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Posts Tagged ‘Nikkor’

My thoughts on the Micro Nikkor 60mm f/2.8G Lens and the 105mm Macro

28 Apr

The post My thoughts on the Micro Nikkor 60mm f/2.8G Lens and the 105mm Macro appeared first on Digital Photography School. It was authored by Lily Sawyer.

I must tell you first of all that before I had the Micro Nikkor 60mm f/2.8G lens, I have always used the bigger and heavier big brother – the Micro Nikkor 105mm f/2.8G Macro. While this article will be about what I think of the 60mm, I feel I must also compare it with the 105mm as I have used both.

dps-60mm-nikkor-micro-105mm-macro-review

Lens specs

Let’s start with the basic similarities: both are prime lenses with an f/2.8 maximum aperture and f/32 minimum aperture, have the same number of diaphragm blades and both rounded blades. Both are autofocus, and being G lenses, have an internal ultrasonic motor type.

In terms of differences, the 105mm has vibration reduction while the 60mm hasn’t. The 105mm weighs in at 720g, much heavier due to the size and optics with 14 elements compared to the 60mm at 425g with 12 elements. Interestingly, both have the same filter thread size at 62mm which I found handy when changing filters.

dps-60mm-nikkor-micro-105mm-macro-review

The main difference, however, for me (and the most crucial one of all) is the focusing distance, which is roughly 6 inches for the 60mm and double that for the 105mm at 12 inches. Why does this difference matter to me?

With the 60mm, I need to be really close to the subject to fill the frame. It can get quite tricky when being so close and sometimes I revert to manually focusing the lens. When photographing rings, to get a really great shot, you have to be extremely close for the ring to take up a lot of the frame. As I usually prop both the ring and lens on a steady surface, I can take my time to focus and get really close.

However, because it’s a wider lens than the 105, sometimes I just can’t fill the frame enough with very tiny objects. I then resort to cropping in post-production for these instances.

The 105mm lens with it’s narrower field of view means I don’t have to get as close to the subject and still can get close enough to fill the frame with it. I find there is less need for cropping in post-production too. Because I am usually photographing still life objects such as rings, movement isn’t an issue. However, this becomes one if you were photographing, say insects, where you can’t be close enough otherwise you disturb them and lose the insects as well as your shot.

When I use these lenses

dps-60mm-nikkor-micro-105mm-macro-review

Generally, and as a rule, when I’m doing smaller and shorter shoots like an engagement session, I bring three lenses – wide, medium and long. Because my shoots are mostly on location and often we walk around quite a lot, I try to pack as lightly as possible. For these types of shoots, I use my three prime lenses: a 35mm f/1.4 G, an 85mm f/1.8G, and a 105mm f/2.8 macro. The 105mm here acts as my longer lens and my macro without the bulk of the 70-200mm zoom and another micro lens being the 60mm.

When I do a wedding that only requires a few hours coverage, I also don’t bring my entire arsenal. Instead, I carefully choose my lenses to make sure I have everything covered for those hours. For short weddings, I pack my 24-70mm f/2.8 G, 70-200mm f/2.8G, 85mm f/1.8G, and 60mm f/2.8G. I don’t need the bulk of the 105mm when I cover that focal length with my zoom but I still need a macro, and the 60mm is perfect.

How I use these lenses

dps-60mm-nikkor-micro-105mm-macro-review

I find the Nikkor 60mm Micro Lens is such a versatile focal length and being a micro lens means I do not have to carry my 50mm f/1.4G along with my other lenses anymore. It fulfills both macro capability – mainly for the ring shot and close-up details like food, table setting, and flowers – and a versatile focal length that allows for natural portraits without distortion and those not-so-close-up details.

When using the 60mm for portraits, I am usually shooting with apertures between f/2.8 – f/5.6. When using it as a micro/macro, I am shooting at apertures between f/7.1 – f/11.

The 105mm, as well as being a macro lens, is also perfect for portraits and gives you that creamy bokeh with gorgeous background compression.

When using the 105mm for portraits (which I love doing), I am usually shooting with apertures between f/2.8 – f/4. When using it as a micro/macro, I am shooting at apertures between f/7.1 – f/8. I find that this lens really sings at f/7.1. I have set my camera to 1/3 stops hence the f/7.1.

