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Posts Tagged ‘MICROPHONE’

Update on the rankings from our recent ‘Microphone pre-amp shootout’

04 Apr

Following our recent microphone pre-amp shootout there was a lot of controversy surrounding the results from the Sony a7 III, so our team went to work.

Alex, our audio engineer, repeated his tests on a second Sony a7 III body. Using the same Zaxcom URX100 receiver ($ 900) he repeated his original test and got the same result as the first time. In an effort to rule out the Zaxcom as a potential source of error, he repeated the test with a second URX100 and once again got the same result.

Alex then repeated the test using a Rode VideoMic Pro + ($ 300) and saw similar results. However, when he did the test again using a Rode Wireless Go ($ 200) and Rode VideoMic Go ($ 59) the results were noticeably better. He also notes that in response to DPReview’s video, Gerald Undone performed a similar test and saw good results using the Rode VideoMic NTG ($ 250).

How does this affect the rankings from first video? When used with a microphone that pairs well with the camera, Alex placed the Sony a7 III in the #2 position (in a tie with the Panasonic S1H).

Alex’s advice is that if you’re planning to use a particular piece audio gear with the Sony a7 III it’s a good idea to test it first to make sure it works well with the camera.

Finally, Jordan notes that they have seen some inconsistent results from the Nikon Z6 as well. As a result, they’ll be doing some additional tests on that camera to better understand its performance.

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Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Mirrorless and DSLR microphone pre-amp shootout

28 Mar

We invited a professional audio engineer to test the microphone pre-amps in cameras from Canon, Nikon, Sony, Panasonic, Fujifilm and Olympus. Find out which ones deliver the best sound.

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  • Introduction
  • What is a pre-amp?
  • The cameras we tested
  • Recording an ideal signal
  • Recording and boosting a weak signal
  • Recording a hot signal
  • The rankings: from worst to first
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
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Rode announces VideoMic NTG, a ‘hybrid’ microphone with ‘broadcast-quality’ sound

21 Nov

Rode has announced the VideoMic NTG, a new microphone it’s calling ‘the most versatile VideoMic ever.”

As the name alludes to, the VideoMic NTG is a ‘hybrid microphone’ that takes technology from Rode’s line of NTG broadcast shotgun microphones and condenses it down into a more compact VideoMic form factor atop Rode’s Rycote Lyre suspension platform.

The VideoMic NTG features a supercardioid polar pattern, uncolored sound and a ‘very flat’ frequency response, making it ideal for a wide-range of uses. Onboard, there’s a switchable high-pass filter (at 75Hz or 150Hz), a -20dB pad for recording louder sound sources and a safety channel that records a separate channel at -20dB in case the main channel clips with louder sounds.

The 3.5mm output automatically switches between TRS and TRRS ‘to accommodate both cameras (TRS) and mobile devices (TRRS)’ so there’s no need for additional adapters. The VideoMic NTG also features USB audio output for recording directly to a computer, tablet or smartphone without the need for any sort of pre-amp.

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As has been the case with Rode’s most recent VideoMic devices, the VideoMic NTG features an auto-power function that automatically turns the microphone on and off when the camera it’s attached to is powered on and off; it also houses a lithium-ion battery that is charged via the onboard USB-C port. Rode says the microphone can be charged from empty to full in two hours and can be used continuously for more than 30 hours, according to Rode.

The VideoMic NTG comes with a foam windshield, Rode’s ‘SC10’ 3.5mm cable, a USB-A to USB-C cable and the rechargeable lithium-ion battery. The VideoMic NTG is available to pre-order starting today for $ 249 (Adorama, B&H). No specific shipping timeframe is given.

Articles: Digital Photography Review (dpreview.com)

 
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Rode’s redesigned NTG5 microphone features ‘circular acoustic ports’ and lightweight design

26 Oct

Australian-based audio company Rode has announced the latest addition to its lineup of professional broadcasting microphone with the release of the NTG5.

The new microphone features a new ‘groundbreaking’ acoustic port design that replaces the linear slots found on other shotgun microphones with circular acoustic ports. This change, according to Rode, is a ‘revolutionary design’ yields ‘unmatched acoustic transparency, and a natural, uncoloured sound that will sound superb in a wide variety of applications.’

Rode says the frequency response of the NTG5 has been ‘tailored’ for low self-noise of 10dbA and features a ‘highly directional’ supercardioid polar pattern. The redesigned microphone features RF-bias technology and conformal coating to keep it protected against adverse weather conditions. It’s also incredible light and compact thanks to its aluminum construction, weighing just 76g and measuring in at 203mm long.

