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Basic Photoshop Tutorial – How to Add Creative Overlays to Your Portraits

31 Jul

portraits of 3 girls - Basic Photoshop Tutorial - How to Add Creative Overlays to Your Portraits

I’ve been shooting these moody portraits lately and I thought about adding some creative overlays to a few to make them a little different and more interesting.

3 girls portraits with texture overlay - Basic Photoshop Tutorial - How to Add Creative Overlays to Your Portraits

Here is a basic tutorial on how to add an overlay using Photoshop. Take your images from simple portraits (top) to textured backgrounds (above) above and finally to incorporating some surreal or artistic elements in the finished portraits (below).

Basic Photoshop Tutorial - Basic Photoshop Tutorial - How to Add Creative Overlays to Your Portraits

Getting started

First of all, I wanted my images to have a dark background and look more moody rather than smiling portraits. You can read here on how I have achieved these types of portraits in my home studio using natural light only.

Secondly, in order for you to be able to follow this tutorial, you need to have a good understanding of how to use layers and masks in Photoshop. It is a simple but extremely powerful tool which I believe to be the most fundamental editing technique you need to learn when using Photoshop.

Thirdly, you need to decide on the images that you wish to use as creative overlays. A quick search on Google provided me with some free overlays that have a high enough resolution to use with my images.

Basic Photoshop Tutorial - Basic Photoshop Tutorial - How to Add Creative Overlays to Your Portraits

butterfly images - Basic Photoshop Tutorial - How to Add Creative Overlays to Your Portraits

leaves - Basic Photoshop Tutorial - How to Add a Texture Overlay to Your Portraits Designed by Freepik

It is essential that these overlays are in PNG format because it supports transparency. If the background isn’t already transparent (which is indicated by the checkered grey and white boxes), you can extract the image from the background if need be before you can use it as an independent overlay. But that’s a lot more work.

I will walk you through this process step-by-step. You will need to refer to the layers shown on the Photoshop screenshots below to be able to understand the process.

#1 Open your image in Photoshop

Once you open your image in Photoshop it will become the Background Layer. In my case, here I have renamed the layer as the file name “lsp-portraits-13” which appears at the very bottom of the file next to the “eye” icon. This just means it is visible and it is what I am showing you now.

file and layers in Photoshop - Basic Photoshop Tutorial - How to Add a Texture Overlay to Your Portraits

#2 Open your texture image in the same Photoshop file

The texture I’m using is called Chambord as you can see on the layer name. You can easily add a new image onto an existing open Photoshop file two ways:

By dragging your image from its source folder on your computer into Photoshop directly.
Or by opening your texture file in Photoshop as a separate image, selecting the entire image, copying it and then pasting it into the portrait image you are working on.

The latter is the long-winded way. The former is quicker and it is the smarter way too because Photoshop automatically makes the new texture a Smart Object. That means it matches the size of your image yet you can still change the scale without losing any pixels.

Change the blend mode of your texture image layer (Chambord in this case) to Overlay on the Layers tab. Add a layer mask to the Chambord layer and remove the texture from the person on the image by painting on the mask with black using a soft brush.

Your layer should look like the second layer below with the “eye icon” turned on. You can also adjust the opacity of your texture to your liking by moving the layer opacity slider next to the blend mode.

Note: If you don’t mask out the texture, the person will also be covered in texture and would look really odd! You only want the texture to fill the background and nothing else.

dps-tutorial-using-overlays-for-portraits

#3 Now you can proceed with adding overlays

The set of leaf overlays, however, come as one image, so I’ve had to use the latter method mentioned above. I opened the overlay file separately in Photoshop and used the marquee tool to select the specific leaf I wanted to use. Then I copied and pasted it onto the other file that I was working with the portrait image opened.

It is essential that you set the blend mode for each texture overlay to “Overlay”. You can experiment with various modes but for this type of work, I’ve found the Overlay and Soft Light modes tend to be the most suitable.