Performance

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Both lenses have top specs and perform brilliantly. Generally speaking, I find that when shooting with both lenses, more ambient or available light is required.

Both lenses tend to produce more vignetting than other lenses. However, there is one main difference to the performance of both lenses. Provided there is enough light for the subject matter, the 60mm is faster and quicker to grab focus whereas the 105mm is slower and often hunts for focus. The 60mm works better for moving objects without flash than the 105mm in the same scenario. While the use of artificial light such as electronic flashes does away with this issue, I am mainly speaking about natural or ambient light.

Recommendation

dps-60mm-nikkor-micro-105mm-macro-review

In summary, I highly recommend both lenses both in quality and overall performance. I think there is a lens for each purpose. You just need to analyze which lens you require to achieve your aim. I don’t think there is a one lens for all. My preference is for prime lenses because of their cleanness and sharpness of images, and for me, they perform better.

However, they cannot compare with the zoom lenses when it comes to fast-moving and hectic shoots like weddings where I physically cannot be zooming in and out with my feet all day.

If you are looking for a prime that gives you the flexibility to shoot portraits and macro, then the 105mm is your lens. However, if you are after more of a travel, photojournalistic, natural view type of images and need a micro, then the 60mm would be my suggestion.

On family holidays, I used to carry my 50mm f/1.4 G. You can read here an article I have written on 5 creative uses of the 50mm. But that was during my pre-60mm days. Since then, my 60mm has replaced my 50mm for these occasions. If I am only allowed one lens for family holidays and travel, I go for the 60mm. I may have lost the wider aperture of the 50mm f/1.4 G, but as holidays are usually during the summer when light is abundant, the difference it makes is not an issue.

dps-60mm-nikkor-micro-105mm-macro-review

I hope you found this helpful. Do let me know your thoughts in the comments section below.

The post My thoughts on the Micro Nikkor 60mm f/2.8G Lens and the 105mm Macro appeared first on Digital Photography School. It was authored by Lily Sawyer.


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Nikon AF-S NIKKOR 500mm F4 D II ED lens with rare grey color appears on eBay

20 Dec

A new eBay listing details a rare grey Nikon AF-S NIKKOR 500mm F4 D II ED lens in ‘very good’ condition with included case and accessories. According to the auction listing, the lens is fully functional with only ‘minimal to moderate’ signs of use on the barrel. ‘The glass is clean,’ according to the seller midwestphotoexchange, an authorized Nikon seller with a 99.8% positive rating with more than a thousand transactions. ‘The aperture blades are oil and corrosion free, and their action and control are snappy.’

The lens features the Nikon F mount and is compatible with all of the company’s SLR and DSLR models, though the seller warns it won’t meter on camera bodies made before 1977. The telephoto lens was manufactured in Japan at an unknown date and notably features a grey body overlaid with a prominent, bright red Nikon logo.

The lens is offered with a CT-502 hard case, HK-28 lens hood, both the front cover and rear cap, lens and case straps, and an extra drop-in filter holder. The seller, who will ship the item from Columbus, Ohio, is offering the lens bundle on eBay with the Buy it Now price of $ 3,995 USD, though the listing also allows interested buyers to make an offer on the item.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon reveals full-frame AF-P Nikkor 70-300mm F4.5-5.6E ED VR

11 Jul

After introducing an AF-P 70-300mm telezoom for its crop-sensor DSLRs last year, Nikon is adding a full-frame version to the mix. The AF-P Nikkor 70-300mm F4.5-5.6E ED VR is the first FX Nikkor lens to offer a pulse (stepping) motor, with quieter autofocus ideal for video shooters.

It claims 4.5 stops of stabilization, which is two stops better than 2.5 claimed on Nikon’s website for the current 70-300mm F4.5-5.6. This updated version also provides a shorter minimum focus distance of 1.2m / 3.94ft (compared to 1.5m / 4.9ft), ‘dust and drip resistance,’ a 9-blade aperture and an ED element to reduce chromatic aberration. It also has electronic aperture control for smooth exposure transitions while shooting video and bursts.

The AF-P 70-300mm F4.5-5.6E ED VR will sell for $ 700 with availability to be announced later.

