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Slideshow: Winners and finalists for the 2020 Minimalist Photography Awards

21 Aug

Winners and finalists for the 2020 Minimalist Photography Awards

Powered by B&W Minimalism magazine, the 2nd annual Minimalist Photography Awards recently announced its winners for 2020. Over 4,200 photos from 41 countries were submitted across 12 categories including Street, Photomanipulation, Conceptual, and Aerial. Australian photographer George Byrne won the title of Minimalist Photographer of the Year for his series ‘Exit Vision’ – though 2 of the images ended up in 2nd place for the Abstract and Fine Art categories, respectively.

‘As an approach in photography, minimalism or minimalistic photography could be taken by the photographer in all genres. No matter your are a portrait, architecture, landscape etc. photographer, minimalist photos are always an option as long as you have a minimal look toward your surroundings,’ said Milad Safabakhsh, founder and president of the awards. First, second, and third place winners in each category will be published in a book and exhibited at Galerie Minimal Berlin when it reopens.

All category winners and honorable mentions can be viewed here.

1st Place Winner, Abstract Photographer of the Year: ‘Abstract Series One’ by Stanislas Augris

Artist Statement: I’m Stanislas Augris. French musician and photographer. I’m from the Parisian suburb so part of my photographic work is to focus on the geometric shape, patterns and palette color of the urban environment, my daily environment. The aim is sometime to render an abstract picture of flat tints of colors and so create an artwork that decorrelate the form and the substance. Photography allows me to keep my eyes open to the world and to those everyday places, those in-between places.

I think either for architecture photography or for the rest of my photographic work (landscape and street photography) the main world is to keep it minimalistic and graphic. Trying to find simple lines, curves and play with foreground and background to create new shapes is really something that matters for me.

2nd Place Winner, Fine Art: ’71st St. Miami’ by George Byrne

Artist Statement: This image is from a recent series of mine called Exit Vision. It is a photo-collage, constructed from elements pulled from multiple locations. Shot on medium format film in Miami. For the ‘Exit Vision’ series, I would look for ready-made vignettes of color and form in the built world around me, and then try and repurpose or reinvent them. By embracing the process of photo-assemblage or collage, these photographs have become creations as much as they are observations.

Honorable Mention, Open Theme: ‘The Square’ by John Andreas Godwin

Artist Statement: Coming back to this geometric shape as the landscape surrounding it changes. [Taken in] Akersberga, Sweden.

3rd Place Winner, Aerial: ‘Salt Shapes’ by Kevin Krautgartner

Artist Statement: Salt evaporation ponds, also called salterns, are shallow artificial ponds designed to extract salts from sea water. To make its sea salt, many companies in Australia are using a method called ‘solar evaporation.’ Solar salt is produced by the action of sun and wind on seawater in large ponds. The seawater evaporates in successive ponds until the seawater is fully concentrated and the salt then crystallizes on the floor of the pond.

Due to variable algal concentrations, vivid colors, from bright blue to deep red, are created in the evaporation ponds. The color indicates the salinity of the ponds. This photo was taken from a small plane with the doors removed.

Honorable Mention, Landscape: ‘Whipped Cream Iceburg’ by Geffrard Bourke

Artist Statement: An iceberg resembling whipped cream in the ocean off the coast of Greenland.

1st Place Winner, Photomanipulation Photographer of the Year: ‘Yellow Stairs’ by George Byrne

Artist Statement: This image is from an ongoing series of mine called Exit Vision. It is a photo-collage, constructed from elements from multiple locations. Shot on medium format film. For this series, I would look for ready-made vignettes of color and form in the built world around me, and then try and repurpose or reinvent them. By embracing the process of photo-assemblage or collage, these photographs have become creations as much as they are observations.

2nd Place Winner, Architecture: ‘Oqaatsut Home’ by John Kosmopoulos

Artist Statement: Oqaatsut is a small Greenlandic town north of Ilulissat in Eastern Disko Bay. As the sun drenched and warmed the colorful homes and rocky landscape, it revealed clues of what life must be like there: a close but isolated community where the spirits of icebergs come and go in the distance.

I wanted to convey the feeling of the town by using minimalist compositions and creative framing to provide portraits of life in Greenland. Most of the citizens were indoors, but one citizen overlooked our whereabouts while children played a game and chanted a song that echoed through the town.

Honorable Mention, Long Exposure: ‘Ariake’ by Ulana Switucha

Artist Statement: From a series on Japanese Torii gates.

1st Place Winner, Portrait Photographer Of The Year: ‘Selfhood’ by Vicky Martin

Artist Statement: The series ‘Selfhood’ is in part inspired by the proverb ‘the eyes are the window to the soul’ and a desire to challenge the need to see the eyes within a portrait. The intention in each portrait is to create a character and a narrative and encourage an empathy without the visual stimulation of the eyes.

The conscious composition of each image gives the character a foundation in reality whilst combining fantastical creative elements to challenge the viewer’s preconceptions surrounding the connotations of each individual outfit and distinctive concealment of the eyes.

The viewer is inspired to make their own inferences about the subject’s persona and circumstance by drawing on personal connections and interpretations to each image, whether these be from memory or culture. Therefore each portrait in the series can take on a number of different identities depending on links made by the viewer to their own experiences and opinions.

3rd Place Winner, Conceptual: ‘Alabula (Colorful)’ by Mehrdad Fathi

Artist Statement: Mircea Eliade (philosopher and historian) says about the creation of universe: Creating the universe is considered to be a prototype for any type of building. Every city and every new home that they establish, it is a brand new imitation of the creation of universe, in other words, means of repeating the creation of the universe.

