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Posts Tagged ‘Manager’

Introducing the New dPS Editor and Content Manager, Jaymes Dempsey

15 Oct

The post Introducing the New dPS Editor and Content Manager, Jaymes Dempsey appeared first on Digital Photography School. It was authored by Darren Rowse.

Introducing the New dPS Editor and Content Manager, Jaymes Dempsey

We’ve had a quiet change of guard in the editorial role here at dPS. And the reason it’s been so smooth is that our new editor Jaymes Dempsey will be familiar to you as one of our current writing team members. He has been an understudy to Caz for a while now and has easily slipped into the editing role. Before I introduce you to Jaymes, a quick word from Caz

From Caz:

All the changes taking place on a worldwide scale have led me to do a lot of soul searching (as I’m sure it has for many). This exploration has made me realise I need to be focussing on my creative pursuits as they make my heart truly sing. While I have enjoyed being the Managing Editor of dPS and interacting with you all, I’m looking forward to continuing my traveling around Australia and creating as I go.

You are now in great hands with Jaymes Dempsey and the dPS team. I wish Jaymes all the best in his new role and I wish all of you the best on your photography journey!

A very big thanks to Caz for the energy she brought to the team and her role. We wish her all the best for her adventures around Australia and will always look forward to her latest updates.

About Jaymes Dempsey

Jaymes is a photographer and writer from Ann Arbor, Michigan. At 13, Jaymes decided he wanted to become a bird photographer; at 14, he decided that macro photography was the better option; now, over a decade later, he’s passionate about pretty much all photography, no matter the genre.

That said, Jaymes loves getting outdoors with his camera, and nature photography of all sorts (including bird, macro, and landscape photography) will always hold a special place in his heart. He also spends his evenings photographing downtown Ann Arbor, where you can often find him struggling to lug around an unreasonably large tripod and camera setup.

But Jaymes isn’t just passionate about photography; he also loves to help other photographers learn and grow. Jaymes believes that everyone is capable of being a great photographer, no matter their background or equipment, which is why he continues to do what he does!

Jaymes brings years of writing, editing, and content management experience to the table. He runs his own instructional photography blog, and his work has been published in popular photography magazines across the internet. In fact, it was Digital Photography School that first inspired Jaymes to starting writing about photography, and he has spent the last several years as a regular dPS contributor, which is one of the many reasons he is delighted to be coming aboard as Editor and Content Manager!

Jaymes is thrilled to take on a larger role within dPS, and he looks forward to interacting with the wonderful community that is Digital Photography School.

We hope you join us in welcoming Jaymes into his new role.

The post Introducing the New dPS Editor and Content Manager, Jaymes Dempsey appeared first on Digital Photography School. It was authored by Darren Rowse.


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Facebook Rights Manager updated to give photographers more control over their images

23 Sep

Facebook has announced a new rights management feature designed to give creators more control over their images. On Monday, Facebook product manager of the creator and publisher experience Dave Axelgard said, ‘We want to ensure Facebook is a safe and valuable place for creators to share their content.’ Key to that goal is the newly announced Rights Manager for Images.

Instagram is the dominant image-based social network at the moment, making it a valuable platform for creators…but it’s not without its controversy in the industry. Parent company Facebook is taking steps to address some of the criticism with its new Rights Manager for Images, which builds upon the existing Rights Manager to give photographers control over where their images appear on the social platform.

Rights Manager is a customizable tool found within the Facebook Creator Studio platform, which is built for creators to give them an element of control over their content across both Facebook and Instagram. The tool works by enabling users to add their content, after which Facebook will scan the two social platforms to find the content if it is posted on either.

Reposted content found on another user’s Page or profile can be removed or, in cases where it may be beneficial to the creator, the owner can either add an ownership link to the content or simply monitor the repost going forward. Creators have the option of adding exemptions for partners who have permission to share the content so that it isn’t flagged by the Rights Manager tool.

The newly announced Rights Manager for Images is described by Axelgard as a new version of the tool that is designed to offer management of photos ‘at scale.’ As with the original version of Rights Manager, Facebook requires creators to submit an application to get access to the tool.

The application includes selecting which Pages the user may want to protect, what type of rights owner they are (individual, publisher, etc.), the type of content that needs protected and similar details.

