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Posts Tagged ‘mediumformat’

Leica’s 64MP S3 medium-format camera is now available to pre-order for $18,995

07 Mar

Almost a year and a half after first teasing it, Leica has announced its S3 medium-format camera is now available to pre-order.

The Leica S3 was originally set for a Spring 2019 release when we first had a hands-on at Photokina 2018, but it was continually delayed for unspecified reasons. Now, it’s alive and well, ready to pre-order for those who have deep wallets.

At the heart of the relatively compact Leica S3 is a 64MP (45 x 30mm) Leica ProFormat CMOS medium-format sensor that features a 2:3 ratio, up to 15 stops of dynamic range and a sensitivity range of ISO 100–50,000. It can capture up to three still frames per second and records DCI 4K (4096 x 2160 pixel) 4:2:2 8-bit internal video at 24 frames per second using the full width of the sensor. All of this is powered by Leica’s Maestro II processor, which offers 2GB buffer memory.

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In addition to a Live View mode with a refresh rate up to 60 fps, the S3 also features an optical viewfinder with 0.87x magnification and approximately 98-percent coverage.

The outside of the camera remains largely unchanged from its predecessor, the Leica S (Typ 007), and looks similar to the more recent Leica SL. The back of the camera features a 3” LCD with four programmable buttons, arranged with two on each side.

Also similar to the Leica S (Typ 007) is the S3’s two shutters that can be controlled with a switch on the rear of the camera. The ‘FPS’ mode stands for focal plane shutter, while the ‘CS’ mode stands for center shutter (leaf shutter), which will work with compatible S-Lenses. In our hands-on, the leaf shutter, which has a maximum shutter speed of 1/1000s, did sound noticeably quieter than the focal plane shutter.

As was expected, the Leica S3 doesn’t come cheap. The body-only version is available to pre-order for $ 18,995 (Adorama, B&H), with the first units expected to ship at the end of March 2020.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Hasselblad H6D-100C medium-format camera paired with DIY anamorphic lens system

14 May

Through his YouTube channel GxAce, cinematographer Casey Cavanaugh has published a new video showcasing his homemade ‘GX-Pan’ anamorphic lens adapter used with the $ 32k Hasselblad H6D-100C medium-format digital camera.

According to Cavanaugh, Hasselblad saw the video in which he unveiled his DIY anamorphic lens adapter setup and offered to let him test it with the medium-format model. ‘I was absolutely blown away by how much my little anamorphic lens resolved on that 100MP sensor,’ Cavanaugh says in his video. ‘I was honestly worried that it wasn’t going to hold up to that scrutiny of 100MP.’

Cavanaugh explains that in addition to being an anamorphic lens created for a Super 16 projection, the unit also has a persistent fungus problem that has proven difficult to eliminate. In light of that, says Cavanaugh, the ‘insanely sharp’ images produced by the setup were ‘honestly very surprising.’ The demonstration also includes short video clips shot with the system.

Cavanaugh’s previous content includes tips on purchasing a film camera and a short award-winning film on the risks of photo obsession. A selection of his anamorphic still images are available on his website.

Articles: Digital Photography Review (dpreview.com)

 
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EXCLUSIVE: Hands-on with Fujifilm 100MP GFX medium-format

11 Feb

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

Announced back at Photokina in September 2018, Fujifilm’s next-generation GFX medium-format camera is getting closer to becoming reality. Sporting a 100MP BSI CMOS sensor and built-in image stabilization, the GFX 100 represents a significant evolution of the GFX 50S, which debuted the basic body shape and control philosophy of Fujifilm’s current medium-format lineup.

We’re at the Gulf Photo Pro event in Dubai, where Fujifilm gave us a sneak peek at the first working prototype of the upcoming camera, to see for ourselves how it’s shaping up. Click through for a closer look.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

This is an early prototype, with many key features in-place and working, but not all. This particular camera is literally ‘unfinished’ in another sense, because it’s still waiting for its final cladding. The current smooth rubber covering will be replaced by a textured finish, similar to that used on the GFX 50S.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

At a casual glance, the GFX 100 looks a lot like a GFX 50S with a lighter gray finish and battery grip attached, and from an ergonomic point of view that’s not too far off being accurate, in many respects. The ‘grip’ is integral to the camera, providing more space inside the body for large components like the mechanical shutter and IBIS unit, which has to stabilize a sensor 1.7X larger than full-frame (43.8mm x 32.9mm).

With the relatively lightweight GF 45mm F2.8 attached, the GFX 100 feels more like a professional full-frame DSLR than a medium-format mirrorless camera. Exact dimensions and final weight are still secret, but my sense from handling the GFX 100 with the 45mm F2.8 is that it has about the same kind of heft as something like a Nikon D5 or Canon EOS-1DX II with a fast prime attached.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

From the top, the GFX 100 starts looking a lot less like the GFX 50S that went before it. It’s blockier and a little more industrial-looking for a start, and lacks the retro-style dials that are a characteristic of previous GF and X-series cameras.

A large high-contrast information panel dominates the upper right of the top-plate, while a large 3-position dial on the left is used to switch the camera between movie, stills and multiple exposure modes. The ‘drive’ button at its center allows you to determine your desired frame-rate, in combination with the camera’s control dials.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

The top screen on this prototype is not fully activated, but it will show a comprehensive status display of major exposure parameters, including exposure compensation. It is hoped that in this way, users of the new camera won’t miss the large shutter speed and ISO dials of its predecessor too badly.

A major and very welcome change in the GFX 100 compared to the earlier 50S is the electronic viewfinder. At Fujifilm’s request I have to be a little vague about the exact specifications of the finder, but I can tell you that in terms of clarity and resolution it compares well to the excellent EVF in the X-H1, and is free from the pixelation and noticeable lag which affected the finder of the 50S, especially when autofocus was initiated.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

Just like the GFX 50S, the viewfinder unit is removable, and will be interchangeable with the viewfinder from the earlier camera. However, GFX 50S users hoping to save some money might be disappointed – when the GFX 50S finder is attached to the GFX 100, they won’t get the benefit of the greatly improved resolution of the newer EVF.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

From the rear, more differences compared to the GFX 50S are obvious. The focus mode dial has been swapped from the left to the right of the viewfinder, playback has been relocated to the lower right of the screen, and the 4-way controller of the older camera has been deleted entirely.

As well as the larger top-mounted display there’s an all-new OLED ribbon display on the back, below the main LCD. Not activated in this prototype, the intention is that this display will serve to show the status of key camera settings. I was hoping it might be touch sensitive, but apparently not.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

The rear LCD assembly isn’t quite flush with the rest of the rear controls but it sticks out a lot less than the original GFX, partly because of the relocation of the large battery to below the screen, inside the grip.

