649805005″,”galleryId”:”3649805005″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Panasonic has announced the Lumix DC-S5, a compact full-frame mirrorless camera for creators who want good still and video capabilities, without having to haul around the S1 or S1H.

The S5 features a 24MP BSI CMOS sensor, also found in the S1, which has a standard ISO range of 100-51,200. Its 5-axis image stabilizer can reduce shake by up to 6.5 stops when paired with a compatible lens, and the sensor-shift system allows for the creation of 96MP high-res JPEGs or Raws. The autofocus system has been revamped, with less ‘wobble’ when focusing and faster and a new ‘head detection’ function.

A firmware update later this year will add Cinema 4K, Raw video output, vector scope display and more.

The S5 is loaded with video features, with more to come later this year. It can capture 10-bit 4:2:0 4K/60p video with an APS-C crop, or 10-bit 4:2:2 using the full width of the sensor at 30p or 24p. There’s a 30 minute time limit when shooting 10-bit and no limit with 8-bit. The S5 offers V-Log / V-Gamut and HLG, and also has anamorphic and Slow&Quick modes. Headphone and mic sockets are onboard, and the camera supports the company’s XLR adapter. A firmware update later this year will add DCI ‘Cinema’ 4K, Raw video output, vector scope display and more.

GH5, S5, S1H

Design-wise, the S5 is considerably more compact than the other S-series models, and a bit smaller and lighter than the GH5. It has a magnesium alloy chassis and is sealed against dust and moisture. Its fully articulating touchscreen has 1.84M dots, while its electronic viewfinder has 2.36M dots. The camera has dual SD card slots, though only one supports UHS-II speeds. Dual-band Wi-Fi and Bluetooth are available for transferring images to your smartphone. The S5 uses the new DMW-BLK22 battery, which can crank out 440 shots per charge using the LCD and 470 with the EVF, according to CIPA ratings. A battery grip is optional.

The Lumix DC-S5 will be available in mid-September at a price of $ 1999 for the body and $ 2299 when kitted with the 20-60mm F3.5-5.6 lens. If you’re in the U.S. and preorder by the end of September, Panasonic will send you a Sigma 45mm F2.8 DG DN lens at no charge.

Read our Panasonic S5 initial review

Press Release

New Hybrid Full-Frame Mirrorless Camera, the LUMIX S5

Featuring Exceptional Image Quality in High Sensitivity Photo/Video And Stunning Mobility

Newark, NJ – (September 2, 2020) Panasonic is delighted to announce the new LUMIX S5, a new hybrid full-frame mirrorless camera that achieves both excellent performance in photo/video and stunning mobility for serious photographers and videographers.

At the heart of the camera, the LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor that boasts a wide dynamic range and high sensitivity performance. The LUMIX S5 further realizes recording maximum ISO 51,200 crystal-clear high sensitivity video with the adoption of the Dual Native ISO technology.

As a pioneer of photo/video hybrid mirrorless cameras, LUMIX has the largest lineup of cameras that record 4K 10-bit video[*1]. As the latest member of the family, the LUMIX S5 is capable of 4K 60p/50p4:2:0 10-bit, and 4K 30p/25p 4:2:2 10-bit internal recording. It is also capable of 4K 60p/50p 4:2:2 10-bit HDMI output. For 4K 30p 4:2:0 8-bit internal recording, there is no time limit. Panasonic’s exceptional heat dispersion technology delivers stable, long-time video recording. The LUMIX S5 provides 14+ stops of dynamic range, which is as wide as those of cinema cameras, and V-Log / V-Gamut compatibility with popular colorimetry called “VariCam Look.” A variety of recording formats and modes including 4:3 Anamorphic mode, Slow & Quick Motion, 4K/60p interval shooting and 4K HDR are also provided.

The LUMIX S5 boasts high-speed, high-precision AF (Auto Focus) in both photo shooting and video recording that are made possible with advanced deep-learning technology featuring real-time detection of the subject’s type and features such as human eye, face, head and body.

Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S.2 prevents blurred images with the use of a 6.5-stop[*2] slower shutter speed. The splash/dust-resistant rugged design provides professional photographers with high reliability.

To enhance the photographic experience, the 96-megapixel High Resolution Mode (JPEG/RAW), Live View Composite function and HLG Photo mode are available.

Thanks to the high energy efficiency and a new 2,200mAh high-capacity battery, it can capture approximately 470 pictures (using the LVF) / 1,500 pictures (in Power Save LVF mode). Power and charging are possible via the USB-C port. Double SD Card slot (UHS-IIx1 and UHS-I x1), 5GHz/2.4GHz Wi-Fi and Bluetooth 4.2 connectivity are also supported. The LUMIX S Series full-frame mirrorless camera system adopts the L-Mount system to provide users with a diverse and future-proof range of products from Panasonic, Leica Camera and Sigma. Panasonic now offers four innovative models in the LUMIX S Series of full-frame Digital Single Lens Mirrorless cameras – the S1R, the S1, the S1H, and the new S5. The LUMIX S1R is ideal for taking high-resolution images, the LUMIX S1 is an advanced hybrid camera for high-quality photos and videos, and the LUMIX S1H is designed and developed specifically for film production. The LUMIX S5 packs the essence of these conventional S Series cameras in a compact, lightweight body. With this lineup, Panasonic is committed to meeting the demands of all creators by challenging the constant evolution of the photo/video culture in today’s new digital era.

*1 *Of mirrorless interchangeable lens cameras, as of September 2, 2020.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used. Firmware must be updated to the latest version.

  1. High image quality even in high sensitivity photo/video and Dual I.S. to suppress virtually any type of blurring

The LUMIX S5 contains a 24.2-megapixel 35mm full-frame CMOS sensor (35.6 mm x 23.8mm). The LUMIX S5 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51,200 high sensitivity. It is an ideal camera to use especially in low-light situations.

The LUMIX S5 features Dual Native ISO sensitivity, the technology that was first introduced in the Panasonic professional cinema camera VariCam line-up. Normally, noise increases as sensitivity rises with a single native ISO image sensor. However, the image sensor with Dual Native ISO in the S5 minimizes noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51,200 high sensitivity recording. Dual Native ISO gives film creators a greater variety of artistic choices as well as the ability to use less light on the set, saving time. The LUMIX S5’s Dual Native ISOs are 640 and 4000[*1].

Taking full advantage of its high-resolution sensor, the LUMIX S5 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic images not only RAW but also in JPEG. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 96-megapixel equivalent (12,000 x 8,000-pixel) image by the Venus Engine, which boasts high-speed signal processing. This high-resolution photo is ideal for landscape photography of stationary subjects or artwork with delicate details using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The LUMIX S5 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shaky movements sensed by the gyro sensor, image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5-stop slower shutter speed[*2]. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 the correction power is maximized to allow 6.5-stop slower shutter speed[*3]. It is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.

With the new Live View Composite function, the camera releases the shutter at designated intervals of exposure time and synthesizes the parts with high luminosity to produce a single picture. While the total brightness of each consecutive image is accumulated in bulb shooting, only the target subject, the bright parts of an image, are detected and the user can synthesize them carefully while seeing it in live view. This is useful for capturing shots of fireworks or stars in the night sky where the background needs no gain-increase.

*1 When recording mode is set to V-Log. The sensitivity varies depending on the recording mode.

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm when S-R2060 is used.

*3 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm when S-E70200 is used

  1. Exceptional video recording performance for cinema-quality film creation

As a pioneer of photo/video hybrid mirrorless cameras, LUMIX has the largest lineup[*1] of cameras that record 4K 10-bit video. As the latest member of the family, the LUMIX S5 is capable of 4K 60p 4:2:0 10-bit, and 4K 30p 4:2:2 10-bit internal recording up to 30 minutes. It is also capable of 4K 60p4:2:2 10-bit HDMI output. For 4K 30p 4:2:0 8-bit internal recording, there is no time limit. It will comply with RAW video output to ATOMOS NINJA V over HDMI as well as C4K video recording with the future firmware update (which will be detailed in Chapter 6).