You can see that I added a mask on the leaf layer so that I could remove anything else around the specific leaf that I didn’t want to use. I have added four leaves in total to this image, each one on separate layers with their respective masks. I have also played around the opacity for each layer.

You will also notice that three of the leaves have a separate Levels Adjustment Layer on top of them. This is a simple way of adjusting the look of the overlay, for example, brightening it, darkening, increasing the contrast, etc. You just need to make sure that you clip the levels layer to the corresponding overlay it is adjusting by pressing Alt+Cmd/Ctrl+G. The arrow down indicates it is clipped (only applies to that and no others) to the layer below it.

You will also notice that there is a layer called Group 1 with the folder icon next to it. I grouped all four overlays after I have made individual adjustments with the levels layers. This is in case I want to make further adjustments to all of them, I only have to clip the adjustments to the Group rather than repeating myself for each overlay layer. Especially if all the adjustments are to be exactly the same anyway.

You can do this by selecting all the overlay-related layers and choosing “New group from layers” from the drop-down menu at the top of the Layers panel.

Basic Photoshop Tutorial - How to Add a Texture Overlay to Your Portraits

#4 Use adjustment tools to make final changes

Although the leaves are now where I wanted them to be, the leaves are far too saturated for my liking and they stand out too much. Not to mention they do not match the green tone of the entire image.

To correct this, I added a Hue/Saturation adjustment layer and clipped it to Group 1 so that it only affects that group and not the other layers. I played with the sliders to get the green looking similar to the green leaves on the little boy’s shirt. I wanted the overall image to have the look and feel of an old illustrated postcard with subdued tones and muted colors.

Basic Photoshop Tutorial - How to Add a Texture Overlay to Your Portraits

#5 It’s time to save your work!

If you want to keep all the layers and the original image, you need to save your file as a PSD image (Photoshop Data File). As long as you don’t merge or flatten the layers, you will have access to all the original elements used in making your composite image.

This is a non-destructive process but the files can take up a large space on your computer drive. However, if you change your mind later on about some of the elements, you can always go back into it without starting from scratch. Just choose the layer you wish to make changes on.

You must also save a compressed version of your image, usually a JPEG, which is a flattened lossy file. It is much smaller and only contains the final finished image without all the layers that went into creating it.

Conclusion

So that’s the simple process of using overlays! Below are the other two images showing the various layers using exactly the same process as shown above.

dps-tutorial-using-overlays-for-portraits

I hope you enjoyed this little tutorial.

Have you used texture overlays before? If you have more tips, please share them below.

The post Basic Photoshop Tutorial – How to Add Creative Overlays to Your Portraits appeared first on Digital Photography School.

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Working with Overlays and Actions

25 May

Since my childhood, I’ve been dreaming about inventing two things. The first is a teleporter. Yes, you read it right, but please imagine teleporting from the ‘Star Trek’ movie not from the horror movie ‘The Fly’! With teleport, people could forget about long queues, tedious trips and expensive taxis. The second thing I have been dreaming about is a Continue Reading

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Working with Overlays and Actions

21 Mar

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How to Apply Creativity to Your Images with Texture Overlays Using Luminar

28 Nov

How to Apply Creativity to Your Images with Texture Overlays Using Luminar

Layers of fun

One advantage that Luminar has over the average Raw processor is the ability to work with Layers. “What is a layer?” I hear you ask.

Well, your basic image is a single layer, like a sheet of paper on a table. Adding another layer is akin to adding another sheet of paper on top. With layers, you get the benefit of being able to control the layer opacity (the transparency effectively) as well as what parts of the layer are shown – a bit like choosing tracing paper or cutting holes out of the paper.

How to Apply Creativity to Your Images with Texture Overlays Using Luminar

Think of layers like a stack of paper. By cutting out parts of the sheet you can see the one below, or like with tracing paper, you can see through to the layer before.

