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The Canon EOS R6 is the R5 for the masses

12 Jul

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The Canon EOS R6 is more than just a ‘stripped-down’ version of the R5. It shares the a lot of that camera’s features, save for the headliners – the 45MP sensor and 8K video capture are reserved for the R5.

It offers a resolution of 20MP, using a sensor similar to that of the EOS-1D X Mark III. The up-to-eight-stop image stabilization system is the same as the R5, and it uses the same DIGIC X processor and Dual Pixel CMOS II autofocus system with 100% coverage. The R6 can also fire off bursts at up to 20 fps with its electronic shutter, just like its big brother.

The R6 can’t record 8K or 4K/120p video, but it does capture slightly cropped UHD 4K/60p using nearly the full width of the sensor. Internal 10-bit 4:2:2 capture with C-Log or HDR PQ are also supported.

The R6 captures slightly cropped 4K/60p using nearly the full width of the sensor

The R6 and R5 are hard to tell apart at first glance. The R6 has a mode dial rather than the top-plate LCD on the R5, and has a slightly smaller, lower resolution LCD, as well as a lower-res but still very impressive 3.69M-dot EVF. The camera features two SD card slots, both of which support the UHS-II standard. Unlike the R5, which has dual-band Wi-Fi, the R6 is 2.4Ghz only (Bluetooth specs are unchanged).

Battery life is rated at 360 shots per charge with the LCD and 250 with the EVF running at 120 fps (using 60 fps gives you a 50% increase). The R6 can use the same BG-R10 battery grip as the R5, but not the Wireless File Transmitter.

The EOS R6 will be available at the end of August in three kits:

  • Body only: $ 2499
  • Body + RF 24-105mm F4-7.1 IS STM lens: $ 2899
  • Body + RF 24-105mm F4L IS lens: $ 3599

Find out our first impressions in our Canon EOS R6 initial review

Take a look at its image quality in our EOS R6 sample gallery

Press release:

THE SECRET IS OUT: CANON OFFICIALLY ANNOUNCES THE CANON EOS R5 AND R6, THE COMPANY’S MOST ADVANCED FULL-FRAME MIRRORLESS CAMERAS EVER

The Company is Also Announcing Four RF Lenses, Two RF Lens Extenders, and a PRO Printer

MELVILLE, N.Y., July 9, 2020 – With anticipation at a fever pitch, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the company’s next generation of full-frame mirrorless cameras – the EOS R5 and EOS R6. These groundbreaking cameras are the result of many years of collecting and listening to feedback from Canon users and are sure to meet the needs and demands of a variety of creators. The EOS R5 is a camera designed for professional applications featuring a new 45-megapixel full-frame CMOS sensor and uncropped 8K video recording up to 29.97 fps. The EOS R6 is geared towards advanced amateurs featuring a 20.1-megapixel full-frame CMOS sensor and 4K video recording up to 59.94 fps. The addition of the EOS R5 and the EOS R6 cameras within the EOS R series lineup further solidifies Canon’s commitment to providing the equipment needed for users to bring their content to the next level.

Canon is also introducing four RF lenses and two RF lens extenders: The Canon RF100-500mm F4.5-7.1 L IS USM, Canon RF600mm F11 IS STM, Canon RF800mm F11 IS STM, and RF85mm F2 MACRO IS STM lenses. All four new lenses were designed to meet the ever-expanding demands of the skilled creatives who capture amazing imagery using EOS R series cameras, including the new EOS R5 and EOS R6. In addition to the lenses, there are two new RF lens extenders, a 1.4x and a 2x model, allowing for users to take their compatible RF lens focal lengths even farther, and a 13-inch professional printer, the imagePROGRAF PRO-300, to bring photos to life through the power of print.

“For all of the Canon research and development team members who worked tirelessly on the production of these new products, today marks the culmination of a long journey. For those people looking for the next great tools to work with to expand their creative possibilities, the door is now wide open,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The industry has asked for new products that can push their levels of creativity to new heights, and we are confident that the EOS R5 and EOS R6, alongside the new lenses, lens extenders, and the pro printer, will fulfill those needs and more.”