NIKON INTRODUCES NEW FULL-FRAME TELEPHOTO ZOOM LENS: THE AF-P NIKKOR 70-300MM F/4.5-5.6E ED VR

MELVILLE, NY (July 11, 2017 at 12:01 A.M. EDT) – Today, Nikon announced the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR, modernizing this popular zoom lens with a myriad of the latest Nikon technologies. The new lens features enhanced Vibration Reduction (VR) image stabilization capability and integrates a stepping motor for fast and quiet AF performance, making it Nikon’s first full-frame AF-P lens. This new NIKKOR lens is a versatile, compact telephoto option for intermediate FX and DX-format photographers looking to capture sports, wildlife, candids, travel and other subjects at long distances, all with stunning clarity.

“This latest lens reaffirms Nikon’s commitment to giving FX-format shooters of all levels the unparalleled quality of NIKKOR glass, with the benefits of our latest optical technologies,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.

Updated with the Latest NIKKOR Lens Technologies
Whether capturing a baseball game from the bleachers or the sights of a scenic vacation, the new AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR is a versatile lens that helps users capture sharp images and video, even in challenging light. The new AF-P NIKKOR 70-300mm is lighter than its predecessor, despite packing new technologies that help those shooting photos and video achieve stellar results. Enhancements to the lens include:

  • Improved Vibration Reduction (VR) System: The new AF-P NIKKOR 70-300mm lens provides users with up to 4.5 stops* of VR stabilization, to help create sharp photos and smooth video, even in low light or while handheld. Users can choose from either Normal or Sport VR Modes for added stability when shooting from a non-stationary location.
  • Lightweight with Stepping Motor Technology: This AF-P lens uses a stepping motor for fast and quiet autofocus, which reduces the sound of lens operation while recording HD or 4K UHD video. This new technology also contributes to the lens’ reduced weight, making it easy to carry on all-day excursions.
  • Electronic Diaphragm: This lens takes advantage of the fast burst speed of Nikon DSLR cameras, as the Electronic Diaphragm not only provides smooth exposure transitions during video capture, but also helps maintain consistent exposure during high-speed shooting, such as when photographing sports.
  • Get Close: The AF-P NIKKOR 70-300mm lens features a minimum focus distance of only 3.94 ft. (1.2 meters) and a reproduction ratio of 0.25x, letting users get even closer to capture the most extravagant details, even at 300mm.
  • Lens Construction: The lens features dust and drip resistance, along with a metal lens mount for durability. It features a 9-blade diaphragm for a natural, circular bokeh. The lens also features an ED element to significantly reduce instances of chromatic aberration.

Price and Availability
The Nikon AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR lens will have a suggested retail price (SRP) of $ 699.95**, and availability will be announced at a later date. For more information on this new NIKKOR lens as well as the latest Nikon products, please visit www.nikonusa.com.

*Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.

**SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time. Specifications, equipment and release dates are subject to change without any notice or obligation on the part of the manufacturer.

AF-P Nikkor 70-300mm F4.5-5.6E ED VR specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 70–300 mm
Image stabilization Yes (4.5 stops)
Lens mount Nikon F (FX)
Aperture
Maximum aperture F4.5–32
Minimum aperture F5.6–40
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 18
Groups 14
Special elements / coatings 1 ED element
Focus
Minimum focus 1.25 m (49.21)
Maximum magnification 0.25×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Extending front
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 680 g (1.50 lb)
Diameter 81 mm (3.17)
Length 146 mm (5.75)
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Filter thread 67.0 mm
Hood supplied Yes
Hood product code HB-82
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Nikon adds to fast prime series with AF-S Nikkor 28mm F1.4E ED

31 May

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Nikon has added a sixth lens to its collection of fast F1.4 primes (the others being 24mm, 35mm, 58mm, 85mm and 105mm). The AF-S Nikkor 28mm F1.4E ED lens features nine rounded aperture blades, two ED and three aspherical elements, and Nikon’s Nano Crystal Coating. The lens is made of magnesium alloy and is sealed against dust and moisture.

As you might imagine, this is a pricey lens – it’ll go on sale in late June for $ 1999.95.