Like the GFX 50S, the main rear display is tilting and touch-sensitive, which is good because also like the 50S, the small rear joystick (which is duplicated in the GFX 100) is rather small and recessed. Setting AF point by touch might be a little easier in some situations, especially when the camera is tripod mounted.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

Here’s a closer look at the duplicated controls on the integrated vertical grip. While the main shutter dial has an on/off switch collar, the same control on the secondary shutter release serves to lock/unlock the button.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

Inside the ‘grip’ is a tray which accepts two of the same NP-T125 batteries first introduced in the GFX 50S. Battery life figures have yet to be confirmed, but I’m told that Fujifilm is aiming for around the same rating as the older camera, i.e., ~400 shots (CIPA) per single charge, which would double presumably to ~800 shots when both batteries are loaded into the GFX 100.

While two batteries will double the battery life, the GFX 100 will work perfectly happily with only one.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

Two batteries, and two card slots, but somewhat surprisingly, both are SD. Despite its high pixel count Fujifilm has opted not to include support for the next-generation XQD/CFexpress media in the GFX 100, but apparently this is being discussed for future products in the GFX lineup.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

I/O ports are as expected, with microphone and headphone jacks, plus HDMI and USB, courtesy of a USB 3.0 Type C port. A traditional PC socket is positioned on the side of the camera, under a threaded cap (just visible here between the two open port covers.

While unconfirmed, the lightening bolt symbol on the port door suggests that it will be possible to charge the GFX 100 over USB. I suspect that to operate the camera under remote power, the 15V DC IN socket will need to come into play.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

At the heart of the GFX 100 is a newly developed 100MP BSI CMOS sensor, which at a component level we understand is similar to the sensor used in the X-T3 . In addition to extra pixels, the new sensor also incorporates phase-detection AF pixels (details still TBD) and support for 4K/30, 10bit, 4:2:0 video internally and 10bit 4:2:2 externally via HDMI. Perhaps most importantly, from the perspective of many photographers is in-camera stabilization – a first for medium format.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

While the exact details of expected performance are still secret, a quick hotel conference room handheld shooting test with the GF 45mm F2.8 delivered plenty of sharp images at 1/20sec and a couple of acceptably sharp shots at shutter speeds as low as 1/6sec. Rest assured that as soon as we get our hands on a final camera, this is something we really want to test.

In theory, we’re told that the GFX 100 could support sensor-shift features in future, such as higher-resolution capture. While such modes probably won’t make it into the initial shipping product, there’s a chance that extra features could be added via firmware.

EXCLUSIVE: Hands-on with Fujifilm 100MP GFX

Something else we really want to test is the GFX 100’s autofocus performance. In another highly unscientific hotel conference room test, AF speed appears very good, and certainly greatly improved over the original GFX 50S. This is certainly due in part to the new phase-detection autofocus system, and also the substantially more powerful on-board processor of the higher-resolution camera. Also, compared to the ‘hair trigger’ of some current Fujifilm cameras, the shutter button response on this prototype GFX 100 has a little more travel, and feels similar in responsiveness to a Nikon or Canon DSLR.

Pictured here is Makoto Oishi, who is in charge of the GFX 100’s development. His team still has a lot of work still to do, but he is confident that the camera will be available on-time, in late spring or early summer. Price is still to be confirmed, but is expected to be in the region of $ 10,000.

What do you think? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm adds GF 45mm F2.8 R WR, expands medium-format lens roadmap

10 Sep

Fujifilm’s offerings for its GF medium-format system have expanded with the addition of the Fujinon GF 45mm F2.8 R WR. It will provide a 36mm equivalent view of the world when used on the company’s GFX 50S, and is dust- and weather-resistant. Lens construction includes a 9 blade aperture and 8 groups with 11 elements, including one aspherical and two ED lenses.

Fujifilm plans to launch a GF 250mm F4 R LM OIS WR telephoto prime and a GF 1.4X TC WR teleconverter next year, both of which are hinted to on an existing roadmap. The 250mm gives a 198mm equivalent view.

A firmware update is also on the way for the GFX 50S to add support for Fuji’s X Raw Studio and better functionality with third party studio flash controllers. Here’s the full list of improvements:

FUJIFILM GFX 50S: V.2.0 Key Features

  1. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  2. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
  3. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
  4. Addition of “Eye Sensor + LCD Image Display” in View Mode that allows for shooting through the viewfinder and checking images on the LCD.
  5. ON/OFF for 1/3-step shutter speed adjustment.
  6. Addition of “Shoot Without Card” mode so camera will not shoot without SD card inserted.
  7. Addition of “-6” and “-7” to EVF’s brightness settings.

The Fujinon GF 45mm F2.8 R WR is scheduled for arrival in November for $ 1700.

FUJIFILM ADDS SIXTH GF LENS TO GFX MEDIUM FORMAT MIRRORLESS CAMERA SYSTEM FOR STREET

FUJINON GF45mmF2.8 R WR Lens adds versatile wide angle lens to the series; updated GF Lens Roadmap announced and new GFX firmware coming soon

Valhalla, N.Y., September 7, 2017 – FUJIFILM North America Corporation today announced the new FUJINON GF45mmF2.8 R WR, a highly versatile wide angle lens. The GF45mmF2.8 R WR lens has a focal length equivalent to 36mm (in the 35mm format) and a maximum aperture of F2.8. With its compact and lightweight design weighing just 490g, this lens is perfect for street and documentary photography.

The new GF45mmF2.8 R WR is the sixth interchangeable GF lens to be added for the FUJIFILM GFX 50S medium format mirrorless digital camera system. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible to prevent vignetting and achieve edge-to-edge sharpness. As with all GF Lenses, the GF45mmF2.8 R WR is a professional quality lens capable of reproducing rich tones and unique colors.

With a construction of 8 groups and 11 elements using one aspherical lens and two ED lenses, the GF45mmF2.8 R WR lens is equipped to provide the highest image quality while reducing aberrations. The lens features Nano GI coating to suppress ghosting and flare, and is weather and dust resistant capable of operating in environments as cold as 14°F/-10°C. The GF45mmF2.8 R WR lens combines reliability and high performance to be the ultimate tool for professional photographers.

FUJINON GF45mmF2.8 R WR Lens Key Features:

  • FUJIFILM G Mount is compatible with the FUJIFILM GFX 50S
  • Weather and dust resistant design capable of operating at temperatures as low as 14°F/-10°C
  • 8 groups and 11 elements construction using one aspherical lens and two ED lenses
  • 9 blade aperture creates smooth and circular bokeh
  • Nano GI coating suppresses ghosting and flare

New FUJINON GF Lens Development Roadmap
Also announced today is the latest development of the G Mount Lens Roadmap, showcasing the continued expansion of the interchangeable lens range for the FUJIFILM GFX 50S medium format mirrorless digital camera. The latest roadmap adds two new lenses: the GF250mmF4 R LM OIS WR telephoto prime lens with a focal length equivalent to 198mm (in 35mm format) and maximum aperture of F4 for beautiful bokeh when shooting portrait and landscape images; and the GF1.4X TC WR, a high-performance teleconverter capable of multiplying the focal length by 1.4x. Compatible with the GF250mmF4 R LM OIS WR lens, the GF1.4X teleconverter provides a focal length of 350mm (equivalent to 277mm in the 35mm format).