Canon EOS R5 and EOS R6
Both the EOS R5 and EOS R6 cameras have the ability to capture the action of a variety of fast-moving subjects with impressive accuracy and speed. When using the mechanical shutter, each can shoot up to 12 fps and up to 20 fps when using the completely silent shutter. Both cameras are the first to be outfitted with Canon’s advanced Dual Pixel CMOS AF II which utilizes up to approximately100 percent coverage of the AF area and EOS iTR AF X incorporating AF tracking algorithms using deep learning technology and enhanced readout speed of the CMOS sensor and processing speed thanks to the DIGIC X image processor. The 1,053 automatically selected AF Zones are made even more potent by the ability to detect the human eye, face or head as well as the eye, face or body of animals such as dogs, cats and even birds. Adding to the feature set is the 5-axis In-Body Image Stabilizer, having coordinated control with Optical Image Stabilizer in IS equipped RF lenses. This provides up to 8 stops of shake correction, a feature that many creators have long asked for from Canon. Both the EOS R5 and R6 cameras come with a new LP-E6NH battery with a higher capacity than the previous model.

As the new flagship model in the EOS R series lineup, the EOS R5 camera has features that pack a punch for a variety of users who create both still and video content. It has a powerful 45-megapixel full-frame CMOS sensor and is driven by the speedy DIGIC X image processor, giving wide dynamic range as well as boasting an ISO range of 100-51,200 that is expandable up to 102,400. In a camera full of eye-popping features, one that really stands out is the ability to record uncropped 8K RAW internal video recording up to 29.97 fps and 8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). The camera can also record 4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). External recording in 4K is also available up to 59.94 fps. When in DCI modes, the 8K and 4K video recording is uncropped and Dual Pixel CMOS AF II is available in all 8K and 4K recording modes. Additional features of the EOS R5 camera include:

  • Dual-card slots: 1x CFexpress and 1x SD UHS-II
  • Built-in 0.5-inch OLED EVF with approximately 5.76 million dots and a 119.88 fps refresh rate
  • 3.2-inch 2.1 million dots vari-angle LCD touch screen
  • 5GHz/2.4GHz Built-in Wi-Fi® and Bluetooth Technology with the ability to utilize the image.canon application, as well as optional WFT-R10A wireless file transmitter with Ethernet support
  • Enhanced operating controls such as rear-dial, multi-controller • The ability to voice tag photos and videos
  • Weather, drip and dust sealing on par with the EOS 5D series

The EOS R6 camera is well-equipped with a host of new features to push the limits of creativity for imaging enthusiasts. The combination of the EOS-1D X Mark III based 20.1-megapixel full-frame CMOS sensor and the DIGIC X image processor produces an ISO range of 100-102,400 and is expandable to 204,800. Internal video recording at 4K is capable up to 59.94 fps or 1080p up to 119.88 fps in 10 bit 4:2:2 Canon Log(H.265) or HDR PQ(H.265). The camera also features a built-in 0.5-inch OLED EVF with approximately 3.69 million dots and a 119.88 fps refresh ratevi. Additional features of the EOS R6 camera include:

  • Dual UHS-II SD card slots
  • 3-inch 1.62 million dots vari-angle LCD touch screen
  • 2.4GHz Built-in Wi-Fi®vii and Bluetooth Technologyviii with the ability to utilize the image.canon application
  • Enhanced operating controls such as rear-dial, multi-controller
  • Weather, drip and dust sealing on par with the EOS 6D series

Battery Accessory
The optional BG-R10 battery grip accessory will be available for both the EOS R5 and EOS R6 full-frame mirrorless cameras. The BG-R10 accommodates up to two batteries and is compatible with the new LP-E6NH, LP-E6N and LP-E6 batteries. The convenient BG-R10 grip accessory can also improve handling for users while capturing portrait photography.

