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Posts Tagged ‘Marine’

7 Tips for Better Marine Wildlife Photography

19 Jul

I’m an ocean girl. To me, there is no better way to spend a summer day than to get out on the water and explore the mystery that is the deep blue sea, and hopefully experience some of the majestic creatures that live in it and on it.

Whether you are photographing on shore or from a boat, there are a few tips that will help you improve your marine wildlife photography. Underwater photography, though, is an entirely different thing, with a different set of techniques, that are not covered in this article.

Humpback whale breaching near Campbell River, British Columbia

Humpback whale breaching near Campbell River, British Columbia

The photos in this article were all made in the cool waters off the west coast of North America, but the same tips apply to marine photography all over the world.

1 – Explore the Shore

Let’s start with the shore where you’ll find all sorts of sea creatures. Check the tide tables, and if you can find a rocky beach at low tide. You’ll discover all the animals that live in the shallow tide pools such as urchins, sea anemones, starfish, mollusks and crabs.

Mollusks in a Tide Pool in Big Sur, California

Mollusks in a Tide Pool in Big Sur, California

Except for the crabs, they don’t seem to mind your presence one bit, so you can get some practice photographing the creatures that don’t notice you. Crabs sometimes pay attention, but if you don’t get too close, you may find they come out of the tide pools, and out from under rocks, and sometimes put on a bit of a show. I photographed this crab in Big Sur, California, where it came out from a crack in the rocks, and proceeded to make all sorts of bubbles as it began molting.

Crab at Big Sur, California

Crab at Big Sur, California

Close to shore, you may also be able to photograph sea otters and river otters (which are also found in salt water). Like other animals, given enough space and time to get used to you, they will go about their daily tasks in your presence, even looking directly at you (and your camera) allowing you to make images that feel intimate.

River Otters, Redwood National Park, California

River Otters, Redwood National Park, California

You’ll also find all kinds of sea birds to photograph such as gulls, geese, ducks, cormorants, and eagles.

2 – Get Out in the Deep

My favourite way to photograph marine wildlife is to get out in a boat. Whether you kayak, row, paddle, sail or use a power boat, there’s nothing like the freedom a boat gives you when it comes to exploring the ocean and finding wildlife. If you don’t have access to a boat, consider renting one. Or, try a whale watching tour, which are well worth the money for the photo opportunities they provide including whales, dolphins, seals, and sea lions.

Orcas and commercial fishing boats near San Juan Island, Washington.

Orcas and commercial fishing boats near San Juan Island, Washington.

Weather makes all the difference between an enjoyable day on the water, and those days that make you feel a little on the green side. Check the weather forecast before choosing your day, and once you are out there, keep an eye on changing conditions to stay safe.

If you are driving the boat yourself, and you expect some choppy seas, you should keep your camera safe and dry while underway. I store mine in a Pelican case, which is shockproof and waterproof, so I don’t have to worry about my camera while driving the boat. When shooting, try not to get splashed because salt water can do a lot of damage to your camera.

Sea lions basking on rocks near Vancouver Island, British Columbia.

Sea lions basking on rocks near Vancouver Island, British Columbia.

3 – Shoot Handheld

For marine wildlife photography, shooting handheld gives you the freedom to move quickly, as the animals do. Unless you are photographing animals that don’t move very much in the tide pools, a tripod or monopod can slow you down and you’ll likely miss the shot. They are also not very practical on boats.

Instead, use a high ISO, a fast shutter speed, and shoot handheld. Remember to turn your image stabilization on to prevent any camera shake blur. I usually start out with ISO 400 and a shutter speed of 1/1,000th of a second, then make changes based on lighting conditions and the speed the animals are moving. For dolphins and whales, an even faster shutter speed may be required.

Pacific White Sided Dolphin in Johnstone Strait, British Columbia

Pacific White Sided Dolphin in Johnstone Strait, British Columbia

4 – To Polarize or Not?

When shooting in tide pools, a polarizing filter can be helpful to cut through the glare of light reflecting off the surface of the water, and allow you to see through to the creatures that are underwater. Aside from that however, I don’t generally use a polarizing filter because the cost of doing so is about one stop of light. If I’m not trying to see through the water, I would rather have that stop of light for a faster shutter speed, or a lower ISO for better image quality.

5 – Lenses

You’ll need a variety of lenses for shooting marine wildlife. If you are shooting birds and whales, you’ll need a long telephoto lens to get you close enough to make an image with impact. I like to use a 70-300mm zoom lens or a 400mm prime lens for most of my marine wildlife photography.

Dolphins, on the other hand, will require a wide angle lens because they tend to get very close to the boat. My favourite lens for dolphins is my 11-35mm. So bring a variety of lenses along, and just make there is no salt water spraying around when you switch lenses.

Bald Eagle in Campbell River, British Columbia.

Bald Eagle in Campbell River, British Columbia.

6 – Focus Modes

When photographing the creatures that don’t move too much, one shot auto focus or even manual focus is fine. But when shooting animals that move fast, you’re better off using continuous autofocus mode because it locks on to your subject and tracks its movement, increasing your chances of getting a sharp image. It’s not easy though. Getting focus fast enough to capture the moment is probably the biggest challenge in this type of photography.

7 – Respect the Animals

When you are so close that your presence changes the animal’s behaviour, you are too close. Respect their space by using a longer lens, instead of getting too close. Don’t forget, in most areas there are rules about how close you can get to marine wildlife, especially whales. Usually it is around 100 meters or 100 yards, so check the rules (laws) in your area before heading out.

