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Posts Tagged ‘officially’

The Nikon Z9 Is Officially in Development. Here’s What We Know So Far.

19 Mar

The post The Nikon Z9 Is Officially in Development. Here’s What We Know So Far. appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Nikon Z9 is in development

Earlier this month, Nikon officially announced its flagship Z-series camera, the Nikon Z9.

Designed for professionals, the Z9 will likely follow in the footsteps of the Canon EOS R5 and the Sony a1, both of which offer an unprecedented combination of high resolution, fast shooting speeds, class-leading video, and top-notch autofocus.

So while the Nikon Z9 will undoubtedly appeal as a mirrorless successor to the action-centric Nikon D6, the camera will also be suitable for event photographers, wildlife photographers, and hybrid shooters, as well as jack-of-all-trades professionals who require an all-in-one solution.

Nikon’s official announcement revealed little about the Z9 aside from its name, its release year (2021), and a few hints about shooting capabilities. The Z9 boasts 8K video and “utilizes a newly developed FX-format stacked CMOS sensor and new image-processing engine.” Nikon claims that the Z9 will serve up “the best still and video performance in Nikon history, meeting the advanced needs of professionals in a wide range of genres.”

But what else can we expect from the Nikon Z9?

Well, just prior to Nikon’s official announcement, Nikon Rumors published a series of Z9 specifications, and they are impressive. Take a look:

  • A 45, 50, or 60 MP full-frame sensor (likely 50 MP, according to Nikon Rumors)
  • A “D6 body combined with EOS R5 imaging, a9 II AF, and blackout-free EVF”
  • 20 frames-per-second continuous shooting
  • 8K/30p recording, as well as 4K/120p
  • Dual XQD/CFexpress card slots
  • “Improved noise levels and specifically significantly better dynamic range”
  • “Improved AF” and “‘stunning’ AF tracking (better than the D6)”
  • An ultra-capable electronic viewfinder, offering blackout-free performance

In other words, the Nikon Z9 will be a high-resolution, rugged, lightning-fast, and video-capable camera – the perfect all-around pick for serious professionals and very much in line with Nikon’s claim of “the best still and video performance in Nikon history.”

Regarding the release date:

Nikon Rumors suggests the fall of 2021, though you should be prepared for some delays thanks to COVID-related supply problems.

Nikon Rumors also claims the price will come in between $ 6000 and $ 7000 USD – expensive, yes, but fully compatible with Nikon’s D6-series pricing (you can currently purchase the D6, body only, for around $ 6500), and on par with the Sony a1 (which weighs in at $ 6500 USD).

Of course, for many shooters, the Nikon Z9 is unobtainable, or an excessive amount of camera, or both. But the Z9 isn’t just a new camera; it’s also a sign of Nikon’s dedication to its Z-series lineup and a look at the latest and greatest mirrorless technology (technology that may eventually trickle down into lower-priced models).

And for those who are considering the Z9, you shouldn’t have too long to wait!

Now over to you:

What do you think of the Nikon Z9? Is it a camera you plan to purchase? Are there any features that you want the Z9 to include? Share your thoughts in the comments below!

The post The Nikon Z9 Is Officially in Development. Here’s What We Know So Far. appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Adobe apps not officially supported on Apple’s M1 chips using Rosetta 2, but native versions are coming

14 Nov

Earlier this week, Apple announced the first trio of Mac computers built using Apple’s own silicon. The new MacBook Air, 13″ MacBook Pro and Mac mini devices all use Apple’s new M1 chip. During the event, Apple announced that Adobe, among many other developers, is working on releasing new versions of its software that are compatible with the M1 chip.

As it turns out, these new M1-compatible versions will be critical for Adobe Lightroom users on the new Apple silicon Macs. On a dedicated page about Lightroom Classic compatibility with the upcoming macOS 11 operating system, Adobe warns that ‘Adobe apps run under Rosetta 2 emulation on Apple devices with Apple Silicon M1 processors is not officially supported.’ The company continues, ‘Native support is planned.’