Press Release:

NIKON ANNOUNCES THREE NEW WIDE-ANGLE NIKKOR LENSES

  • AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Compact Ultra-Wide-Angle Perspective DX-format Zoom Lens
  • AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED -Circular Fisheye Zoom for the Ultimate in Versatility and a Unique Perspective
  • AF-S NIKKOR 28mm f/1.4E ED – Outstanding Definition and High Resolution Wide-Angle Prime Lens

MELVILLE, NY (May 31, 2017 at 12:01 A.M. EDT) — Today, Nikon announced three exciting new wide-angle NIKKOR lenses to give a diverse array of users brilliant image quality and maximum versatility whether shooting vast landscapes, architecture, interiors, events and many other wide-angle applications. The new ultra-wide zoom and lightweight DX-format AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is an excellent value for budding shutterbugs and novice shooters looking to explore a wide-angle point of view, while the new AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is an FX-format circular fisheye zoom lens for photographers and content creators who desire a truly unique perspective. Lastly, the new AF-S NIKKOR 28mm f/1.4E ED is a superior prime lens that provides professional and advanced photographers the ultimate in wide-angle image quality. Both the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED and AF-S NIKKOR 28mm f/1.4E ED are the latest additions to the Gold Ring Series of NIKKOR lenses, a mark identifying Nikon’s premium lens offerings.

“Nikon continues to push the limits of optical excellence, while making new perspectives more attainable than ever before with our latest wide-angle NIKKOR offerings,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Whether a photographer is a novice learning the art of landscapes, an enthusiastic video creator or a working professional shooter, Nikon now makes the wide-angle perspective achievable for everyone.”

The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Ultra-Wide Zoom Lens That’s Compact and Portable

The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.

Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops1 of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.

This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.

AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – Circular Fisheye for Photographers and Content Creators

Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view. 

The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video. 

The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon’s non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare. 

AF-S NIKKOR 28mm f/1.4E ED – The Latest in The Gold Ring Series of f/1.4 Primes in the NIKKOR Line

The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events. 

The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare. 

The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.

Price and Availability

The Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED will be available immediately for a suggested retail price (SRP)* of $ 1249.95. The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR and AF-S NIKKOR 28mm f/1.4E ED will be available in late June for a suggested retail price (SRP)*, $ 309.95 and $ 1999.95, respectively. For more information on these NIKKOR lenses as well as the latest Nikon products, please visit www.nikonusa.com. 

1: Based on CIPA Standard. This value is achieved when DX-format compatible lenses are attached to a DX-format digital SLR camera and zoom lenses are set at the maximum telephoto position. 

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon AF-S Nikkor 28mm F1.4E ED specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 28 mm
Image stabilization No
Lens mount Nikon F (FX)
Aperture
Maximum aperture F1.4–16
Minimum aperture F1.4–16
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 14
Groups 11
Special elements / coatings 3 aspherical + 2 ED element, Nano Crystal and fluorine coatings
Focus
Minimum focus 0.28 m (11.02)
Maximum magnification 0.17×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 645 g (1.42 lb)
Diameter 83 mm (3.27)
Length 101 mm (3.98)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 77.0 mm
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Nikon AF-P DX Nikkor 70-300mm F4.5-6.3G ED VR sample gallery

03 Mar

The AF-P DX Nikkor 70-300mm F4.5-6.3 VR is a budget-friendly tele-zoom designed for Nikon’s APS-C DSLRs, translating to a 105-450mm equivalent view of the world. The lens debuted in August 2016 alongside a slightly cheaper version without Nikon’s Vibration Reduction. We’ve spent some time with the VR-equipped version of the lens – take a look at some sample images with the D5600 and D500.

See our Nikon AF-P DX 70-300mm F4.5-6.3G ED VR sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Nikon PC Nikkor 19mm F4E sample gallery

20 Feb

The Nikon 19mm F4 is a wide-angle tilt-shift, or as Nikon calls it, Perspective Control lens. It offers the ability to independently rotate the direction of tilt or shift, making it the perfect tool for keeping those parallel lines straight when working with architecture or interiors. We also took it for a bit of ‘freelensing’ and got experimental with the tilt function.

Take a look at what is possible when you’re given complete control in our real world sample gallery.