With the addition of the two lenses, the GF lens lineup includes a total of eight lenses covering focal lengths from 18mm – 277mm (in the 35mm format) to correspond to an expansive range of photographer needs.

New Firmware Updates Coming Soon
Fujifilm will release a new firmware update for the FUJIFILM GFX 50S medium format mirrorless digital camera. Expected in late November 2017, this update will add new support for FUJIFILM X RAW STUDIO, improved third party studio flash controller usability and new functions to improve operability.

FUJIFILM GFX 50S: V.2.0 Key Features

  1. Supports FUJIFILM X RAW STUDIO which enables users to convert RAW files with X Processor Pro.
  2. Improves radio flash controller usability allowing users to shoot with compatible third party studio flash in high speed sync or TTL mode via their radio controllers.
  3. Supports backup and restore of camera settings from one camera to another via FUJIFILM X Acquire.
  4. Addition of “Eye Sensor + LCD Image Display” in View Mode that allows for shooting through the viewfinder and checking images on the LCD.
  5. ON/OFF for 1/3-step shutter speed adjustment.
  6. Addition of “Shoot Without Card” mode so camera will not shoot without SD card inserted.
  7. Addition of “-6” and “-7” to EVF’s brightness settings.

Availability and Pricing
The new FUJINON GF45mmF2.8 R WR lens will be available in November 2017 for USD $ 1,699.95.

Fujifilm GF 45mm F2.8 R WR Specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Focal length 45 mm
Image stabilization Yes
Lens mount Fujifilm G
Aperture
Maximum aperture F2.8
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 11
Groups 8
Special elements / coatings One aspherical, two ED elements + Nano GI, fluorine coatings
Focus
Minimum focus 45.00 m (1771.65″)
Maximum magnification 0.14×
Autofocus Yes
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 490 g (1.08 lb)
Diameter 84 mm (3.31″)
Length 88 mm (3.46″)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 62.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Alpa Silex unit offers electronic control of Canon and Nikon lenses on digital medium-format backs

17 May

Swiss camera and adapter manufacturer Alpa has introduced a new device that allows Nikon and Canon users to mount some of their lenses on digital medium format backs and have access to aperture controls. The Alpa Silex control unit works with the company’s 12 series bodies and brings aperture control to electronically operated lenses from Canon and Nikon, as well as Contax, Hasselblad and Rollei. All Canon EF lenses can be controlled but only Nikon E lenses, with electromagnetic diaphragm mechanisms, will work.

With a Silex in place compatible lenses can be used to record images on a wide range of digital medium format backs. The A12 cameras accept digital backs of a variety of ages, so users don’t necessarily need the latest, and the image area will depend on the size of the sensor used and the covering circle of the lens. 

The Silex not only allows aperture adjustments but also AF control in most Hasselblad H, Canon EF and Nikon E lenses, and web access means the device can be handled remotely over a server.

Initially presented at Photokina 2016 the Alpa Silex is available now for $ 3600/CHF3355. For more information see the Alpa website.

Press release

The control unit ALPA Silex is a brand new, central element of ALPA’s extended modular photographic system. Photographers and soon even videographers will be able to combine ALPA cameras with digital backs of various manufacturers and lenses from Canon, Contax, Hasselblad, Nikon or Rollei. A variety of functions and operating modes are available to the user.

Handy and flexible – Silex is the Swiss pocket knife of the control units. Under this claim, ALPA presented the product at the Photokina 2016. The name Silex itself, however, goes much further back: it reminds us of the material for the all-purpose tools of the stone-age. ALPA Silex is the new all-purpose tool in the ALPA system. It can be used to convert any model of the classic ALPA-12 series into an electronic camera.

The basis for the development of ALPA Silex is the ALPA 12 FPS, introduced at Photokina 2012, with electronically controlled focal plane shutter. The integrated controller was separated as a standalone module and all functions except for the slot shutter were taken over. All known digital components from Hasselblad, Phase One / Leaf and Sinar can be synchronized and the electromechanical diaphragms of Canon EF, Contax, Hasselblad H, Nikon E and Rollei can be controlled. The leaf shutter in Hasselblad HC / HCD (up to 1/800s, “orange” line even up to 1/1000s) and Rollei 6000 (up to 1/500s) can be used, as well as the focus control of many of the lenses from Canon, Hasselblad H and Nikon E. The integrated web server allows remote control in networks without software installation. The future support of Sinar eShutter systems is already prepared.

Together with existing camera models from ALPA, the photographer can use a vast number of third party lenses and, depending on the available image circle, also perform shifts (shifting and stitching). In the future, our back-end adapters will also make it possible to use ALPA cameras for video recording in conjunction with the corresponding digital backs.

Available now:

  • The control unit ALPA Silex,
  • The electronic lens adapter (ELA),
  • As well as the ALPA lens module Hasselblad fix (HAF).
  • Also, immediately available for download is the latest firmware version 4.03, which makes all new functions of ALPA Silex also available for the ALPA 12 FPS. Free as always – as an investment in the ALPA system is sustainable and the term ‘planned obsolescence’ is alien to ALPA. Even if the environment changes, an ALPA will persist.

Articles: Digital Photography Review (dpreview.com)

 
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Sony’s sensor roadmap includes a 150MP medium-format chip for 2018

04 Apr

The Sony Semiconductor Solutions Corporation, the Sony division that is responsible for design and manufacturing of the Japanese company’s image sensors, has published its image sensor roadmap up to 2018 and the document includes some rather exciting news for medium-format photographers.

Sony’s plans include the launch of 100MP 44 x 33mm and 150MP 55 x 41mm medium-format sensors in 2018. Both sensors will be backside-Illuminated. The former is the same format as sensors currently used in the Fuji GFX or Hasselblad X1D, and the latter would fit into the Phase One 100XF. The roadmap also includes a 150MP 55 x 41mm monochrome BSI sensor to be launched in 2018. 

According to Sony the new sensors will allow for a much higher degree of cropping or image magnification than with current sensor types. Potential applications are not limited to conventional photography but also include aerial photography, large area surveillance and inspection applications in manufacturing and industry. The full document is available on the Sony Semiconductor website.

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Get ’em while you can: Fujifilm GF670 medium-format film cameras back on sale

24 Jan

Update: An earlier version of this article incorrectly stated that the cameras were discovered at a B&H warehouse – they were found at a US Fujifilm warehouse by the manufacturer.