1st Place Winner, Night Photographer of the Year: ‘Decay by Night’ by Rachel Warne

Artist Statement: Decay by Night is a continuation of Rachel Warne’s fascination with the beauty of decay. Rachel has embarked on several personal photographic projects such as ‘Faded Glory’ exhibited at the Garden Museum, London in 2015 and ‘The Beauty of Decay’ – a collaboration with floral installation artist Rebecca Louise Law, touring several countries during 2017.

The idea of ‘Decay by Night’ seems like a natural progression for Rachel whom is drawn to decay and rebirth within the botanical world. By shooting flora at night she will be able to capture the transitional process which naturally occurs throughout the night, but rarely seen. Giving quite a different interpretation to their form as seen in day light.

Rachel shoot the flora in the dead of winter, once darkness falls. The plant portraits were be lit by one small portable continuous light to emulate the moon. Rachel wanted to explore how flora appears in the shadows creating its own ethereal beauty. Ghostly an enigmatic with a hint of gothic.

Winter is the perfect time to photograph the flora before the dormant season ends.

Shot at the Millennium gardens Deigned By Piet Oudolf at Pensthorpe in Norfolk. Pensthorpe seemed to be the most poignant naturalist garden in England to work from. Especially with Piet’s piquancy with the beauty of decay too.

1st Place Winner, Street Photographer of the Year: ‘Coronavirus Confinement’ by Santiago Martinez de Septien

Artist Statement: Millions of children in Spain, stuck at home since the authorities implemented a nationwide lockdown in mid-March, have been unable to exercise outside, take a short walk around their block, go with their parents to the supermarket or leave their house except for medical reasons. Such measures, the strictest in Europe, have left countless children bored, exhausted and sometimes depressed.

Articles: Digital Photography Review (dpreview.com)

 
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Minimalist Photography: A Powerful Medium That’s Not as Easy as You Think

05 Jan

The post Minimalist Photography: A Powerful Medium That’s Not as Easy as You Think appeared first on Digital Photography School. It was authored by Ana Mireles.

powerful-minimalist-Photography

Do you want to make more powerful minimalist photography? Then this is the article for you. Here, I’ll clarify what minimalism is, and more importantly, what is not. I’ll also give you some tips and tricks to improve your own images and share some quotes and links from the masters on the subject to get you inspired.

What is minimalist photography?

I find that some people use the term minimalism to describe a kind of photography, for example, when they are replying to what type of photography they do. That’s why it’s important to clarify that minimalism is a style of photography that you can apply to any genre of photography from landscape through to food photography.

Powerful minimalist photography

1/1000, f8, ISO 200

Actually, minimalism is a style that not only exists in photography but in everything from paintings through to design. It is even a way of life that has recently become popular. The one thing that minimalism has in common, no matter where you use it, is the idea that less is more. Because of this, the details are very important.

Know-how

While minimalism is simplistic in it’s visual aesthetic, it is not always easy to achieve. In fact, it can be more difficult because there’s really no place to hide. If it’s not a good photo, it will be fairly evident. One of the first rules of powerful minimalist photography is to isolate the subject and let the background be just that, a background. You can achieve this by using neutral backdrops or a shallow depth of field.

Image: 1/320, f11, ISO 400

1/320, f11, ISO 400

An isolated subject on a neutral background is not yet enough to qualify as minimalist because this description could include product photography from an e-commerce site and, of course, we are not talking about that.

So to achieve minimalism, you also have to give a message or emotion. Michael Kena, the great minimalist photographer says: “For me, approaching subject matter to photograph is a bit like meeting a person and beginning a conversation“.

Composition

You can use composition to give more impact to your image. There aren’t many elements in a minimalist image, so you have to be sure they are well-positioned and distributed correctly. You want to use composition to create a harmonic image and emphasize the subject. Always keep in mind the message and not just the aesthetics.

Composition for minimalist photography

1/60, f4, ISO 400

Using composition rules can really help you to master minimalist photography. Once you’re comfortable with them, keep experimenting because breaking the rules can sometimes be equally helpful.

Colors, shapes, and textures

You can try using only one color to emphasize the message or create an atmosphere and a feeling. There’s a long history in the arts about the cultural meaning and the psychological impact different colors have on the viewer. Use this to your advantage when doing minimalist images.

Urban powerful minimalist photography

1/640, f4.5, ISO 250

You can also go the other way and use bold, contrasting colors to create more compelling photographs.

Lea De Meulenaere said in an interview that she lives in a place that is not very colorful, so she does more profound research to use other characteristics of the minimalist style. Keeping this in mind, you can also use shapes and textures.

Constructing images

Minimalism can be found during long walks in the city for urban photography or nature for landscapes, but you can also construct it in still-life, food photography, advertising and other genres.

Image: 1/60, f11, ISO 400

1/60, f11, ISO 400

Some big brands like Disney or LG are using minimalism for their printed advertising. You can follow the creators of such campaigns on Instagram for inspiration. I particularly like Anna Devis and Daniel Rueda under the account name anniset.

Why you should give it a try

  • Trying new things will keep your photography improving. Going minimal doesn’t require you to buy any new equipment. You have nothing to lose and much to gain.
  • It will exercise your mind and creative process to give a clear and concise message with your images.
  • There’s such a big variety of minimalism that you can find your own. You can go about it as a meditative state or as a fun creative project. The choice is yours.

In conclusion

It’s not by chance that advertising is using minimalism. An image that clearly communicates what you want is something that stands out in between all the images we see every day. To make powerful minimalist photography is a skill that can take your work to the next level.

Powerful Minimalist photography monochrome nature

1/500, f5.6, ISO 100

Try it, practice it and most of all, enjoy it. Share with us your results in the comments section to get other readers inspired!

Want to read more about minimalist photography?