Click to enlarge

Early adopters of the M1-powered Apple computers will have to do without official support for now. It is worth noting that at this point, Adobe hasn’t discovered any issues with running Lightroom Classic 10 under Rosetta 2 emulation, but as it is not officially supported, the user does assume non-zero risk. The MacBook Air, MacBook Pro and Mac mini computers powered by the M1 chip are all available for order now ahead of a November 17 release.

In Apple’s presentation, embedded below, Senior Vice President, Craig Federighi, said Adobe is bringing Lightroom CC to its M1 computers in December and following it up with Photoshop in early 2021 (around the 18:10 timestamp).

While Photoshop and Lightroom are the primary apps for photographers in the Adobe ecosystem, the company has many other heavily-used apps, such as Premiere, Dreamweaver, Illustrator, and much more. As of writing, Adobe has not offered a timeline for other Adobe apps built for the M1 chip.

In case you missed Apple’s event on Tuesday, you can watch a replay of the stream below:

The Apple M1 chip promises massive performance gains over prior Intel chips. In the case of the M1-powered MacBook Air, Apple promises up to 3.5 times faster CPU performance and up to 5 times faster graphics. The MacBook Air also ditches a fan, offering a ‘silent design.’ The 13″ MacBook Pro maintains an active cooling system, offers up to 2.8 times faster CPU performance and up to 5 times faster GPU performance. With the M1 chip, the new Mac mini also sees massive gains. Its CPU is up to 3 times faster and the GPU is 6 times faster. The new computers start at $ 999 USD, $ 1,300 and $ 699 respectively. For the full details on the new machines, check out coverage from earlier this week.

Adobe has been hard at work developing native versions of its applications, including Photoshop shown here during the Apple presentation on November 10. In the presentation, seen further above, Adobe states that it has observed massive performance gains on Apple silicon.

The move to Apple silicon is a major one for Apple. The promised performance gains are hugely impressive on paper, and the foundation being built appears to be a strong one. Of course, software must be designed to take full advantage of the new silicon. Adobe certainly has the talent and resources to do so.

Articles: Digital Photography Review (dpreview.com)

 
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Canon Officially Announces Two DSLR-Crushing Options: The EOS R5 and EOS R6

13 Jul

The post Canon Officially Announces Two DSLR-Crushing Options: The EOS R5 and EOS R6 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

After months of waiting, it’s finally official:

dps-news-canon-eos-r5-and-eos-r6

Canon is releasing two new R-series mirrorless cameras, both of which will ship before the summer is out.

The Canon EOS R5

Canon EOS R5

The first of these is the highly-anticipated Canon EOS R5, a full-frame body that offers 8K video, 20 frames-per-second shooting via the electronic shutter (12 fps via the mechanical shutter), in-body image stabilization, and dual card slots (1 CF and 1 UHS-II SD).

But while we’ve reported on plenty of R5 details, it’s only now, thanks to Canon’s announcement, that we can fill in any knowledge gaps.

The Canon EOS R5 will pack a 45-megapixel sensor, which makes the R5 the highest-resolution camera in Canon’s mirrorless stable, and the second highest-resolution camera in Canon’s full-frame lineup (just after the 5DS/5DS R pair, both of which sport 50.6 megapixels). Combine this with the 20/12 fps shooting speeds, and you’ve got yourself some truly awesome capabilities, both for landscape and other high-resolution shooting, as well as for serious action photography.

Canon EOS R5

The EOS R5 is also equipped with top-notch autofocus features, including Canon’s Dual Pixel CMOS AF II technology, human and animal eye detection, and a whopping 1053 AF zones.

Much of the debate around mirrorless versus DSLRs has centered around electronic viewfinder capabilities, so we’re happy to reveal that the EOS R5 will offer a class-leading 5.76M-dot EVF, which is a significant step up from the (excellent) EVF on the EOS R, and puts the EOS R5 on par with the Sony a7R IV and the Panasonic S1R. This will ensure a better all-around shooting experience with an extremely life-like display and may satisfy even some of the more pro-OVF photographers.

Canon also notes that the EOS R5 will offer “weather, drip, and dust sealing on par with the EOS 5D series,” which suggests that the EOS R5 should be able to handle shooting in difficult weather, a requirement for landscape and wildlife photographers in particular.