Dynamic range measures the luminance range that a digital camera can capture. The LUMIX S5 delivers 14+ stops of Dynamic Range, which are virtually the same as those of the Panasonic cinema cameras, to precisely reproduce everything from dark to bright areas. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. The LUMIX S5 imports the renowned colorimetry of the VariCam lineup of cinema cameras. The LUMIX S5 contains V-Log/V-Gamut capture to deliver a high dynamic range and broad colors. V-Log renders a very flat image while maintaining all of the color information within the image. This means that there is a greater level of play when the images are put through post-production processes. The CMOS sensor of the LUMIX S5 achieves a wide color gamut known as V-Gamut, which is the S5’s optimum color space and achieves a color space that is wider than BT.2020. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a color space even larger than film. 35 conversion LUTs for VariCam cinema cameras can be downloaded free of charge for use in the LUMIX S5. It is easy to match the color tone with the footage recorded in V-Log of S1H/S1 and V-Log L of GH5/GH5S. Practical tools like a Waveform Monitor and V-Log View Assist are also available.

With Slow & Quick mode, impressive video slow and quick motion video in 4K(1-60fps, 30x quick to 2.5x slow) or in FHD (1-180fps, 60x quick to 7.5x slow) is available. It is possible to use AF[*2] to capture the subject in sharp focus in this mode, too. It can also be accessed directly using the mode dial.

The HDR (High Dynamic Range) video recording in 4K is also available, which reproduces both the bright parts and dark parts of an image, making it appear as if seen in person. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and the user can now choose Hybrid Log Gamma (HLG) in Photo Style. The HLG[*3] Photo mode provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file[*4] with compressed high-brightness signals in its full resolution (5,888 x 3,312, in 16:9) in addition to JPEG/RAW files. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices.

For more continuous burst shooting, 6K PHOTO[*5] makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high-resolution photo.

*1 Of mirrorless interchangeable lens cameras, as of September 2, 2020

*2 The AF mode switches to MF when the frame rate is set to of 150 fps or more. The angle of view is reduced when the frame rate is set to 180 fps. Recording stops when the continuous recording time exceeds 30 minutes.

*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.

*4 “HSP” is an HDR picture format using HLG format video technology.

*5 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

  1. High-speed, high-precision AF achieved supported by real-time detection technology

The LUMIX S5 boasts high-speed, high-precision AF in both photo shooting and video recording. Combining the Contrast AF with DFD (Depth From Defocus) technology, it focuses on the target in approximately 0.08 sec[*1]. As a camera that excels in low-light shooting, the LUMIX S5 boasts -6EV[*2] luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. Allowing maximum 480 fps communication speed between the sensor and the lens, users can take full advantage of this high-speed, high-precision AF when LUMIX S Series lens is used.

The LUMIX S5 also incorporates an advanced deep learning technology that detects specific subjects like humans and fast-moving animals. Notably for humans, the head is separately recognized from the eye, face and body by real-time detection technology to provide even more precise focusing. The camera continually tracks an individual even if they move quickly, turn their back to the camera, tilt their head or move far away from the camera. On the other hand, improvements to the DFD technology has enhanced AFC, which also enables users to keep tracking small or fast-moving subjects to capture them in crisp focus.

*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.

*2 At ISO100, F1.4, AFS

  1. Reliable basic performance and expandability for creative freedom

The LUMIX S5 boasts outstanding mobility yet excels in basic performance and expandability. To withstand heavy field use, the LUMIX S5 is composed of a magnesium alloy full die-cast body and is splash/dust-resistant[*1]. With an optimum layout of heat dispersion components, heat is effectively transferred outside which results in stable, continuous video recording for a long time.

