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Posts Tagged ‘Modular’

Yongnuo has patented a modular camera system aiming to best smartphone cameras

01 Dec

Chinese manufacturer Yongnuo appears to be working on a modular mirrorless camera. Per Lighting Rumours, Yongnuo has filed a patent for a device combining a ‘mobile terminal’ and an external lens assembly.

The mobile terminal appears to be similar to a smartphone in its shape and form factor. The device has a large display and a central, exposed image sensor. There aren’t specifics about the sensor, but it’s worth considering that Yongnuo joined the Micro Four Thirds (MFT) System Standard in February of this year. Further, the company’s Android-powered mirrorless camera, the YN450, includes a 16MP 4/3 image sensor.

On the left you can see a mobile terminal and to the right is the external lens apparatus. The patent outlines how the terminal, which includes a large display and an image sensor, attaches to the external lens element.

The external lens assembly appears to incorporate a lens mount although it’s unclear what kind of lens mount, a grip and a locking mechanism. Lighting Rumours speculates that you may be able to use the mobile terminal as a standalone phone device, provided that Yongnuo supplies a cap to cover the exposed image sensor when it is not attached to the external lens assembly. Further, the patent illustration shows a retractable zoom lens but mentions possible prime lenses and lenses with image stabilization.

Originally filed by Shenzen Yongnuo Photographic Equipment Co., Ltd. in April and published last month, the patent also outlines why a modular device would be advantageous. It argues that the lenses built into smartphones lack the performance and versatility users demand, which has given rise to external lens solutions. However, Yongnuo claims that these external lens solutions come up short. The patent claims that external lenses can be impractical, flimsy, and not offer high-quality performance. In order to deal with these issues, Yongnuo’s new system, including the external lens assembly and mobile terminal, are more convenient to use, fit together precisely, and offer superior performance.

Of course, companies file patents regularly and many patents never result in a commercially viable product. That may be the case here as well, but it’s certainly an interesting patent. It’s clear what such a product may offer over a traditional smartphone camera design, but it’s not necessarily obvious what such a product offers users relative to a standalone compact camera.

In terms of new products, in case you missed it, Yongnuo announced a new full-frame autofocus lens for Sony mirrorless cameras in late October. You can learn more about the new lens and Yongnuo’s other products, such as flashes, triggers and more, by visiting Yongnuo USA.

If you’re interested in another modular camera concept, you can refer to a modular Fujifilm GFX concept Fujifilm showed off last year. It’s quite a different take on a modular camera than what Yongnuo’s patent shows.

(Via Lighting Rumours)

Articles: Digital Photography Review (dpreview.com)

 
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Chroma Cameras’ 679 camera system turns medium format modular

20 Nov

Chroma Cameras has unveiled a modular medium format camera for shooting 120 film. The new 679 camera system allows customers to custom build a camera for their specific needs.

Speaking to Kosmo Foto, Chroma Cameras founder Steve Lloyd says, ‘The Chroma 679 is a brand new, modular, medium format camera system. Like my other Chroma cameras, it’s been designed around the idea of flexibility and ‘uniqueness’, along with being an affordable, and enjoyable, way to combine existing lenses and film holders.’

The Chroma 679 system comprises four standard components. All 679 cameras use a laser cut acrylic front plate with integrated metal helicoid. The next item is a custom threaded lens board constructed using anodized aluminum. This screws into the front of the 679 helicoid to create a secure mount. There are two styles of lens board available, a standard Copal and a 0.4mm brass pinhole.

Image credit: Chroma Cameras

The third component is the mid-body. This is the primary body section of a constructed 679 camera. It creates a spacer to mount the lens the correct distance from the film for obtaining infinity focus and it includes a pair of cold shoes. You can use cold shoes for accessories such as a light meter or a viewfinder. The mid-body is also the mounting point for optional accessories such as a tripod mount or full grip. The mid-body is available in any depth from 10mm up to 120mm. If you need help determining which mid-body depth you require, refer to this page.