Bottom line:

The EOS R5 is the best kind of generalist camera, one that suits nearly any genre of photography, from action to wildlife to landscape and more, and does it all at the highest level.

Of course, a camera this powerful doesn’t come without a significant price tag, but the EOS R5 will drop at a reasonable $ 3900 USD (body only).

The Canon EOS R6

As for the Canon EOS R6, you get a lot of the same features, but with a lower ($ 2500 USD) price tag.

Canon EOS R6

This includes in-body image stabilization, identical autofocus specs, and dual card slots (albeit 2 UHS-II SD compared to the 1 SD/1 CF design on the EOS R5).

As you might expect, Canon has made several cuts compared to the EOS R6, primarily in terms of resolution. The R6’s full-frame sensor includes just 20.1 megapixels, the EVF offers a (still-respectable) 3.69M-dot resolution, and video capabilities top out at 4K/60p.

Canon EOS R6

Canon also claims that weather sealing is “on par with the EOS 6D series,” which isn’t especially comforting for more serious shooters, but which is better than nothing and should be able to hold up in light rain or snow.

In many ways, the EOS R6 feels like the far more compelling option compared to the R5, at least for non-professional shooters. For nearly $ 1500 USD less, you get powerful IBIS, dual card slots, blazing-fast shooting speeds, impressive autofocus, and 4K/60p video (which is more than enough for even more serious videographers). You can also expect an excellent high-ISO performance from the EOS R6, as implied by its expansive native 100-102400 ISO range (compared to the 100-41200 ISO range on the EOS R5).

The main disappointment here is the 20 MP sensor, which feels low compared to the EOS R5, the EOS R, the EOS RP, and the 6D Mark II (all of which sit at 26 MP and above). But 20 MP is enough for most purposes, and the bigger pixels should guarantee top-notch low-light performance.

Canon 100-500mm

Lenses

Canon has also officially announced a Canon RF 100-500mm f/3.5-7.1L IS telephoto lens ($ 2699 USD), an RF 600mm f/11 IS STM ($ 700 USD), an RF 800mm f/11 IS STM ($ 899 USD), and an RF 85mm f/2 Macro IS STM ($ 600 USD).

Note that these cameras and lenses will begin shipping at various points over the next few months. You can expect the EOS R5 before July is out, however, and the EOS R6 toward the end of August.

Comparison video

So if any of these cameras or lenses interest you, go ahead and put in a preorder! You don’t want to miss out.

Now over to you:

What do you think about this announcement from Canon? Are you more interested in the EOS R5 or the EOS R6? And will you consider purchasing any of the lenses? Share your thoughts in the comments!

The post Canon Officially Announces Two DSLR-Crushing Options: The EOS R5 and EOS R6 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Nikon Photo Contest 2020-2021 Officially Confirmed

01 Jul

The post Nikon Photo Contest 2020-2021 Officially Confirmed appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

dps-news-nikon-photo-contest-2020-confirmed

The 2020/2021 Nikon Photo Contest has been officially confirmed by Nikon.

For both amateur and professional photographers alike, and now in its 38th Edition, the Nikon Photo Contest has been running since 1969. During its life, it has seen over 440,000 photographers enter the competition, and had over 1.71 million photographs submitted.

In 2018-2019 (the 37th edition), the Nikon Photo Contest celebrated it’s 50th Anniversary, with around 33,000 photographers from 170 countries around the world entering over 97,300 works!

Nikon states:

“The environment surrounding the image-making culture is constantly changing with the times, and it always inspires us with new perspectives. We are pleased to provide a place for creators to discover new creations by adapting to the latest methods and styles of expression and deliver important stories through the common language of imaging.”

To keep up with the competition details, head over to the official competition site.