See our Nikon PC Nikkor 19mm F4E ED sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Got Bokeh? DxO reviews the Nikkor AF-S 105mm F1.4E ED

15 Dec

We had the opportunity to shoot the Nikkor AF-S 105mm F1.4E ED a few months back and everyone here was very impressed with its performance. DxO just published their review, and their analysis of the lens’ performance backs up what we saw in the field: it’s one of the sharpest lenses that Nikon currently produces. Check out their full review here.

See our Nikkor AF-S 105mm F1.4E ED
sample gallery

 

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Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

22 Oct

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Nikon just released two new lenses – the AF-S Nikkor 70-200mm F2.8E FL ED VR and PC Nikkor 19mm F4E ED. We’re at the Photo Plus show in New York, where we got our hands on them.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The AF-S Nikkor 70-200mm F2.8E FL ED VR is the third iteration of Nikon’s modern 70-200mm F2.8 telezoom. Improvements over its predecessor include a complete optical redesign and fluorine coatings on the front and rear elements.

While the new lens is only around 100g lighter than the VR II, and a mere couple of millimeters slimmer, it makes a difference. The new lens definitely feels like less of a ‘lump’ than the older version, thanks partly to a shift in the center of gravity, with more weight moved towards the mount. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The new lens construction features 22 elements, including six ED, one fluorite and one high refractive index element. As we’d expect from a lens in Nikon’s professional F2.8 lineup, the body is weather-sealed, and includes a rubber flange around the mount to prevent dust and moisture from getting into the camera body when the lens is in use. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The ‘E’ in ‘2.8E’ denotes an electronic aperture actuator. Most Nikon lenses still feature a mechanical aperture actuator, but the benefit of electrical actuation (which is slowing being phased in to Nikon’s high-end lenses) is better precision, and stepless movement. The latter feature is especially important when shooting video. Minimum focus in the new lens has been reduced compared to its predecessor, to ~1.1 meters. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

As usual with high-end telezoom lenses, the AF-S Nikkor 70-200mm F2.8 E features a focus limiter, to prevent hunting when working at longer subject distances. Alongside the usual VR and AF mode switches the new lens also offers an AF-L / Off / AF-ON switch, which allows the buttons on the lens barrel to either activate or lock AF (or be deactivated).

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

According to Nikon, the new 70-200mm F2.8E features a refined vibration reduction (VR) system, offering the equivalent of up to four stops of correction. The  AF-S NIKKOR 70-200mm f/2.8E FL ED VR will be available next month for $ 2799.99.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Next up, at the opposite end of the lineup is the PC Nikkor 19mm F4E ED. Nikon’s widest PC (perspective correction) lens, the 19mm F4E should appeal to architectural and real-estate photographers who need the ability to correct for perspective optically rather than digitally, in post-processing. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The 19mm F4E offers 97° of coverage and can shift ±12mm and tilt ±7.5°. Unlike the company’s existing PC-E designs, the mechanism for tilt can be rotated independently from the mechanism for shift, allowing the tilt to be set either parallel to or perpendicular to the shift.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The new lens is distinguishable by its enormous bulbous front element. Optical construction includes three ED and two aspherical elements as well as Nano Crystal Coating.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Minimum focus is around 25cm, and as we’d expect from a perspective correction lens, focusing is manual, via a large and well-damped focus ring. Unlike classic Nikon PC designs, aperture is electronically controlled from the camera body.

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

Like the new 70-200mm F2.8E, the 19mm F4E is built to a very high standard, and includes a rubber flange to keep dust and moisture out of the camera body. 

Hands-on with Nikon AF-S Nikkor 70-200mm F2.8E and PC Nikkor 19mm

The PC Nikkor 19mm F4E ED will be available next month for $ 3,399.95.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon announces ultra-wide PC Nikkor 19mm F4E ED tilt-shift lens

19 Oct

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Nikon has announced a new PC Nikkor 19mm F4E ED tilt-shift lens (which the company calls ‘Perspective Control.’) This ultra-wide lens offers 97° of coverage and can shift ±12mm and tilt ±7.5°. Unlike the company’s existing PC-E designs, the mechanism for tilt can be rotated independently from the mechanism for shift, allowing the tilt to be set either parallel or perpendicular to the shift.  The lens has three ED and two aspherical elements as well as Nano Crystal Coating.