Chroma Cameras 679 system mid-body component. Image credit: Chroma Cameras

The final component is the film back. There are four mounts available: Kiev88, Mamiya Press, Mamiya RB Pro S and Hasselblad V Series (early version only, which allows manual winding of film without a Hasselblad body). There is also an available plain ground glass film back.

These standard components connect using a physical interlock and four ‘very strong neodymium rare-earth magnets’ in each section. Additional accessories can also be attached using integrated mounting points on each side of the mid-body. Photographers can purchase an additional cold shoe plate and a basic tripod mount to add to their 679 camera system. Further, there’s an available full grip with an integrated tripod thread, internal storage for a roll of 120 film, and a passthrough mount for a cable release. The grip is available in black and wooden printed materials for either left- or right-handed photographers.

679 camera system with Kiev88 film back and optional full grip (wood). Image credit: Chroma Cameras

Lloyd says that ‘Whilst it’s not the first modular medium format camera system, [the 679 system] is the first system that allows the photographer to combine large format lenses with rollfilm backs from three different manufacturers in the same camera! At the same time, the lens board used for the 679 system are the same as those used on the SnapShot, allowing the photographer to seamlessly move lenses between both systems.’ Lloyd continues to say that the 679 system is lighter than ‘even the lightest large format systems’.

The 679 system and its components can be ordered here. The front plate costs £45, the lens board is £25 (pinhole is £30), the mid-body component is £40, and the film back is £40. A ground-glass back is also available for £30. Optional components range in price from £15 to £45. The most expensive add-on is the full grip with a wood finish.

Lloyd says, ‘I designed the 679 system for photographers who want to shoot a range of formats, without having to carry large heavy systems.’ It looks to be a well-designed product and it fills a unique niche. You can check out additional Chroma Cameras at the following links: Snapshot Handheld Multi-Format System and Carbon Adventurer – Ultrawide Field Camera.

Articles: Digital Photography Review (dpreview.com)

 
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RGKit Play is a modular motion control kit that’s already funded on Kickstarter

25 Sep

Argineering has launched a Kickstarter campaign for RGKit Play, ‘the first-ever modular wireless motion control kit that allows creatives to add movement to their design and camera.’ The campaign has already eclipsed its $ 50,000 funding goal by more than $ 25,000 at the time of writing.

RGKit includes motors, accessories, light controllers, sensors and a phone application and aims to simplify the process of creating mechanical motion. Argineering states that RGKit Play can be used for tasks such as videography and stop motion. Using the accompanying application, you can use RGKit Play to perform tasks such as moving your camera and a product while recording product video, rotating your camera around a subject and more.

In order to maintain stable and smooth movement, the RGKit Play has built-in motion stability features. Through the app, the user has precise control over distance, time and speed. The Camera Slider can carry up to 11 lbs. (5kg) and moves at up to 2″ (5cm) per second.

Using RGKit Play appears very simple. You mount the kit’s modules and accessories to your camera and fire up the app. Without needing to code, you can create a customized sequence of movements while adjusting speed, acceleration, duration, delay and more. There is also an automatic mode available. Accessories include a camera slider, pusher, pulleys, rotator, arms, rotator mounting, clamps, adjustable arms and more.

RGKit Play’s price depends upon the selected kit. The beginner kit, which does not include the camera slider, starts at $ 190 USD. The camera slider first appears in the RGKit Play: Videographer kit. This kit starts at $ 740 with early bird pricing. The eventual retail price for the Videographer kit will be $ 999. RGKit Play is scheduled to start shipping to Kickstarter pledgers in June 2021. To learn more about the RGKit Play and get details on each component and available configurations, head to Kickstarter.

Via DIY Photography


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the EOS C300 Mark III with 4K/120p dual gain output sensor, modular design

21 Apr

As part of today’s ‘Imaging Unleashed’ virtual press conference, Canon has announced the Canon C300 Mark III, its latest Super 35mm cinema camera with a new Dual Gain Output (DGO) sensor and a modular design based on the same frame as Canon’s C500 Mark II.

