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Posts Tagged ‘Marc’

Google’s ex-lead of computational photography Marc Levoy to build new imaging experiences at Adobe

23 Jul

Marc Levoy1, Google’s former computational photography lead and arguably one of the founding figures of computational approaches to imaging, has joined Adobe as Vice President and Fellow, reporting directly to Chief Technology Officer Abhay Parasnis. At Adobe, Marc will ‘spearhead company-wide technology initiatives focused on computational photography and emerging products, centered on the concept of a universal camera app.’ He will also work closely with Photoshop Camera, Adobe Research, and the machine-learning focused Sensei and Digital Imaging teams.

The imaging sphere was taken by surprise a few months back when Marc left Google where he helped spearhead a revolution in mobile imaging with the excellent success of Pixel phones and their stills and video capabilities. Marc and his colleagues at Google developed HDR+, which uses burst photography alongside clever exposure and merging techniques to increase dynamic range of capture and reduce noise. His work, in conjunction with Peyman Milanfar, also helped Pixel cameras yield visible photos in the dark using Night Sight, and even capture super-resolution data that captured far more detail in ‘zoomed-in’ shots than competitors, despite limited hardware. Google’s burst mode techniques even allowed its cameras to forego traditional demosaicing processes, yielding more detailed images than even competitive cameras with similar sensor sizes.2

Marc Levoy… [is] arguably one of the founding figures of computational approaches to imaging

Marc also championed the use of machine learning to tackle challenges in image capture and processing, leading to better portrait modes, more accurate colors via learning-based white balance, and synthetic re-lighting of faces. Marc helped push the boundaries of what is possible with limited hardware by focusing heavily on the software.

At its core, Adobe is a software company, and so Marc’s expertise is at once relevant. At Adobe, Marc will continue to explore the application of computational photography to Adobe’s imaging and photography products, with one of his focuses being the development of a ‘universal camera app’ that could function across multiple platforms and devices. This should allow Marc to continue his passion for delivering unique and innovative imaging experiences to the masses.

Marc has a knack for distilling complex concepts into simple terms. You can learn about the algorithms and approaches his teams spearheaded in the Pixel phones in our interview above.

More on Marc Levoy

Marc Levoy has a long history of pioneering computational approaches to images, video and computer vision, spanning both industry and academia. He taught at Stanford University, where he remains Professor, Emeritus, and is often credited as popularizing the term ‘computational photography’ through his courses. Before he joined Google he worked as visiting faculty at Google X on the camera for the Explorer Edition of Google Glass. His work early on at Stanford with Google was the basis for Street View in Google Maps. Marc also helped popularize light field photography with his work at Stanford with Mark Horowitz and Pat Hanrahan, advising students like Ren Ng who went on to found Lytro.

Marc also developed his own smartphone apps early on to utilize the potential of burst photography for enhanced image quality with apps like SynthCam. The essential idea – which underpins all multi-imaging techniques today employed by smartphones – is to capture many images to synthesize together into a final image. This technique overcomes the major shortcomings of smartphone cameras: their sensors have such small surface areas and their lenses have such small apertures that the amount of light captured is relatively low. Given that most of the noise in digital images is due to a lack of captured photons (read our primer on the dominant source of noise: shot noise), modern smartphones employ many clever techniques to capture more total light, and in intelligent ways as well to retain both highlight and shadow information while dealing with subject movement from shot to shot. Much of Marc’s early work, as seen in SynthCam, became the basis for the multi-shot noise averaging and bokeh techniques used in Pixel smartphones.

Marc is also passionate about the potential for collaborative efforts and helped develop the ‘Frankencamera’ as an open source platform for experimenting with computational photography. We look forward to the innovation he’ll bring to Adobe, and hope that much of it will be available across platforms and devices to the benefit of photographers at large.


Footnotes:

1Apart from being well renowned in the fields of imaging and computer graphics, Marc Levoy is himself a photography enthusiast and expert, and while at Stanford taught a Digital Photography class. The course was an in-depth look at everything from sensors to optics to light, color, and image processing, and is available online. We highly recommend our curious readers watch his lectures in video form and also visit Marc’s course website for lecture slides and tools that help you understand the complex concepts both visually and interactively.

2Our own signal:noise ratio analyses of Raw files from the Pixel 4 and representative APS-C and four-thirds cameras show the Pixel 4, in Night Sight mode, to be competitive against both classes of cameras, even slightly out-performing four-thirds cameras (for static scene elements). See our full signal:noise analysis here.

Articles: Digital Photography Review (dpreview.com)

 
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1. Türchen: Marc von Martial

01 Dec

1. Türchen

Wir freuen uns sehr, dass wir für unseren Adventskalender nicht nur große Firmen gewinnen konnten, sondern auch tolle Künstler. Einer von ihnen ist Marc von Martial, der bei uns bereits seine Serie „Into The Basements“ vorgestellt hat.

In unser erstes Türchen hat er einen seiner Transferdrucke mit dem Titel „Fire“, gelegt. Warum das Portrait nur so und nicht anders heißen kann, erkennt man auf den ersten Blick. Rote Flammen schmücken den unteren Bildrand. Den Effekt verdankt das Bild der Holga und einem Fuji Provia, der dann auch noch gecrossed wurde.