The public will soon be able to purchase new units of the discontinued Fujifilm GF670 film rangefinder folding camera thanks to a cache reportedly found in a Fujifilm warehouse. The information comes from The Phoblographer, which reports it was informed about the matter during a recent Fujifilm event in New York City.

B&H Photo’s website lists the GF670 as ‘back-ordered’ with an availability date of early February. The price is currently listed as $ 1799 and includes a one-year warranty.

Fujifilm introduced the GF670 in 2008; its was discontinued in 2014.

Via: The Phoblographer

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Fujifilm releases first round of G-mount medium-format lenses

21 Jan

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You’re going to need some lenses to go along with that new Fujifilm GFX 50S, and the company announced a trio of them.

First up is the GF 63mm F2.8 R WR, which is equivalent to 50mm when mounted on the medium-format GFX 50S. It’s small and lightweight, features nine rounded aperture blades and is sealed against dust and moisture (as are the other two lenses announced today). It will be available in February for $ 1499/£1399.

For those seeking a zoom, there’s the GF 32-64mm F4 R LM WR. This lens is equivalent to 25-51mm and has aspherical, ED and Super ED elements and a linear motor-powered internal AF system. The zoom will set you back $ 2299/£2199.

The final lens is a tele-macro model with optical image stabilization rated to 5 stops. The GF 120mm F4 R LM OIS WR Macro is equivalent to 95mm and has 3 ED elements, a linear AF motor and a minimum focus distance of 45cm/18in. The 120mm is priced at $ 2699/£2599.

Three additional lenses will be released by the end of the year, including a 23mm F4, 45mm F2.8 and 110mm F2. 

GROUNDBREAKING FUJIFILM GFX 50S MEDIUM FORMAT MIRRORLESS CAMERA DELIVERS ULTRA-HIGH IMAGE QUALITY

FUJIFILM GFX 50S combines an extraordinary sensor, processor and design with FUJINON lenses to give users the ultimate photography experience

Valhalla, N.Y., January 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announces the FUJIFILM GFX 50S medium format mirrorless digital camera that will launch late February, 2017 with an initial selection of three FUJINON lenses – the GF63mmF2.8 R WR, the GF32-64mmF4 R LM WR, and the GF120mmF4 R LM OIS WR Macro. These lenses encapsulate the design philosophy of FUJINON lenses that are renowned by photographers around the world.

The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (FUJIFILM G Format) 51.4MP CMOS sensor. The GFX 50S combines the heritage of over 80 years of imaging and the innovative award-winning functional design of our X Series digital camera system in the relentless pursuit of image quality.

The FUJIFILM GFX 50S Revealed

The FUJIFILM GFX 50S mirrorless digital camera uses the new 51.4MP FUJIFILM G Format 43.8 x 32.9mm sensor with approximately 1.7x the area of a 35mm sensor. In addition to the camera are three new FUJINON GF Lenses that will be followed by three additional lenses later in 2017.

The GFX 50S 51.4MP sensor shows its true potential when making large format prints, capturing majestic landscape photos or reproducing historical documents. Compared to a full size sensor with equivalent megapixels, both resolution and sensitivity are dramatically better due to the larger size of each pixel. As a result, the sensor captures great textures and subtlety of tone that is unique to large size sensors. The texture and tone combine to give a unique three-dimensional effect creating extremely high quality photography. Images captured can be reproduced down to the smallest detail, conveying the texture of the subject, a three-dimensional feeling, and the atmosphere of the scene.

For flash photography in the studio or outdoors during the day, the GFX 50S sensor has a native ISO of 100. The sensor can also be adapted to various aspect ratios, including 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6, all of which are available in large and medium format film cameras.

The FUJIFILM GFX 50S uses the X Processor Pro (also used in the X-Pro2 and X-T2 cameras) and allows photographers to use Fujifilm’s proprietary Film Simulations with a Medium Format sensor. The camera supports Full HD recording at 29.97p/25p/24p/23.98p. Users can enjoy high quality video with no post-processing required by using Film Simulation modes just like they would with a still image. The GFX 50S introduces a new Color Chrome Effect feature that reproduces subtle tones in highly saturated subjects.

Ultimate Performance in a Compact Body

With a compact and lightweight body constructed from magnesium alloy, the FUJIFILM GFX 50S weighs approximately 43 ounces when paired with the FUJINON GF63mmF2.8 R WR, and weighs approximately 60% of a medium format DSLR camera equipped with a sensor of the same size. When compared to a full frame, the weight is almost identical. Overall camera body height and width have also been minimized for maximum flexibility, overturning the common perceptions regarding the mobility of medium format digital cameras.

Bright, Crystal Clear Viewfinder and Large Touchscreen

The FUJIFILM GFX 50S gives users a 3.69M dot organic EL electronic viewfinder and 2.36M dot touchscreen LCD back panel for easy viewing. The EVF is detachable to allow for flexible operation. Users can attach the accessory EVF-TL1 EVF tilt adapter (sold separately) to allow the finder to be tilted to 90° vertically and swung ±45°. A 3.2 inch, 2.36M dot touch panel is used for the rear monitor, with touch operation for the menu, focusing points and image playback. A three-directional tilting LCD screen improves operability and makes viewing images and checking focus even easier.

FUJINON Lenses Guarantee Image Perfection

As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF Lenses have been designed to support sensors of over 100MP.

GFX lens barrels feature an aperture ring in the same manner as FUJINON XF lenses, for intuitive operation. A new C (Command) Position has been added to the aperture ring, allowing users to change the aperture with the camera’s command dial. The A (Auto) Position and C Position feature a locking button installed on the aperture ring that must be disabled to implement changes.

Built for the Professional, and the Enthusiast

Just as with the flagship X Series models, the FUJIFILM GFX 50S features dedicated dials to independently set aperture, shutter speed, and ISO, the important factors in determining exposure.

Aperture and ISO feature a C (Command) and the shutter speed dial has a T (Time) Position. Setting the dial to this position allows the user to change exposure settings using the command dials on the front and rear of the camera body. The user can choose between these two operation methods according to their preference, ease of use, and the shooting environment.

The GFX 50S is equipped with a 1.28 inch LCD sub monitor on the top of the body. Important exposure data such as aperture and shutter speed is displayed on this screen. This display is extremely useful when shooting on a tripod or tethered to a computer.

A 117-point (9 x 13 / maximum of 425 points when miniaturized) contrast AF system is used on the GFX 50S. High-precision AF on the imaging sensor dramatically improves focusing accuracy with the shallow depth of field produced by medium format lenses. First adopted in the FUJIFILM X-Pro2, focus point selection can be performed by using the Focus Lever, which allows intuitive movement of the focus point. Alternatively, users can select the focus point from the touch panel LCD screen.