The lens will be available next month with an MSRP of $ 3399.95.

Press release:

MASTER YOUR PERSPECTIVE WITH OPTICAL EXCELLENCE: NIKON ADDS TWO PRO-GRADE FX-FORMAT LENSES TO CELEBRATED NIKKOR LENS LINEUP

Extraordinary Next-Generation AF-S NIKKOR 70-200mm f/2.8E FL ED VR Sets a New Standard for Pro Telephoto Workhorse Lenses, While New PC NIKKOR 19mm f/4E ED is Nikon’s Widest Ever Tilt-Shift NIKKOR Offering 

MELVILLE, NY (October 19, 2016 at 12:01 A.M. EDT) – Today, Nikon Inc. has announced two exciting FX-format additions to the storied NIKKOR lens lineup, designed to achieve amazing optical performance for the most demanding professional and enthusiast photographers. An evolution of one of Nikon’s most versatile and popular pro-zoom lenses, the newly redesigned AF-S NIKKOR 70-200mm f/2.8E FL ED VR sports an updated optical formula capable of amazing image quality, while optimized for high-speed shooting. Also introduced today is Nikon’s widest perspective control lens to date, the PC NIKKOR 19mm f/4E ED tilt-shift lens, which helps photographers effortlessly control perspective when capturing architecture, interiors, fine art, product photography and landscapes.

“Nikon continues to raise the bar of optical excellence, and our newest FX-format NIKKOR offerings provide experienced photographers with powerful tools to help ensure brilliantly sharp images, whether capturing a high-speed photo finish or creatively framing an architectural marvel,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “While the new AF-S NIKKOR 70-200mm f/2.8E FL ED VR builds upon the success of its predecessors to offer a true all-around NIKKOR optic, the PC NIKKOR 19mm f/4E ED will provide fantastic perspective control for a variety of challenging wide-angle applications.”

The Ultimate Workhorse Lens for Seasoned Photographers

Long considered an essential lens in the bag of professional photographers, this updated AF-S NIKKOR 70-200mm f/2.8E FL ED VR sets a new benchmark for fast telephoto zoom lenses, taking image quality and handling to the next level. An indispensable and powerful tool for nearly any photographic scenario, the NIKKOR 70-200mm remains the professional’s choice with a wide f/2.8 constant aperture that is ideal for capturing sports, weddings, stunning portraits and more, even in low-light.

The next generation design of the lens helps ensure the very best in image quality, speed and low-light performance, while offering balance and handling that is nothing short of superb. Nikon’s new 70-200mm provides up to four stops1 of Vibration Reduction (VR) image stabilization, an improvement from its predecessor that helps users to eliminate blur and camera shake even when shooting handheld or in challenging light. During burst shooting, the lens takes advantage of an electromagnetic diaphragm for consistent auto-exposure control. Additionally, a Silent Wave Motor (SWM) enables ultra-fast and quiet AF operation with seamless manual focus override. Discerning photographers will also appreciate assignable function buttons on the lens barrel that offer customization, perfect for engaging pre-set autofocus or other focusing options.

A new optical formula consisting of six ED elements, one Fluorite element, a high refractive element and Nano Crystal Coat helps make for a lighter and more versatile lens, while reducing chromatic aberration and helping to all but eliminate distortion, ghosting and flare. Ready for even the most rugged of assignments, the magnesium alloy lens barrel features superior weather-sealing that achieves anti-dust and waterdrop-resistance, while Fluorine coating on both the front and rear glass facilitates easy cleaning. Whether shooting with a camera like the Nikon D5, D810, D750 or D500, capturing sports or weddings, the AF-S NIKKOR 70-200mm f/2.8E FL ED VR is a fantastic lens choice for experienced photographers. 