What do you think of Nikon Photo Contest? Have you entered before? Will you be entering this year? Let us know in the comments!

dps-news-nikon-photo-contest-confirmed-feature

You may also like:

  • 8 Great Reasons to Enter a Photo Contest
  • How To Evaluate Photo Contests Before Submitting Your Images And Cash
  • Photo Contests – Is that a contest or Rights Grab?
  • How to Improve Your Chances of Winning a Photography Contest
  • Key Tips to Winning a Photography Contest

The post Nikon Photo Contest 2020-2021 Officially Confirmed appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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The Canon 1D X Mark III Is Officially Announced, With 20 FPS and a New Processor

13 Jan

The post The Canon 1D X Mark III Is Officially Announced, With 20 FPS and a New Processor appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

 

dps-canon-1dx-mark-iii-announced

Well, it’s finally here:

The Canon 1D X Mark III – the camera that wildlife and sports photographers have been waiting for, and that will rival the upcoming Nikon D6 just in time for the Summer Olympics.

The Canon 1D X line is far out of the price range of most photographers. Yet it still inspires constant discussion. Probably because it shows the peak of 35mm photography and, most importantly, what Canon can do when it really lets loose.

So what does this action photography powerhouse include?

As expected, the Canon 1D X Mark III will feature a new full-frame Canon sensor, though the 20.1 megapixels of resolution is almost identical to that of the 20.2 megapixel Canon 1D X Mark II. This is hopefully a sign that Canon has made great strides in low light performance (and Canon’s website claims that the 1D X Mark II offers “even better high-ISO image quality that the previous version”).

The Canon 1D X Mark II was a top-of-the-line low light performer, which means that the Canon 1D X Mark III has a lot to live up to; if Canon has actually managed to improve low light performance, the 1D X Mark III’s high-ISO capabilities will be truly impressive.

The Canon 1D X Mark III Is Officially Announced, With 20 FPS and a New Processor

Also new in the 1D X Mark III is the processor, Canon’s DIGIC X. With the DIGIC X, you’ll be able to shoot at 16 frames per second using the optical viewfinder and 20 frames per second in Live View. Of course, these speeds are useless without a capable AF system, but Canon promises great strides in that area, too. The 1D X Mark III will feature a 191-point AF system that can “follow subjects across the…AF array like no EOS DSLR before it.” This should certainly please sports photographers, and wildlife photographers, too.

Live View autofocus is an area where Canon has repeatedly managed to stand out, and it looks like the 1D X Mark III should continue this trend. The camera body includes Canon’s famed Dual Pixel AF, with Eye Detect AF and 525 AF zones.

Also included in the Canon 1D X Mark III are dual CFexpress card slots, a 1000 RAW image buffer, a 2850-photo battery life, and impressive video capabilities (UHD 4k video at 60p).

So if you’re a professional sports or wildlife photographer looking for the next flagship camera, or you’re really looking to take your action photography to the next level and you have a limitless budget, then take a look at the Canon 1D X Mark III. The camera will drop in February for $ 6499 USD, and is currently available for preorder.

The post The Canon 1D X Mark III Is Officially Announced, With 20 FPS and a New Processor appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Adobe fulfills its promise: Photoshop on iPad is officially here

05 Nov

In keeping its promise, Adobe has announced Photoshop on iPad is officially here.

It’s been over a year since Photoshop on iPad was officially confirmed by Adobe, but the Creative Cloud giant fulfilled its promise to deliver the program before the end of 2019.

As noted in the initial announcement, Photoshop on iPad relies largely on the same underlying code, but tweaks a few things to account for the more touch-based input method the iPad offers. Like the desktop version of Photoshop, Photoshop on iPad offers full PSD support so working on projects between multiple devices shouldn’t be a problem and new projects created on Photoshop on iPad will automatically be saved to Adobe Creative Cloud so you can pick back up on your computer if need be.

As previous reports from beta testers noted, not all of Photoshop’s features are present in the current version of Photoshop on iPad. In Adobe’s own words, it focused on bringing ‘common tasks and workflows that we know will be useful for most Photoshop users.’ Specifically, Adobe has included basic adjustments, brushes, cloning, spot healing, cropping, eyedropper, masking, layers and a few other features.

More powerful features, such as Select Subject, Refine Edge, canvas rotation and improved brush options will be added over time as Adobe learns ‘more about how customers use Photoshop on a mobile device.’

