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Posts Tagged ‘NotSoObvious’

The Not-So-Obvious Reason for Using HDR

01 Jun

Get Viktor’s Rapid Editing for HDR eBook, Course & Presets Bundle at 60% off now over at Snapndeals, only until June 7th (AUS time). 

Over the past five years or so, HDR (high dynamic range) has become a huge part of my photography.

Even with the latest advances in camera sensor technology, the dynamic range of the human eye is much wider than any modern camera sensor, and as a result, can only partly interpret the human experience. The goal of HDR photography is to artificially increase the dynamic range of a given photograph, making it as close as possible to the human experience.

Images The Not So Obvious Reason 01

I do not consider HDR to be a photography style, but rather, a technology that helps us to extend our creative reach and overcome the limitations of modern photo equipment, specifically a camera’s sensor.

When the dynamic range of the scene we capture exceeds the dynamic range of the camera’s sensor, it results in the loss of information (or details) in both the highlight and shadow areas. HDR technology allows us to separately capture these details from the darker and brighter areas of the scene, and merge that information during the editing process.

Even though every generation of modern camera offers a larger and larger dynamic range that gets even closer to the human experience, HDR technology continues to be an extremely valuable tool to have in your toolkit.

But, those who read my blog and follow me on social media often give me a hard time when I post an HDR processed image with a dynamic range that is not extreme. As a result, I get blamed for using HDR for no reason and am accused of intentionally complicating the editing process.

Images The Not So Obvious Reason 02

In this article, I will demonstrate exactly why and how I use HDR when the lighting of a scene is not too extreme.
I took the featured photo in the Eastern Sierra during my driving trip to the Southwest.

Images The Not So Obvious Reason 03

Covered by the clouds, the sun diffused the light and made it less dynamic. I could see right away that I did not need HDR processing to capture and preserve the entire light range. However, I took three bracketed shots anyway just to make sure I collected as much information from the scene as possible.

When I started editing the photo in Lightroom, I only used a single RAW image (middle bracket). The challenge was to overcome the mild haze in the air, so I had to apply pretty aggressive edits in Lightroom (contrast, clarity and vibrance) to bring back the contrast and colors of the scene.

Once I was happy with the result, I evaluated the image by zooming in to 100% (1:1 in Lightroom), in order to see what noise reduction setting to use. When I did this, I realized that the image started to break up because of my aggressive editing. The deterioration in the image was beyond digital noise and was almost impossible to fix even using the dedicated noise reduction tool.

Images The Not So Obvious Reason 04

This is when HDR came to the rescue. I selected three bracketed shots and merged them to HDR using the HDR Merge module of Lightroom.

Images The Not So Obvious Reason 06

After Lightroom produced a brand new HDR image in DNG format, I used the Sync functionality of the program to apply the editing setting of the original RAW file, to the new HDR image.

The effect of the edits were identical to the original RAW file, but the image was much cleaner without any traces of deterioration. The newly created HDR file had much more information and details, which allowed me to push it much harder without producing negative artifacts.

Images The Not So Obvious Reason 05

The image is cropped 100% without any noise reduction added.

The digital noise of the image was mild and was completely eliminated using the noise reduction plugin.

Conclusion

By merging multiple images to HDR, it not only helps us overcome the dynamic range limitations of modern photo equipment, but can also to produce images that have more digital information and details, compared to individual out-of-camera RAW files.

Get Viktor’s Rapid Editing for HDR eBook, Course & Presets Bundle at 60% off now over at Snapndeals, only until June 7th (AUS time). 

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The post The Not-So-Obvious Reason for Using HDR by Viktor Elizarov appeared first on Digital Photography School.


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5 Not-So-Obvious Mistakes Photographers Make When Starting a Business and How You Can Avoid Them

29 Jun

By plantoo47

When starting your photography business it’s easy to get caught up in how good your portfolio looks, buying new equipment, or how many followers you have on social media. While these tasks are important, you risk overlooking some crucial numbers that will help you to hold yourself accountable and succeed as a result.

Large corporations have whole departments tracking data to help their CEO’s make better business decisions. So why is this completely overlooked in one-person businesses?

In this article you will learn the Five not-so-obvious mistakes photographers make when starting a business. I will also give you some handy tips on how you can avoid these mistakes in the future.