Canon RF100-500mm F4.5-7.1 L IS USM
The Canon RF100-500mm F4.5-7.1 L IS USM is a high-performance and versatile super-telephoto zoom lens that will find its way into the bags of many photographers. The compact and lightweight lens features optical image stabilization of up to five stops* of shake correction with three different IS modes, including standard, panning and during exposure only. Two Nano USM motors are at the heart of this lens and provide users with high-speed, smooth and quiet auto focus with a minimum focusing distance of three feet. Additional features of the Canon RF100-500mm F4.5-7.1 L IS USM include:

  • Rotation-Type zoom ring and torque adjustment allows for precision control and feel
  • Customizable control ring that enables photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 12-pin Communication System
  • Canon L-Series grade dust and weather-resistant construction with a fluorine coating
  • Lens hood with side window allows specialty filters to be adjusted even while Lens Hood is attached
  • Compatible with the new 1.4x and 2x RF lens extenders (from 300 to 500mm focal length)

Canon RF600mm and 800mm F11 IS STM
The Canon RF600mm and RF800mm F11 IS STM lenses are the first fixed focal length super-telephoto RF lenses and are incredibly compact and lightweight. The portability of the new lenses is made even greater due to the ability for the lens barrel to retract and lock in place when the lenses are stowed away and not in use. Diffractive Optics technology helps to reduce the necessary number of lenses and greatly diminish the cost of the lenses, making them affordable for a broader group of photographers. Additional features of the Canon RF600mm and RF800mm F11 IS STM lenses include:

  • Lightweight – the RF600mm weighs approximately 2.05lb and the RF800mm weighs approximately 2.78lb, respectively
  • Compact size, RF600mm measures approximately 7.85inch and RF800mm with measures approximately 11.09inch when retracted, respectively
  • Fixed f/11 aperture
  • Optical image stabilization of five stops* for the RF600mm and four stops* for the RF800mm of Shake Correction
  • Lead screw-type STM enables smooth auto focusing for still-image and video shooting
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 12-pin Communication System
  • Compatible with the new 1.4x and 2x RF lens extenders

Canon RF85mm F2 MACRO IS STM
The third RF85mm lens in the RF lineup, the Canon RF85mm F2 MACRO IS STM is compact and lightweight, featuring a bright f/2 aperture helping to capture images that have exceptional bokeh. The lens features a maximum magnification of 0.5x and a minimum focusing distance of 1.15 feet, providing users with macro-photography capability. Additional features of the Canon RF85mm F2 MACRO IS STM include:

  • Optical Image Stabilization with up to five stops* of Shake Correction
  • Hybrid IS compensates for angular and shift camera shake during macro photography
  • Control Ring for Direct Setting Changes.
  • 12-pin Communication System
  • Nine blade Circular Aperture

RF Lens Extenders
Lens extenders have long been a practical and useful tool for a variety of photographers. That story continues with the introduction of the Extender RF 1.4x and Extender RF 2x. The new lens extenders inherit the same high image quality, precision AF and reliability, such as being drip and dustproof, of EF lens extenders. When used in combination with the newly-released compatible lenses, the capturing range can be dramatically increased, providing consumers with additional use cases for their existing RF lenses.

Canon imagePROGRAF PRO-300
Completing the lineup of professional printer options from 13 inches through 60 inches, Canon also unveiled today the new 13-inch Canon imagePROGRAF PRO-300 Inkjet Printer along with a new Premium Fine Art Rough paper. Providing an improved workflow and high-quality output within a smaller footprint compared to previous models, this new printer excels at professional printing performance. Combined with the new Premium Fine Art Rough paper that features a textured surface to express the depth of an image, the printer along with the paper and new EOS R5 or EOS R6 camera introduces a new powerhouse professional imaging trio that meets creators’ demands.

Pricing and Availability
The EOS R5 full-frame mirrorless camera is scheduled to be available at the end of July for an estimated retail price of $ 3899.00 for the body only and $ 4999.00 for the R5 and RF 24-105mm F4 L IS USM lens kit**.

