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Posts Tagged ‘Merrill’

Sigma DP3 Merrill Review

19 Apr

Sigma DP3 Merrill-flash.jpg

Some see the arrival of cameras such as these as indicative of camera companies responding to the market by taking on smart phones as a camera to take everywhere.

While phone cameras are damned useful and most of them take pretty decent images, they fall down in many respects.

Some, but not all, fall down in low light, with little access to high IOS settings; many disallow precise control of the lens aperture, enabling low light photography and/or control of depth of field; a similar story can be told of shutter speed control, preventing sharp images of fast moving objects; extended zooms are rare in smart phone cameras; battery life may be foreshortened due to excessive phone use.

But we’re not here to bash smart phones … god love ‘em!

Back to the review.

As usual, I started firing off with not a peek in the manual. OK for a few shots, then the screen blacked out!

Messing about with the buttons I found I had encountered one that accidentally canned the display. Dumb!

The DP3 Merrill looks like a bread-and-butter digicam in its all black livery with very few external controls, each id’d by clear white text. And little else.

Sigma DP3 Merrill with VF.jpg

Sigma DP3 Merrill-Back.jpg

Controls

Top deck: flash hot shoe, button for mode selection and shutter plus a command dial that allows alteration to diaphragm, shutter speed and menu.

Rear: a button for AEL (exposure lock), doubling for trash; a QuickSet button that accesses commonly used functions like ISO, flash mode, metering and drive modes; the menu button which takes you into the not over-loaded menu options; the four way controller selects picture settings (contrast, sharpness, saturation) and focus pattern; replay; display on/off and other options.

If you want to select Program or shutter or aperture priority you tap the mode button. Simple!

Menu.jpg

Sigma DP3 Merrill Features

The big headline with this camera is its Foveon X3 sensor that captures 46 million pixel still images. See below for an explanation.

The maximum image size is 4704×3136 pixels or 40x27cm as a printed image.

Video: A tiny 640×480 MPEG movie clip at 30fps. This camera is surely not for making movies.

Beach window 5.JPG

Brick wall 2.JPG

Car light.JPG

The fast f2.8/500 lens has a 35 SLR equivalent of 75mm, so it’s an ideal beast for shooting portraits, not general scenery. Macro? Ideal!

A large buffer memory enables the camera to capture up to seven RAW images per sequence in continuous shooting mode.

Auto focus has a multi point select mode that selects the desired focusing point from nine different frames and a free move mode that can move the desired point to any spot. Manual focus is also available by using the focus ring for focusing — just like an SLR!

Startup Time

It was three seconds after power was applied that I could take the first shot; follow-ons came in at a little over a second apart. Not fast!

Distortion

No problems.

Sigma DP3 Merrill ISO Tests

Now here is where the walls fall down!

Sigma DP3 ISO 100.JPG

Sigma DP3 ISO 400.JPG

Sigma DP3 ISO 800.JPG

Sigma DP3 ISO 1600.JPG

Sigma DP3 ISO 3200.JPG

Sigma DP3 ISO 6400.JPG

My tests ran from ISO 100 to ISO 6400. On running the images on screen it was apparent that images in the range ISO 100 to 800 had no problems but when ISO 1600 was reached, a blue cast appeared.

Worse still, the ISO 3200 shot displayed even more problems, which became more severe at ISO 6400: these were noise, desaturation of the image and the appearance of horizontal ‘tracking lines.’

The camera’s selling agent was asked about this oddity and replied: ‘I have attached a few photos taken with the DP2 Merrill. You will note a similar pattern appearing on the photos as the ISO increases. This is seemingly a limitation of the Foveon sensor.

‘The most effective range of the camera that we have been able to ascertain is between 100 and 800.

‘I hope this sheds some light on the situation.’

‘The latest version of Sigma’s Photo Pro 5.5.1 software can correct some of the colour noise and further processing can help too.” Download at http://www.sigma-sd.com/download/photopro.html

‘When using the Sigma Photo Pro software you will notice that the initial image (in the RAW .X3F format) gets a lot crisper and the colour will correct to some extent when the software has rendered the image.

‘Further processing with Lightroom/Photoshop etc can reduce some of the noise.

‘But again, the camera’s effective ISO range is generally between 100-800 and this works across the current range [of cameras] and a lot of the older range of Foveon sensors.

‘One other thing about this camera is that you will get the best performance when shooting RAW images.’

I did not take the opportunity of using the software fix; it seemed to me that the high ISO problem is something that should have been attended to in the original camera design.

I have searched the Internet and found there is some limited comment about the problem.

Not a good look!

Sigma DP3 Merrill Review Verdict

Quality: I found the colour depth to be quite outstanding; sharpness was also excellent.