Initial Lens Lineup Will Include the Following Three FUJINON Options:

  1. GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)
  2. GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)
  3. GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)

FUJINON GF63mmF2.8 R WR

The optical system features a construction of 8 groups and 10 elements, including 1 ED lens element. This lens construction is the most suitable for high resolution in compact and stylish design, the external form of this small and lightweight lens has a diameter of just 84.0 x 71.0mm with a weight of only 14.2 ounces \ 405 grams. Using the front group for the focus, aberrations due to focus distance are suppressed, achieving high resolution performance even when wide open from the center to the edges of the lens.

FUJINON GF32-64mmF4 R LM WR

The FUJINON GF32-64mmF4 R LM WR features a construction of 11 groups and 14 elements, 3 aspheric elements, 1 ED lens and 1 super ED lens, allowing this lens to achieve image quality rivalling prime lenses. As a result, the lens demonstrates extremely high performance from the center all the way to the edges. The lens uses internal focusing, reducing the weight of the focus lens and achieving fast and silent AF by driving focus using a linear motor.

FUJINON GF120mmF4 R LM OIS WR Macro

The FUJINON GF120mmF4 R LM OIS WR Macro has a construction of 9 groups and 14 elements, including 3 ED lens elements. By adopting a floating focus method using a linear motor, silent high-speed autofocusing is achieved while aberrations are corrected, dramatically increasing the resolution. Furthermore, by arranging the ED lenses properly, chromatic aberrations are also properly corrected, contributing to high quality images. In designing this lens the quality of the out of focus area both in front and behind the plane of focus were considered, giving this lens beautiful bokeh. This lens is equipped with optical image stabilization (OIS) effective up to 5.0-stops, making this lens perfect for handheld shooting in low-light situations.

Three Additional FUJINON GF Lenses to be Announced Later in 2017:

  1. GF110mmF2 R LM WR (equivalent to 87mm in 35mm format)
  2. GF23mmF4 R LM WR (equivalent to 18mm in 35mm format)
  3. GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)

GFX 50S Accessories (sold separately)

  1. Vertical Battery Grip VG-GFX1 – high-performance battery grip is designed to place the release button, dials, and function buttons in the same positions when shooting vertically. The battery grip can be loaded with one NP-T125 dedicated battery, lowering the frequency that batteries need replacing. Also, by connecting the AC-15V accessory (sold separately), it is possible to charge the battery within the grip in approximately 2 hours.
  1. EVF Tilt Adapter EVF-TL1 – mounting this accessory between the camera body and EVF, the angle of the EVF can be changed to angles from 0°?90° vertically and from -45°?+45° horizontally. Doing this allows the user to shoot at various angles while using the viewfinder, greatly increasing the versatility of the finder for different subjects.
  1. H Mount Adapter G – allows you to use SUPER EBC FUJINON HC interchangeable lenses developed for the FUJIFILM GX645AF medium format film camera (discontinued). By attaching this adapter to the GFX 50S, a total of 9 SUPER EBC FUJINON HC interchangeable lenses and 1 tele-converter developed for the GX645AF can be used. While the focusing method will be limited to manual focusing, the lens aperture can be changed using the command dial on the camera body, and shooting with the leaf shutter built in to the lenses is also possible. Using this lens shutter will allow high speed flash synchronization up to a maximum speed of 1/800 sec.

    Also, the adapter is equipped with electrical contacts that can communicate with the camera body, independently creating, saving, and applying correctional data for each lens. The adapter supports Manual and Aperture Priority AE exposure modes.

*A removable tripod foot is included to mount the camera with a heavy or long focal length lens.

  1. View Camera Adapter G – allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.
    *There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.
  1. Tethered Shooting Solutions – We have the following tethering solutions for photographers, including: X Acquire to transfer images from the camera to a hot folder on your computer for use with your preferred imaging software, Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom® and HS-V5 for Windows (sold separately).

    By connecting the GFX 50S to a PC via USB cable and using this software, it is possible to transfer photographed images directly to the PC, as well as control the camera from the PC. Also, by using the Control Panel Window newly added to Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®, additional camera functions become available.

  1. RAW FILE CONVERTER EX2.0 – powered by SILKYPIX (free of charge) RAW development software and Adobe® Photoshop® Lightroom® / Adobe® Photoshop® CC (sold separately). RAW development software is used for detailed corrections and advanced image processing that isn’t supported by the in-camera RAW conversion. Both software support Fujifilm’s “Film Simulation” modes, allowing creation of image data that is extremely close to Fujifilm’s advanced color reproduction.

FUJIFILM GFX 50S Key Features:

  • 51.4MP Medium Format 43.8 x 32.9mm sensor for superior sharpness and image quality for all photographers
    • Adaptable to various aspect ratios, including 4:3 (default), 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
  • FUJIFILM G Mount with short flange back distance of just 26.7mm
  • X-Processor Pro imaging processor
  • Detachable electronic viewfinder
  • Weather and dust resistant; operation to as low as 14 degrees Fahrenheit \ -10 degrees Celsius
  • File formats include three different JPEG settings (SUPER FINE, FINE, NORMAL), as well as two different RAW settings (uncompressed, compressed). TIFF output is also possible with in-camera RAW development
  • Full HD for Movie Mode: 1920×1080 29.97p/25p/24p/23.98p 36Mbps, in Film Simulation modes
  • Light body weighs approximately 43oz. \ 825g (including battery and memory card)
  • Uses SD Cards (UHS-II recommended)
    • Equipped with dual slots
    • Supports three different types of recording methods, “Sequential,” in which recording can be continued according to shooting order, “Backup,” which records the same data on two cards simultaneously, and “Sorting,” which records RAW and JPEG data on separate cards
  • Uses newly developed NP-T125 high capacity battery for approximately 400 photos (with Auto Power Save ON)
  • All FUJINON GF Lenses are dust and weather resistant, built to withstand operation at temperatures as low as 14 degrees Fahrenheit \ -10 degrees Celsius allowing photographers to take them outdoors with confidence in challenging weather conditions.
  • The new FUJINON GF Lenses feature an aperture ring, a popular feature in the X Series, and have a new C (Command) Position on the ring to enable aperture adjustments with the Command Dial on the camera body
  • A Fluorine coating applied to the front lens element creates a hydrophobic coating that repels moisture.

The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.

Availability and Pricing

The new FUJIFILM GFX 50S Medium Format Camera Body will be available Late February, 2017 in the U.S. and Canada for USD $ 6,499.95 and CAD $ 8,499.99.

Also available in February, 2017 will be the first three FUJINON GF lenses. GF63mmF2.8 R WR for USD $ 1,499.95 and CAD $ 1,899.99, GF32-64mmF4 R LM WR for USD $ 2,299.95 and CAD $ 2,999.99, and GF120mmF4 R LM OIS WR Macro for USD $ 2,699.95 and CAD $ 3,499.99.