Originally you’d need to erase the bits of the layer you didn’t want showing, which could be messy if you made a mistake erasing. These days you’d use a layer mask instead. A layer mask is a greyscale map running from white, where everything is visible, to black, where everything on the layer is hidden. Varying shades of gray indicate how visible a part of the layer is or the mask opacity. Lighter is more visible.

There’s a mantra I learned many years ago that helps you remember. “White reveals, and black conceals”.

The beauty of Luminar (by Macphun, soon to be Skylum) is that it hides some of the mechanics of this because rather than painting in black or white, you have a brush that either paints in, or erases the mask. It’s really great!

When you have a few layers together, the combined set of layers is called the layer stack. Working in layers allows you to apply effects to only certain parts of your photo, or to combine more than one photo into a more interesting composition.

Beginning

Let’s open Luminar and choose a photo. Click Open Image to begin.

Luminar opening screen.

Navigate to your photo and select it. This process will be easier when the new DAM (Digital Asset Management) module for Luminar 2018 comes next year. I’m going to work with this shot of an old cottage.

Original image.

Making a Layer

Luminar provides a few options for creating new layers. In the right panel, you have the Layers panel. To make a new layer, click the + icon in the panel header and select one of the following options:

Layers: click the plus symbol to make a new layer.

New Adjustment layer; which creates a layer that contains only the filters that you add.
Create Stamped Visible Layer; which copies the results of all the underlying layers (combining them) to a new flattened layer.
New Original Layer; which copies the base layer on top of the currently selected layer.
Add New Image Layer; which allows you to add any other image to the layer stack. This is the one that allows you to add texture and other files!

Add a texture file

Luminar doesn’t store textures, but you can use any texture file you like. Personally, I keep my favorite textures in a folder on Dropbox for easy access from anywhere, but you can use any cloud service you like for this.

From the Layer options, choose Add New Image Layer and navigate to your textures folder. Choose the texture you want to add to the current photo. Viola. It’s loaded.

Texture image.

Now obviously the texture file will load over your original image. This is fine, you’ll fix this shortly. But first, you should check that the file fits how you like. By default, Luminar will make it fit over the layer below, but you’re not stuck with it.

You have three options in the Layers menu for this. Right-click on the layer and from the Image Mapping option in the menu, choose from Fill, Scale to Fit, or Fit (as seen below). If you don’t like how these look, you have another option: the Transform tool.

How to Apply Creativity to Your Images with Texture Overlays Using Luminar

You can pull and drag your textures file into shape as required. It doesn’t have to retain its original aspect ratio as it’s adding to your original image and isn’t the actual focus of the final composition. In my case, the texture looks fine for now in regards to size.

Blending Modes

The next step is to go through the different blending modes to find one that suits the images best. Different ones work for different images, so it’s best to experiment. Overlay and Soft Light tend to get used a lot, but often Multiply or Screen can work too. Even Hard Light can be perfect sometimes.

Overlay Blend Mode.

Soft Light Blend Mode.

Whichever one you use, you’ll probably find that the effect is really strong. That’s fine because you’re working with layers, you can just reduce the opacity until the texture looks good.

For this image, I thought both Multiply and Color Burn looked great. I loved the saturation that Color Burn gave to the photo, but reducing the opacity to bring back some shadow detail removed too much of that. For that reason, I went with Multiply.

Multiply Blend Mode.

Color Burn Blend Mode.

Masking

You may not want the texture to appear on all parts of the photo. So you’ve got two options. Paint in the texture, or just paint out where you don’t want it. To access the masking functions, click on the brush icon on your texture layer. This opens a menu allowing you to choose the type of local adjustment you want to apply. Your options are Brush, Radial Mask, or Gradient Mask. You can also go with a Luminosity mask. For this image, the brush is the best option.

Access the masking tools.

Once the brush is selected, the options appear at the top. I’m going to remove the texture from the house. If you want to remove (hide) part of a layer, click the Erase option on the Brush settings menu. Set Size, Softness and Opacity to taste as you paint.