The NTG5 comes with a complete recording kit, including the new WS10 windshield, a redesigned pistol grip and cables for connecting to cameras and recorders. Rode says the NTG5 is ‘shipping now’ for $ 499, but we’re yet to see it available on any major retailers.

Articles: Digital Photography Review (dpreview.com)

 
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Review: Mikme Pocket wireless microphone with audio-sync

01 Sep

Mikme Pocket
From $ 387 | mikme.com

The Mikme Pocket Pro and App, a simple high quality wireless audio for your smartphone?

There are a lot of lapel microphones out there, and a lot of recorders to plug them into, so any new product designed to compete in this space either needs to have standout performance or do something unique. In the case of the Mikme Pocket, it does a bit of each.

A common challenge with wireless microphones is signal dropout, usually as a result of moving out of range or working in areas with a lot of radio congestion. This is where the Pocket has a trick up its sleeve. It uses Bluetooth to connect to your smartphone (using your phone as the receiver/recorder) and records to both the phone and its own internal memory. If you experience a dropped connection during recording, the Pocket automatically syncs and uploads any missing audio as soon as it comes back within range.

It works with a companion app which allows quick and easy setup. However, you can use the main functions of the Pocket without the app. (At the time of writing it’s only available for iOS; an Android version is promised for later in the year.)

The company is squarely targeting video shooters who use smartphones as their camera, although because it records internally it can also be used with mirrorless cameras and DSLRs to sync audio in post production.

The Pocket is available in two versions: a more expensive Pro variant that includes a higher quality microphone and lifetime subscription to its PRO app ($ 719) as well as a less expensive version with a standard microphone and no app subscription ($ 387). Mikme initially launched the Pocket on Kickstarter, and after a successful campaign have launched on Indiegogo as well (where discounted crowd-funding prices remain in effect).

Key Features

  • Simultaneous internal and wireless audio recording via Bluetooth
  • Automatic wireless sync of audio if the connection is dropped
  • Lapel microphone with locking connection
  • Choice of app or direct device control
  • Auto or manual audio level control
  • 16GB internal storage for 30+ hours of recording
The large central button enables multiple functions and encompasses a multi color status LED.

The Mikme Pocket offers features I’ve not seen before and I was keen to test it out. This little box, measuring 78 x 66 x 22 mm, includes a lapel mic. The pre-production version of the Pocket Pro I tested included the somewhat smaller pro mic option.

The unit I had for testing records .m4a files (at 44.1Khz) or uncompressed .wav files (44.1, 48 or 96Khz at 24bit) to its built-in 16 GB storage. At the highest quality this allows just over 30 hours of audio to be stored. The higher quality WAV files are only available if you’re using it with with a device that doesn’t have Bluetooth. If you’re using a smartphone you are limited to m4a files.

The mic connection is via a locking mini XLR

When using the Pocket with a smartphone over Bluetooth the auto sync function is enabled. This ensures that even if you manage to move out of range (approximately 10 m, or 30 ft.), the audio will automatically be downloaded and synchronized when the connection is re-established. This feature means that transmission range is not a problem as it is with traditional wireless mics, although you do lose the ability to monitor the audio on your phone when the Pocket is out of range.

The bottom edge houses most of the controls (not final labeling).

As with a lot of things these days it’s an app based product. However, I was pleased to see that you could achieve some functionality without the need to use the app all the time. The main button on the body of the pocket serves several functions. You can use it to start and stop recording, start playback of the last recorded file and switch between auto and manual audio levels. It houses a multi-color status LED that blinks when the audio level is clipping so that you can adjust it, which is achieved either using the 2 buttons on the body of the pocket itself or in the app. The body of the pocket also has a built in 3.5mm headphone jack for monitoring.

If you experience a dropped connection during recording, the Pocket automatically syncs and uploads any missing audio as soon as it comes back within range

The preferable way to control the unit is with its associated app as it adds a lot more functionality. You can select 3 recording modes: audio, video or remote. You can use it to select sample rate and set recording levels. It also lets you monitor battery life and remaining storage capacity, which is updated live as you record.

It’s early days for the app and I’ve been using the Pro version in beta that includes some extra functionality that will only be available by subscription. This will include the ability to use more than one Pocket at the same time as well as the ability to add pre- and post-roll videos and watermarks. It will also offer movable windows to select areas used for exposure metering and auto focus points as well as some other features.