Mistake #1 – Not knowing your income goal

One of the most common mistakes you can make as a freelance photographer is not setting any targets around how much money you want to make. I think we can all agree that it is an amazing feeling to be able to earn enough money to support yourself.

An effective way to grow your income is to first be aware of how much you’re currently earning so that you can figure out how much you want to earn in the future. Have a good solid brainstorming session about the next 12 months and really ask yourself, “How much do I want to realistically earn this year?”

By Simon Cunningham

Making a million dollars a year photographing would be fantastic, but you have to be realistic about your financial goals. You don’t want to set a figure that is so high that you feel discouraged. You also don’t want to set a figure that undervalues your talent. You want to choose a figure that makes you feel a little stretched but is still achievable with some hard work.

A good place to start is to look at how much income you made in the last year, and then add 30% on top of this amount to calculate how much you’d like to make in the next year. For example, if you earned $ 15,000 last year, your goal this year should be $ 19,500 ($ 15,000 x 1.3).

If you don’t have any income records from last year, just choose a figure that you feel comfortable with, and that is attainable.
After you’ve worked out your target income for the year, the next thing to do is calculate your average fee. You can calculate this by dividing your total income by the number of sales (clients) you had over the last year.

So now that we know what your target income and average fee is, we can move on to calculate the number of photo sessions required to reach your target income goal.

By Historias Visuales

Mistake #2 – Not knowing how many photo sessions you need to do

The number of sessions that you need to do in the next 12 months is dependent on your target income and average fee. For example, to make $ 20,000, you will need to do 40 sessions within the next 12 months to reach your income goals. This is calculated by dividing your income goal of $ 20,000 by your average fee, which in this example is $ 500.

Your required number of sessions may feel daunting at first. It’s important to break it down into smaller increments so that you can visualize these amounts so it appears more attainable, so 40 sessions for the year turns into 3.3 sessions per month. This is calculated by dividing 40 sessions by 12 months.

When you’re setting your income goal, think about how much time you want to take off for the year. You need to give yourself leeway for traveling, illness, recovery, planning and so forth. Just because you’re a business owner doesn’t mean you don’t need
to have time off like the rest of the world.

Going back to the example, the number of sessions required is 3.3 per month. Let’s round this down to three sessions to make things cleaner. This means you need to do 0.75 sessions per week.

By Korry Benneth

If you’re not comfortable with the volume, you could tweak your targets. For example, if you were to get more skilled at charging higher fees, we could set your average fee to $ 1000 instead of $ 500. How would this impact your volume? Well $ 20,000 divided by $ 1000 is 20. That’s 20 less photo sessions you have to do for the year, which equals out to just 1.6 sessions per month or only one photo session every couple of weeks.

So the next question is, should you focus on doing more sessions, or should you learn how to effectively increase your fees? The choice is ultimately up to you, but this example illustrates the importance of knowing your numbers so you can make the necessary adjustments in your business that will help you succeed.

Mistake #3 – Not knowing how many inquiries you need

Inquiries are the first point of contact you have with potential clients. Your main goal when you receive an inquiry is to convert it into a booking.

Measuring the number of required inquiries in your photography business can be a little challenging as some of the people that contact you initially don’t end up booking for various reasons. So as a rule of thumb I like to use a 50% conversion rate. This means that to get three bookings for the month, you need to get at least six inquiries.

As you can see, generating inquiries is easily one of the most important steps in the sales process. When it comes down to it, if you want to achieve your goal of $ 20,000, you need to generate six inquiries per month with an average fee of $ 500. Once again, you will only know this if you are aware of the important numbers in your business, which I’m sure, most of your competition is overlooking.

Mistake #4 – Not knowing how many bookings you need

Converting enquires into bookings is another often overlooked part of the photography sales process. Not only do you get the opportunity for income now, it gives you an opportunity to book future business through referrals.

By Ken Teegardin

The number of bookings required in your business should match the number of sessions required. So if you need to do three photo sessions per month, then you also need to book three clients per month.

Obviously the bookings you get today could help get you more sessions in the future. However, I have found that these numbers tend to correct themselves if you focus on getting your target bookings each and every month. So if you’re not doing enough sessions, you have to revisit your bookings and see how you can increase your inquiries.