Fire © Marc von Martial

Bei Transferdrucken werden Farbpigmente mittels einer alkoholbasierten Paste auf Büttenpapier (in diesem Fall Canson Arches 88) übertragen. Jedes Bild ist ein Unikat, da immer wieder kleinere oder größere Fehler beim Transfer passieren. Auch die verwendeten Materialien haben einen großen Einfluss auf das Ergebnis. Die Farben sind brilliant und haben eine tolle Tiefe, je nach Papierstruktur ergeben sich so schöne Effekte.

Der Rahmen,in dem der zu gewinnende Druck kommt, misst 20 x 20 cm und die Miniatur zirka 6 x 6 cm, also fast genauso groß wie das dazugehörige Mittelformat-Negativ. Auf Etsy bietet Marc auch weitere seiner Unikate an – für alle, die bei diesem Gewinnspiel kein Glück haben oder einfach einen tollen Künstler unterstützen möchten. Dieser Druck mit Rahmen hat einen Wert von 60 €.

© Marc von Martial

Um den Druck zu gewinnen, schreibe einen Kommentar unter bürgerlichem Namen und gültiger E-Mail-Adresse bis heute um 24 Uhr. Danach verlosen wir ihn per Zufallsgenerator unter allen Kommentatoren. Die genauen Gewinnspielregeln findest Du hier. Viel Glück!


kwerfeldein – Fotografie Magazin

 
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Posted in Equipment

 

Apple’s Jony Ive and Marc Newson design special edition Leica M

09 Oct

leica_thumb.png

Jony Ive, design mastermind at Apple, and Marc Newson, the creative force behind the thoroughly unconventional Pentax K-01, have collaborated with Leica to design a special edition Leica M for a good cause. The unique M will be sold at auction, at an event raising money for The Global Fund to fight AIDS, Tuberculosis and Malaria. The one-of-a-kind camera is the product of 85 days’ work and no less than 1000 prototype parts. Click through for the full details.

News: Digital Photography Review (dpreview.com)

 
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Urban Long Exposures by Marc Koegel

20 Jan

This video features new photography work by black and white photographer Marc Koegel. Using long exposures of over an hour, Marc’s photographs cityscapes in black and white, using large format film cameras and full frame digital capture. Marc teaches his techniques in a workshop called the “Fine Art B+W Long Exposure Workshop. It is hosted by his company, Vancouver Photo Workshops. More of Marc’s work can be seen at www.MarcKoegel.com and also www.bulbexposures.com. More information about the workshop can be found by visiting www.VancouverPhotoWorkshops.com.

Bambi Cantrell describes her approach to real life photography in the wedding and family portrait space. She gives some insight into her shooting style and how her equipment helps her achieve her vision
Video Rating: 4 / 5

 

STORYBOARD P performs THE BULLITTS’ “CLOSE YOUR EYES” – directed by MARC BAPTISTE

20 May

Somewhere in Brooklyn… World renowned photographer MARC BAPTISTE directs the BATTLEFEST CHAMPION, legendary street dancer and Mutation Master STORYBOARD P in a performance to CLOSE YOUR EYES by THE BULLITTS starring LUCY LIU & JAY ELECTRONICA www.thebullitts.com www.facebook.com/thebullitts www.twitter.com/thebullitts #AmeliaSparks #TheDiaryOfAmeliaSparks
Video Rating: 4 / 5

 

Another Magazine: Marc by Marc Jacobs’ models by Chadwick Tyler

06 May

Photographer Chadwick Tyler shoots all the Marc by Marc Jacobs models for Another Magazine See the original here: www.anothermag.com
Video Rating: 4 / 5

hope you enjoy. I am no photographer (however i am inspired after seeing these fantastic photos) so I stole these photos mainly from flickr. which I feel bad about and I just want to thank flickr.com because otherwise I wouldn’t have ben able to make this (good, or bad thats up to you) video. I am also really happy to have found the very last photo which you’ll, I hope feel the same way as me, as though it totally sums up this.. overused word but.. brilliant coldplay song 🙂 Swallowed In The Sea You cut me down a tree And brought it back to me And that’s what made me see Where I was going wrong You put me on a shelf And kept me for yourself I can only blame myself You can only blame me And I could write a song A hundred miles long Well, that’s where I belong And you belong with me And I could write it down or spread it all around Get lost and then get found Or swallowed in the sea You put me on a line And hung me out to dry And darling that’s when I Decided to go to sea You cut me down to size And opened up my eyes Made me realize What I could not see And I could write a book The one they’ll say that shook The world, and then it took It took it back from me And I could write it down Or spread it all around Get lost and then get found And you’ll come back to me Not swallowed in the sea Ooh… And I could write a song A hundred miles long Well, that’s where I belong And you belong with me The streets you’re walking on A thousand houses long Well, that’s where I belong And
Video Rating: 4 / 5

 

Behind the Scenes with Photographer Marc Mauro and his Entourage

14 Apr

This video was the BEHIND the SCENES of the Video that never aired for www.MarcMauro.com … The video stars photographer Marc Mauro, Jon E. Love Abbruzzese, and George NY Oswald. Check out Marc’s amazing portfolio at http

 
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Posted in Photography Videos