You will see this menu at the top of your screen when you active the Brush tool. Choose Erase to paint away effects, choose Paint to add it in. This allows you to make corrections if you go too far with your painting as well.

Once you’re finished, click Done on the end of the brush options bar.

How to Apply Creativity to Your Images with Texture Overlays Using Luminar

Adjusting the Texture

One good thing about Add Image is that the layer you’ve created has full access to all the Filters in Luminar. Let’s say you’re using either the Overlay or Soft Light blend mode. Any part of the image that’s mid-grey will be unaffected by the texture.

If your texture is dark, or light, the image will reflect this. You can easily change this by adding a Tone filter and adjusting the exposure. If the color from the texture is too strong, you can use Saturation to reduce this or use Hue Shift to change it.

Apply filters to the texture layer to fine tune it.

Finishing the image

Of course, you can also apply filters to the original image. Being a landscape, this would be a good time for you to try the Landscape workspace. When you click on the original image, layer Luminar hides the layers above it. To get to the workspaces, click on Clear Workspace and choose Landscape from the menu.

Landscape workspace.

Using the suggested filters in the workspace, it’s easy to add back the saturation I saw when I used Color Burn blending mode on the texture.

How to Apply Creativity to Your Images with Texture Overlays Using Luminar

To activate the texture again, simply click on the texture layer.

How to Apply Creativity to Your Images with Texture Overlays Using Luminar

Saving the file

Once you’re done, you’ve got a few options for saving your image. Using Save will create a .lmnr file, which is Luminar’s native editing file format – this will retain all layers and filters you’ve applied (similar to a PSD file in Photoshop).

By using Export instead, you can choose a range of other options, like JPEG, PSD or TIFF.

Export options.

Using Filters to add Texture

You’re not forced to use a layer to add textures with Luminar though. They also have a handy new filter called Texture Overlay. Pretty much everything you can do on a layer can be done with this filter. The only thing you can’t really do is rotate the texture at a random angle via Transform, but it’s very rare that you’d ever need to do this.

Start with the image you want the texture on again. Click the blue Add Filter button. Use the Search Bar in the Filters Catalog menu that appears to find the “Texture Overlay” filter. Click to add it.

The Texture Overlay filter added. These are the options and sliders for this filter.

To add your texture file, click “Load Texture…” This will open your file on top of the background photo. The default amount of 50, means you can see the mix of the original image and the texture at 50% opacity; it’s also in Normal blend mode.

The texture added at the defaults – 50% and Normal blend mode.

The Amount control can also run to negative figures, so you can add an inverse version of the texture, which is a cool feature. Here’s how -20 on the Amount slider looks.

If your texture is a different aspect ratio to your original image, you can use Keep Aspect Ratio to force it to fit the image. The two buttons below this allow you to flip the texture file horizontally, or vertically, or both (they appear blue when applied so you know if it’s been flipped).

Zoom will let you scale the texture file to fit the features of your underlying photo. Below Zoom is the Blend mode menu. From here choose the blend mode that suits in the same way as with our first method. Again Color Burn looks great at 100 Amount.

The effect is still a little strong, so you could pull it back by reducing the Filters Amount slider. Here 67 looks great.

Amount = 100, Filters amount = 67

Masking the Filter

Filter masking is really straightforward with this method too. You simply hover over the panel header to reveal the brush icon. Click on this to choose the mask type: Brush, Radial or Gradient. Choose Brush to apply your mask in a specific area.

Filter masks are useful and are applied the same way as a layer mask.

If you’re only looking to remove a small area of texture, switch to the Erase Brush in the brush toolbar that appears above the photo.

In this photo, I’ve brushed the texture away from the cottage.

You can add as many texture overlay filters as you like, just remember that the Filters Amount affects the whole filter set.

Getting Texture files

You can get plenty of commercial texture packs to get you started, but there are free ones out there too. When you’re out and about, consider capturing any textures you find interesting to try out yourself!

Please share your finished textured masterpieces created with Luminar in the comments below. We’d love to see what you make.