Facebook notes that this Rights Manager tool exists in addition to a number of other options creators have, including what it refers to as a ‘fast and effective’ intellectual property reporting system, as well as a policy for dealing with repeat copyright offenders and more. The tool ultimately gives creators the ability to prevent unauthorized sharing of copyrighted content, potentially bringing an end to reposts on Instagram.

It’s unclear how many creators have access to the Rights Manager, which addresses only one aspect of copyright issues on social media. Facebook has been criticized for failing to give Instagram users the ability to limit the sharing of public posts, something that was recently brought to public attention due to a couple of lawsuits earlier this year.

Facebook indicated earlier this summer that it may give Instagram users the ability to disable sharing or embedding posts, which would, for example, prevent media companies from embedding images to get around paying the photographer a licensing fee. The social media company complicated the matter in June when it clarified that its terms of service does not include sublicensing embedded content.

Though this may give creators more control over where their images are embedded, critics have said that it still places the burden on creators to find and police the use of their images due to Instagram’s readily available sharing and embedding tools. As well, the presence of these tools implies to users that they are allowed to embed public content on other websites without getting permission from the photographer first, potentially putting them at risk of unwittingly violating a photographer’s copyright.

Instagram told Ars Technica back in June that it was ‘exploring the possibility’ of offering users the option of disabling the embed tool. Such a feature remains unavailable at this time, however, meaning that Instagram users must make their images private if they don’t want users to have the option of sharing them.

Articles: Digital Photography Review (dpreview.com)

 
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We’re hiring! DPReview is looking for a Software Development Engineer and Senior Product Manager

13 Jun

We’re looking to add a Software Development Engineer and a Senior Product Manager to our team! Each role is uniquely positioned to help shape the future of the site. The Senior Product Manager will own DPReview’s product roadmap, working closely with our engineering and editorial teams. The Software Development Engineer will help build the next generation of web and mobile experiences for DPReview, shaping products from concept to delivery.

If you’re passionate about photography and ready to help build the future of DPReview, take a look at the full job descriptions linked below and learn how to apply.

Apply now: Senior Product Manager

Apply now: Software Development Engineer

Articles: Digital Photography Review (dpreview.com)

 
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First look: Skylum Luminar 3 adds support for photo libraries, Digital Asset Manager to follow

07 Dec
Skylum Luminar 3’s layout.

Luminar’s library is set to open soon, but expect construction to continue through at least next year.

The long-awaited update to Skylum Software’s photo editor adds in-app photo library management, which the company says is the first step toward building out a complete Digital Asset Manager (DAM). Called ‘Luminar with Libraries’, this version more directly competes with applications that organize your photos, such as Adobe Lightroom Classic CC and Lightroom CC. Luminar 3 arrives December 18, runs on macOS and Windows, and is a free update for owners of Luminar 2018.

This version more directly competes with applications that organize your photos, such as Adobe Lightroom

That’s mixed news for photographers contemplating a switch from Adobe’s applications, especially since Skylum has been teasing a Luminar DAM for well over a year (and just barely hitting their promise to ship it in 2018). Acknowledging the situation, Skylum is making further updates to Luminar free throughout 2019.

Luminar 3 is a free update for current owners of Luminar 2018. Owners of Aurora HDR, Photolemur, and legacy products can upgrade for $ 49 until December 18. New preorders cost $ 59 until that date, and $ 69 thereafter. There’s no subscription pricing model.

Library vs Digital Asset Manager

Here’s what Luminar with Libraries offers:

  • The Library component is integrated into the application, not existing as a separate app. It keeps track of all the images you throw at it in a browsable image gallery. Photos can be imported from cameras or memory cards, or you can point Luminar at existing folders on your hard disk. Unlike apps such as Apple Photos or Lightroom CC, Luminar doesn’t squirrel the images away to its own folder or container. It creates a central catalog file to track file locations and edits, but the originals remain wherever you put them in the first place.
  • In the Library, you can rate photos from zero to five stars, mark them as flagged or rejected, or apply any of five color labels.
  • You can create albums and populate them with photos.
  • A few shortcuts act like smart albums, revealing photos based on their capture dates, import dates, and recently edited dates.
  • In the Info panel, a limited set of EXIF data is shown, such as the camera, lens, focal length, ISO, aperture, shutter speed, and exposure compensation.
  • You can filter the library based on any of those attributes.
Filter images based on the criteria the Library offers.