See these articles:

  • Tips for Minimalist Photography in an Urban Environment
  • Minimalist Photography ~ 4 Tips To Keep It Simple With A Maximum Impact
  • 21 Simple Images That Exemplify Minimalism
  • 4 Tips for the Minimalist Photographer
  • The Minimalist Landscape Photographer: What do you really need?
  • 5 Guidelines of Minimalist Photography to Help Improve Your Work
  • How to Embrace MINIMALISM for IMPROVED Landscape Photos
  • Tips for Achieving Minimalism in Photography

 

 

The post Minimalist Photography: A Powerful Medium That’s Not as Easy as You Think appeared first on Digital Photography School. It was authored by Ana Mireles.


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How to Photograph a Minimalist Landscape

14 May

The post How to Photograph a Minimalist Landscape appeared first on Digital Photography School. It was authored by Simon Bond.

Creating amazing photos can be much easier than you think. The simplest images can be the most striking. Keeping your image simple means minimalism. In this article, you’ll learn about creating minimalist landscape photos. The creation of these type of images requires the correct use of a lens, and often the correct selection of location. Read on and find out all you need to know to create minimalism in your landscape photos.

In this photo, the main subject is the mountain in the distance. The remainder of the frame is kept simple.

The location for a minimalist landscape

Where you take your photo will determine your success with minimalist landscape photography. You’ll have more success in remote locations, but urban environments can also be used for minimalism as well.

When photographing in a busier environment, you’ll need to use the correct lens and camera angle to maintain minimalism with your photo. More remote locations naturally have a minimalist feel, but the challenge in those locations is locating a strong main subject.

The following are locations you could use for minimalist landscape:

  • Coastal – This is a great location for minimalist photography. The great expanse of the sea invites minimalism. You can further build on this by flattening the sea through long exposure. Interesting rock formations or a lighthouse can make great main subjects.
  • Deserts – Whether you’re photographing on the sand or on the ice, deserts are the land equivalent of the sea when it comes to minimalism. Vast, uniform in their features, and without the clutter of human development.
  • Mountains – Another area that is remote are mountains. These also offer opportunities to create a minimalist landscape. With too many mountains in the one scene they can also be potentially cluttered, so choose compositions with care. A lone hut surround be the green foothills of a mountain range would make for a good subject.

Deserts make excellent locations for minimalist landscapes.

The lens

The lens you choose is equally as important as the location for a minimalist landscape. There is no absolute rule over which lens to use; it depends on the location you find yourself in. If you have chosen a location in the wilderness, the chances are you can use either a wide angle or a long telephoto lens. However, if you’re photographing in the city, the lens becomes important.

  • Wide angle – A lens that works well for minimalism, as you can use that wide angle to create the nice negative space required for a minimalist landscape. Think how you can get down to a low angle for those ripples in the sand on a sand dune. In a more cluttered environment, you need to be careful though, as the wide angle could easily cause unwanted elements to appear in the frame and make it too busy.
  • Long focal length – The longer focal lengths allow you to zoom in on a particular portion of your scene. Here, the challenge is to avoid compressing too many things into the same photo. Choose an area on the horizon that’s interesting but devoid of too many extra elements. This focal length can be a big advantage in an urban setting that’s generally too chaotic for minimalism, yet has portions of the skyline that can be zoomed in on to create a minimal image.

This photo uses a wide-angle lens. This really captures the interest in the foreground from the shapes in the sand.

Adjust your perspective

Photos that are taken at eye level work well for many situations. However, when you’re looking for minimalism, changing to a new angle works wonders.

The following are good choices when it comes to simplifying your image:

  • Bird’s eye – Things looks very different from a high angle looking down. The higher you get, the more dramatic this becomes. One of the reason’s drone photography works so well is its potential for minimalism.
  • Worm’s eye – At the other extreme is the worm’s eye view looking up. You could include a small amount of the horizon line, and make the remainder of the photo about the sky. This will give you a landscape photo with a very minimalist feel.
  • Framing – The use of a frame around the landscape portion of your photo could give you a minimalist photo. The landscape itself need not be minimalist in this case, so long as the surrounding frame provides enough negative space to tick the minimalist box.
  • Lensball – A lensball, in effect, frames a landscape inside a spherical object. That allows you to take a minimalist landscape, and keep the area surrounding the ball simple. This will give your photo a minimalist edge as well.

A lensball can be used to capture a scene that’s not normally minimalist, and capture it in a minimal way.

A good main subject

Every photo type is strengthened by having a main subject. In some cases, the inclusion of that main subject can be more of a challenge. Portrait photos, for instance, always have the main subject – the person you’re photographing. Landscape photos may not always have an obvious focal point – in some cases, it’s not needed – but for most photos, it will give you a stronger image.

In a minimalist landscape, that main subject will leap out of the photo strengthened by the minimalism across the rest of the frame. So what type of object could you use for this main subject?

  • A lone tree – The classic, a lone tree. There’s a good reason for this, of course. It’s a clear focal point in an image, looks beautiful, and works well for a number of composition types. It’s also relatively easy to isolate a lone tree.
  • A single person – A lone person silhouetted against the horizon. Someone riding their bike up the ridge of a hill. Whether you decide to stage this or it was more spontaneous, the photo will have more narrative.
  • A building – A red-walled building against green hills is a good combination for a photo. In a coastal setting, a lighthouse can make for a great subject.

The single yurt acts as the main subject in this photo.