The EOS R6 full-frame mirrorless camera is scheduled to be available at the end of August for an estimated retail price of $ 2499.00 for the body only, $ 2.899.00 for the R6 and RF 24-105 F4-7.1 IS STM lens kit or $ 3,599.00 for the R6 and RF 24-105mm F4 L IS USM lens kit**.

The BG-R10 battery grip accessory and WFT-R10A are both scheduled to be available at the end of July for an estimated retail price of $ 349.99 and $ 999.99**, respectively.

The RF100-500mm F4.5-7.1 L IS USM lens is scheduled to be available in September 2020 for an estimated retail price of $ 2,699.00. The RF600mm F11 IS STM and RF800mm F11 IS STM lenses are scheduled to be available at the end of July 2020 for an estimated retail price of $ 699.99 and $ 899.99, respectively. The RF85mm F2 MACRO IS STM lens is scheduled to be available in October 2020 for an estimated retail price of $ 599.99 **.

The RF Extender 1.4x and 2x are scheduled to be available at the end of July for an estimated retail price of $ 499.99 and $ 599.99** each.

The imagePROGRAF PRO-300 Printer will be available later in July for a suggested retail price of $ 899.99. Premium Fine Art Rough paper will also be available later in July for a suggested retail price of $ 44.99 for Letter size, $ 109.99 for 13” x 19” inches and $ 169.99, 17” x 22” inches**.

For more information please visit, www.usa.canon.com/virtualproductlaunch

** Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS R6 specifications

Price
MSRP $ 2499 (body only), $ 2899 (w/24-105mm F4-7.1 lens), $ 3500 (w/24-105mm F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 5472 x 3648
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 20 megapixels
Sensor photo detectors 21 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Digic X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Yes, 100-102400 (expands to 204800)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 204800
White balance presets 8
Custom white balance Yes
Image stabilization Sensor-shift
Image stabilization notes Works with lens-based IS systems for maximum shake reduction
CIPA image stabilization rating 8 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.31)
  • Raw (Canon CR3)
  • HEIF (10-bit)
Optics & Focus
Autofocus
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 1053
Lens mount Canon RF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,620,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes
Flash X sync speed 1/200 sec
Drive modes
  • Single Shooting
  • High-speed continuous
  • Low-speed continuous
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
  • Partial
Exposure compensation 3 (at 1/3 EV, 1/2 EV steps)
AE Bracketing 3
Videography features
Format MPEG-4, H.264, H.265
Modes
  • 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD slots (UHS-II supported)
Connectivity
USB USB 3.2 Gen 2 (10 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E6NH lithium-ion battery & charger
Battery Life (CIPA) 360
Weight (inc. batteries) 680 g (1.50 lb / 23.99 oz)
Dimensions 138 x 98 x 88 mm (5.43 x 3.84 x 3.48)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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LEGO Shadow Show: Masses of Toy Bricks Reveal Surprising Silhouettes

27 Aug

[ By SA Rogers in Art & Sculpture & Craft. ]

LEGO GIF

What looks like no more than an unweildy mass of Lego bricks stuck together into an abstract shape reveals itself to be not just one but two separate intricate shadow-casting designs. Artist John V. Muntean mounts his unusual sculptures on a special table to rotate them into just the right position in front of a spotlight so we can see what’s hidden within the positive and negative spaces created by the bricks.

LEGO Shadows 6

LEGO Shadows 1

The artist calls it a ‘magic angle sculpture,’ and it’s just the latest of an impressive collection he’s created over the past couple decades. This appears to be the first time he’s worked with Lego bricks, though – the rest are sculpted wood.

LEGO Shadows 5

lego sculpture 2

lego sculpture

“As a scientist and artist, I am interested in how perception influences our theory of the universe,” says Muntean in his artist statement. “A Magic Angle Sculpture appears to be nothing more than an abstract wooden carving, skewered with a rod and mounted on a base. however, when lit from above and rotated at the magic angle (54.74 degrees) it will cast three alternating shadows. Every 120 degrees of rotation, the amorphous shadows evolve into independent forms. Our scientific interpretation of nature often depends upon our point of view. Perspective matters.”