If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. Canon has also added anamorphic desqueeze support for 2x and 1.3x lenses, as well as a user-swappable lens mount accessory that makes it easy to swap out lens mounts without the need to take it to a service center (it comes with an EF mount, but can also use EF cinema lock and PL mount lenses with the optional kits).

An illustration from Canon’s virtual press conference that shows how each pixel on the sensor is split into two different diodes.

At the heart of the C300 Mark III is a new 4K Super 35mm DGO sensor powered by Canon’s new DIGIC DV7 video imaging processor. The new DGO system allows the sensor to capture up to 16 stops of dynamic range by splitting each pixel into two diodes that simultaneously capture two images at different gain levels. Helpfully, this is a completely different ‘dual gain’ concept to the one used by most other camera makers, in which all the sensor’s pixels use one of two gain modes.

These two diodes within each pixel are also used to power the phase-detection of Canon’s Dual Pixel CMOS AF, which will now work at up to 120 frames per second (fps) with the new C300 Mark III.

Also new is support for Canon’s Cinema RAW Light format, which Canon first announced alongside the EOS C200. The Cinema RAW Light format is a more lightweight version of its Cinema RAW format that captures Raw video data in files as little as 1/5th the size of a standard Cinema RAW file. Canon Europe has a great breakdown of its Cinema RAW Light capture format.

The sensor is capable of recording 4K DCI/UHD video at up to 120fps, as well as 2K at up to 180fps with 4:2:2 10-bit XF-AVC recording. Canon has also included Canon Log 2 and Log 3 support, 12G-SDI output over a single BNC cable, timecode I/O, genlock input BNCs as well as User LUT support for applying custom LUTS in-camera and two CFexpress card slots.

Without the included grip, the modular frame measures in at 183mm (7.2”) for both width and height and 149mm (5.9”) deep with a weight of roughly 1750g (3.9lbs).

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Canon says the camera will be ‘available later in 2020’ with an estimated retail price of $ 10.999. The camera will come with 13 accessories, including a 4.3” LCD monitor, the GR-V1 grip, a BP-A60 battery, a battery charger and more. It is currently available to pre-order on Adorama and B&H.

Articles: Digital Photography Review (dpreview.com)

 
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The Autel Evo II will come in three modular models, including two with 8K video

15 Jan

Early last month, a forthcoming EVO II from Autel Robotics was revealed through an FCC filing. The portable follow up to the EVO officially launched at last week’s CES 2020 show. Drone and tech pundit OriginaldoBo made a prediction a week before the conference that this year, industry-dominating company DJI was not going to be the star of CES. Now we know why. Autel has introduced the very first 8K folding drone. The EVO II comes in 3 variants offering up 3 separate camera modules.

  • The standard Autel EVO II has an 8K, 48MP camera with a 1/2″ CMOS sensor. It can capture content at resolutions up to 8,000×6,000 pixels for photos, meaning you could print an image as large as 100 inches wide. Video resolution will max out at 7720×4320 pixels. It also features lossless, in-camera zoom up to 4x. Its weight at takeoff is 1,127 grams (about 2.5 pounds).
  • The EVO II Pro features a 20MP camera with a 1″ CMOS sensor, an adjustable aperture (ranging from f/2.8 to f/11), HDR, an ISO range of 100-12,800, and the ability to capture 6K video. The weight of EVO II Pro at takeoff is 1,174 grams (about 2.6 pounds).
  • The EVO II Dual boasts both a FLIR Boson sensor, with a thermal resolution up to 640×512, plus the same 8K camera that comes with the standard model. Takeoff weight for the EVO II Dual 320 is 1,157 grams (2.55 pounds) and 1,192 grams (2.62 pounds) for the EVO II Dual 640.