Use other techniques

Minimalist landscapes naturally dovetail with several other well-known photography techniques. You can apply one or more of these to your photo, for a better image. Take a look at some of these techniques, and look at why they’ll improve your photo:

  • Silhouettes – In order to photograph a silhouette, you’ll be photographing towards the light, and quite likely towards a sunset sky. This means landscape features in your photo will likely also be black with a colored sky. This will give you a good chance of creating a minimalist image.
  • Long exposure – Blurred clouds moving across the sky, or flattening the sea are both potential results of long exposure photography. Use a tripod and expose for more than 5 seconds to flatten the sea, and usually longer than 30 seconds to see cloud movement.
  • Refraction – The use of a lensball for refraction photography is a good way of creating minimalism even in a busy setting. Place the more complicated scene within the lensball, and surround the ball with a blurred bokeh background for minimalism.
  • Harmony – This means keeping the same set of colors within the same photo. So try cold colors or warm colors. Even better for minimalism is keeping the same color, but in different shades. There is lots of potential for this in landscape photography, especially when the photo is taken from a bird’s eye point of view.
  • Contrast – One of the reasons black and white photography works so well is its intrinsic minimalism – especially those black and white photos with the highest contrast. Look to experiment with two main colors, and not more when creating a minimalist landscape.

In this photo, there are a number of elements in the frame. The minimalism is provided by the single tone of the image. The main subject is silhouetted against the background.

Conclusion

Landscapes and minimalist photography are two of the most popular photography genres there are, so it makes sense to combine them.

Have you experimented with this type of image? Did you use any of the approaches mentioned in this article? Having read this article, would it make you approach your landscape photography in a slightly different way? What approaches do you use for landscape photography?

As always, we’d love you to share your opinions and photos with the community. Please share in the comments section of this article.

 

The post How to Photograph a Minimalist Landscape appeared first on Digital Photography School. It was authored by Simon Bond.


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4 Tips for the Minimalist Photographer

18 Oct

Tips for the Minimalist Photographer

I’ve photographed countless sessions in the past nine years. Weddings, families, children, newborns, seniors, huge extended family groups, community events, products for companies, bike races, fine art, birth stories. . . You name it, I have probably photographed it. Knowing that you might be a little bit surprised when I tell you what equipment I have in my bag:

  • Nikon D700 body
  • 50mm f/1.4G  lens
  • 85mm f/1.4D lens

That’s everything, besides two 8GB Compact Flash cards, two 4GB Compact Flash cards, three camera batteries, a couple of business cards, and some lip balm. All of this fits inside one Kelly Moore Westminster Camera Bag. I use Photoshop CS6 with Adobe Camera Raw to edit my photos on a 27″ iMac. That’s it!

Tips for the Minimalist Photographer

I started nine years ago with a Nikon D90, the kit lens, and a 50mm f/1.8 lens. A couple of years later I upgraded to my full-frame body, better lenses, and haven’t felt a need for anything different, or anything more since that day. I’d say I’m very much a minimalist photographer, and it works well for me.

Could it also work well for you? Is it possible to have so few pieces of equipment and be satisfied? I’d like to share some thoughts with you, and maybe you’ll find that it’s a system that could work for you. You also might think I’m just insane, and add an additional lens to your collection just to spite me. Don’t worry! I won’t judge you harshly either way.

Tips for the Minimalist Photographer

#1 – Let Go of Keeping Up

All too often in life, we get caught up in what everyone around us has, and what they are doing. We feel that in order to be good enough, we have to have and do all of that stuff too. Photography is no different.

Your best photographer friends are telling you about the latest and greatest lens they just purchased. Your photography competition just switched to a different brand and bought entirely new everything. The blogger you follow online just ordered the most life-changing new camera bag and is urging you to buy it too. You are surrounded by it every day, but you don’t have to keep up. You don’t have to do what everyone else is doing to be your best self. Likewise, you don’t need to have everything they have to compete.

Tips for the Minimalist Photographer

If it’s hard for you to see what others have and be satisfied with your own life, then stop looking at what they have. Stay away from social media for awhile, and quit looking at the blogs that are trying to sell you things. Get out and photograph something real with the equipment you have, and you might just forget that other photographers even exist. Eventually, you will be able to congratulate a friend on a new acquisition without feeling even a bit of jealousy.

#2 – Quit Thinking “Stuff” Will Change Everything

Have you ever told yourself that if only you had a certain camera, if only you had a few more lenses, you would be an amazing photographer? While equipment does make a difference, it doesn’t make the photographer. Great photographers can make beautiful photos with anything they have, and a not-so-great photographer could have the highest-end equipment with every lens imaginable and still come up with nothing.

Tips for the Minimalist Photographer

That said, it’s great to work towards purchasing quality equipment because if you’re only going to have very few things, you might as well make sure they’re very nice. You can get a nicer camera body and lens if you know that you’re going to use it all the time, and you won’t be spending your money on a lot of other “stuff”.

Practicing your photography, getting out there and actually taking photos, reading articles and books from the library about photography, and talking with other photographers will help you become a better photographer. And those things don’t cost you anything. Work on yourself instead of your stuff.

Tips for the Minimalist Photographer

#3 – Try Before You Buy

At some point in your life, I’m betting that you thought you had to have something, you got it, then realized that it wasn’t what you really needed or wanted after all. I’m pretty sure it’s happened to you, because I know it’s happened to me, more than once.

So before you buy another piece of photography equipment, see if you can borrow it from someone (or rent it), or at least watch it in action before you take the plunge and put down your hard-earned money for it. I’m very careful about what I purchase, but even I have had a few misses throughout the years.

I bought a reflector that I’ve used exactly two times in my entire career. UV lens protectors were purchased for peace of mind, then I decided that I liked my photos better without them, and I am a cautious person. I trust myself, so I don’t need them. A camera bag that sounded great in theory but lifting a flap every time I wanted to get my camera didn’t work for me. I bought a lens cleaner that the cap never stayed on. These are little purchases, but they’re just money and space wasters to me.

Tips for the Minimalist Photographer

Test Drive

I heard so often that Lightroom was amazing, and that there were so many things that you could do with it, and that I needed it along with Photoshop. I sat down one day with a sweet photographer friend and asked her to show me everything she loved about it, and why I needed it. Every single thing that she showed me could be done with Adobe Camera Raw and Photoshop. I felt content with my workflow, and I went home satisfied that I didn’t need to buy another program.