Fujifilm GF 63mm F2.8 R WR / 120mm F4 R LM OIS WR Macro specifications

  Fujifilm GF 63mm F2.8 R WR Fujifilm GF 120mm F4 R LM OIS WR Macro
Principal specifications
Lens type Prime lens
Max Format size 645
Focal length 63 mm
Image stabilization No Yes (5 stops)
Lens mount Fujifilm G
Aperture
Maximum aperture F2.8 F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Aperture notes Rounded blades
Optics
Elements 10 14
Groups 8 9
Special elements / coatings 1 ED element 3 ED elements
Focus
Minimum focus 0.50 m (19.69″) 0.45 m (17.72″)
Maximum magnification 0.17× 0.5×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Extending front Internal
Distance scale No
DoF scale No
Physical
Weight 405 g (0.89 lb) 980 g (2.16 lb)
Diameter 84 mm (3.31″) 89 mm (3.5″)
Length 71 mm (2.8″) 153 mm (6.02″)
Sealing Yes
Filter thread 62.0 mm 72.0 mm
Hood supplied Yes
Tripod collar No

Fujifilm GF 32-64mm F4 R LM WR specifications

Principal specifications
Lens type Zoom lens
Max Format size 645
Focal length 32–64 mm
Image stabilization No
Lens mount Fujifilm G
Aperture
Maximum aperture F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Aperture notes Rounded blades
Optics
Elements 14
Groups 11
Special elements / coatings 3 aspheric lenses, 1 ED lens, 1 Super ED lens
Focus
Minimum focus 0.50 m (19.69″)
Maximum magnification 0.12×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 875 g (1.93 lb)
Diameter 93 mm (3.66″)
Length 116 mm (4.57″)
Zoom method Rotary (extending)
Power zoom No
Zoom lock Unknown
Filter thread 77.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm medium-format GFX 50S to ship in late February for $6500

21 Jan

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Back at Photokina in September, Fujifilm took the wraps off of its new mirrorless medium-format camera, the GFX 50S. Today they’re released all of the details, including price and ship date.

The GFX 50S uses a 51.4MP ‘Fujifilm G Format’ medium-format sensor (43.8 x 32.9mm), which is 1.7x the area of a full-frame sensor. The lens mount is known as G-mount and, like all medium-format cameras, it has a ‘reverse’ crop factor of 0.79x, so that new 63mm F2.8 lens is equivalent to 50mm. The camera has a 117-point contrast-detect AF system, and users can set the focus point using the touchscreen or a joystick on the rear plate. Its NP-T125 lithium-ion battery is rated for 400 shots on a single charge (meaning you’ll probably get many more in most real-world usage).

The weather-sealed body is made of a magnesium alloy and weighs just 825g/43oz with battery and memory card installed. It has a 3.2″ dual-tilt touchscreen LCD display and a 2.36M-dot OLED viewfinder, to which you can add a ’tilt adapter’ allowing it to tilt upward by 90° and rotated left or right by 45° (that’s a lot of tilting). On the top plate is a 1.28″ LCD which displays current shooting settings. There are two SD card slots, both of which support high-speed UHS-II media.

The GFX 50S has Fujifilm’s Film Simulation modes, including a new Color Chrome Effect option. It can capture Full HD video at up to 30p, with a bit rate of 36 Mbps. As one would expect from a camera in this class, the GFX 50S supports tethered shooting from a PC. Optional accessories include a battery grip, H-Mount adapter for use with classic Fujinon HC lenses and a ‘View Camera Adapter G’ that lets you use the GFX as a digital back.

Along with the GFX come three new lenses, with three more to follow by the end of the year. The initial trio of lenses including a 110mm F2 (equivalent to 87mm), 23mm F4 (18mm equiv.) and 45mm F2.8 (35mm equiv.).

The GFX 50S will ship in late February at an MSRP of $ 6499/£6199.

GROUNDBREAKING FUJIFILM GFX 50S MEDIUM FORMAT MIRRORLESS CAMERA DELIVERS ULTRA-HIGH IMAGE QUALITY

FUJIFILM GFX 50S combines an extraordinary sensor, processor and design with FUJINON lenses to give users the ultimate photography experience

Valhalla, N.Y., January 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announces the FUJIFILM GFX 50S medium format mirrorless digital camera that will launch late February, 2017 with an initial selection of three FUJINON lenses – the GF63mmF2.8 R WR, the GF32-64mmF4 R LM WR, and the GF120mmF4 R LM OIS WR Macro. These lenses encapsulate the design philosophy of FUJINON lenses that are renowned by photographers around the world.

The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (FUJIFILM G Format) 51.4MP CMOS sensor. The GFX 50S combines the heritage of over 80 years of imaging and the innovative award-winning functional design of our X Series digital camera system in the relentless pursuit of image quality.

The FUJIFILM GFX 50S Revealed

The FUJIFILM GFX 50S mirrorless digital camera uses the new 51.4MP FUJIFILM G Format 43.8 x 32.9mm sensor with approximately 1.7x the area of a 35mm sensor. In addition to the camera are three new FUJINON GF Lenses that will be followed by three additional lenses later in 2017.

The GFX 50S 51.4MP sensor shows its true potential when making large format prints, capturing majestic landscape photos or reproducing historical documents. Compared to a full size sensor with equivalent megapixels, both resolution and sensitivity are dramatically better due to the larger size of each pixel. As a result, the sensor captures great textures and subtlety of tone that is unique to large size sensors. The texture and tone combine to give a unique three-dimensional effect creating extremely high quality photography. Images captured can be reproduced down to the smallest detail, conveying the texture of the subject, a three-dimensional feeling, and the atmosphere of the scene.

For flash photography in the studio or outdoors during the day, the GFX 50S sensor has a native ISO of 100. The sensor can also be adapted to various aspect ratios, including 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6, all of which are available in large and medium format film cameras.

The FUJIFILM GFX 50S uses the X Processor Pro (also used in the X-Pro2 and X-T2 cameras) and allows photographers to use Fujifilm’s proprietary Film Simulations with a Medium Format sensor. The camera supports Full HD recording at 29.97p/25p/24p/23.98p. Users can enjoy high quality video with no post-processing required by using Film Simulation modes just like they would with a still image. The GFX 50S introduces a new Color Chrome Effect feature that reproduces subtle tones in highly saturated subjects.

Ultimate Performance in a Compact Body

With a compact and lightweight body constructed from magnesium alloy, the FUJIFILM GFX 50S weighs approximately 43 ounces when paired with the FUJINON GF63mmF2.8 R WR, and weighs approximately 60% of a medium format DSLR camera equipped with a sensor of the same size. When compared to a full frame, the weight is almost identical. Overall camera body height and width have also been minimized for maximum flexibility, overturning the common perceptions regarding the mobility of medium format digital cameras.