All 3 cameras have a maximum bitrate of 120Mbps. They will also feature 10-bit color depth. Autel’s states on its official site that it will continue to update specs, as they become available, but they have not specified whether there is an H.264 or H.265 codec. Information on frame rates is also notably absent at the time of this writing. Each variant of the EVO II is modular. You can upgrade, downgrade, and switch out camera systems without having to purchase a new drone.

The EVO II has a maximum flight time of 40 minutes and a transmission range of 9 km (5.6 miles). While most users will not need to fly this far, Autel states that a longer range ‘also means a stronger signal.’ It can operate at a maximum speed of 45 miles per hour (20.1 m/s). 12 AI-powered computer vision sensors give it omnidirectional obstacle avoidance that can also be disabled if the user wants full, uninterrupted control. 8GB of onboard storage is available with the option of adding an external microSD card up to 256GB.

What drone enthusiasts and professionals, especially, will appreciate is that Autel does not equip its drones with geofencing. While the feature, found in all contemporary DJI models, prevents drones from flying into restricted areas, including controlled airspace, it can also create a major inconvenience if a pilot secures permission to fly in a designated area and is unable to unlock the zone as planned.

The EVO II is currently in production. The EVO II is $ 1,495 and the EVO II Pro is $ 1,795. Those interested in purchasing an EVO II Dual will need to contact Autel for pricing. Availability and shipping dates will be announced soon, according to Autel’s official site.

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Modular 5K Octopus Camera supports swapping in different sensor modules

02 Jul

Octopus Cinema has introduced Octopus Camera, an open source, upgradable, programmable and mostly-modular prototype cinema camera powered by Linux. The model features a replaceable image sensor, enabling users to toggle 4K and 5K sensor modules with both color and monochrome options.

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Big hand small cinema camera… . . #smallcamera

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The Octopus Camera rig features an Intel NUC processing board that can be removed and upgraded by the user when newer hardware becomes available. This modular functionality extends to the camera’s sensor; the model supports multiple imaging modules from XIMEA, including native monochrome, full-frame, 35mm and global shutter.

According to Octopus Cinema, the camera’s out-of-the-box functionality will include 4K lossless compressed 12-bit raw footage in CinemaDNG format, but there will also be a higher bitrate 900Mbit 10-bit HEVC option. Users with other needs will be able to add other recording formats from third-party libraries using an SDK.

The camera measures 110 x 110 x 110mm (4.3 x 4.3 x 4.3in) and weighs 900g (1.98lbs). The model has a CNC milled aluminum chassis and a glass white finish. Imaging and processing specs pertain to the sensor modules and Intel board included in the camera.

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Preview of the prototype touchscreen interface for the OCTOPUSCAMERA . . #userinterface #userinterfacedesign #cameraapp #uidesign

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The device is powered by an 8-core Intel i7-8650U CPU and features 16GB of RAM upgradable to 32GB, two HDMI ports, four USB 3.0 ports, SATA III, and it is capable of write speeds up to 350MB/s. When used with a 5K full-frame imaging module, the rig can shoot at up to 5K 48fps 10-bit HEVC or 12-bit lossy raw video.

The company hasn’t provided any information on pricing or availability, stating only that Octopus Camera will arrive in summer 2020.

Articles: Digital Photography Review (dpreview.com)

 
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Think Tank Photo’s Stash Master 13L is a modular travel cube for your camera gear

03 May

Think Tank Photo has announced the release of the Stash Master 13L, a travel cube designed to safely store camera equipment in a package that can be used on its own or added to any large backpack to instantly turn it into a camera bag.

Think Tank Photo specifically designed the Stash Master 13L so it was large enough to fit the ‘holy trinity’ of lenses — a 70-200mm F2.8, a 24-70mm F2.8 and a 16-35mm F2.8 (or equivalents — alongside a gripped camera body. While the internal baffles can be customized, it should be good to go out of the box to fit all three lenses, a camera body and a decent selection of accessories.