Seamlessly Control Perspective with the New Super-Wide PC NIKKOR Lens

Also new from Nikon is the latest perspective control lens (designated PC) in the NIKKOR lens lineup, the PC NIKKOR 19mm f/4E ED, a tilt-shift offering that will help photographers master perspective and depth-of-field. For storytellers who yearn to capture optically-challenging subjects like cityscapes and architecture, interiors or unique landscapes, this lens offers 97° of coverage – the widest focal length of any PC lens in the NIKKOR family. Tilt the lens to sharpen focus throughout a scene or create a miniature effect, or shift2 to adjust perspective in-camera, create panoramas or eliminate converging lines. For the first time with a NIKKOR PC lens, the direction of tilt operation can be made parallel or perpendicular to shift, offering users nearly unprecedented ability to control perspective, focus and depth-of-field, without having to lock and unlock to make adjustments. 

Sporting a super-wide 19mm focal length, the lens provides a unique perspective ideal for shooting horizontal or vertical panoramas, or even filmmaking. With this ultra-wide angle in mind, the latest FX-format NIKKOR offering was crafted with three ED and two aspherical elements that help combat distortion and glare, while virtually eliminating chromatic aberration and coma, even at the widest aperture settings. The lens also features core NIKKOR technologies such as Nano Crystal Coat to combat ghosting and flare, an electromagnetic diaphragm for fast auto-exposure control, as well as a Fluorine coat that helps resist dirt, water spots and smudges. Ready for a variety of challenging ultra-wide applications, the PC NIKKOR 19mm f/4E ED is a powerful tool for discerning photographers looking for full creative and perspective control. It joins three other Gold Ring Series PC lenses in Nikon’s line-up; the PC-E NIKKOR 24mm F3.5D ED, PC-E Micro NIKKOR 45mm f/2.8D ED and the PC-E Micro NIKKOR 85mm f/2.8D.

Price and Availability

Both the AF-S NIKKOR 70-200mm f/2.8E FL ED VR and PC NIKKOR 19mm f/4E ED will be available starting in November 2016 for suggested retail prices (SRP) of $ 2,799.95* and $ 3,399.95*, respectively. For more information on these new Nikon products and pricing for optional accessories, please visit www.nikonusa.com.

1 Based on CIPA Standard. This value is achieved when FX-format compatible lenses are attached to a FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.  

2 Depending on combination of shift and rotation, operation may be restricted by mechanical interference between the lens and camera when used with certain Nikon cameras.

  • Models that can be used without any limitation: D5, D4 series, D3 series, D810 Series, D500
  • Models that can be used with some limitations: Df, D800 series, D750, D610, D600, D300 series, D7200, D7100, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100
  • Models that are not compatible with PC NIKKOR 19mm f/4E ED: D2 series, D1 series, D200, D100, D90, D80, D70 series, D3000, D60, D50, D40 series, film cameras, Nikon 1 series with FT-1

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon PC Nikkor 19mm F4E ED specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 19 mm
Image stabilization No
Lens mount Nikon F (FX)
Aperture
Maximum aperture F4
Minimum aperture F32
Number of diaphragm blades 9
Optics
Elements 17
Groups 13
Special elements / coatings 3 ED + 2 aspherical elements + fluorine & Nano Crystal coatings
Focus
Minimum focus 0.25 m (9.84)
Maximum magnification 0.18×
Autofocus No
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale Yes
Physical
Weight 885 g (1.95 lb)
Diameter 89 mm (3.5)
Length 124 mm (4.88)
Sealing Yes
Other
Notes Can rotate 90 degrees in either direction, tilt up/down 7.5 degrees, shift left/right 12mm.

Articles: Digital Photography Review (dpreview.com)

 
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Fast and light: Nikkor 24mm F1.8G ED lens review

05 Oct

The AF-S Nikkor 24mm F1.8G ED was first announced back in August 2015. It joins Nikon’s growing family of modern full frame primes alongside the 20mm F1.8G, 28mm F1.8G, 35mm F1.8G, 85mm F1.8G and the 50mm F1.8G. It’s priced at just under $ 750 making it a well matched option to be paired with cameras like the Nikon D610 and the Nikon D750. The Nikkor can also be used on DX format cameras with an equivalent focal length of 36mm.

This fast wide-angle prime will most likely appeal to architecture, landscape and portrait or wedding photographers. Additionally, the F1.8 max aperture may come in handy for those looking to utilize the lens for astrophotography work as well.

At 24mm the lens is Nikon’s second widest prime option to date, coming in just behind the Nikkor 20mm lens. It’s worth noting that there are a few other options at 24mm that potential buyers should definitely be aware of. One of those options is the slightly faster Sigma 24mm F1.4 DG HSM Art that comes in at just under $ 850.