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[ By SA Rogers in Art & Sculpture & Craft. ]

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LucidCam stereoscopic 3D camera brings VR content creation to the masses

14 Nov

California-based startup LucidVR recently showcased its consumer-level camera for creating virtual reality content, LucidCam. The camera, which is nearing mass production, is one of the first to enable anyone to create VR content, something that has thus far been limited to those with expensive VR camera rigs. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Photographing in Crowded Locations – 5 Tips to Avoid the Masses

25 Jun

Travel photography is certainly one of the most rewarding experiences you, as an image-maker, can have. You get to combine visiting amazing places, learning about other cultures, and, of course, your passion for taking photos, all at once.

VENICE, ITALY - CIRCA MAY 2015:  Piazza San Marco and Doge's Palace with San Giorgio Maggiore behind.

Piazza San Marco and Doge’s Palace with San Giorgio Maggiore behind – Venice, Italy

However, certain famous locations, or populated cities can be frustrating. You arrive there to find out they are always crowded with visitors and tourists, making it almost impossible to shoot clean photos without intrusions. Granted, locations like these have been photographed millions of times by somebody else before, but I know you can’t consider it your very own until you’ve pressed that shutter button. Here are some suggestions to avoid becoming disgruntled and frustrated in crowded locations, so you can return home from your next trip with memorable images.

1) Shoot up

A good way to avoid the masses is to photograph above their heads. Pointing your camera up makes an interesting and different angle. There are plenty of subjects, and architectural elements, that can be easily recognized when shooting this way. Landmarks such as national buildings, memorials, or iconic temples, just to name a few, are ideally suited for this as they can be effortlessly recognized by your viewer without showing them in their entirety.

BANGKOK, THAILAND - CIRCA SEPTEMBER 2014: Detail view of Wat Arun, a popular Buddhist temple in Bangkok Yai district of Bangkok, Thailand, on the Thonburi west bank of the Chao Phraya River

Detail view of Wat Arun, a popular Buddhist temple in Bangkok, Thailand

2) Shoot details and close-ups

Get closer and make details stand out. One the best themes to try this one on is food. Epicurean photos are often used in travel publications to illustrate local customs and traditions. This is easy, as you can just aim your camera straight and click. You can photograph your own food during meals, or walk into a market and search for interesting colors and textures. You can also try close-ups on reflective surfaces, like windows, or water reflections in the streets. The idea is to concentrate on small details that can also help to tell your story.

Vegetables in Hanoi

Vegetables in Hanoi

3) Go early

Beat the crowds by getting there right at dawn. This is not for everybody – but no pain, no gain. The quality of the morning light, and beautiful sunrises, are the main reasons why most landscape and nature photographers love to work at this time of the day. But you’ll also find that in popular destinations, most of the tourists are sleeping, so this is your opportunity to find empty streets. Go out and take photos early, while nobody is there, then get back to your hotel and catch up with breakfast.

4) Go late

If you are not a morning person, you still have chances to take great photos. Surely this works the opposite of going early, but in most cases, you’ll find empty quarters as well late in the day. You can take advantage of strolling around well past dinnertime and shoot the sought-after spaces with nobody in sight. Better yet, do like the pros and photograph both instances for better results, and more options for better pictures.

Riga Freedom Monument

Riga Freedom Monument, Latvia

5) Photograph the people

If nothing else works out, you can just photograph the people. After all, what better way to show sense of place than documenting the locals, or even the flocks of tourist enjoying their thing? You see, it’s okay to try to avoid conglomeration, but in some instances it just can’t happen, or simply won’t reflect the true spirit of the destination.

Corner Street in Hanoi

Corner Street in Hanoi

Needless to say, there are several other ways to address the matter. You are more than welcome to share in the comments below your photos and experiences in similar situations, and what you find works best for you.

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The post Photographing in Crowded Locations – 5 Tips to Avoid the Masses by Daniel Korzeniewski appeared first on Digital Photography School.


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