The great thing about trying something out, or watching it in action, is that you can see if it will truly work for you or not. You can read or listen to lots of other photographer’s opinions, but they aren’t you. The things that are important to them may not be important to you. You ultimately have to make that decision if it’s something you truly need and if it’s a good fit for you.

Tips for the Minimalist Photographer

#4 – Let Your Limited Resources Expand Your Abilities

It’s strange to me that someone like me, with such limited equipment, could be so much more content than the photographer who owns suitcases full of equipment and still wants more. Some types of photography truly require more than what I have, and more equipment could be necessary, but you’d be surprised how innovative you can be when you need to make do with what you have.

There is a certain freedom that comes when you have everything you need in your hands and in your head. You don’t need to carry around rolling luggage full to the brim with equipment because you use everything available to you to create something beautiful. If you can’t shoot something that comes to mind because you don’t have the right lens, you either find another way to shoot it, or you find something else to shoot. That something else might be even better than the first thing that came to mind.

You won’t be wasting time, or risking dust and dirt in your sensor, by changing lenses constantly. You won’t be weighed down by multiple camera bodies swinging from your neck. No more worrying about where you put that third bag full of your lighting equipment. Your mind is freer to capture real life.

Tips for the Minimalist Photographer

Decide What Works for YOU

Please don’t read this article as a criticism of photographers who own a lot of equipment. I like things simple in my life, inside and outside of photography. I don’t like to have more than I need, and an excess of anything makes me feel uncomfortable. Being a minimalist photographer works for me, and whether your reasons are that you like simplicity too, or your budget requires simplicity, you might find a few things to think about after reading this.

Tips for the Minimalist Photographer

Are there other photographers out there like me? I’d love to know what equipment you find most essential. And, for all of you who have everything, I’d love to know if you had to cut your equipment down to five or fewer items, what would you keep? What could you give up?

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The Minimalist Landscape Photographer: What do you really need?

04 Oct

Landscape photography is arguably the first form of photography, literally. At some point around 1826, Joseph Nicéphore Niépce made an exposure on a bitumen covered pewter plate from his upstairs work room. The resulting image would be the first known photograph which displayed his view from the window at his estate in Le Gras, in the Burgundy region of France.

Since then, the gear and techniques used in landscape photography have grown exponentially. So much in fact, that some photographers possibly feel the only way to make strong landscape photographs is by investing hundreds if not thousands of dollars into specialized camera equipment. But, nothing could be further from the truth!

The Minimalist Landscape Photographer: What do you really need?

In reality, landscape photography can be made as complicated or as simple as you would like it to be. Granted, there are a few pieces of gear that will enable you to shoot with more versatility, but at its core, outstanding landscape photography can be accomplished with only a few pieces of basic photography gear. In this article, we’ll share a few suggestions for “minimalist” landscape photography gear. You might be surprised to learn that you probably already have everything you need to get started right now.

The Landscape Photographer’s Mindset

I learned a long time ago that capturing a strong landscape photograph has more to do with having a concrete understanding of what you’re trying to accomplish more so than the tools you have at your disposal. In those days, I had only one camera and one lens. Not even a tripod. The lens was a Canon 28-135mm and I only used it because it was the one that came with my camera. Oh, and my camera at the time, it was my first digital camera…ever.

The Minimalist Landscape Photographer: What do you really need?

One of my first landscape photos with my new digital camera. Circa 2010.

Since then, I’ve evolved and so has my gear, my attitude, and my photography. Still, the realization remains that it was never the gear that defined what I was doing even back then. Rather, it was my desire to learn and practice; the idea that I didn’t have the “correct” outfit to shoot landscapes never entered my mind.

I was just happy to have a camera, the open air, and a place to make photographs. I knew that I needed to photograph the landscapes I saw and from there, everything else was just a matter of making do with what I had at the time. So with that mindset now hopefully at the forefront, here are a few items I consider to be must-have gear for the minimalist landscape photographer. It’s an extremely short list. Consisting of only three things.

#1 – A Camera

Yes, it goes without saying that if you’re going to make landscape photos or any other photo for that matter, you need some kind of camera. Today, there are dozens (at least) of digital camera models to choose from ranging from the relatively cheap to the astronomically priced. My advice to you, if you want a serviceable camera body suitable for landscape work, is to dismiss any idea that you need the latest and great camera in order to make solid landscape photos.

That first digital camera I mentioned earlier was a Canon 7D, which I still use to this day. It’s a great camera, hefty, rugged, and I’ve taken it everywhere. That being said, if I had it to do all over again, I would have gone with a much less expensive camera body. Why? While having blazing fast autofocus capability is nice, it’s not wholly necessary if you’re shooting mainly stationary objects. If you plan on shooting a wide range of subject matter like weddings, sports, etc., other considerations might come into play.

The Minimalist Landscape Photographer: What do you really need?

But as a general guideline for landscape shooting, find yourself the highest megapixel camera you can afford (preferably weather sealed) and forget everything else. Save your money for something that I know understand is a much more important piece of the landscape photography pie. And that is…

#2 – Lens

The lens is the eye of the camera. Photographs are just physical manifestations of light and that light must travel through your lens before it ever reaches the camera. I’ve shot landscapes with lenses that range from very good to the budget variety. As well as having used lenses that ranged in focal length from 10mm all the way to 600mm (yeah really).

Some of those were 30-year-old fully manual lenses that cost $ 10 at a pawn shop and others that priced in the $ 3,500 range. What did they all have in common? They let light into my camera to make a photograph.

The Minimalist Landscape Photographer: What do you really need?

While it’s true that certain focal lengths render various effects in landscape photography, there is no set rule that you have to use a wide angle or any other focal length lens to shoot landscapes. Virtually any lens you have has the capability to shoot a good landscape photo. Wide angle lenses, say 14mm to 35mm, do capture more of the environment and add a sense of openness to your photos but they are not a requirement.