Why you’d buy the Sigma DP3 Merrill: compact, good quality lens, big sensor.

Why you wouldn’t: fixed, longish focal length too restricting; slow and hesitant AF.

Without doubt, a high level camera but the ISO problem is a serious deterrent for me.

Sigma DP3 Merrill Specifications

Image Sensor: 46 million effective pixels.
Sensor: 23.5×15.7mm Foveon X3 CMOS.
Lens: f2.8/24.2mm (75mm as 35 SLR equivalent).
Metering: Evaluative, centre-weighted, spot.
Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
Shutter Speed: 30 to 1/2000 second.
Memory: SD/SDHC/SDXC/MMC.
Image Sizes (pixels): Stills: 4704×3136 to 2336×1568.
Movies: 640×480.
Viewfinder: 6.35cm LCD screen (920,000).
File Formats: RAW, JPEG, RAW+JPEG, MPEG4.
ISO Sensitivity: Auto, 100 to 6400.
Continuous Shooting: 3 fps (4 JPEGs or 3 RAW).
Interface: USB 2.0, AV, audio out, DC input.
Power: Rechargeable lithium ion battery, DC.
Dimensions: 121.5×66.7×80.6 WHDmm.
Weight: 400 (body only).
Price: Get a price on the Sigma D3 Merrill Digital Camera at Amazon.

INFO

Foveon X sensor. How it differs:
To capture the color that other image sensors miss, Foveon X3® direct image sensors use three layers of pixels embedded in silicon. The layers are positioned to take advantage of the fact that silicon absorbs different wavelengths of light to different depths. The bottom layer records red, the middle layer records green, and the top layer records blue. Each stack of pixels directly records all of the light at each point in the image.
More info at www.foveon.com

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Sigma DP3 Merrill Review


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Sigma’s DP Merrill Cameras Compared – World-Beating Image Quality In Compact Bodies

07 Apr

Sigma, known mainly to photographers for their affordable lenses, recently caused quite a stir among discerning photographers. How? By building three compact cameras around the incredible sensor taken from the SD1, which initially cost $ 10,000. The image quality is simply incredible, and the cameras themselves are small, light and unobtrusive. For photographers seeking the best possible image quality on a budget, they’re unmatched.

Photo1

But there are lots of compromises. Foremost among them is battery life. The small batteries don’t last long so you’ll need to buy spares. Fortunately, they’re cheap. Second compromise; usability. It’s pretty good for a compact camera, and the controls are well laid out for photographers, but there’s some shutter lag, the auto-focus can’t match dSLRs and the huge RAW files take a while to write to the card.

The main compromise we’ll deal with is focal length. Each DP Merrill camera is essentially identical except for the length of the fixed prime lens.

  • The Sigma DP1m has a 19mm lens; equivalent to a 28mm wide-angle on full frame.
  • The Sigma DP2m has a 30mm lens; equivalent to a 45mm standard lens.
  • The Sigma DP3m has a 50mm lens; equivalent to a 75mm short telephoto.

All three lenses have a maximum aperture of f2.8 and a minimum aperture of f16. In my opinion (and not just mine), they are some of the best lenses ever made, including Leica and Zeiss.

In use, being restricted to a single focal length changes the camera entirely. This comparison therefore focusses on which of the Sigma DP series will be right for you. For the cameras themselves, I highly recommend Michael Reichmann’s review at Luminous Landscape.

I’ve used all three cameras for a variety of genres. Now comes time to choose.

Photo2

The Sigma DP1m is very convenient if you want amazing image quality in a tiny package. I was able to take photographs that I otherwise couldn’t have made. This is because it doesn’t look like a serious camera and it’s effectively silent in use. Professional photographers, especially those working where cameras are unwelcome, will appreciate this. Compared to carrying a Nikon pro-body with a wide-angle lens, it’s very much smaller. However, I missed photographs due to the shutter lag and the corners a bit softer than the other two DP cameras.

Photo3

The Sigma DP3m is specialised. I found a 75mm equivalent lens a bit long in use as an everyday camera. However, it is a pocket portrait monster, delivering incredibly sharp files with beautiful bokeh. It’s also got an amazing macro capability which, while not a true 1:1 reproduction, gets close enough for most applications. And there’s no noticeable distortion. The Sigma DP3m really excels when you fuss about and stitch images. 14.85 megapixels is enough for most applications, but if you want to print enormous files, you can increase the image resolution by making mosaics from multiple pictures using software that can stitch panoramas. Because the image quality is so amazing at a 100% level (because it’s not interpolated like a Bayer sensor), the files can be that much better, rivalling medium format cameras worth tens of thousands. For me, this is the niche use the DP Merrill series excels for. I can carry a tiny compact camera, a few cheap batteries and a lightweight CF tripod when I’m doing fine art photography and create the most amazing results.