Disclaimer: Macphun is a dPS advertising partner.

The post How to Apply Creativity to Your Images with Texture Overlays Using Luminar by Sean McCormack appeared first on Digital Photography School.

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How fast were you going? GoPro HERO5 Black videos can now include GPS and telemetry data overlays

19 Nov

GoPro has updated its Quik desktop software with a new feature that enables HERO5 Black camera owners to overlay GPS and telemetry data onto their videos. This data is gathered by the camera’s various sensors during recording, and provides an extra layer of information for viewers, including things like the date and time the video was recorded, the altitude, elevation gain, and distance in miles or kilometers.

The data overlays are customizable, and include resizable graphs and the ability to choose which data is included in the video. In addition to the aforementioned data, the overlays can also include a compass to show the camera’s orientation, speed, a speed graph with activity spikes, the GPS path and position pinpoints, and G-Force levels.

The Quik desktop editing software is available for 64-bit PCs running Windows 7 or newer and Macs running macOS 10.10.X or later. PCs are advised to have at least an Intel Core i3 processor and Macs should have at least an Intel Dual Core, though Core i7 processors are recommended for both.

Via: GoPro

Articles: Digital Photography Review (dpreview.com)

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How to Add Vintage Frame Overlays Using Alien Skin Exposure X

20 Mar

Here is a quick and snazzy tip on adding some cool retro and vintage frame overlays to your photographs, including polaroids and borders, using Alien Skin Exposure X. It’s easy as pie, and takes seconds! Unlike Photoshop, adding frames in Exposure X does not require masking, or the use of layers.

adding-vintage-frames-tutorial-alien-skin-exposure_0007

But first… why add frames?

You may be going for a certain look and want your images to stand out.
You may want to use your images in scrapbooks and blogs that have a specific theme.
You might just be feeling super creative and want to do something different.

Whatever your reason, it’s a fun experiment, and of course, highly dependent on your taste.

Here’s how to add a frame

Open Alien Skin Exposure X (the latest version is 10, but previous versions work just the same). Click the + icon on the top left corner of the window to add folders from your computer. Choose the folder you want to add, and double click. You may notice that when you open the folder, your images will be initially displayed as a Grid as shown on the second photo below.

adding-vintage-frames-tutorial-alien-skin-exposure_0000

adding-vintage-frames-tutorial-alien-skin-exposure_0008

Click Fit on the upper right corner of the window and you will see (as shown on the first photo) that your chosen image is enlarged, but you can still see the rest of the set, in the thumbnails just below. Once you have your image, look on the right panel, and bring up the Overlays option by clicking on the arrow. Tick the border, then click on the box showing the overlay and a pop up window, giving you a variety of overlay options, comes up. You can scroll through these options to find the overlay you want to use.

You can work on each photo individually or select all using Cmd/Ctrl + A, and your chosen settings will be applied to all the images. TypeCmd/Ctrl + D to deselect, and click on one photo to work on it individually. Don’t forget to use the Overall Intensity slider on the top right corner of the window, it works like the opacity slider in Photoshop. You also have a selection of view options that allow you to see the various before and after splits, as shown on the image below. In this case, the left half of the photo has the overlay and the right half shows the original. This is helpful in gauging the intensity of the overlay applied, and its effect on the original image.

adding-vintage-frames-tutorial-alien-skin-exposure_0001

After you have applied your frames on each image, you now need to export them. Select all the images using Cmd/Ctrl + A, then either go to the Exposure bar File menu and select Export, or simply typeCmd/Ctrl + E, and you can export your new images to a folder you designate. I suggest that you keep the suggested file suffix, or change it to something of your choice, so you know these are the new files with the Exposure edits, should you want to keep them in the same folder. You will still have your original images in tact and untouched, in case you want to revisit them later.

adding-vintage-frames-tutorial-alien-skin-exposure_0002

Here are the images that I used in this tutorial, with the added frames using Alien Skin Exposure X.

adding-vintage-frames-tutorial-alien-skin-exposure_0006

adding-vintage-frames-tutorial-alien-skin-exposure_0005

adding-vintage-frames-tutorial-alien-skin-exposure_0002

adding-vintage-frames-tutorial-alien-skin-exposure_0004

I hope you enjoyed this quick tip. Have fun experimenting with frames as well as other special effects. Do share any other quick tips on adding vintage frames in the comments below.