The travel cube is constructed of a 100D rip-stop nylon and features DWR coating to keep moisture away from camera gear. It features YKK RC-Fuse zippers a tuck away front flap with foam panel that can be removed in the event you want to keep the gear more accessible when the cube is stored inside a backpack.

On both the top and bottom of the camera bag are a pair of carrying straps and the side features webbing loops so a shoulder strap can be attached, making for a modular sling-style bag. Think Tank Photo also notes the bag is a perfect match for its recently-released BackLight Elite 45L backpack, where it can be stored inside for back-panel access.

Below are a few gear setup examples Think Tank Photo has provided for what can fit inside:

• One gripped DSLR with lenses attached up to a 70-200mm f/2.8 plus, 2–3 standard zoom lenses and a flash.
• Two ungripped DSLRs with lenses attached up to a 70–200mm f/2.8 and 1–2 standard zoom lenses.
• Two gripped mirrorless bodies with lenses attached up to a 70–200mm f/2.8 plus 3–5 additional lenses.

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The external dimensions of the travel cube are 31cm x 31cm x 19cm (12.2in x 12.2in x 7.5in), its internal dimensions are 30cm x 30cm x 18cm (11.8in x 11.8in x 7.1in) and it weighs just 400g (0.9lbs). The Stash Master 13L is currently listed on Think Tank Photo’s website for $ 59.99, but is labeled as ‘Out of Stock’ at the time of posting this article.

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LEE100 is a next-generation filter holder with a modular design for easier operation

19 Mar

LEE Filters has announced the LEE100 filter holder, a next-generation filter holder that improves upon the design and interface of its predecessors to help improve the experience of working with photography filters.

Made from injection-moulded composite materials, the holder is both rigid and lightweight. Like its predecessor, the LEE100 filter holder relies on a spring release for easy one-hand operation when an adapter ring is mounted to a specific lens. This release can be used in three different settings to accompany different shooting needs: neutral, half lock and full lock.

The neutral setting keeps the filter holder attached to lenses, but allows it to both rotate freely and detach itself in the event the filter holder gets hit, so the camera and lens doesn’t fall to the ground as well. Half lock keeps the filter holder secured onto the adapter ring, but allows for easy rotation of the ring to better account for the horizon and other elements. The full lock setting keeps everything locked in place so the filter holder will neither rotate nor detach from the adapter ring until it is unscrewed and released.

New on the LEE100 filter holder are modular filter guide blocks that come in one, two and three-slot configurations. Unlike previous versions of LEE’s filter holders that required screws to hold the guides in place, the LEE100 features snap-in guides that can be quickly changed without the need to carry around a screwdriver. The guides themselves are also tapered now, which not only lends to a more streamlined aesthetic, but also improves the resistance, which helps to better keep the filters in place when making adjustments.

LEE says up to three filters can be used before any vignetting is visible. All of LEE’s 100mm filters can be used in the new holder as well as the new LEE100 Polarizer.

The LEE100 filter holder is available at as a single unit and in various kit arrangements. Alone, the LEE100 filter holder is available at B&H for $ 96. The Deluxe kit, which includes the LEE100 filter holder, LEE100 Polariser, Big Stopper, LEE 0.6 ND medium grad, LEE 0.9 ND hard grad, LEE 1.2 ND medium grad, 50ml ClearLEE filter wash and ClearLEE filter cloth, is available at B&H for $ 739.

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DJI unveils Mavic 2 Enterprise, a commercial-oriented drone with modular accessories

31 Oct

DJI has unveiled the Mavic 2 Enterprise, a modular version of its Mavic 2 Zoom drone designed specifically for businesses, governments, educators and other professionals.

At its core, The Mavic 2 Enterprise is effectively a Mavic 2 Zoom drone with a few tricks up its sleeve. It has the same 4K video capabilities, 2x optical zoom and 3x digital zoom, and 31-minute flight time. But in addition to the standard features, DJI has added a few unique features that will help it perform in more demanding environments.