Photoshop on iPad will run on iPadOS 13.1 or newer on the following devices:

• iPad Pro (Wi-Fi, Wi-Fi and Cellular)
• iPad Pro (12.9-inch) and 2nd generation
• iPad Pro (10.5-inch)
• iPad Pro (9.7-inch)
• iPad 5th Generation
• iPad Mini 4
• iPad Air 2

Adobe is offering a free 30-day trial for Photoshop on iPad. After that, pricing gets a little confusing. If you currently have Adobe’s 20GB Photography Creative Cloud plan (or purchase it before January 31, 2020), iPad on Photoshop will be included alongside Lightroom, Lightroom Classic and Photoshop on desktop.

If you wait until after the cutoff date, you will have four more expensive options: subscribe to the Photoshop single app subscription (which includes Photoshop on desktop and iPad) for $ 20.99 per month, subscribe to the 100GB Photography plan for $ 20.99 per month, subscribe to the Adobe All Apps plan for $ 52.99 per month or make an in-app purchase on your iPad for a recurring $ 9.99 per month subscription to use just Photoshop on iPad.

Below is a little hands-on The Verge did with Photoshop on iPad a month back.

Photoshop on iPad is currently available to download on compatible devices in the iOS App Store. You can find out more about Photoshop on iPad on Adobe’s product page.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung officially unveils 108MP ISOCELL Bright HMX mobile camera sensor

13 Aug

Samsung has officially announced the 108-megapixel camera sensor first teased by Chinese company Xiaomi last week. The new Samsung ISOCELL Bright HMX is the first mobile camera sensor that offers more than 100 megapixels, exceeding the company’s recently announced 64MP sensor. Samsung says the ISOCELL Bright HMX is the fruit of a ’close collaboration’ with Xiaomi.

The ISOCELL Bright HMX is the first mobile sensor to feature a 1/1.33″ size, according to Samsung, which says its Tetracell tech enables the HMX to ‘imitate big-pixel sensors’ for better quality 27MP images.

The 1/1.33″ format equates to around 9.6 x 7.2mm, which is around 40% smaller than a 1″-type sensor, but nearly 3 times larger than the 1/2.5″-type chips in the many of smartphones. The Tetracell design, much like Sony’s ‘Quad Bayer’ technology, places four pixels under each color of its color filter, making it easy to combine pixels to give better performance at 1/4 resolution, but also means additional processing needs to be done to attempt to replicate what a standard Bayer sensor would capture, if it had 108 megapixels.

Samsung’s ‘Tetracell’ tech makes low light (and, potentially, HDR) images easier to produce, but means processing is required to attempt to recreate what a standard Bayer sensor would have produced.

The sensor will be paired with what Samsung calls its Smart-ISO ‘mechanism,’ which it says toggles between a high ISO in darker environments and a low ISO in bright settings. This sounds like it may be describing a chip with more than one gain mode. Samsung claims this increases pixel saturation and the promise of ‘vivid photographs.’ The new HMX supports recording video at up to 6K 6016 x 3384 at 30fps.

Talking about the new product is Xiaomi President Lin Bin, who said:

‘We are very pleased that picture resolutions previously available only in a few top-tier DSLR cameras can now be designed into smartphones. As we continue our partnership, we anticipate bringing not only new mobile camera experiences but also a platform through which our users can create unique content.’

The company hasn’t yet revealed what those ‘new mobile camera experiences’ will be. Samsung plans to start mass-producing the ISOCELL Bright HMX in August.

Samsung Takes Mobile Photography to the Next Level with Industry’s First 108Mp Image Sensor for Smartphones

Samsung Electronics, a world leader in advanced semiconductor technology, today introduced 108 megapixel (Mp) Samsung ISOCELL Bright HMX, the first mobile image sensor in the industry to go beyond 100 million pixels. With the latest addition, Samsung will expand its 0.8?m image sensor offerings from its recently announced ultra-high 64Mp to 108Mp, a resolution equivalent to that of a high-end DSLR camera. Samsung ISOCELL Bright HMX is a one-of-a-kind mobile image sensor and is the result of close collaboration between Xiaomi Corp. and Samsung.