The LUMIX S5 has a large LVF (Live View Finder) with a high magnification ratio of approx. 0.74x. High-precision, high-speed OLED (Organic Light-Emitting Diode) display features 2,360K-dot high resolution. Adoption of OLED for the LVF achieves high speed response with minimum time lag of less than 0.005 sec. With an eyepoint of approximately 20 mm, it offers high visibility with comfort for users wearing glasses.

A 3.0-inch free-angle LCD in 3:2 aspect with 1,840K-dot high resolution provides touch control. Composition during recording in various popular aspect ratios such as 16:9, 4:3, 1:1, 4:5, 5:4 and 9:16 can be checked with the Frame Marker function. The REC Frame Indicator identifies whether the camera is recording or not.

The LUMIX S5 has a double SD Memory Card slot. One slot complies with UHS-I and the other with the high-speed, high-capacity UHS-II (Video Class 90). The camera’s battery can be recharged either via AC or USB according to the user’s convenience.

Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S5 camera can also be copied and transmitted wirelessly to other S5 cameras when using multiple S5 cameras. Wi-Fi 5-GHz (IEEE802.11ac) [*2] also is effective in addition to 2.4-GHz (IEEE802.11b/g/n.) This provides secure and stable connection on location for smooth remote control and high-speed data transfer.

*1 Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

*2 5GHz Wi-Fi is not available in some countries.

  1. Optional accessories and application software

A variety of accessories can be used for the LUMIX S5 to enhance its usability and convenience. Microphone Adaptor (DMW-XLR1) is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable. Battery Grip (DMW-BGS5) allows approximately 940 pictures (using the LVF) / 3000 pictures (in Power Save LVF mode) with an extra battery inside the grip. More accessories such as Remote Shutter (DMW-RS2), DC coupler (DMW-DCC17), Tripod Grip (DMW-SHGR1) are available.

Application software LUMIX Tether enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets them view the image on a large PC screen while shooting. For live streaming, LUMIX Tether for Streaming (Beta) with LIVE VIEW mode can be used.

The LUMIX Sync application for iOS/Android devices enables photo transmission to a smartphone or a tablet via easy wireless connection. It also allows remote control of the camera using these devices.

  1. Future Firmware Update

To further enhance its performance, a firmware update is scheduled for the LUMIX S5 by the end of 2020. In addition to C4K video recording, it will support RAW video data output to ATOMOS NINJA V over HDMI at a resolution of 5.9K (5888×3312) 29.97p/25p, 4K(4128×2176) 59.94p/50p and Anamorphic 3.5K (3536×2656)/50p. A variety of video recording assist functions such as the Vector Scope Display, Master Pedestal Adjustment and SS/Gain Operation(SEC/ISO, ANGLE/ISO, SEC/dB) will also be available. L.MonochromeS and L.ClassicNeo are the new options to be added for Photo Style.

The Lumix S5 will be available at valued channel partners in mid-September for $ 1999.99 for the body only and $ 2299.99 with a 20-60 kit lens.

Panasonic Lumix DC-S5 specifications

Price
MSRP $ 1999 (body only), $ 2299 (w/20-60mm lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size Full frame (35.6 x 23.8 mm)
Sensor type CMOS
Processor Venus Engine
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-204800)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 204800
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis Dual IS 2
CIPA image stabilization rating 6.5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v2.31)
  • Raw (Panasonic RW2, 12-bit)
  • HLG (CTA-2072)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 225
Lens mount Leica L
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3″
Screen dots 1,840,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.74×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Syn./Red-eye Reduction, Forced Off
Flash X sync speed 1/250 sec
Continuous drive 7.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
Videography features
Format MPEG-4, H.264, H.265
Modes
  • 3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 30p / 150 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 25p / 150 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 23.98p / 150 Mbps, MOV, H.265, Linear PCM
  • 3328 x 2496 @ 30p / 150 Mbps, MOV, H.264, Linear PCM
  • 3328 x 2496 @ 23.98p / 150 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC slots (UHS-II supported in slot 1)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes (Power Delivery supported)
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac (dual-band) + Bluetooth
Remote control Yes (wired or via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description DMW-BLK22 lithium-ion battery and charger
Battery Life (CIPA) 440
Weight (inc. batteries) 714 g (1.57 lb / 25.19 oz)
Dimensions 133 x 97 x 82 mm (5.24 x 3.82 x 3.23″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic introduces Lumix DC-S5 stills/video hybrid camera