Luminar with Libraries covers the basics of wrangling files and making them easily available for editing, but a full DAM provides a deeper level of interacting with one’s photos. Not included in this release is the ability to apply keywords or IPTC metadata, any kind of text-based search, a way to expose and take advantage of location data, or synchronization of images between computers or devices. The interface for importing photos relies on traditional Open dialogs instead of a way to preview the shots.

Editing Changes

Luminar 3 is still the same editor as it was before, with a few enhancements. Presets are now ‘Luminar Looks,’ which sounds like just a rebranding attempt, but actually rolls presets, LUTs, and some AI-enhanced operations into one-click actions.

“Luminar Looks” isn’t simply advantageous alliteration, but a merging of presets, LUTs, and some AI processing.

More significantly, the inclusion of the library into Luminar makes it possible to apply edits to one image and sync them among many other similar photos.

Sync edits from one image to several similar shots.

The Windows version includes improvements to Luminar’s color management to get consistent color among displays and devices, plus a host of bug fixes and performance boosts.

What’s Next

Skylum plans to release frequent updates throughout 2019 to add features and expand the library’s features. In its Luminar Roadmap, the company lists targets for the first half of the year that include:

  • Improved handling of Raw + JPEG image pairs (instead of treating each part separately).
  • The ability to create virtual copies of photos.
  • A Smart Search feature for locating shots “using keywords, EXIF information, and file names” (suggesting keyword support will be forthcoming).
  • IPTC core data editing and syncing among images.
  • Features that use AI technology “when editing skin on portraits, architecture, removing objects or simply applying masks on your images.”
  • A Lightroom migration tool.

Although Luminar 3 won’t arrive with a fully-formed DAM, as many photographers were hoping, incorporating the photo library into the application is still a big deal. Melding the library and the editing tools in the same environment streamlines the overall workflow. It allows you to work on a range of images quickly, without the hassle of opening and saving individual images (and deciding where the edited versions live). It’s a big reason why people stick with Lightroom or use alternatives such as Capture One, Alien Skin Exposure, or ON1 Photo Raw.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon manager confirms: New mirrorless system coming by spring 2019

01 May
Screen capture: Nikon Eye

In an interview with Japanese TV-channel NHK, a Nikon manager has confirmed the company’s new mirrorless camera system will be on the market by spring 2019. This is the first time we have given an approximate launch date after Nikon officially confirmed it was developing a new system back in July 2017.

Unfortunately, additional details are still scarce. According to the latest rumors, the new lens mount will be called the Z-mount and come with an external diameter of 49mm and a flange focal distance of 16mm.

Given the Nikon Director of Development publicly stated that any new Nikon mirrorless system would have to be full-frame, there’s good reason to assume the new cameras will indeed feature a full-frame sensor, putting Nikon in direct competition with Sony’s A7/A9 series of mirrorless full-frame cameras.

Articles: Digital Photography Review (dpreview.com)

 
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Manager says Canon is willing to cannibalize DSLR sales with mirrorless cameras

06 Mar

Scroll through your photo news feeds this morning, and you’ll get a lot of “Canon manager confirms: Canon is shifting focus from SLRs to mirrorless” type headlines. But you may want to wait before you grab your hammer and smash that piggy bank in anticipation of new high-end mirrorless option from Canon, because the ‘manager’ in question confirmed no such thing.

The reports we’re seeing are based on a late-February report in Nikkei Asian Review titled, admittedly, “Canon shifts focus from SLR to mirrorless cameras.” The article was written the day after Canon released the M50 mirrorless camera, and in it, Nikkei quotes the president of Canon Marketing Japan, Masahiro Sakata, who identified mirrorless as a ‘growth market’ that Canon needed to invest in:

[Canon must] actively roll out products for a growth market even if there is some cannibalization.

Needless to say, this is not the same as confirming that “Canon is shifting focus from SLR to mirrorless cameras.”

The quote is still intriguing, however, especially in the light of recent shipment and sales numbers out of Japan. Quoting last year’s CIPA numbers, Nikkei points out that the Japanese market for interchangeable lens cameras dropped by 10% while mirrorless increased by just over 29%.