Cormorants on Middlenatch Island, British Columbia.

Cormorants on Middlenatch Island, British Columbia.

I hope these tips help you capture the sometimes elusive, but majestic creatures of the sea, the next time you explore the shoreline or go on a boating adventure.

This week we are doing a series of articles to help you do better nature photography. See previous articles here:

  • 3 Habits Every Outdoor Photographer Should Develop to Avoid Missing Shots
  • 5 Tips for Better Nature Photography
  • 27 Serene Images of the Natural World
  • Weekly Photography Challenge – Nature
  • 10 Ideas for Photographing Nature in your Backyard
  • 6 Tips for Capturing Character and Personality in Wildlife Photography
  • 5 Tips for Setting the Focus in Your Landscape Photography

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The post 7 Tips for Better Marine Wildlife Photography by Anne McKinnell appeared first on Digital Photography School.


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Marine Miracle: Walk on Water at This Sunken Seaside Pavilion

29 Mar

[ By Steph in Architecture & Public & Institutional. ]

walk on water pavilion 3

Walk right out onto the surface of the sea or follow a path that takes you into a tranquil space beneath the waves at the ‘Thematic Pavilion,’ a mostly-submerged nautical exhibition space envisioned for South Korea. Daniel Valle Architects intentionally give the structure an uneasy, delicate sense of equilibrium with the water, drawing parallels to the realities many coastal communities could face in the not-so-distant future as sea levels rise. A visitor’s experience changes depending on the state of the water, with paths appearing and disappearing.

walk on water pavilion

walk on water pavilion 2

The pavilion features subtle raised areas offering clear paths that remain above the surface even when water levels are high and, presumably, when rocked by the wake of a nearby ship. In much the same fashion as a submarine, a water tank keeps the ship-like structure submerged for exhibitions featuring water-based technologies, and raises it above the surface afterward so it can be used like an ordinary boat.

walk on water pavilion 4

walk on water pavilion 5

The exhibitions themselves range from the dazzlingly visual, like water shows, to the technical, like hydraulics and cooling systems. “The design aims to raise people’s attention on the ocean and coastal environmental crisis,” say the architects. “The design hopes to provoke the deepest impression to the visitors and prepare them for information and critique on all issues related to the oceans and coastlines. The beauty of scene after visiting the exhibition space and returning to the top plaza will contribute to develop an optimistic conclusion.”

walk on water pavilion 7

walk on water pavilion 8

walk on water pavilion 6

While it seems like a lack of railings could lead some people to walk right off the edge, people in other areas of the world don’t seem to require the same kind of safety hand-holding as Americans, so maybe they’d be fine. The renderings look especially cool after dark, with illuminated water spouts shooting up into the sky. Though the proposal wasn’t chosen for the Expo 2012 in Yeosu, it’s an interesting idea that could provide inspiration to other structures blurring the lines between architecture and ship building.

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[ By Steph in Architecture & Public & Institutional. ]

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Last Stop: 2,800 Drowned NYC Subway Cars Turned Marine Habitats

04 Dec

[ By WebUrbanist in Destinations & Sights & Travel. ]

dropping reef closeup

Since the early 2000s, decommissioned New York City subway cars have been seeded into the waters around New Jersey, Delaware, Virginia and other eastern states, creating infrastructure for fish habitats along the coastal shelf running from New York to North Carolina. Artificial reefs like these can increase sea life concentrations dramatically in otherwise-flat subsurface regions, boasting up to hundreds of times as much biomass per area of seafloor.

dumping subway cars

dropping reef filling

In late 2000, the Metro Transit Authority began dumping 1200 old cars into the water; in 2007, another 1600 were added to the list. These frameworks of these sunken cars serve as replacement rock outcrops on which corals and plants grow, leading to oysters, mussels and further sea life. Photographer Stephen Mallon has spent years capturing this deliberate subway-dumping activity in action on the surface.

dropping reef then

Meanwhile, sequential underwater images show the subsurface results over time. The progress photos above and below were shot after 5 years and 10 years, respectively, demonstrating just how rapidly and effectively these places can become populated, first sparsely and then densely.

dropping reef now

The critical amount of biomass that develops makes these cars hotspots for diverse populations of underwater creatures all along the food chain, together forming self-sustaining regional ecosystems.

dropping car crane water

In turn, these locations can attract fishermen and divers as well, keen both to see the thriving populations of aquatic life but also to explore the underwater ruins of modern machines. Far as they may be from their original subterranean homes, these train cars still manage to serve citizens of cities along the Atlantic coast in their own unusual ways.

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Sgt. Joel Chaverri: Marine, Photographer, UTA Student. Episode 4: Coming Home.

25 Mar

Sgt. Joel Chaverri: Marine, Photographer, UTA Student. Episode 4: Coming Home. In the Spring of 2010, the OneBook program at the University of Texas at Arlington selected the book “A Journal for Jordan: A Story of Love and Honor” by Dana Canedy as its 2010-2011 OneBook. We also selected the theme of “Remembrance” for our University programming and events. As a part of our outreach to students, faculty and staff, we have produced this series of videos featuring Sgt. Joel Chaverri, a veteran of the Iraq War.

My first video, testing out a few things, learning a lot while helping a few friends Links: maps.google.com My Publisher www.mypublisher.com
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