With over 100 million effective pixels enabling extremely sharp photographs rich in detail, the ISOCELL Bright HMX also produces exceptional photos even in extreme lighting conditions. Being the first mobile image sensor to adopt a large 1/1.33-inch size, the HMX can absorb more light in low-lit settings than smaller sensors and its pixel-merging Tetracell technology allows the sensor to imitate big-pixel sensors, producing brighter 27Mp images. In bright environments, the Smart-ISO, a mechanism that intelligently selects the level of amplifier gains according to the illumination of the environment for optimal light-to-electric signal conversion, switches to a low ISO to improve pixel saturation and produce vivid photographs. The mechanism uses a high ISO in darker settings that helps reduce noise, resulting in clearer pictures. For advanced filming, the HMX supports video recording without losses in field-of-view at resolutions up to 6K (6016 x 3384) 30-frames-per-second (fps).

“For ISOCELL Bright HMX, Xiaomi and Samsung have worked closely together from the early conceptual stage to production that has resulted in a groundbreaking 108Mp image sensor. We are very pleased that picture resolutions previously available only in a few top-tier DSLR cameras can now be designed into smartphones,” said Lin Bin, co-founder and president of Xiaomi. “As we continue our partnership, we anticipate bringing not only new mobile camera experiences but also a platform through which our users can create unique content.”

“Samsung is continuously pushing for innovations in pixel and logic technologies to engineer our ISOCELL image sensors to capture the world as close to how our eyes perceive them,” said Yongin Park, executive vice president of sensor business at Samsung Electronics. “Through close collaboration with Xiaomi, ISOCELL Bright HMX is the first mobile image sensor to pack over 100 million pixels and delivers unparalleled color reproduction and stunning detail with advanced Tetracell and ISOCELL Plus technology.”

Mass production for Samsung ISOCELL Bright HMX will begin later this month.

* Samsung first announced its ISOCELL technology in 2013, which reduces color-cross talk between pixels by placing a physical barrier, allowing small-sized pixels to achieve higher color fidelity. Based on this technology, Samsung introduced the industry’s first 1.0um-pixel image sensor in 2015 and 0.9-pixel sensor in 2017. In June 2018, Samsung introduced an upgraded pixel isolation technology, the ISOCELL Plus

Articles: Digital Photography Review (dpreview.com)

 
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Voigtländer Nokton 21mm F1.4 Aspherical lens for E-mount officially announced

21 May

Voigtländer has officially announced its 21mm F1.4 Nokton lens for the Sony E mount after showing the concept at the CP+ show in February. The company says the lens will have electronic contacts to transfer EXIF data to the camera and distance information from the lens will help the camera’s image stabilization system. Turning the focus ring on the manual focus lens will activate focus assist modes in the camera, and the aperture ring offers click-less operation for those shooting videos.

The lens is constructed of 13 elements in 11 groups, features a 12-blade aperture diaphragm, has a minimum aperture of F16 and a shortest focus distance of 0.25m. It weighs 560g, measures 70.5mm x 79.5mm (2.78in x 3.13in) and takes a 62mm filter. Below is a (nowhere near full-res) gallery of sample images provided by Voigtländer:

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The Voigtländer Nokton 21mm F1.4 will be available in June for ¥165,000 (approx. $ 1,500).
For more information see the Voigtländer website.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram is officially testing hiding like-counts to put focus on content

03 May

If you’ve ever listened in to a conversation among a bunch of keen Instagram users you’ll have noticed that the discussion tends to circle a lot more around likes and follower numbers than the actual images and content that is being posted.

It looks like Instagram has identified this focus on stats as a problem and it was recently revealed that the company is considering hiding the like count on images and other content.

Now a field-test has been launched with users in Canada who won’t be able to see like numbers on the photos of accounts they are following during the next several days. You can still see the likes on your own content, though.

At its F8 developer conference Instagram parent company Facebook confirmed that it is considering a roll-out to its entire platform. In the affected accounts a message is displayed to make users aware of the test.

‘We want your followers to focus on what you share, not how many likes your posts get. During this test, only you will be able to see the total number of likes on your posts.’

The fact that Instagram likes are an important currency in the social media influencer industry has likely contributed to the obsession with the metric and resulted in people trying to cheat the system and followers being offered for payment.

Instagram’s attempts to keep those kind of activities under control and put the focus back on content can only be a good thing but if the latest test will be expanded to all users will likely depend on the reaction of the users in Canada.