The Minimalist Landscape Photographer: What do you really need?

Shot at 24mm

If you’re looking for a lens to use for landscape photography without breaking the bank or having to buy multiple lenses, simply search for the fastest (smallest f-number) lens you can find that falls in the medium wide angle range. I say medium wide angle because even though landscapes can be captured using virtually any focal length, it’s the wider lenses that tend to be more versatile in more situations. Something in the 14mm to 50mm range will suffice. There are plenty of options today to find excellent quality fast prime (fixed focal length) lenses for under $ 100.

#3 – Tripod

These days, nobody wants to carry around a tripod. And it’s true, there are ways to work around needing a tripod for some types of photography. This isn’t the case when it comes to landscape work. So often the lighting in a scene requires a shutter speed of such length that hand-holding the camera isn’t a possibility.

While there will always be that person who says, “I can hold the camera still for ten seconds!” the fact of the matter is if you want ultimate sharpness in your landscape photos you will need a tripod. End of story.

The Minimalist Landscape Photographer: What do you really need?

That being said, this doesn’t mean you will have to sell your car in order to obtain a usable tripod. My first tripod cost me $ 35 from Wal-Mart. Was it the latest in lightweight carbon fiber with a graphite ball head and a cup holder? Of course not. Did it provide a solid platform for my camera? Absolutely.

When you’re searching for a tripod, one of the things that you need to look out for is the weight rating. Be sure to get a tripod that can support your camera and lens combo with about another third of that weight added on as a cushion. Just like with the camera, the emphasis on tripod importance is somewhat paradoxical in that it serves an integral function in your work but at the same time being nothing more than something to hold your camera still.

The Minimalist Landscape Photographer: What do you really need?

Find a tripod that gives you the height versus the portability you need and can support the weight of your camera rig. Everything else is just icing.

Final Thoughts on Landscape Photography and Minimalism

These days, I find myself fortunate to have much more refined and varied equipment than I had 15 or even 10 years ago. Generally, though, 90% of my landscape work is shot using only two lenses which range from 14mm to 24mm. There are times when I venture out to the 50mm range and beyond but not often.

So really, if I had to, I could do virtually all my work with one camera and one 24mm lens if the need should arise. Being a minimalist landscapist is often brought about by necessity and coupled with the need to make photographs. Remember, you really only need three things:

  1. Camera – Get the highest resolution camera you can afford. Weather sealing is a plus.
  2. Lens – It’s possible to get great results with only one lens. If you can, find a lens that is a medium wide angle with a fast speed (low f-number).The key is to learn to use whatever lens that might be to its fullest potential.
  3. Tripod – Even a minimalist needs a tripod. They can be found extremely cheap if you have realistic expectations. Be sure to use a tripod that can support your heaviest camera and lens combo plus one-third.

Conclusion

Yes, that’s truly all you need to make landscape photographs. The gear you use can extend into the realm of high-end GND filters, multi-thousand dollar cameras, space-age tripods, and lenses that would make NASA proud. But when you peel back all the layers, only three things are needed: a camera, a lens, and a tripod.

Once you have those, everything else is up to you. Becoming a successful landscape shooter has more to do with how you see light, the scene, and how adept you can become to tailoring the image based on the gear you have on hand. Being a minimalist landscapist does not necessarily translate into being a second rate one.

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Tips for Minimalist Photography in an Urban Environment

15 Sep

Minimalism gained traction in America in the 1960s with links to the Japanese traditional culture of Zen Philosophy. As a reaction against the whims of abstract expressionism, artists like Sol LeWitt, Frank Stella, and Mark Rothko experimented with stripped back processes and imagery, exposing the bare bones of visual art.

The history of the minimalist photography movement is not dissimilar to that of their contemporaries. The scientific photography of Bernice Abbott is referred to as a marked pivot towards minimalism. Photographers like Robert Adams and Lewis Baltz also used reductionist techniques to explore composition in the natural and urban landscape.

Tips for Minimalist Photography in an Urban Environment

Like all visual art, minimalism is founded on the basic elements of design; line, shape, color, texture, form, and composition. The scope of interpretation within minimalist art is vast, with its proponents yielding a diversity of results and reasoning. Overall, however, minimalist art can be surmised within a single principle, the old adage of “keep it simple”.

Keeping it simple

Minimalism is about how little you can say without compromising meaning. Minimalist photography is a great opportunity to slow down and reevaluate your photographic process. Before taking a shot, take a breath. Think about your desired outcome. How does your knowledge of composition apply to the subject at hand? How would you like to approach exposure? Minimalism is a very meditative process, sort of like yoga, but for your photography.

Composing minimalist photography in an urban landscape

Often, the utilitarian components that make up an urban landscape are the same that serve as the best minimalist subjects. Minimalist depictions of nature tend to rely on the soft flow of organic structures. However, urban minimalist photography capitalizes on the bold lines of old buildings, fresh apartments, and upturned car parks.

Intermixed with bolts of color, texture, and juxtaposition, minimalist photography can be both subtle and loud at the same time. Photographers of minimalism capitalize on strong, stripped back elements to create both subtle and high-impact imagery. That’s why moving forward in minimalist photography often requires you to steep yourself in the very basics of photographic composition first.

Rule of thirds

The rule of thirds is a trick to help determine the overall composition of a photograph. Mentally divide an image up evenly into thirds both horizontally and vertically. The lines that intersect around the central rectangle indicate the points that capture the majority of a viewer’s attention. By offsetting important points in a photograph from the center rectangle, an image will feel more naturally appealing to your audience.

Minimalist photography relies equally on what has been included and excluded from an image. Composing a visually harmonious photograph with tools like the rule of thirds maximizes the short time a viewer has to engage with a photograph.