The battery inside The Mavic 2 Enterprise is “self-heating,” which DJI says will enable it to operate at much cooler temperatures than your run-of-the-mill Mavic 2 Zoom. DJI has also beefed up storage, adding 24GB of storage, three times what the Mavic 2 Zoom offers. There’s also new security features, including a GPS timestamping feature and a new password protection feature that will make users type in a code every time the drone is activated, accesses the onboard storage, or connect with the controller.

To help with various needs such as search and rescue operations and inspections, DJI has also created three add-on accessories: The M2E Spotlight, the M2E Speaker, and the M2E Beacon.

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The M2E Spotlight is a 2,400-lumen dual spotlight designed to help “operators in carrying out missions in dark or low-light areas.” The M2E Speaker is a 100-decibel loudspeaker that can have up to ten customized recordings for blaring in emergency situations. The The M2E Beacon is a strobe build with the FAA’s Night Waiver standards in mind, meaning the drone will be visible up to three miles away, be it for other drone operators or pilots of manned aircrafts.

The DJI Mavic 2 Enterprise Universal Edition includes the drone, a remote controller, one battery, all three mountable accessories, and a protector case with flight tools. It’s set to retail for $ 1,999 USD and is available through DJI Enterprise resellers around the world. To find out more information, head on over to DJI’s product page.

There is also an optional “Fly More Kit” that includes two batteries, a battery charging hub, a car charger, a USB connector, a soft case, and two propellers for $ 419 USD.

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Lowepro updates ProTactic system with modular exterior attachments

22 Sep

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Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside. The ProTactic BP 350 AW II and BP 450 AW II both have redesigned entry points to make access easier, as well as a new more adaptive interior that can be customized to fit the kit you need to carry.

The two bags use the same FormShell composite ‘armored’ outer to protect their contents as the previous versions did, as well as a removable belt. Now though the belt can be used to attach accessories from the range such as the lens pouch, water bottle holder or phone pouch.

Lowepro says that both backpacks can hold one or two DSLRs with one lens attached, up to eight lenses or flash units, a small drone and a gimbal. The difference in size of the bags means the lens attached the DSLR in the ProTactic BP 350 AW II could be a 24-70mm F2.8 size, while the BP 450 AW II has room to that lens to be a 70-200mm F2.8. The smaller bag holds a 13in laptop in its CradleFit suspended pouch, while the larger can manage a 15in model.

Both bags are available now, with the BP 350AW II costing $ 219.95/£209.95 and the BP 450 AW II costing $ 269.95/£259.95. The accessory pouches will be available in early October. See the Lowepro website for more information.

Press release

{Pressrelease}

LOWEPRO INTRODUCES NEXT GENERATION OF AWARD-WINNING PROTACTIC SERIES

Lowepro’s worldwide #1 selling professional camera bag series, ProTactic, has been enhanced for better organization, access and protection with expanded modular system and accessories.

Upper Saddle River, NJ – Lowepro, a company with a 50-year reputation in creating protective gear-carrying solutions for image makers, today announced the second generation of their worldwide #1 selling ProTactic Collection. The high-performance, tactical-inspired collection has been redesigned for better organization, access and protection, while staying true to the ProTactic promise of rugged versatility and armored protection. The new line offers the BP 350 AW II and BP 450 AW II enhanced backpacks plus an expanded modular system and accessories.

Featured ProTactic Technology

* 4-Point Access: Molded, turret-loading top, quick-grab from both sides, and full, back entry for set-up and security.
* FormShell™: Lightweight yet sturdy, composite-shell construction delivers superior impact protection.
* SlipLock™: System of compatible loops and tabs make it easy to add pouches and cases to larger bags so you can easily bring along water bottles, memory cards and more.
* CradleFit™ Laptop Storage: Cleverly constructed compartment suspends and safeguards laptop in backpacks.
* ActivZone™: Delivers targeted support at shoulder blades, lumbar and waist for comfort on the move. Structured back panel allows for ventilation with integrated trolley strap.
* All Weather AW Cover™: a raincoat for your gear, our patented cover fits snugly over a bag and can be folded away when not needed. An innovative way to protect against rain, snow, dust and sand.