Photo4

The Sigma DP2m is a bit of a compromise. I’d recommend getting both the Sigma DP1m and the Sigma DP3m; they work very well together as a pair. But if this isn’t an option, the DP2m is your camera. It’s neither too wide-angle nor too telephoto. You can stitch images if you choose as there’s no real distortion, but the standard-lens approach works well for a range of subjects. The important thing is that you get access to that incredible X3 Foveon sensor. Download some Sigma DP Merrill sample images here; they speak for themselves.

Ben Evans teaches Barcelona Photography. Learn the most important things about photography in one hour for (and for less than the price of a lunch) with the best-selling ‘Photography: The Few Things You Need To Know’ Audiobook – www.GreatBigBear.com/Audiobook

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Sigma’s DP Merrill Cameras Compared – World-Beating Image Quality In Compact Bodies


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Sigma USA announces price and availability of DP3 Merrill

22 Feb

sigma_dp3merril2.png

Sigma USA has announced the price and availability of its DP3 Merrill large sensor, fixed lens compact. The camera will be available from March 2013 at an estimated street price of $ 999. It is nearly identical to the earlier DP Merrill models featuring the familiar 15x3MP APS-C Foveon X3 sensor, but with a 50mm (75mm equiv.) F2.8 lens. Click through for the press release.

News: Digital Photography Review (dpreview.com)

 
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Sigma launches DP3 Merrill with Foveon sensor and 75mm (equiv.) lens

08 Jan

sigma_dp3m.png

Sigma has announced the DP3 Merrill, the latest iteration of the company’s enthusiast large sensor compact camera. Nearly identical to the earlier DP Merrill models, this camera features the familiar 15x3MP APS-C Foveon X3 sensor, but it is now mated with a 50mm (75mm equiv.) F2.8 lens. The lens lends itself to portraiture and, with a minimum focus distance of 22.6cm, offers respectable 1:3 magnification. Video recording is still limited to VGA resolution but the DP3M can shoot at up to 4 frames per second for 7 frames in Raw.

News: Digital Photography Review (dpreview.com)

 
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Richard Franiec creates add-on grip for Sigma DP1 and 2 Merrill

15 Nov

SigmaDP2M.png

Accessory grip maker Richard Franiec has created a custom grip for the Sigma DP1 Merrill and DP2 Merrill. As usual, the grip is made from anodized aluminium alloy and attached to the front of the camera using high-strength 3M double-sided tape. The grip attaches securely by can be removed if necessary. The grip will be available from December 2012 at a cost of $ 36.95 plus shipping.

News: Digital Photography Review (dpreview.com)

 
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29 October, 2012 – JLM / Sigma DP1/2 Merrill Grip and Updates

29 Oct

There are a number of individuals who are CNC machinists as well as photographic enthusiast. John Milich is one such, and he has recently made available a terrific L bracket and grip for the Sigma DP1/2 Merrill cameras. I report on this here, and also provide links to new firmware for both cameras and also a much needed update to Sigma Photo Pro that just were released.

         

"You and Jeff did it again!  A great series of videos.

I’ve watched the earlier Camera to Print series as well as the LR 2 & 3 videos and as usual, I learned 
new technique and ideas even though I’ve been behind a camera for 45 years.

Additionally, the rapport you two have is most engaging, enjoyable, and totally different than the sterile video tutorials from others (I’m afflicted with being a visual learner). 

Again, a great series of videos that have helped me grow once again." 

 


The Luminous Landscape – What’s New

 
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25 September, 2012 – Sigma DP1 Merrill Review & Open Letter to Sigma’s CEO

16 Oct

When I started working with the Sigma DP2 Merrill I was floored by the image quality. It’s a quirky camera that needs patience to use, but rewards with sensor and lens quality unmatched in the industry for its price and size.

It’s sister camera, the DP1 Merrill, with an effective 28mm focal length lens, started to ship recently and I was very curious to learn if it could match the optical quality of its older sibling. My review is now online.

As remarkable as these cameras are when it comes to image quality, sadly Sigma’s raw software is truely horrid. But, it’s the only game in town unless and until Sigma starts working with the major software companies or adopts DNG export.

I have therefore written an open letter of concern to Sigma’s CEO which is also part of my SD1M review.

        

"You and Jeff did it again!  A great series of videos.

I’ve watched the earlier Camera to Print series as well as the LR 2 & 3 videos and as usual, I learned 
new technique and ideas even though I’ve been behind a camera for 45 years.

Additionally, the rapport you two have is most engaging, enjoyable, and totally different than the sterile video tutorials from others (I’m afflicted with being a visual learner). 

Again, a great series of videos that have helped me grow once again." 

 

 


The Luminous Landscape – What’s New

 
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