Tips for Minimalist Photography in an Urban Environment

This image is sectioned off into 9 even rectangles. The four central intersecting points indicate the focal points of the photograph.

Tips for Minimalist Photography in an Urban Environment

This image is an example of the rule-of-thirds in practice. No single component of the photograph lies directly within the center, guiding the viewer’s eye around the image rather directly to the center.

Color

Color has a language that establishes the atmosphere and emotional range of an image. Where traditional black and white highlights the form of an image, two or three highly contrasting colors can bring the facade of the urban environment to life.

Blocks of color convey vitality and hardness in an image, whereas a gradient is softer and more accommodating. Pastel color schemes depicted by many contemporary minimalist photographers deliver a surreal, dream-like quality to a photograph, while also alluding to childhood, disassociation and new-media aesthetics.

Tips for Minimalist Photography in an Urban Environment - color

Tips for Minimalist Photography in an Urban Environment

Isolated colors can add depth to an image and draw attention to details often overlooked in the urban landscape.

Tips for Minimalist Photography in an Urban Environment

Lines

Strong lines in minimalist photography carry the integrity of an image. Conveying depth and presence, bold lines leading in from the perimeter of an image grab a viewer’s attention and guide their eye through the artwork. Lines delineate the boundaries of different bodies within a space and can denote unrest at sharp angles or quiet emotion with organic ripples.

Horizontal lines are used as a device to indicate the horizon, perspective, or to completely upend a viewer’s sense of space altogether! When composing an image, follow each line through with your eyes. Adjusting the integrity of a line later in post-production can be extremely time-consuming. And the success of a minimalist photograph could (and probably will) count on it being exact.

Tips for Minimalist Photography in an Urban Environment

Leading lines reach the perimeter of the physical photograph and provide the viewer with a visual trail to follow into the interior of the image.

Shape

The compositional elements of line and shape often cross over in a visual plane. For example, the perimeter of a shape can be defined by its outer line, sectioning the interior of the shape off from the background of the image.

Sharp, inorganic shapes create unrest and action in an image, whereas smooth, organic shapes create a scene of peace, nature, and evenness. The urban environment consists of an inexhaustible array of sharp and smooth lines. Trying to bring the two spectra together creates a dynamic juxtaposition of design and emotion.

Tips for Minimalist Photography in an Urban Environment

Pattern and texture

Pattern and texture lift the image from the page. Texture is the physicality of an image, which engages with an audience by appealing to their sense of touch. Pattern, often combined with texture, adds detail to a photograph, revealing beauty the repetition of otherwise unobserved subject matter.

Minimalism and pattern can combine to emphasize size and number, delivering a feeling of sensory overload simply by the repetition of a single design. When limited to concentrated areas in an image, a pattern can serve as a disruption to the remaining landscape or as a contrast to emphasize negative space.

Tips for Minimalist Photography in an Urban Environment - texture

Textural images often depict the wear and tear of the urban environment in delightfully intricate detail.

Negative space

Negative space is what is not there which can be kind of confusing. It lends breathing room to an image. It allows the immediate subject matter to exist with little or no intrusion elsewhere in the frame.

As an example, an image of a single cloud, framed by blue sky neither intrudes nor detracts from the other, but the two exchange meaning nonetheless. The sharp contrast between vacant and overflowing environments means that urban landscapes are great for incorporating negative space into minimalist photography.

Tips for Minimalist Photography in an Urban Environment - negative space

The geometric pattern on the right of this image is offset by the negative space on the left. The relationship balances out the image overall and enhances the bold yellow streak down the middle.

Tips for Minimalist Photography in an Urban Environment

Conclusion

Minimalism has seen a considerable resurgence in recent years, especially in interior design and photography. A wealth of online curatorship means that tags like #minimal and #minimal_perfection unearth fresh, reductionist imagery by the second. Although the overwhelming volume of images may seem contrary to the principals of minimalism itself, the evolution of the modern landscape continues to create a wealth of opportunity for photographic artists looking to branch out or hone their skills in composition.

How do you use minimalist photography with your images? Please share in the comments below.

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5 Guidelines of Minimalist Photography to Help Improve Your Work

18 Jul

 

Minimalism is one of those movements that some people see as a recent fad or newfangled things, like fidget spinners or man buns. In reality, minimalism is a true case of making what was once old new again, and unlike the aforementioned man bun, that’s a good thing.

In photography, minimalism is an obvious visual statement; the story of the photograph is simplified, elements are reduced, and clean space is added. Not only has minimalist photography become its own genre (you can see some excellent examples of minimal imagery here), but photographers specializing in the discipline have come into their own, creating a revitalized, attractive space of art for us all to enjoy.

5 Guidelines of Minimalist Photography to Help Improve Your Work

Minimalism (even in photography) isn’t new. Before the term became ubiquitous and synonymous with “new” and “clean”,  the style existed in various forms under other names. It has had a profound and positive influence on photography as it exists in the modern world.

But do you have to fully embrace specializing as a minimalist photographer to benefit from the advantages of the style? Absolutely not! Each of the tips below can work for almost any kind of photography. Let’s explore some of the guidelines and see how you can apply them to your own work, regardless of genre or type.

#1 – Make the story concise

As with any photo, the story is the most important thing to convey to your viewer. In minimalism, you want to tell that story as efficiently as possible. That means clean backgrounds, negative space where appropriate, and a well-defined subject.

We will discuss background and separation of the subject in more detail below, but generally, you don’t want any distracting elements in ANY photograph. Keeping your background clean, whether through blurring, or using a solid color or simple texture can remove any unwanted distractions.

5 Guidelines of Minimalist Photography to Help Improve Your Work

Negative space is defined as the margin around your subject and other important objects in your composition. Properly used, this space accentuates what you actually want the viewer to deem as most important in the photo.