Over the years, the generally accepted narrative has been that Canon doesn’t want to invest in mirrorless because it will cannibalize its SLR sales. Sakata’s statement indicates that those days are over—Canon has noticed the industry trends, and is willing to “actively roll out” mirrorless cameras even if it means eating into sales of its affordable DSLRs.

Canon wants to be more active in the mirrorless space, but that doesn’t necessarily mean ‘high-end’ mirrorless like the full-frame Sony a7 III

When it comes to high-end mirrorless, however, Sakata was much more reserved. He tells Nikkei that Canon will “look at the timing and consider [releasing a high-end mirrorless cameras],” which makes it seem like Canon’s immediate mirrorless future might look more like the M50 than Sony’s a7 line.

Of course, only time will tell, and rumor sites are still speculating that Canon (and Nikon) will both debut full-frame mirrorless offerings at Photokina 2018. We just wouldn’t take these sparse quotes from Masahiro Sakata as “confirmation” that this will, in fact, happen.

Articles: Digital Photography Review (dpreview.com)

 
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Macphun responds to Lightroom CC release, teases its own photo manager

20 Oct
Macphun’s own Digital Asset Manager (DAM) is coming to Luminar in 2018… and it’ll be a free upgrade. Photo: Macphun

It’s no surprise that not everyone is exactly thrilled by Adobe’s Lightroom announcement. The end of standalone Lightroom, and the birth of Lightroom in the cloud, has a lot of legacy users looking for a new way to organize their photos into a perpetual library they don’t have to ‘subscribe’ to. There are already tons of options out there, but if you’re a fan of Macphun’s editing applications, take heart: the software company has their own solution in the works.

Earlier today, we heard from Macphun that they’re working on their own Digital Asset Manager (DAM), which will work with both hard drives and cloud storage platforms.

The Luminar photo manager’s single image view. Photo: Macphun

“It’s going to be a perfect tool for organizing and managing images,” says Macphun. “Moreover, users will be able to run it along with LR library to compare both DAMs side by side and choose which fits them better.”

Here’s a quick video ‘preview’ (read: teaser):

The DAM will be added to Luminar in 2018, and the best part of it all is that it will be completely and totally free for current Luminar users.

For now, those are all of the details we have, but if you’re unhappy with the latest update to Lightroom and you’re looking for an alternative DAM and photo editor combo, check out the preview above and keep an eye on Macphun in 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Photokina’s new manager talks about the future of the trade show

18 Jul

Back in May, Photokina, the biennial photo industry trade show in Cologne, Germany, announced that it would become an annual event and include products and technologies beyond its historical focus of cameras and photography.

Now recently appointed show manager Christoph Menke is providing some background on the decision to change the dates of the future shows and other changes in a short Q&A session with the internal PR team of Koelnmesse, the company that is organizing Photokina.

You can read the full Q&A below, in case you’re curious:

What made Koelnmesse decide to change the show cycle from every other year show to a yearly show?

Today, professionals and consumers view the subject of imaging completely different compared to 10 years ago. Now virtual reality, wearables, tablets, mobile and smart home security are an integral part of the imaging world. The same applies to imaging software for editing, sorting, storing images, or even for CGI & sharing solutions.

As an imaging platform, we need to embrace those new technologies. As a part of this embrace, we acknowledge the significantly shorter innovation cycles of those new technologies compared to established capture technologies. For instance, the software industry has always been characterized by short development cycles. To offer these industries a suitable exhibition platform, the answer can only be a shorter cycle.

Based on surveys we know that our visitors prefer an annual photokina. The annual show cycle will also put a more regular spot light on other segments of our show such as photo equipment, photo accessories and photo studio segments and the brands represented there. They will benefit from more frequent exposure to buyers, consumers and the international media attending our show

Why is photokina going to move to May in 2019 and the following years?

The photokina dates for the next 2 years are Sept 26-29, 2018 and May 8-11, 2019 (Wednesday to Saturday). The switch to the May dates starting in 2019 is the result of conversations with key accounts from all segments. The feedback we received indicated that the May dates will provide an ideal time frame to fully take advantage of international demand before the start of the summer season.