The Sigma 24mm can be seen mounted on a Nikon D810 on the left and the Nikkor 24mm can be seen mounted on a D810 on the right.

Although the Sigma is a bit pricier, it is a sensible alternate option for folks looking for a lens at this focal length. By comparison the Nikkor 24mm F1.4G ED is is priced at just under $ 2000 which makes the Sigma version that much more attractive to potential buyers. We will be taking a closer look at the Nikkor 24mm F1.8G and the Sigma 24mm F1.4 as an alternative lens option in this review.

APS-C

If you’re an APS-C shooter the 36mm equivalent focal length with an equivalent aperture of F2.7 will be a nice addition to your lens kit, being flexible enough to allow environmental and photojournalistic portraits while still being wide enough to accommodate for some landscape and architectural photography as well. It is worth noting however that if you’re looking to purchase this lens for an APS-C camera, then other options, such as Sigma’s 18-35mm F1.8 lens, might be a better alternative for the money. For this reason, we’re not going to consider this lens for use on APS-C in this review.

Nikkor 24mm F1.8G ED Headline Features

  • 24mm Focal Length
  • F1.8 Maximum Aperture
  • ‘Silent wave’ focus motor with full-time manual override
  • F-mount FX format lens, works on both DX and FX format Nikon SLRs
  • Accepts standard screw-type 72mm Filters

Lens Specifications

  AF-S Nikkor 24mm F1.8G ED Sigma 24mm F1.4 DG HSM A (Nikon Mount)
Price (MSRP) $ 745 $ 849
Announced 2015 2015
Lens Type Wide Angle Prime Wide Angle Prime
Lens Mount Nikon F Nikon F
Max Format Size 35mm FF 35mm FF
Focal Length 24mm 24mm
Image Stabilization No No
Max Aperture F1.8 F1.4
Minimum Aperture  F16 F16
Aperture Ring  No No 
Diaphragm Blades 7 (rounded)  9 (rounded)
Elements 12  15
Groups  9 11
Special Elements/Coatings  2 extra-LD glass elements and 2 aspherical elements, Nano Crystal Coat and Super Integrated Coating 2 aspherical elements, 3 FLD and 4 SLD glass elements coupled with Multi Layer Coatings
Minimum Focus 23cm (9.1″) 25cm (9.9″)
Maximum Magnification 0.2x  0.19x
Autofocus Yes  Yes
Motor Type Silent Wave Motor autofocus mechanism HSM (Hyper Sonic Motor)
Full Time Manual  Yes Yes
Focus Method  Internal Internal
Distance Scale Yes Yes
DoF Scale Yes Yes 
Weight  355g (12.5 oz) 665g (23.1 oz)
Dimensions (DxL) Approx. 78 x 83mm (3.1 x 3.3″) 85 x 90mm (3.4 x 3.6″)
Materials Metal Mount/Plastic and composite material Metal Mount/Thermally Stable Composite (TSC) material
Sealing  None  None
Color Black Black
Filter Thread 72mm 77mm
Hood Supplied  Yes Yes
Hood Product Code HB-76 Bayonet Hood  
Tripod Collar No No

The Nikkor 24mm has a metal lens mount and a mostly plastic/composite material body. It feels surprisingly light for being such a fast prime lens; especially when compared to the Sigma 24mm lens which weighs nearly twice the amount and is slightly larger in size (this is broadly to be expected with the Sigma’s 2/3 stop extra light gathering ability). The build quality of the Sigma lens definitely feels more robust with the majority of its components constructed of metal and a composite material that can be found on most of Sigma’s Art series lenses.

It’s worth mentioning that both the Nikkor and the Sigma 24mm lenses lack comprehensive weather sealing, but the Nikkor does offer some protection with rubber gasket around the lens mount, so that’s definitely something to keep in mind if you plan to use these lenses in adverse weather conditions.

With these specifications in mind, how do these lenses stack up against one another in terms of performance? In this review we will be looking at the performance of the Nikkor 24mm and how it compares to the heavier and faster Sigma 24mm. 

Articles: Digital Photography Review (dpreview.com)

 
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