There is also basic version of the app which includes what you would need for day to day operation, missing out on some of the extras above.

The included mic and adapter protrude quite a bit, which might cause issues when worn next to the body.

Recording Quality

When I tested audio quality I was pleasantly surprised; the sound of the included microphone in the pro package was very good. It’s an omni directional mic with a drop in high frequency sensitivity to the rear (cable entry side), which is to be expected, and very useful for inverted mounting to reduce sibilance and plosives.

It’s not quite up to one of the industry standard Sanken Cos-11 mics, but to have something like this included for the price was a real bonus. The mic itself uses a Micon to mini 3 pin XLR adapter to connect to the Pocket and the main body connection is a mini 3 pin XLR.

I’m pleased to say that the killer function of this mic – the auto sync function – worked perfectly every time I tried it

Unfortunately, I don’t have the ability to give you accurate figures for the noise floor of this microphone as my anechoic chamber is only in the planning stages. My room tone currently bottoms out around -56 dB and the self noise was not evident above this level (this is without any filtering). The self noise seems to be below about 180Hz and a configurable high pass filter will tame it. Mikme told me that this is something that will be selectable in a future version of the app. The low end response is great for some vocals but will prove a problem with wind noise if the capsule isn’t properly protected. It may also cause issues when used in vehicles due to subsonic resonances.

All this is subject to change, however, as the final version of the hardware and software has not yet been confirmed.

The included pro lapel mic is high quality and a lot smaller than some of it’s competitors.

I’m pleased to say that the killer function of this mic – the auto sync function – worked perfectly every time I tried it. Not only that, but the audio syncs faster than real time, although I would think that if you are in a high traffic area for wireless signals this might slow things down a bit.

When recording, I thought I’d spotted a bug with the audio while I was testing. If I stopped a recording using the button on the pocket I would end up loosing about 0.2 seconds off the end. Not a big issue but I did report it, and it turns out that this is deliberate so that the mic itself doesn’t record the click of the physical button. Nice thinking.

The supplied Pro lavalier mic uses a Micon to XLR adapter.

The Pocket also has some wider appeal as it offers the ability to offload the files via USB. It can even be used as a USB microphone if required. It was immediately detected in Windows once the Pocket had been switched into USB Audio device mode by a combination of connecting it without the Bluetooth transmitter enabled.

The Pocket can even be used as a USB microphone if required

It takes about three hours to charge the built-in battery via micro USB and a full charge lasts approximately 2 hours and 15 minutes in my tests. This was with Bluetooth switched on; without it you can get around an additional 15 minutes, but then you loose the key selling point of this mic. I’d really like to see longer battery life, although you can use it while charging with an external battery pack.

Minor issues

I encountered a few niggles in testing, which is to be expected with pre-production units. There’s a small issue with the fact that the included foam wind shield does not locate snugly onto the microphone capsule itself and it’s sure to go missing while shooting. I also saw a little bug in the app regarding the update rate for the amount of storage left on the device. It was not updating as quickly as I would like, causing some alarm when it reported 0% and I had only been recording for 20 minutes.

I contacted Mikme about these test results, and I’m assured that most, if not all, of my observations are being looked at – after all, that’s what beta testing is designed for.

Conclusion

Having a wireless lav mic that records to itself is not new, and that function has been available for a few years, albeit at different price points and feature sets with products from Zaxcom and Sennheiser.

What Mikme has achieved with the Pocket is the integration of a number of useful features not seen before in a single product. The internal recording together with auto-syncing of audio, manual and auto level control and the additional app functions all work well together. This makes recording good wireless audio much easier than with traditional products, especially with a smartphone or tablet.

What we like

  • Easy to use
  • Audio syncing prevents audio loss that sometimes occurs on lavalier mics
  • Included high quality mic (Pro version)
  • Comprehensive control via app (not always required)
  • USB microphone function
  • Headphone monitoring on device and on smartphone

What we’d like to see improved before shipping

  • Improved reporting of remaining memory
  • Addition of a switchable high pass filter
  • Addition of level control in app in Remote mode
  • Addition of strain relief to mic capsule
  • Lower profile connection between mic and body

(Based on a pre-production model)


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Rode announces Lavalier GO microphone for its Wireless GO system

11 Aug

Rode has announced the Lavalier GO, a ‘professional-grade’ lavalier mic designed specifically for use with its Wireless GO system.