The Show will be shortened from six to four days – what will be the upside of this change?

Based on attendees surveys we conducted we know that four show days are sufficient to see all the imaging technologies and content. Within those four days we create a more compact and thereby more intense show experience that is appreciated by both exhibitors and visitors. The fact that our customers will no longer have to wait two years for the next photokina had a significant impact on the decision to shorten the sequence.

Will the annual show cycle also mean changes to the content and focus of this event?

The changes in content and focus are what led to the structural changes. New technologies are accelerating in the innovation cycles in the imaging world. The annual show cycle is photokina’s response to a rapidly changing market place. Our mission is to provide a platform that shows the imaging technologies of the future and promotes the exchange between developers, engineers, start-ups and manufacturers.

Take video for example: In times of the YouTube-revamped trend towards amateur videos and an increasing convergence of the technologies for photo & video (4K-Grabbing), the moving picture is as important as it was in the first hour of photokina – hence the name. One of the highlights for the next event will be an Imaging Lab at photokina.

What has been the reaction of your photokina customers to the date change?

So far the responses are mostly positive. Budgets and logistics are certainly issues which have to be dealt with and we expect a transition process to adjust to the yearly dates. We are confident that the date change will provide an improved photokina for exhibitors and attendees alike.

The latest editions of Photokina were noticeably smaller and less busy than previous shows which is not much of a surprise given the decline of the camera market. Let’s hope the changes mentioned by Christoph Menke will help Photokina remain as relevant and vibrant as it has been throughout most of its existence.

Articles: Digital Photography Review (dpreview.com)

 
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Mirrorless is ‘probably’ the future: an interview with Hasselblad Product Manager Ove Bengtson

27 Jun

It is quite extraordinary for Hasselblad to produce a mirrorless camera like the X1D for a number of reasons. Firstly is the obvious: it has predominantly produced cameras with very large mirrors since its first consumer camera in 1948 – the 1600F. Second, mirrorless cameras with touch screens and electronic view finders are very modern, and we may not all think of Hasselblad as a manufacturer of entirely up-to-date electronic products.

In the X1D we are looking at a medium-format sensor in a body that can hide behind a standard high-enthusiast 35mm-style DSLR. Okay, so plenty of people will point out that it isn’t ‘full frame’ 645 (the smallest of the 120 film formats), but it’s very similar to 127 film which was considered medium format by the ISO organization. More to the point, it’s much bigger than the ‘full frame’ 35mm format and is essentially the same size as the sensors used in Leica’s S series, the Pentax 645Z, Phase One IQ3 50MP and Hasselblad’s own H6D-50c.

I guess this kind of breakthrough is one we’d expect to come from what we might consider a high-tech company, not a business that has traditionally created a relatively low volume of very high-priced and principally mechanical professional tools.

Of course Hasselblad marked a technological turn around when it introduced the H6D with its new electronic platform, but this new X series camera takes what the H6D did a few steps further. Shortly after the announcement of the X1D in Gothenburg I got some time with Hasselblad product manager Ove Bengtson to discuss some of the technical challenges that had to be overcome to create the X1D and to find out some more detail about how the product will work when it comes to market.

‘…designing a mirrorless system is relatively easy compared to our usual H cameras’

‘The X1D took only between 18 and 20 months to develop from the final concept to where we are today,’ says Ove Bengtson. ‘As it uses the same 50-million-pixel Sony IMX161 sensor, the same electronic platform and same processor as the H6D-50c most of the work was already done – designing a mirrorless system is relatively easy compared to our usual H cameras as there are no moving parts. We started discussing the idea in November 2013 but were still talking about it a year later before we decided to go ahead. The work that we had already done in the development of the H6D saved us a lot of time in research for the X1D.’

As mirrorless cameras are so much easier to make and offer so much more flexibility I wonder if mirrorless is the future for Hasselblad. ‘Yes, it probably is, but not for a while. Mirrorless systems can be smaller and lighter, and because they have no internal movement they are more durable and they create less vibration so there is less to disturb image quality. Electronic viewfinders will need to get better though and the AF systems will need to improve to catch up with phase detection systems.’ 

‘We really do want phase detection but we’ll have to wait for the sensor manufacturer.’