Bright, Crystal Clear Viewfinder and Large Touchscreen

The FUJIFILM GFX 50S gives users a 3.69M dot organic EL electronic viewfinder and 2.36M dot touchscreen LCD back panel for easy viewing. The EVF is detachable to allow for flexible operation. Users can attach the accessory EVF-TL1 EVF tilt adapter (sold separately) to allow the finder to be tilted to 90° vertically and swung ±45°. A 3.2 inch, 2.36M dot touch panel is used for the rear monitor, with touch operation for the menu, focusing points and image playback. A three-directional tilting LCD screen improves operability and makes viewing images and checking focus even easier.

FUJINON Lenses Guarantee Image Perfection

As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF Lenses have been designed to support sensors of over 100MP.

GFX lens barrels feature an aperture ring in the same manner as FUJINON XF lenses, for intuitive operation. A new C (Command) Position has been added to the aperture ring, allowing users to change the aperture with the camera’s command dial. The A (Auto) Position and C Position feature a locking button installed on the aperture ring that must be disabled to implement changes.

Built for the Professional, and the Enthusiast

Just as with the flagship X Series models, the FUJIFILM GFX 50S features dedicated dials to independently set aperture, shutter speed, and ISO, the important factors in determining exposure.

Aperture and ISO feature a C (Command) and the shutter speed dial has a T (Time) Position. Setting the dial to this position allows the user to change exposure settings using the command dials on the front and rear of the camera body. The user can choose between these two operation methods according to their preference, ease of use, and the shooting environment.

The GFX 50S is equipped with a 1.28 inch LCD sub monitor on the top of the body. Important exposure data such as aperture and shutter speed is displayed on this screen. This display is extremely useful when shooting on a tripod or tethered to a computer.

A 117-point (9 x 13 / maximum of 425 points when miniaturized) contrast AF system is used on the GFX 50S. High-precision AF on the imaging sensor dramatically improves focusing accuracy with the shallow depth of field produced by medium format lenses. First adopted in the FUJIFILM X-Pro2, focus point selection can be performed by using the Focus Lever, which allows intuitive movement of the focus point. Alternatively, users can select the focus point from the touch panel LCD screen.

Initial Lens Lineup Will Include the Following Three FUJINON Options:

  1. GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)
  2. GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)
  3. GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)

FUJINON GF63mmF2.8 R WR

The optical system features a construction of 8 groups and 10 elements, including 1 ED lens element. This lens construction is the most suitable for high resolution in compact and stylish design, the external form of this small and lightweight lens has a diameter of just 84.0 x 71.0mm with a weight of only 14.2 ounces \ 405 grams. Using the front group for the focus, aberrations due to focus distance are suppressed, achieving high resolution performance even when wide open from the center to the edges of the lens.

FUJINON GF32-64mmF4 R LM WR

The FUJINON GF32-64mmF4 R LM WR features a construction of 11 groups and 14 elements, 3 aspheric elements, 1 ED lens and 1 super ED lens, allowing this lens to achieve image quality rivalling prime lenses. As a result, the lens demonstrates extremely high performance from the center all the way to the edges. The lens uses internal focusing, reducing the weight of the focus lens and achieving fast and silent AF by driving focus using a linear motor.

FUJINON GF120mmF4 R LM OIS WR Macro

The FUJINON GF120mmF4 R LM OIS WR Macro has a construction of 9 groups and 14 elements, including 3 ED lens elements. By adopting a floating focus method using a linear motor, silent high-speed autofocusing is achieved while aberrations are corrected, dramatically increasing the resolution. Furthermore, by arranging the ED lenses properly, chromatic aberrations are also properly corrected, contributing to high quality images. In designing this lens the quality of the out of focus area both in front and behind the plane of focus were considered, giving this lens beautiful bokeh. This lens is equipped with optical image stabilization (OIS) effective up to 5.0-stops, making this lens perfect for handheld shooting in low-light situations.

Three Additional FUJINON GF Lenses to be Announced Later in 2017:

  1. GF110mmF2 R LM WR (equivalent to 87mm in 35mm format)
  2. GF23mmF4 R LM WR (equivalent to 18mm in 35mm format)
  3. GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)

GFX 50S Accessories (sold separately)

  1. Vertical Battery Grip VG-GFX1 – high-performance battery grip is designed to place the release button, dials, and function buttons in the same positions when shooting vertically. The battery grip can be loaded with one NP-T125 dedicated battery, lowering the frequency that batteries need replacing. Also, by connecting the AC-15V accessory (sold separately), it is possible to charge the battery within the grip in approximately 2 hours.
  1. EVF Tilt Adapter EVF-TL1 – mounting this accessory between the camera body and EVF, the angle of the EVF can be changed to angles from 0°?90° vertically and from -45°?+45° horizontally. Doing this allows the user to shoot at various angles while using the viewfinder, greatly increasing the versatility of the finder for different subjects.
  1. H Mount Adapter G – allows you to use SUPER EBC FUJINON HC interchangeable lenses developed for the FUJIFILM GX645AF medium format film camera (discontinued). By attaching this adapter to the GFX 50S, a total of 9 SUPER EBC FUJINON HC interchangeable lenses and 1 tele-converter developed for the GX645AF can be used. While the focusing method will be limited to manual focusing, the lens aperture can be changed using the command dial on the camera body, and shooting with the leaf shutter built in to the lenses is also possible. Using this lens shutter will allow high speed flash synchronization up to a maximum speed of 1/800 sec.

    Also, the adapter is equipped with electrical contacts that can communicate with the camera body, independently creating, saving, and applying correctional data for each lens. The adapter supports Manual and Aperture Priority AE exposure modes.

*A removable tripod foot is included to mount the camera with a heavy or long focal length lens.

  1. View Camera Adapter G – allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.
    *There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.
  1. Tethered Shooting Solutions – We have the following tethering solutions for photographers, including: X Acquire to transfer images from the camera to a hot folder on your computer for use with your preferred imaging software, Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom® and HS-V5 for Windows (sold separately).

    By connecting the GFX 50S to a PC via USB cable and using this software, it is possible to transfer photographed images directly to the PC, as well as control the camera from the PC. Also, by using the Control Panel Window newly added to Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®, additional camera functions become available.

  1. RAW FILE CONVERTER EX2.0 – powered by SILKYPIX (free of charge) RAW development software and Adobe® Photoshop® Lightroom® / Adobe® Photoshop® CC (sold separately). RAW development software is used for detailed corrections and advanced image processing that isn’t supported by the in-camera RAW conversion. Both software support Fujifilm’s “Film Simulation” modes, allowing creation of image data that is extremely close to Fujifilm’s advanced color reproduction.