When looking through the viewfinder at a potential shot, take a moment to get a feeling of the complexity of what you’re seeing. If the composition feels muddy or hard to discern, recompose your image to include some extra negative or white space around your subject.

#2 – Isolate the subject

Wide-open apertures along with proper positioning of the subject to background tend to make smooth, creamy backgrounds, separating it from the subject of the photo. This is right up the minimalist’s alley. Having a solid or smoothly blurred background really isolates what you want to highlight in the photo, and keeps the viewer’s eye from being overrun by more complex patterns to distinguish.

5 Guidelines of Minimalist Photography to Help Improve Your Work

In some photos, you may not want that blurred effect on your background. Many landscape photos, for example, are shot using stopped-down apertures such as f/11 or f/16, because you want most of the scene in focus. This is because, in those situations, the entire scene can be the subject. In those situations, using color or patterns are other ways of separating the subject from your background.

But many other types of photos, especially nature and portraiture, benefit greatly from a wider aperture and using that to create separate layers in the image. Experimenting with the effects that aperture and distance have on that separation can provide many different looks for the same composition.

#3 – Use color to your advantage

One of the most powerful methods of constructing a minimalist image is by using color to create a contrast. While you don’t necessarily have to go to the extremes that you would in a completely minimalist photo, picking two or even three colors that juxtapose well with each other and featuring them prominently in the textures of the image can improve the attractiveness of the shot.

While minimalist photographs tend to use large areas of solid contrasting colors to establish simplicity, other photography can benefit by keeping the color palette small and using colors that work well together or invoke a particular feeling in the viewer. For example, I find one of the most intriguing and pleasing color combinations to the eye to be blue and red, as in this example of the old red rowboat on the shore (bel0w).

5 Guidelines of Minimalist Photography to Help Improve Your Work

Using a color wheel (as shown below), you can identify color harmony, which are complementary color combinations that are pleasing to the eye. Then try to use those color combinations in your images.

Color wheel

Diagram by Wikipedia contributor Jacobolus

#4 – Embrace leading lines

Because minimalist photography tends to feature very simple compositions, lines and textures are often used to improve upon storytelling and point the viewer in the right direction. Finding natural leading lines in your compositions can help guide the eyes of the viewer where you want them to go, which allows you to minimize the number of elements in your photo needed to tell the story.

5 Guidelines of Minimalist Photography to Help Improve Your Work

Lines can be found everywhere; train tracks, roads, sidewalks, and buildings are just a few examples. While they are easy to find, it is just as easy to misuse them and confuse the viewer. If the line is easy to pick out, then it should lead the eyes somewhere relevant. Lines should not lead the viewer randomly away from the subject, or out of the frame with no real destination.

#5 – Find texture and use it

Texture can be a powerful element in a photograph, especially when an entire image is built around it. Obviously most often used when shooting subjects in the natural world around us, textures are a tool that can communicate many things to the viewer, including emotions, mood, light, and darkness.

Because of the limited language of minimalism, texture itself is often used as the subject, usually in the form of repeated patterns. All photography, however, can benefit from its strategic use. What is the effect when the subject features a consistent, repeating texture, as opposed to one that consists of an uneven texture made up of objects of varying size and smoothness?

5 Guidelines of Minimalist Photography to Help Improve Your Work

Texture is a great way to put a large, consistent element in your image without introducing too much distraction.

Can millions of grains of smooth beach sand, saturated with ocean water, serve as a different backdrop than a large area of broken shells and sand mixed together? What type of effect will this have on the viewer’s perception of the image?

Conclusion

As photographers, regardless of skill level, we are destined to be students of an innumerable amount of subjects. We must constantly keep learning, and apply the things we learn to our work, to keep innovating our style, invigorating our images, and keep our viewers interested.

While minimalist photography is very popular today and is an intriguing discipline, it’s not the chosen style for us all. But the ability to take the most important points from that genre and apply it to your own work is what elevates you as a photographer, and keeps you on top of your game.

What are your thoughts on the current state of minimalism, and its influence on art and photography? Is minimalism your favorite photography style? Have some minimalist images of your own to share? Let’s discuss this and more in the comments below.

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A Beginner’s Guide to Minimalist Photography

24 Jul

Minimalism is splitting the world in two. Love it or hate it, it’s a style with a very defined outline, one that has its roots in in the painted arts of the 20th century and that continued to branch out in other domains. These days, minimalism is especially present in design, fashion, and photography. A simple scout around websites such Continue Reading

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A Beginner’s Guide to Minimalist Photography

12 Jul

Minimalism is splitting the world in two. Love it or hate it, it’s a style with a very defined outline, one that has its roots in in the painted arts of the 20th century and that continued to branch out in other domains. These days, minimalism is especially present in design, fashion, and photography. A simple scout around websites such Continue Reading

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Minimalist Tattoos: Elegant Body Art Drawn With Just One Line

27 May

single line art

Tattoos are generally lauded for their intricacy and complexity, but these bold, beautiful and simple alternatives become artfully different thanks to a simple trick: the use of a single continuous line.

one line lips

single line tattoo

Made by Mo Ganji, a Berlin tattoo artist, each of these works (if you look closely) starts and ends at a single pair of points, no matter how they appear at first glance.

one line koi fish

one line hands together

The zigs and zags required to make this approach work are what signal the viewer to make such a closer inspection in the first place.

one line face

one line bike

Despite the simplicity and consistency of the method, the results are surprisingly varied, from very geometric shapes of human-made objects to organic curves of human and other natural forms.

one line tree

one line conifer

In some cases, pointillist patterns are added to add texture, creating leaves, shadows or other details, but kept intentionally non-linear so as not to detract from the primary lone-line drawing. (via Colossal)


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