Posted in Uncategorized

 

Panasonic unveils new 24, 35, 50 and 85mm F1.8 L-mount primes

05 Sep

The S5 is at the center of the Panasonic’s announcements today, but the company has also revealed plans to release a handful of F1.8 prime lenses. Details are thin at the moment, but we know that S-series 24mm, 35mm, 50mm and 85mm F1.8 lenses are on the way, and that the 85mm will be available in November.

Panasonic showed renderings of its forthcoming lenses in a presentation surrounding the S5 launch.

A YouTube presentation by Panasonic shows all four primes as being the same size, each of them smaller (and presumably less expensive) than the existing F1.4 L-mount options at these focal lengths, which will bring some added variety to the growing lens system.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic unveils new 24, 35, 50 and 85mm F1.8 L-mount primes

Posted in Uncategorized

 

Panasonic firmware brings 5K recording to S1R, updated autofocus to S1, S1R, S1H

05 Sep

Alongside its latest camera, the S5, Panasonic has announced a promised firmware update for its existing S-series of full-frame mirrorless cameras. Of greatest significance to the greatest number of users is likely to be enhanced autofocus performance for the S1, S1R and S1H, whether shooting in stills or video. This means the addition of head-detection, so you’re less likely to lose focus on your subject should they turn away momentarily. There’s also the promise of less overall hunting for a better viewfinder experience for shooting stills, and better footage when shooting video.

Speaking of video, the S1R gets a bespoke update, and will be able to capture 5K video. The press release is light on details, so that’s all we really know, but it’s a welcome update nonetheless.

Panasonic says the firmware update will arrive by the end of 2020, and we have to say, we’re pleased to see significant updates making their way into the company’s existing cameras.

Press release:

Panasonic Releases Firmware Update Programs for the LUMIX S1R, S1H and S1

Newark, NJ – (September 2, 2020) – Panasonic has announced that they will be releasing firmware update programs for the LUMIX Digital Single Lens Mirrorless cameras S1R, S1H and S1 to enhance functions and usability by the end of 2020.

The new firmware enables the S1R to record 5K video, making the most of its high-resolution image sensor. Also, LUMIX’s state-of-the-art AF technology and performance of the new LUMIX S5 will also be available on the S1R, S1H and S1. The upgraded AF notably excels in detection of human and its movement. In addition to the eye, face, body the head is also separately recognized by real-time detection technology to provide even more precise focusing. The camera keeps tracking the subject person even if he/she moves quickly, turns his/her back to the camera, tilts his/her head or moves far away from the camera. On the other hand, improvements to the DFD technology has enhanced AFC, which also enables users to keep tracking small or fast-moving subjects to capture them in crisp focus. Users can take these advantages in both photo shooting and video recording.

Panasonic further addresses technology development and its achievement shall be applied not only to the new products but also to those already released via firmware update.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic firmware brings 5K recording to S1R, updated autofocus to S1, S1R, S1H

Posted in Uncategorized

 

Panasonic Lumix S5 sample gallery

05 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7163370352″,”galleryId”:”7163370352″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Panasonic Lumix S5 takes the important bits of Panasonic’s S1 and GH5 and combines them to make one capable-yet-compact camera. We’ve had our hands on an S5 for a few weeks we’re pleased with what we’re seeing. Take a look through our gallery to see for yourself.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic Lumix S5 sample gallery

Posted in Uncategorized

 