FUJIFILM GFX 50S Key Features:

  • 51.4MP Medium Format 43.8 x 32.9mm sensor for superior sharpness and image quality for all photographers
    • Adaptable to various aspect ratios, including 4:3 (default), 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
  • FUJIFILM G Mount with short flange back distance of just 26.7mm
  • X-Processor Pro imaging processor
  • Detachable electronic viewfinder
  • Weather and dust resistant; operation to as low as 14 degrees Fahrenheit \ -10 degrees Celsius
  • File formats include three different JPEG settings (SUPER FINE, FINE, NORMAL), as well as two different RAW settings (uncompressed, compressed). TIFF output is also possible with in-camera RAW development
  • Full HD for Movie Mode: 1920×1080 29.97p/25p/24p/23.98p 36Mbps, in Film Simulation modes
  • Light body weighs approximately 43oz. \ 825g (including battery and memory card)
  • Uses SD Cards (UHS-II recommended)
    • Equipped with dual slots
    • Supports three different types of recording methods, “Sequential,” in which recording can be continued according to shooting order, “Backup,” which records the same data on two cards simultaneously, and “Sorting,” which records RAW and JPEG data on separate cards
  • Uses newly developed NP-T125 high capacity battery for approximately 400 photos (with Auto Power Save ON)
  • All FUJINON GF Lenses are dust and weather resistant, built to withstand operation at temperatures as low as 14 degrees Fahrenheit \ -10 degrees Celsius allowing photographers to take them outdoors with confidence in challenging weather conditions.
  • The new FUJINON GF Lenses feature an aperture ring, a popular feature in the X Series, and have a new C (Command) Position on the ring to enable aperture adjustments with the Command Dial on the camera body
  • A Fluorine coating applied to the front lens element creates a hydrophobic coating that repels moisture.

The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.

Availability and Pricing

The new FUJIFILM GFX 50S Medium Format Camera Body will be available Late February, 2017 in the U.S. and Canada for USD $ 6,499.95 and CAD $ 8,499.99.

Also available in February, 2017 will be the first three FUJINON GF lenses. GF63mmF2.8 R WR for USD $ 1,499.95 and CAD $ 1,899.99, GF32-64mmF4 R LM WR for USD $ 2,299.95 and CAD $ 2,999.99, and GF120mmF4 R LM OIS WR Macro for USD $ 2,699.95 and CAD $ 3,499.99.

Fujifilm GFX 50S specifications

Price
MSRP $ 6499/£6199
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 8256 x 6192
Image ratio w:h 1:1, 5:4, 4:3, 3:2
Effective pixels 51 megapixels
Sensor size Medium format (44 x 33 mm)
Sensor type CMOS
Processor X Processor Pro
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-12800 (expands up to 102400)
Boosted ISO (maximum) 102400
White balance presets 7
Custom white balance Yes
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF)
  • TIFF (via Raw conversion)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 117
Focal length multiplier 0.79×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,360,000
Touch screen Yes
Screen type OLED
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.85×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 360 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync terminal)
Flash modes Auto, standard, slow sync, manual, off
Flash X sync speed 1/125 sec
Drive modes
  • Single
  • Continuous
  • Self-timer
  • Remote
Continuous drive 3.0 fps
Self-timer Yes (2 or 10 sec)
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 30p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / Mbps, MP4, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (dual slots, UHS-II supported)
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via cable or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-T125 lithium-ion battery & charger
Battery Life (CIPA) 400
Weight (inc. batteries) 740 g (1.63 lb / 26.10 oz)
Dimensions 148 x 94 x 91 mm (5.83 x 3.7 x 3.58″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Medium-format meets the modern age: Hasselblad X1D-50c shooting experience

12 Dec

Hasselblad’s X1D-50c caused quite a stir when it was announced over the summer, as its mirrorless design and relatively tiny size defied what we thought we understood about the relationship between sensor size and body bulk in digital cameras. All previous digital medium-format models, other than the Leica S series, have been DSLRs with spacious mirror box housings and forward projecting architecture, but the X1D-50c breaks that mold and harks back to the Mamiya 7/Bronica RF compact rangefinder style. More exciting perhaps is the adoption of the features that we associate with mirrorless compact system cameras, such as touch focusing and an electronic viewfinder, that bring this usually lumbering format into the modern age.

Although the price of the system is higher than those centered around 35mm-style DSLRs, it is also a good deal less than we have come to associate with the 6×4.5cm digital format. The combination of the X1D’s design, features and price made the camera popular immediately. Hasselblad has said that it took more orders in the first ten days than it had expected to take for the year – but now, of course, it has to actually deliver the product to those who pre-ordered it. My understanding is that it is almost ready and I’ve been able to shoot for a short while with the latest pre-production X1D with a 45mm F3.5 lens.

The camera itself is finished but the firmware is still being added to and refined. As such, this article should give you a good general idea of what the camera will be like when it is all done and a pretty clear idea of the image quality we can expect from the finished product.

Body and handling

The Hasselblad X1D-50c isn’t all that much bigger than a Panasonic Lumix GH4 and it will displace less water than the Nikon D810 (don’t try that at home). Size-wise, then, it feels very much like a standard DSLR. The grip is well pronounced which makes the camera very comfortable to hold and to carry, and which makes it feel secure in the hand. The controls feel quite chunky, deliberate and designed to reduce the chances of pressing something by accident. Although the dials are in slightly different places it seems as though they and the shutter release button came out of the same parts bin as those used on the H6D body. These exaggerated features lend the X1D-50c the feel of a big camera but without the size.

I’m pleased Hasselblad has adopted new buttons for the top plate instead of the slightly spongy ones used around the info panel LCD of the H6D, and it has changed the feel of those running down the side of the rear screen. The exterior of the body houses only nine control buttons plus a depth of field preview and the on/off button, so the space feels un-cluttered and simple to navigate.

The menu system is very much the same as that used in the backs for H6D, with bold icons and a large shouting print that will require reading glasses less often than the GUIs of most DSLRs. All the features are activated by touch and options can be scrolled through using the touch screen or the traditional control wheels.

Those used to traditional DSLR and CSC menus might find that of the X1D-50c sparsely populated when it comes to features and options – and it is. The menu will be gradually fleshed out as Hasselblad develops the camera, but don’t expect it to have the same number of options as a regular DSLR.

The 3″ rear LCD is clear and bright, and its 920k-dot resolution makes the display useful when focusing manually. The EVF is also very clear and its 2.36 million-dot display feels very detailed. The firmware version I was using didn’t allow playback in the viewfinder so I couldn’t check to see what that would look like, but Hasselblad tells me that will be coming soon in a further update.

Articles: Digital Photography Review (dpreview.com)

 
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