“In designing carrying solutions, we always listen closely to what our image makers are telling us,” explains Tim Grimmer, Senior Director of Product for Lowepro. “They are seeking increased versatility, organization, and accessibility with the performance and protection ProTactic is known for. We’re excited to offer this enhanced line-up featuring more adaptive interiors, always-ready access and a great collection of exterior attachments and accessories.”

The updated ProTactic collection includes:

Backpacks: The exceptionally adaptive second generation of our high-performance ProTactic backpacks, the BP 350 AW II and BP 450 AW II offer a more adaptive interior, multiple access points, modular exterior attachment capabilities and convertible utility belts. Both models include utility pouch, water bottle holder, tripod cup and two Quick Straps.

* ProTactic BP 350 AW II – Fits 1-2 standard DSLRs, one with 24-70mm f/2.8 lens attached, up to 8 lenses/speed lights, small drone such as a DJI Mavic, gimbals like DJI Osmo, 360 camera, 13” laptop and small accessories
* ProTactic BP 450 AW II – Fits 1-2 Pro DSLRs, one with a 70-200mm f/2.8 lens attached, up to 8 lenses/speedlights, small drone such as a DJI Mavic, gimbals like DJI Osmo, 360 camera, 15” laptop and small accessories.

Lens Cases: Purpose-built lens cases allow you to change out a lens with one hand. Dual-compartment design expands to temporarily hold 2 lenses during exchange. Cases feature SlipLock compatible attachment tabs, all Weather AW Cover, easy-grip main handle, neoprene side pocket for lens or body caps and removable/adjustable shoulder strap.

* ProTactic Lens Exchange 100 AW – Fits a standard and ultra-wide zoom lens.
* ProTactic Lens Exchange 200 AW – Fits up to a 70-200mm f/2.8 lens.

Utility Bags: All-purpose bags designed to provide versatile storage space for photo and video gear. Featuring padded removable interior divider, SlipLock compatible tab and All Weather AW Cover.

* ProTactic Utility Bag 100 AW – Fits full frame body with portrait grip, binoculars, batteries, flash units or small drone such as DJI Mavic Air with controller.
* ProTactic Utility Bag 200 AW – Fits gimbals such as DJI Osmo, speedlights or shotgun microphone.

Additional ProTactic Accessories:

* ProTactic Bottle Pouch – Securely holds up to 1L water bottles and canteens while keeping liquids insulated. Features stretchable padded insulated construction, drawstring toggle and closure and SlipLock compatible tab.
* ProTactic Phone Pouch – Keep your communications handy with this simple and secure zip pouch. Mounts on ProTactic backpack harness, waist belt or on pack body for easy access. Features SlipLock compatible tab. Fits up to Plus size Apple or Android phone.
* ProTactic Utility Belt – Designed to operate during a variety of missions, this belt is constructed for sturdy utility carry. Reinforced “duty” belt distributes weight evenly and keeps gear close at hand. Adjusts to fit 29” – 40” waists. Holds up to 16 SlipLock compatible accessories when adjusted to 40”.
* ProTactic Quick Straps – Quick attach, quick release adjustable straps securely clip into any SlipLock attachment point. Includes two 1-inch webbing strap assemblies. Adjusts from 5 to 13.5 inches.

The Lowepro ProTactic BP 350 AW II Backpack and BP 450 AW II are available now at Lowepro.com and at select Authorized Lowepro dealers. Lowepro ProTactic Lens Exchange, Utility Bags, and other accessories will be available early October.

{/Pressrelease}

Articles: Digital Photography Review (dpreview.com)

 
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