DPReview TV: Panasonic Lumix S5 first impressions

05 Sep

Is the Panasonic S5 a camera for still photographers or videographers? Chris and Jordan answer this burning question with a resounding, “Yes.” Okay, that’s not really an answer. But after spending some time with a nearly-final S5, they’ve come to the conclusion that this is a highly versatile hybrid camera at an attractive price point.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Build quality and design
  • Sample images
  • Displays
  • Battery
  • Stabilization
  • Drive speed and buffer
  • Autofocus
  • Video specs
  • Video autofocus
  • Video overheating
  • Slow motion
  • Audio
  • Compared to the S1H
  • Upcoming firmware
  • Video conclusion
  • Image quality
  • Who's it for?

Sample images from this episode

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0207711805″,”galleryId”:”0207711805″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Panasonic Lumix S5 first impressions

Posted in Uncategorized

 

Panasonic S5 sample gallery (DPReview TV)

04 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0207711805″,”galleryId”:”0207711805″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We present this gallery of Panasonic S5 sample images, shot by our team at DPReview TV. It’s already September, so this may be your last chance to see pictures of Calgary again before it freezes over.

View the Panasonic S5 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic S5 sample gallery (DPReview TV)

Posted in Uncategorized

 

Panasonic Lumix DC-S5 initial review

04 Sep

$ (document).ready(function() { SampleGalleryStripV2({“galleryId”:”9304831771″,”isMobile”:false}) })

Sample photoSample photoSample photoSample photoSample photo

Product photos by Dan Bracaglia

The Panasonic S5 is a 24MP full-frame mirrorless camera built around the same sensor as the Panasonic S1, but in a smaller, more affordable body. In fact, despite having a full-frame sensor, the S5 is smaller in every dimension than its Micro Four Thirds sibling, the GH5. Aiming to appeal to both photographers and videographers, it includes updates to Panasonic’s DFD autofocus system, new creative photo modes, and video features that come close to matching both the GH5 and the much more expensive S1H.

Key specifications:

  • 24.2MP full-frame CMOS sensor with no AA filter
  • Up to 4K/60p (APS-C), full-frame oversampled 4K/30p all with 4:2:2 10-bit color
  • Panasonic contrast-detect DFD AF with improved face, body and head detection
  • 2.36M dot OLED EVF w/ 0.74x magnification
  • 3” 1.84M dot fully articulating touchscreen
  • Dual SD card slots (1x UHS-II, 1x UHS-I)
  • 96MP high-resolution mode
  • 7 fps burst shooting (5 fps with continuous autofocus)
  • 2.4/5Ghz Wi-Fi and Bluetooth with one-touch image transfer
  • Dust and splash resistant
  • 460 shots per charge when used with EVF

Whereas Panasonic’s first-generation full-frame cameras were somewhat niche-driven, the S5 is more of an all-around generalist, with a body and price point that more directly competes with the likes of the Nikon Z6 and Sony a7 III. For videographers, it’s a bit like a full-frame GH5 or a mini S1H, while photographers should benefit from an updated AF system and a variety of photography-focused performance enhancements.

The S5 will be available around mid-September for $ 1999 body-only, or $ 2299 with the Lumix S 20-60mm F3.5.5.6 lens.

Watch DPReview TV’s first impressions review of the Panasonic S5.

What’s new and how it compares

The S5 shares many video features with the S1H, adds some creative photo modes for stills shooters and gets an updated DFD autofocus system.

Read more

Body controls and handling

This is Panasonic’s most compact full-frame camera to date. See what’s different about it, and why it will get even better through firmware.

Read more

Initial impressions

The S5 is Panasonic’s first compact full-frame camera. Find out why we think that’s a good move and what we think of it so far.

Read more

Sample gallery

See some scenes of summer around Seattle in our Panasonic S5 sample gallery.

View gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Panasonic Lumix DC-S5 initial review

Posted in Uncategorized

 

Hands-on with the Panasonic Lumix S5

04 Sep

Introduction

The Panasonic Lumix DC-S5 is a less-expensive addition to the company’s full-frame range of L-mount mirrorless cameras. It’s smaller and lighter than the existing models and is designed for both stills and video shooting.

It’s based around the same 24MP BSI CMOS sensor as the S1 but as far as the rest of the specification goes it differs in a number of ways. Panasonic promises some autofocus improvements over the existing cameras (at least until firmware updates are issued for the other models). The company highlights ‘ambitious amateur photographers’ and ‘video creators’ as users who’ll appreciate the camera.

Ergonomics

The S5 is noticeably smaller than the S1, S1R or S1H. In fact it’s even a fraction smaller than the company’s Micro Four Thirds video powerhouse the Lumix DC-GH5. It’s around 30% lighter than the S1.

This reduction is size has been made possible by a couple of design changes. The use of a smaller battery and the absence of an LCD settings panel on the top of the camera are the most significant.

The body is still made from magnesium alloy and features extensive weather-sealing measures (though Panasonic doesn’t claim the same level of freeze resistance as its bigger models).

Viewfinder and screens

Another area in which the S5 has been simplified is the camera’s display panel specs. It uses a 2.36M-dot OLED EVF, which is comparatively low by contemporary standards, alongside a 3.0″ 1.84M-dot rear LCD. The greater emphasis on video/stills shooting means that rear screen features a hinge for full articulation, rather than the twin-hinged panel well-liked for stills shooting on the S1.

For comparison, the S1 has a 5.76M-dot EVF and 3.2″ 2.1M-dot LCD.

Sensor and stabilization

The S5 uses the same 24MP sensor as the S1 and S1H, with no anti-aliasing filter. It’s a dual-gain chip, which Panasonic describes as having ‘Automatic Dual Native ISO.’ As with the S1, Nikon Z6 and Sony a7 III, this means it switches to a higher gain readout mode (with less read noise) for its higher ISO modes. Unlike the S1H, you can’t choose which gain mode to use for the ISOs around the switching point.

Like the S1, the S5 features a 5-axis in-body image stabilization system rated as giving 5 stops of correction, and this system can work collaboratively with in-lens stabilization systems to provide 6.5EV of correction with ‘Dual IS 2’ lenses.

The S5 can shoot at up to 5 frames per second with continuous autofocus or 7 fps with just a single AF acquisition.

High Resolution and High Dynamic Range modes

When mounted on a tripod the S5 can use its stabilization system to shoot a sequence of 8 images, each a little offset from the last and these images can then be combined into a 96MP high-res image. Unlike the S1, the new camera can directly produce a JPEG result, rather than being limited to generating a Raw file.

As on previous Panasonic cameras, there’s a mode that prioritizes maximum resolution and a second that compares the images for movement that’s happened between shots, and uses single image data for the parts of the scene where movement has occurred. The latest implementation can use shutter speeds as long as eight seconds per frame, up from a single second on the older cameras.

The S5 also provides the option to shoot Hybrid Log Gamma still images, which contain more dynamic range than conventional JPEGs, for viewing on HDR TVs that can show brighter whites and a wider range of tonal information.

Card slots, connections and connectivity

The S5 has two SD card slots, one of which has a UHS-II interface, the other of which uses the slower UHS-I type.

As you’d expect, the S1 has both mic and headphone sockets. The mic input can accept typical mic levels or line level inputs, with the option to provide power to the external mic if needed. The camera has a ‘micro’ Type D HDMI port, rather than the full-sized Type A port on the other S-series cameras.

The S5 also includes dual-band Wi-Fi, allowing faster 5GHz connections to Wi-Fi networks or 2.4GHz connections to smartphones.

Video specifications

Despite being a less expensive model, the S5 offers an impressive video spec. Like the S1, it shoots full-frame UHD 4K footage at up to 30p or UHD 4K at up to 60p from a Super 35 (~APS-C) crop or a native 3840×2160 pixel region (a slightly greater, 1.56x crop).

