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Brutalist Wonders or Blunders? Architecture by Marcel Breuer

05 Jan

[ By Steph in Architecture & Public & Institutional. ]

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A master of Modernism whose architectural legacy includes a range of monumental concrete structures around the world, Marcel Breuer remains divisive among Brutalism’s admirers and detractors decades after his death. From the Whitney Museum of American Art in New York to the vaguely dystopian IBM headquarters in Paris, Breuer’s work is alternately described as majestic and depressing; cold and clinical to some, and peacefully minimalist to others. Regardless of how you feel about concrete architecture in general and Brutalism in particular, Breuer’s buildings are emblematic of this architectural style. Here are 14 of his most notable creations, as preserved by Syracuse University’s Marcel Breuer Digital Archive.

St. John’s Abbey, Minnesota

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After completing a series of modernist residential projects in the 1930s and ‘40s, Breuer moved on to work on a far more ambitious and awe-inspiring scale, starting with the stunning St. John’s Abbey and University in Minnesota. The cast-in-place concrete wonder features a towering bell banner shielding the church’s honeycombed facade. Breuer also designed a number of buildings on the St. John’s University campus, including a dormitory hall (bottom photo.)

Whitney Art Museum, New York City

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One critic of Breuer’s 1966 building on the genteel Upper East Side of Manhattan called it “one of the most aggressive, arrogant buildings in New York.” An inverted ziggurat, the structure is undeniably bold. The Hungarian-born, Bauhaus-trained architect “believed that modern architecture needed to reintroduce monumentality and symbolism, age-old characteristics that had been disregarded by modernists earlier in the 20th century.”

UNESCO Headquarters, Paris
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As far as surviving Brutalist structures go, the UNESCO headquarters are nothing short of spectacular. Completed in 1958, the Y-shaped administrative building features a sculptural canopy and spiraling fire escape stairs that reach all the way to the roof. The whole building stands on 72 concrete piles.

The Lost El Parador Ariston, Argentina

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Among Breuer’s classics is the Ariston Hotel in Argentina, a curving clover-shaped building that has been abandoned and left to deteriorate despite its status as one of Argentina’s modern architectural landmarks. Architecture faculty and students at the University of Buenos Aires are currently flighting to preserve and restore it.

The Pirelli Tire Building, New Haven, Connecticut

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Originally built as the headquarters for Armstrong Rubber, what’s now known as the Pirelli Tire Building in New Haven, Connecticut stands out as one of America’s foremost surviving Brutalist structures. Testing of the tires on the ground floor research and development facility would be noisy, so Breuer elevated the administrative spaces. The result is imposing and authoritative; it’s easy to imagine it standing in as the headquarters of a villainous corporation or classified government agency in a movie.

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Brutalist Wonders Or Blunders Architecture By Marcel Breuer

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[ By Steph in Architecture & Public & Institutional. ]

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Photographer Marcel Lammerhirt – Extreme Sports Photography

31 Oct

Sports photographer Marcel Lammerhirt uses a variety of flash and remote cameras to capture extreme sports photos at different angles and speeds. Extreme sports photographer Marcel Lammerhirt, a member of the SanDisk Extreme Team, loves shooting photos with numerous cameras at the same time. He invests most of his time in flash and remote cameras, and loves photographing a number of sports to capture that specific moment in time. With extreme sports, such as motocross and cliff diving, there is only one chance to grab a shot, since the stunts are often difficult and dangerous. The speed of SanDisk memory cards allows Marcel to continuously shoot in burst mode without lagging behind due to unwanted buffer times. He enjoys taking photos from many angles, so he often sets up several cameras, such as an overhead camera and sequence cameras. SanDisk cards let him use remote cameras all day without having to switch out cards. When he arrives home at the end of the day, he is confident that all his extreme sports images are intact and ready for processing.
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Marcel Crist: Making of Coca-Cola Photography

25 Sep

Find out how to capture the perfect image of a Coca-Cola / Mentos fountain, from Marcel Christ, the photographer for our Coca-Cola piece in the 2009 Masters of Design issue of Fast Company magazine.
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