‘It is a great benefit to be able to have AF points all over the screen, as in our H system we are really restricted to the centre of the frame, but phase detection wasn’t even an option for the X1D. We discussed having phase detection AF points built into the sensor, but Sony was already too far down the road with the sensor development at that stage. We really do want phase detection but we’ll have to wait for the sensor manufacturer.

So, while mirrorless has many advantages over mirrored systems there are still just as many reasons to use the H system. The H system has better AF in low light, and a lot of photographers prefer an optical viewfinder. The H system is also modular so you can change the backs and use a waistlevel viewfinder – not to mention a choice of 12 lenses including technical lenses – so it is still a very different experience.’

To allow X1D users access to the existing range of H system lenses Hasselblad will introduce what it describes as a ‘simple adapter’, but in the announcement there wasn’t much more detail than that. ‘Yes, this adapter will allow autofocus to operate with most of the H lenses, but they weren’t designed to work with contrast detection systems. Consequently users will need to update the firmware in their lenses to allow them to work properly. Not all lenses have firmware that can be upgraded as early H lenses in 2002 were fixed, but all more recent lenses will be able to be used.’

‘It is still early days for this camera but when it comes to market it will have touch AF…’

The cameras on display at the announcement event had touch screen controls for working the menus and for making feature selections, but they didn’t allow touch AF controls. ‘It is still early days for this camera but when it comes to market it will have touch AF and the AF points will be spread across the screen. You will press the AF/MF button and an AF point display will appear on the screen and then you can select the point you want to use.’

The X1D’s touch-driven interface. The menu screens and displays are controlled via a series of swiping motions, much as we are used to in smartphones.

Ove said that the company hadn’t directly considered allowing the rear screen to be used as a touch pad while the EVF is in use, but that it would probably be a question of firmware and that they would consider it. ‘The touch experience for the user has been a major consideration for us, and we want the touch sensitivity to be the best there is. Users will all have smart phones and we couldn’t allow the screen of the X1D to present an experience that isn’t as good as people will be used to.’

We also talked about the company’s integration of the Nikon flash system and what the reasons were for not developing a system of their own. ‘We don’t want to have to develop our own flash system, as we’d prefer to concentrate our resources on making cameras and lenses. Any system needs a range of flash units as customers want a choice, so it makes much more sense to work with an existing system that already has that range and choice. When we only had the V system we partnered with Sunpak, and in more recent years we worked with Metz, but Metz discontinued the gun as they didn’t sell enough. Nikon agreed to work with us and we are very happy that they offer excellent flash units that will work well with our X1D.’

‘We have to produce the best that we can and allowing reduced quality just isn’t an option’

The XCD lenses that Hasselblad has developed to go with the X1D use leaf shutters and offer a top shutter speed of 1/2000sec. Leaf shutter systems allow much faster flash synchronization than focal plane shutter systems and, as is the case with the H6D, the X1D can work with full power flash at that shortest shutter opening. ‘In this camera and in the H6D we use a dual shutter system to achieve the top 1/2000sec flash sync speed,’ explains Ove.

‘The new XCD lenses are designed and built to the same specification standards that we use for the H series lenses. We have to produce the best that we can and allowing reduced quality just isn’t an option. In fact these have a short back focus which makes it easier to design them to really excellent standards. The lenses are designed by us and manufactured by Nittoh who have made many great lenses in the past, including the lenses for the X-Pan. These XCD lenses have no crosstalk and the angle of the light as it approaches the sensor is well within the limits. You’ll notice that the exit pupil of the wide angle particularly is set well inside the barrel.’

‘Right now… we have no zooms on the roadmap’

‘To start with we will concentrate on fixed focal length lenses as we can make these small in line with the compact concept of the camera. I expect there will be some demand for zooms but we will wait and see what that demand is and then respond to it. Right now though, we have no zooms on the roadmap. Personally I think they will have to be too big, and I want us to concentrate on the best performance and the highest resolution possible.’

Speaking to Ove and other technicians at the event it is obvious that Hasselblad has built this system around the specific physical dimensions of the 43.8×32.9mm sensor. If there will be a 100MP version of the X camera it will not be one using the current Sony offering that measures 53.4x40mm. ‘The camera isn’t designed to take a larger sensor,’ I was told, ‘and the XCD lenses don’t have the covering circle to work with it. We designed the camera to be small and portable, and a part of that equation is the size of the sensor. If we work with a larger sensor it means we need a bigger body and bigger lenses, and that would defeat the principles of what the X1D is about.’