Most notably, it includes the ability to capture V-Log footage, for people who need flexibility when they color-grade their footage. It can shoot 10-bit video, with 4:2:2 chroma sub-sampling in modes up to 30p and 4:2:0 for its 60p capture. It can also capture Hybrid Log Gamma footage optimized for HDR displays. Available codecs and bitrates are essentially the same as those of the Panasonic S1 with the optional Log upgrade installed.

The camera can shoot for up to 30 minutes when shooting 4K at 50 or 60p, or when capturing 10-bit 4K footage. There are no limits on its capture at 30p or slower. Panasonic says this is based on testing at 40°C (104°F) and that extreme temperatures could eventually cause the camera to stop recording.

Improved Autofocus (stills)

One of the major features is the camera’s improved autofocus. The biggest changes come when shooting bursts of stills. Panasonic says it found a way to re-work its subject recognition algorithm in a way that lets the AF system perform more Depth-from-Defocus calculations. This reduces the amount of hunting (and distracting viewfinder flutter) when performing continuous AF.

In addition to being able to use DFD more, the S5 also gains human head recognition, on top of the body, face and eye recognition that were already offered. This helps make sure that subject tracking doesn’t lose your subject or switch to a different person if your original subject turns away from the camera.

AF in stills is also based on reading the sensor out faster, which improves the speed at which it can recognize subjects. Other improvements allow it to recognize subjects that are smaller in the frame, better-recognize faces if they’re tilted to one side, and recognize eyes when subjects are side-on to the camera.

Improved Autofocus (video)

The video autofocus also benefits from the addition of head recognition and a faster recognition algorithm, in terms of the camera focusing on the correct subject. There are some responsiveness and stability improvements, too, but much of this applies primarily to the Super35 footage, which has faster read-out rates.

Some of the improved stability of the focus should extend to its full-frame 24p capture (which uses the camera’s slowest readout mode), but not necessarily the improved responsiveness.

Battery

The S5 uses a new battery called the DMW-BLK22. It’s a similar size to the one used in the GH5, but a slightly different shape, meaning older batteries won’t work in the S5 (though the new batteries will work in the older cameras). Conversely, the new external charger can be used to charge batteries both new and old, but the new BLK22 batteries won’t fit in the chargers supplied with older cameras.

Panasonic
DC-S5		 New DMW-BTC15 drop-in charger Panasonic GH5, GH5S, G9 Existing BTC10 or BTC13 chargers
New BLK22 Battery Compatible Compatible Compatible Incompatible
Existing BLF19 Battery Incompatible Compatible Compatible Compatible

It’s a 15.8 Wh battery that powers the camera to a rating of 440 shots per charge when using the rear LCD and 470 shots per charge when using the viewfinder. The S5 can be charged or powered using USB-PD compatible chargers and power banks over its USB Type-C socket.

Summary

Overall, the S5 looks like an interesting addition to Panasonic’s S-series. Its launch price makes it a much more direct competitor to the likes of the Nikon Z6 and Sony a7 III, though it inevitably initially looks expensive next to these cameras (and even the better specced S1) given they’ve been on the market for more than 18 months and have dropped away from their MSRPs.

We’re told the other Panasonics will receive the autofocus improvements of the S5 by the end of 2020, but for now the S5 adds yet another competent-looking stills/video hybrid camera to the mix. Especially as Panasonic has already said that the S5 will receive a free update adding DCI 4K, Raw video output and shutter angle control at a later date.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with the Panasonic Lumix S5

Posted in Uncategorized

 

DPReview TV: Do the Panasonic S5’s updated subject recognition and DFD improve autofocus in video?

04 Sep

The Panasonic S5 includes important upgrades to its autofocus system, but how much do those improvements extend to video? We put it to the test, shooting side-by-side against the S1H, to find out.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Do the Panasonic S5’s updated subject recognition and DFD improve autofocus in video?

Posted in Uncategorized

 
« Older Entries
Newer Entries »