The Lavalier GO microphone is a 4.5mm omnidirectional microphone that features a gold-plated 3.5mm TRS jack that will work with Rode’s own equipment, as well as most other recording devices with 3.5mm TRS jacks. Its signal to noise ratio is 67 dB with a sensitivity of -35 dB (17.8mV @94dB SPL) and a dynamic range of 83 dB.

The cable is Kevlar reinforced and the Lavalier GO comes with the microphone, a clip to attach it to clothing, a pop shield and a pouch to carry it all in. The Rode Lavalier GO is available for $ 79 at authorized Rode retailers (Adorama and B&H). The Rode Wireless GO system is sold separately for $ 199 at authorized retailers (Adorama, B&H) as well.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Deity Connect microphone review

20 Jun

Jordan reviews the Deity Connect wireless microphone, a digital lavalier mic system that supports two microphones using a single receiver and provides drop-dead simple operation. Find out why this is the mic system he’s wanted for a decade, and why he thinks it’s a compelling choice for so many people who shoot video.

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  • Introduction
  • Design and hard case
  • Outputs
  • Receiver size
  • Top 3 features
  • Antennas
  • 2.4GHz signal
  • Distance test
  • Standby mode
  • Included microphones
  • Firmware
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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Rode’s Wireless GO microphone system claims to be ‘the world’s smallest’

08 Apr

Rode has introduced the Wireless GO, a wireless microphone system that being deemed as ‘the world’s smallest, most versatile’ system of its kind.

Similar to its Wireless Filmmaking Kit, the Wireless GO is a kit that consists of a transmitter (TX) and receiver (RX). The difference is, the Wireless GO TX module works as a standalone microphone thanks to its internal omnidirectional condenser microphone and integrated clip or as a transmission unit for Rode’s lavalier microphone via the onboard 3.5mm TRS input.

The two modules measure in at approximately 44mm x 45mm x 18.5mm and weigh just 31g / 1oz. Wireless connectivity is powered by Rode’s new Series III Digital 2.4GHz transmission technology that’s rated for a maximum distance of 70m / 230ft in clear line-of-sight situations.

The modules include built-in Li-po batteries that are rated for seven hours of use and can be recharged via USB. Speaking of USB, the units can be updated with firmware using the same USB-C port that’s used to charge them.

The Wireless GO microphone kit comes with two fur windshields, one pouch, one USB-A to USB-C cable and one SC2 cable. B&H has the system available to pre-order for $ 199 with an estimated shipping date of April 17, 2019 at the time of posting this article.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: where to place a microphone to record great audio

08 Jul

There’s an old axiom in filmmaking which states that an audience will forgive a poor quality picture, but not poor quality sound. This week, Chris and Jordan bring in an audio pro to discuss different types of microphones, how to position them, and to demonstrate how a cheap microphone positioned correctly will outperform an expensive model placed incorrectly.

Make sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.

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Canon offers EF-S 18-135mm F3.5-5.6 IS USM, power zoom adapter and directional microphone

19 Feb

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Introduced alongside the Canon EOS 80D is an updated 18-135mm F3.5-5.6 IS USM, offered separately and as a kit with the camera. The 18-135mm offers a new ‘Nano USM’ motor and boasts between 2.5x (wide-angle) and 4.3x (telephoto) faster performance compared to the previous STM version. 

Canon has also announced the PZ-E1 Power Zoom Adapter for the lens, a detachable device that can smoothly and silently operate the zoom at 10 different speed levels. The adapter can also be used remotely with Canon’s Camera Connect app.

Emphasizing the 80D’s appeal to video enthusiasts, Canon has introduced its first external microphone for use with DSLRs, the Canon Directional Stereo Microphone DM-E1. It ships with a wind screen and offers a response range of 50Hz to 16kHz. 

The EF-S 18-135mm F3.5-5.6 IS USM will ship in March for $ 599.99. The PZ-E1 Power Zoom Adapter will be sold for $ 149.99 and the DM-E1 Directional Microphone will be offered at $ 249.99; both will be available in June.

Press release:

SHARE YOUR PASSION THROUGH IMAGES USING
THE NEW EOS 80D DSLR CAMERA AND EF-S 18-135mm NANO USM LENS

Designed to Help Unleash the Creative Potential in Us All, New Imaging Technology
Will Help You Shoot & Share Amazing Images and Video

MELVILLE, N.Y., February 17, 2015 – Artists looking to turn their passion into popular online videos or to show the world their unique perspective through social networks now have a new tool available to them that helps them tear down creative barriers and produce dynamic visual content for both still and video.  Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to introduce the new Canon EOS 80D Digital SLR camera, featuring an new 45-point AF system1, 24.2 megapixel CMOS sensor for crisp images with fine detail. For the budding videographer or online video star, the camera features Dual Pixel CMOS Autofocus (DAF) technology coupled with an intuitive touchscreen capability for easy focusing when shooting video.