No one would be drawn on how many lenses the company expects to have in the XDC range in five years’ time, but it is clear there will be more and that they will start coming shortly. The 30mm will be formally announced at Photokina and I think it reasonable to assume there will be hints of other focal lengths at the time, even if the announcements aren’t formal.

The X1D really does mark quite a departure for Hasselblad and a step towards a larger market (though still some way from the mass market) that will allow the company to broaden its user base. The step too though is as much about demonstrating it is a modern company now that can make modern products. It has also drawn an unmistakable line under that period of its life when it rebadged and allowed other brands to have too much of a hand in its manufacturing.

Things are looking up; Hasselblad seems to be back on track, innovating once more and in many ways getting ahead of the game. The X1D is certainly the coolest, most flexible, portable and accessible digital medium format almost on the market.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview is hiring! Software development manager

24 Mar

DPReview is hiring! We’re looking to add a Software Development Manager to our Seattle-based team. Bring your creativity, passion and talent to help us build the next generation of our web and mobile experiences. Responsibilities include building and managing our team of engineers, listening to audience feedback and driving DPReview’s technical vision. See all of the details below.

Software Development Manager

DPReview.com is seeking a talented, passionate, creative developer to help us craft the look, feel, and functionality of the world’s most popular digital camera website. The right candidate will be capable of defining the technical vision for the product, as well as leading the team in achieving that vision.

Our engineers work closely with a small in-house product management and editorial team. Fast, scrappy development and testing, combined with regular (sometimes daily) deployment ensures that no one gets the chance to fall into a rut and that everyone has the opportunity to help shape projects from concept to delivery. You will listen to our audience, help drive our goals, and leverage our unique position in the photographic industry, and to constantly strive for better, smarter ways to deliver the content, services, and community tools that have made the site the success it is.

You’ll be excited by the opportunity to build rich interactive user experiences on a large-scale public facing website. Your core focus will be to build the next generation of DPReview web and mobile experiences, including shopping and comparison tools for photographic gear, community and social features focused on photography enthusiasts, and special products in support of Amazon teams. DPReview has enough traffic to pose interesting performance challenges, so a solid knowledge of SQL, database design, and optimization techniques is important.

While we are part of Amazon, DPReview has its own unique culture, with a small but cohesive team of editorial staff and developers. You’ll feel like you’re at a small startup, with lean, product-focused processes, but with all the upsides of working for a large company.

DPReview.com runs primarily on .NET, but any solid experience with web technologies is sufficient. Also, we collaborate with other Amazon teams to develop features and widgets for Amazon.com, which provides the unique opportunity to show your work to a much larger audience than DPReview’s millions of daily visitors.

Basic Qualifications

  • Equivalent experience to a Bachelor’s degree based on 3 years of work experience for every 1 year of education
  • 4+ years professional experience in software development
  • Computer Science fundamentals in data structures, algorithms, complexity analysis, databases, and web technologies
  • Proficiency in at least one modern server-side programming language (such as C# or Java) and a client-side language (JavaScript); HTML and CSS experience is assumed

Preferred Qualifications / Experience 

  • Master’s Degree in Computer Science or related field
  • Build and manage a team of engineers. Recruit, hire, mentor, and coach technical staff
  • Ability to handle multiple competing priorities in a fast-paced environment
  • Demonstrated leadership ability as a lead software developer
  • People management, team building and mentoring experience
  • Experience taking a leading role in building complex software such as large-scale public websites that have been successfully delivered to customers
  • A track record of handling ambiguity well, translating loose product and project requirements into effective customer solutions
  • Hands-on expertise in many web technologies, ranging from front-end user interfaces through back-end systems and all points in between
  • Knowledge of professional software engineering practices and best practices for the full software development life cycle, including coding standards, code reviews, source control management, etc.
  • Strong UX intuition and demonstrated UI design skills
  • Solid database design experience with an emphasis on performance
  • Experience with systems administration

Click here to find out more and to apply for this role – Software Development Manager

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