This week on dPS we are featuring articles on special effects. Check out the others that have already been published here:

How to Photograph the Full Band of the Milky Way
Fire Spinning with Steel Wool – A Special Effects Tutorial
Special Effect – How to Create Multiple Flash Exposures in a Single Frame
Stacking Light Trails for Night Photography Special Effects
26 Unique Special Effects Photos to Spark Your Creativity
Weekly Photography Challenge – Special Effects
Tips for Shooting Through Objects to Create a Special Effect

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Beginners Guide to Creating and Applying Texture Overlays Using Photoshop

03 Aug

Creating and applying textures is surprisingly simple and fun to do.

Adding texture to photographs was happening long before the invention of Photoshop and other editing programs. In the days of the darkroom, we would scratch negatives with pins, sand paper them, stain the photographic paper with fixer before exposing, layer two negatives on top of each other in the enlarger, or push our film ISO to increase grain. These days, with editing programs being our digital darkroom, we simply have yet another way of adding texture to photographs.

What is a texture?

In digital photography terms it’s simply another layer added to your photograph in an editing program, usually an image of some sort of textural surface, such as paper, wood, concrete, etc., but anything at all can be a texture. They can be photographed, scanned or even made in Photoshop.

Almost anything can be used as a texture.

Some examples of textures. A friend’s work bench, a close-up of my lamp shade, a mossy rock, fog from a smoke machine, and some very ugly carpet.

Why use textures?

With the right texture overlay, and application of it, you can add an extra level of depth and feeling to your photograph. You can use them for anything – from adding a vintage or grunge look to your photographs, to creating fine art pieces.

One of the best uses is to rescue a photograph that just isn’t quite working. I’ve been told no texture overlay will save a terrible photograph. While this is true for the most part, sometimes it can transform an otherwise unusable image to something more promising.

A texture can transform an otherwise unusable image into something more promising.

Textures can be added to almost any kind of image. If you’ve ever downloaded a photography app for your Smartphone, you have most likely had them add a texture with the app’s built-in filters.

Some mobile phone apps add texture for you

If you’ve ever used a filter on a mobile phone app, you have probably already had textures added for you.

Getting started

You don’t need to create your own texture to get started. There are many pre-made, free textures available on the internet. A quick Google search will bring up a bunch of free texture sites. But not all textures are created equally, or usable legally. You need to look for textures that are a decent size and resolution, a 200px/72dpi texture over a 3200 px/300dpi image probably isn’t going to work so well.

You’ll also want to make sure the texture has the right copyright permissions. Sites like deviantart.com have many stock textures offered free by their artists for personal use. These artists ask that you simply return the favor by sending them a link to the image you created using their work. Other sites like freetstocktextures.com offer their images copyright free for personal and commercial use, as long as you aren’t reselling the texture images themselves.

Creating your own textures

Creating your own textures is as simple as taking a photograph. Why do that, when you can download free ones? Because it’s fun, your work is then completely all yours, and you can tailor your textures to suit your images. For example; if you’re photographing skateboarders at a skate park, you could also gather some shots of the concrete they skate on, or graffiti around the place to create original textures that work with, and possibly add to, the story of your subject matter.

create your own textures to add more story to your image

Textures can add a bit more of a story to your images.

The image above is of my daughter asleep after a day at the beach (many years ago) combined with texture of the water I took that day, to add to the story and memory of the day, and give the photo an extra dream like feel.