Canon is also introducing a new EF-S 18-135mm f/3.5-5.6 IS USM lens optimized for high-speed autofocusing when shooting stills and quiet and smooth zoom when shooting video. The lens is also compatible with Canon’s new Power Zoom Adapter for smooth cinematic ‘pulls’ when changing focal length on a subject, and responsive adjustments at the push of a button for stills or video.

Updated features in Canon EOS 80D DSLR Camera include: 

  • New 45-point all cross-type AF system 
  • Intelligent Viewfinder with approximately 100% viewfinder coverage 
  • Newly Developed 24.2 Megapixel (APS-C) CMOS sensor
  • DIGIC 6 image processor for enhanced image quality
  • Improved Dual Pixel CMOS AF for smooth, fast and accurate autofocus with video and stills 
  • Built-in Wi-Fi®2 and NFCTM2 capability for easy transfer of images and movies to compatible mobile devices
  • 1080/60p Full HD video to capture brilliant results in MP4 format for easy movie sharing on select social networking sites
  • Vari-angle Touch Screen 3.0-inch Clear View LCD II monitor enables flexible positioning and clear viewing even outdoors 

“In today’s world, where everyone is a photographer or videographer, we at Canon are looking to provide the tools and features that help creative-minded people stand out from the pack and get noticed. The right technology cannot make someone creative, but it will help bring a creative vision to life,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The right combination of camera and lens helps those with a vision stand out and be recognized. We look forward to seeing what this new generation of passionate artists will create with these new tools.” 

New AF System and Dual Pixel CMOS AF
The 45-point all cross-type viewfinder AF system in the new Canon EOS 80D DSLR camera, compared to 19-points in the Canon EOS 70D DSLR camera, is now wider both horizontally and vertically for easier compositions with off-center subjects. Low light AF performance has been improved all the way down to EV-3 at the center point to achieve sharp results even in extreme low-light situations. The camera’s AI (Artificial Intelligence) Servo AF II autofocusing system utilizes color tracking with a 7,560-pixel RGB+IR metering sensor that automatically detects skin tone and colors to enhance tracking sensitivity, even with moving subjects that are rapidly changing pace or direction.  Enhancing the ease-of-use of the new AF system is the Canon EOS 80D’s new Intelligent Viewfinder which features approximately 100% viewfinder coverage. The full coverage helps prevent photographers from missing objects that are in the corners of the scene, which can reduce the need to crop images later on. 

Dual Pixel CMOS AF employs a new Canon CMOS sensor with which all of the effective pixels are able to perform both still imaging and phase-detection AF simultaneously to achieve dramatically improved AF performance during Live View and video shooting. The Dual Pixel CMOS AF technology in the Canon EOS 80D camera features enhanced tracking sensitivity and is compatible with the full line of Canon EF Series lenses, including the new Canon EF-S18-135mm f/3.5-5.6 IS USM  standard zoom lens. 

High-Quality Still and Video Image Performance
Featuring a new 24.2 megapixel APS-C Canon CMOS sensor and Canon’s superb DIGIC 6 Image Processor, as well as an improved still image ISO range of 100–16000 (Video ISO range 100–12800, both expandable to 25600), the Canon EOS 80D DSLR camera is capable of producing sharp, detailed images and videos even in low-light conditions. High-speed continuous shooting up to seven frames per second (fps) combined with the 45-point all cross-type AF allows photographers to capture fast moving subjects easily and accurately, while the camera’s Scene Intelligent Auto Mode delivers optimized photos and offers outstanding scene detection for amazing results even when shooting in low light. HDR mode provides creative filter effects, such as natural, art standard, art bold, art vivid and art embossed. For added convenience, the Canon EOS 80D camera features Anti-Flicker shooting, similar to that found in the EOS 7D Mark II DSLR camera. Anti-Flicker shooting produces consistently high-quality results even when shooting in areas with fluorescent lighting or other flickering light sources by detecting the flicker cycle of the light source and shooting when brightness is near its peak. 