Articles: Digital Photography Review (dpreview.com)

 
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Zeiss officially unveils Otus 1.4/100 lens for full-frame Nikon, Canon cameras

25 Apr

The rumored Zeiss Otus 100mm F1.4 lens for full-frame Canon and Nikon cameras has been officially announced, joining the existing Otus 28mm, 55mm, and 85mm models. The new Otus 1.4/100 lens features a full-metal housing, high-precision manual focusing, and the company’s T* anti-reflective coating for minimizing stray light and maximizing contrast.

The Otus 100mm lens features an F1.4 to F16 aperture range, 14 elements in 11 groups, and an 86mm filter diameter, as well as a ‘consistent center of gravity’ and ‘optimum balance.’ That, in conjunction with the full-metal housing, makes the 100mm lens ‘well-suited for the rough conditions a professional photographer faces,’ according to Zeiss Camera Lenses Product Manager Björn Pados.

The company says that despite being designed for 35mm full-frame cameras, its new Otus 1.4/100 lens offers ‘the look and quality’ of medium-format cameras. The product’s apochromatic design eliminates ‘almost all conceivable aberrations,’ says Zeiss, which promises ‘practically no color fringing’ and bright-dark transitions that are ‘almost completely free of color artifacts.’

Below is a gallery of images taken with the images and provided by Zeiss:

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Global delivery of the new Otus 1.4/100 has started. The lens will be available for €4,500 EUR / $ 4,500 USD with included protective caps and a lens shade when it hits retailers’ shelves.

Press release:

New ZEISS Otus 1.4/100 DSLR Lens for the Most Demanding Applications

ZEISS adds a tele focal length to its line of lenses for full-frame DSLR cameras from Canon or Nikon

OBERKOCHEN/Germany, 2019-04-24 — With the ZEISS Otus 1.4/100, ZEISS is expanding its lens family for Canon1)– and Nikon1)-photographers who do not want to make any compromises concerning image and build quality. Whether in the studio or on-the-go, for portrait or product photography, the tele focal length delivers high resolution and outstanding definition in any situation – even at maximum aperture. This high-speed lens clearly sets the subject apart from the background. The exceptional level of detail and harmonic bokeh ensure the “3D pop effect”, ZEISS lenses are known for.

Achieving the outstanding image quality of medium format cameras

“The extremely high imaging performance and reliable production quality set the ZEISS Otus 1.4/100 apart in this class of lenses,” says Björn Pados, Product Manager for ZEISS Camera Lenses. “ZEISS’ comprehensive expertise and many years of experience went into developing the lens. The images captured with a ZEISS Otus lens in combination with a high-resolution, full-frame DSLR camera are on par with those created using a medium format system.”

The lens design, with aspheric lenses and special glass materials keeps chromatic aberrations and distortion to a minimum. Even when shooting against the light, the T* anti-reflective coating developed by ZEISS allows for extremely high contrast and minimizes stray light.

Robust and reliable

The ZEISS Otus 1.4/100 also features impressive production quality and ergonomics: the extended rotation angle and smooth operation of mechanical components enable highly precise manual focusing. The stable full-metal housing with internal focusing ensures a consistent center of gravity and optimum balance when taking photographs. “This makes the ZEISS Otus 1.4/100 well-suited for the rough conditions a professional photographer faces, and its high-quality mechanical design ensures it will last for a long time,” adds Pados.

The ZEISS Otus lens series

The ZEISS Otus lens series was developed for professional photographers who expect unrestricted edge-to-edge image quality that extends across the entire aperture range. ZEISS launched its high-end SLR lens family back in 2013 with the release of the ZEISS Otus 1.4/55. This series continued with the addition of a short tele lens, the ZEISS Otus 1.4/85, in 2014. The ZEISS Otus 1.4/28 wide-angle lens followed in 2015.

Price and availability

Global delivery for the ZEISS Otus 1.4/100 will begin immediately, with a sales price of 4,500 Euros (incl. German VAT) or 4,500 US$ (excl. local taxes). A lens shade and protective caps for the front and back lenses are included.

Articles: Digital Photography Review (dpreview.com)

 
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