Create a texture with your scanner

Below is the first texture I created, one that I still use years later. It was created by scanning the bottom of an old baking tray. Scanning works well for textures of papers and other small flat surfaces.

You can also use a scanner to create textures. Thiis is a scan of the bottom of an old baking tray

Scanned texture from an old baking tray.

The baking tray texture was used in the image of the cello player at the beginning of this article, in combination with a manuscript image of the music she played on the day. I also used it in the image below; one of a series of images created in collaboration on album artwork with Canadian singer songwriter Sora. The texture was used to tie all the photographs in the album together even though some were taken by other photographers. Yet another use for textures!

Baking tray texture in combination with a few other textures.

Textures can be used to tie a series of images together.

Create a texture in Photoshop

You don’t need to understand complex Photoshop processes to create a texture quickly and easily. Here are a few simple steps to create a basic texture in a few minutes:

Open a new file the size and resolution you require
Brush around a couple of colors
Add a Render Clouds filter
Adjust levels for a bit of contrast
Add a vignette and a color filter

Creating a texture in photoshop takes only minutes.

Paint in some colors, add Render Clouds Filter, some contrast, then some colour and vignette. Easy!

Instead of a Render Clouds you could use the Blur Tool to swirl your colors around, or try some of the other filters in Photoshop to get different effects. I tested it out on what was originally a rather terrible photograph of this orchid.

creating-and-applying-textures13

The texture, plus a few color adjustments and a warming photo filter, and it’s a whole different image.

create-and-add-textures09

While it does look a little like something you might see on your Facebook stream with a positive affirmation written across it in an awful font, it took me less than five minutes to do for this demonstration to show you how simple it can be to create a texture from scratch.

create-and-add-textures10

Applying your texture

It is really very easy to apply your texture. There are some more technical articles on adding textures here on dPS, but here is a quick guide to get you started.

Click and drag your texture thumbnail in the Layers palette over onto your original image. Your texture becomes layer 1 in your original image’s Layer palette. Choose your level of transparency with the Opacity Slider and use Free Transform Tool to move the texture about. Turn it around, enlarge or stretch. See where it sits best.

create-and-add-textures11

Then it’s simply fine tuning the Opacity, maybe putting Eraser Tool on a low opacity and painting out unneeded parts of the texture. Alternatively use a layer mask to paint out some areas, as well as back in, if you accidentally paint out too much.

create-and-add-textures12

Have fun with it and experiment. Try a few different layer blend modes, add multiple textures, or add the same texture image a few times, perhaps with each layer having a slightly different hue. There are no rules.

Have you created a texture that you love? Share it and its use (your images) in the comments below.

The post Beginners Guide to Creating and Applying Texture Overlays Using Photoshop by Lea Hawkins appeared first on Digital Photography School.

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Script Photoshop Overlays

05 Nov

Get these amazing overlays only at JensFabulousStuff.com www.jensfabulousstuff.com

This specific tutorial is a single movie from chapter two of the Photoshop CS3 Portrait Retouching Essentials course presented by lynda.com author Chris Orwig. Watch more at www.lynda.com The complete course has a total duration of 10 hours and 19 minutes. Photoshop CS3 Portrait Retouching Essentials table of contents: Introduction 1. Retouching Roadmap 2. Correcting Color and Tone 3. Cleaning Up Images in Camera Raw 4. Cleaning Up Images in Photoshop 5. Structural Image Enhancements 6. Reducing and Removing Wrinkles 7. Enhancing Eyes 8. Enhancing Eyelashes and Eyebrows 9. Improving Hair 10. Improving Faces and Bodies 11. Fixing Teeth 12. Improving Makeup 13. Enhancing Skin 14. Softening Skin Conclusion
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Photoshop Texture and Artistic Noise Overlays by Jack Davis

06 Mar

Adobe Camera Raw and Photoshop CS3, and the process of going beyond what was captured to what you want your audience to experience. From his program ‘How to Wow – Enhancing & Creative Effects CS3 ‘.

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Posted in Retouching in Photoshop