When users select the EOS Movie mode, the Canon EOS 80D DSLR camera offers the ability to shoot in 1080p Full HD video up to 60 fps, compared to 30 fps in the Canon EOS 70D, in MP4 format and in either ALL-I or IPB compression modes with optional embedded time code. For expanded creativity the Canon EOS 80D DSLR camera features HDR movie and Time-Lapse movie modes and Movie creative filters like fantasy, old movie, memory, dramatic monochrome and miniature. Movie Servo AF custom settings allow users to speed up or slow down focusing speeds, enhancing creativity and artistic expression. For added flexibility, the Canon EOS 80D digital SLR camera also features a built-in headphone jack, a built-in stereo microphone with manual audio level adjustment, and an additional stereo microphone jack.

News Lens, Power Zoom Adapter, and Directional Stereo Microphone Enhance Video Quality
In addition to the new Canon EOS 80D DSLR camera, Canon U.S.A., Inc., is also introducing the Canon EF-S18-135mm f/3.5-5.6 IS USM Lens, a newly designed lens with a premium exterior design that will serve as the kit lens for the new Canon EOS 80D camera. This the first Canon lens equipped with Nano USM, a new type of focusing motor that combines the benefits of a ring USM (ultrasonic motor) for high-speed AF during still photo shooting and lead-screw type STM (stepping motor) for smooth and quiet movie AF, and improved AF speeds up to 4.3x (Tele) and 2.5x (Wide) faster than the previous model. The Canon EF-S18-135mm f/3.5-5.6 IS USM Lens also provides up to four stops of optical image stabilization. A new lens hood, the EW-73D, is included with the new lens.

To further enhance the ease-of-use when shootings movies with a Canon DLSR or Cinema EOS cameras, Canon is introducing the Power Zoom Adapter PZ-E1, specifically constructed to be compatible with the design of the new Canon EF-S18-135mm f/3.5-5.6 IS USM Lens. The Canon Power Zoom Adapter PZ-E1 is the world’s first detachable zoom adapter that provides silent and smooth zoom and can adjusted incrementally to 10 different levels of zoom speed3. Additionally, the PZ-E1 can be controlled remotely using the Canon Camera Connect app4.  

In addition to the new lens and power zoom adapter, Canon is introducing the first Canon-branded external microphone for the EOS system, the Canon Directional Stereo Microphone DM-E1. This new accessory microphone will help improve sound quality while shooting video, allowing users to rotate the direction of the microphone up and down from 90 to 120 degrees depending on the shooting situation. The DM-E1’s durable shock mount construction helps to reduce camera operation noise and lens drive sounds and is built to withstand the rigors of a variety of shooting situations. Featuring a frequency response range of 50Hz to 16kHz, the DM-E1 comes with a wind screen to help limit peripheral sound from wind and other outside factors, allowing shooters to utilize the microphone in a broad amount of shooting situations. Featuring a built-in power supply from a single “button-type” lithium cell battery, the DM-E1 also has a power indicator lamp allowing users to easily check its battery level. 

Availability
The Canon EOS 80D Digital SLR camera and EF-S18-135mm f/3.5-5.6 IS USM Lens are currently scheduled to be available in March 2016 for an estimated retail price of $ 1,199.00 for the body only, $ 1,799.00 with the new EF-S18-135mm f/3.5-5.6 IS USM Lens and $ 599.99 respectively. 

The Canon Power Zoom Adapter PZ-E1 and Directional Stereo Microphone DM-E1 are currently scheduled to be available in June 2016, for estimated retail prices of $ 149.99 and $ 249.99 respectively.  

For more information visit, www.usa.canon.com/eos.

1 The number of AF points, cross-type AF points and dual cross-type AF points vary depending on the lens used.

2 Compatible with iOS® versions 7.1/8.4/9.0, AndroidTM smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1.  Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

3 As of 2/17/ 2016.

4Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

Canon EF-S F3.5-5.6 IS USM specifications

Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 18–135 mm
Image stabilisation Yes
Lens mount Canon EF-S
Aperture
Maximum aperture F3.5 – F5.6
Minimum aperture F22.0 – F38.0
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 16
Groups 12
Special elements / coatings One UD and one aspherical elements
Focus
Minimum focus 0.39 m (15.35)
Maximum magnification 0.28×
Autofocus Yes
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 515 g (1.14 lb)
Diameter 77 mm (3.03)
Length 96 mm (3.78)
Materials Plastic barrel, metal mount
Sealing No
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 67.0 mm
Hood supplied Yes
Hood product code EW-73D

Articles: Digital Photography Review (dpreview.com)

 
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