Mistake #5 – Not having a method of keeping track of your numbers

Hopefully by now you have a better understanding of the relationship between different targets in your photography business. It is clear that more inquiries lead to more bookings, which lead to more sessions, which ultimately leads to more income.

It’s all well and good to be aware of the numbers, but to make significant change in your photography business requires you to hold yourself accountable and ensure that you’re following through on your goals. There are a couple ways you can do this.

One way is to draw a table in your notebook that displays each target for the month. You then record a dash next to the target when you get it done. So if you have a target of three sessions for the month, every time you do a session you draw a dash next to this target. You can also break this down into weeks if that makes it easier for you to update.

By Wendy House

You could also track your numbers by drawing up your targets on a whiteboard in your home office or studio. This is an excellent idea as you’re constantly looking at it.

Another way to do this is to create a spreadsheet. I know a lot of creative professionals cringe when they hear the word “spreadsheet”. However I encourage you to push through your barriers and use a spreadsheet to track your numbers.

The advantage of a spreadsheet is that it does all the work for you. All you have to do is input your progress and the spreadsheet can tell you how you’re doing. I can just hear what you’re saying at the moment. “Michael, this sounds great, but how do I actually create this spreadsheet you’re talking about?” I thought you might ask, so I’ve prepared a spreadsheet for you to download for you to use in your business. I initially created this spreadsheet for my partner’s photography business to track her numbers, and it really helped change her mindset in her business.

Before using my tool she couldn’t tell me what percentage of inquiries were converting into bookings. After she started tracking her numbers, she felt empowered and knew exactly how her business was going at any given time. Sometimes it was a pleasant surprise to know that she smashed her targets, other times she knew that she had to find ways to generate more business.

You don’t have to look at your numbers daily. I recommend updating your numbers at the end of each week. I also suggest that at the end of each month you send your numbers to an accountability partner. Knowing that you have to submit your numbers will only motivate you more. Choose someone you trust and you’re comfortable enough with to share your goals. This could be your spouse, sibling, good friend or business buddy. Sometimes all you need is some encouraging words to keep you focused in your business.

Bonus mistake #6 – Not tracking your expenses

It can be somewhat soothing to plan and think about how much money you’re going to make. Having said that, it’s just as important to understand how you’re spending your income.

Lots of new and even seasoned professional photographers overlook this highly important step. Reducing your costs is another method of making more money so you can spend it on more important things, like a new lens or a holiday.

By Jorge Franganillo

So how can you go about tracking your expenses? Well it’s quite simple, use accounting software. There are many accounting solutions on the market that are both free and paid. Personally, I recommend going with Wave (because it’s free) or Xero (because it’s awesome). Both systems allow you to automatically pull your transactions from your business account bank statement directly into your accounting software. This means you don’t have to spend hours entering your expenses. Pretty cool huh?

Most photographers get overwhelmed when they think of financial management. But investing time in this area will do wonders for your business.

By far the most important feature of accounting software, is the ability to create reports that allow you to see where, and how much, money you are spending in your business. From there you can make necessary adjustments to cut back on your costs.

By M.Kemal

Bringing clarity to your business

The whole purpose of this article is to bring clarity into your business. A lot of photographers like yourself start a business because you want to earn a living doing something that you enjoy. But you soon come to realize that making a living and growing your business is not easy. It can be overwhelming thinking about how you’re going to get through tomorrow’s to-do list while keeping all of your existing clients happy. This overwhelming feeling often leads to “fog brain” and prevents you from having clarity in your business.

Being aware of your numbers will ultimately help you make better decisions. Instead of spending one hour on Facebook today, you could spend that time contacting potential referral partners for your business.

At the end of the day, activities that generate more inquiries are much more important than getting bogged down with emails, packaging, social media, design and other administrative activities, especially when trying to reach higher income targets. Get someone else to do those things so you can focus on what’s important: servicing your clients, doing sessions, finalizing bookings and generating so you can fund the lifestyle that you want and deserve.

For more photography business tips read these articles:

  • The Ultimate Guide to Going Pro as a Photographer
  • How to Calculate Your Cost of Doing Business – And Other Necessary Numbers
  • 5 Things to Consider Before Starting Your Photography Business
  • 30 Things you Should Know to Help you Start a Photography Business

The post 5 Not-So-Obvious Mistakes Photographers Make When Starting a Business and How You Can Avoid Them by Michael Ofei appeared first on Digital Photography School.


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