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Posts Tagged ‘Maker’

Your Photographic Legacy: Realizing Your Power as a Photo Maker

28 Apr

The post Your Photographic Legacy: Realizing Your Power as a Photo Maker appeared first on Digital Photography School. It was authored by Adam Welch.

I’ve struggled with how to approach the topic at hand and I remain unsure even as I type. How can I begin to talk about such far echoing ideas? I already know that you and I share a common thread: photography.

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I’ll further assume that if you’re reading this, you are a person who makes photographs regularly. Perhaps that’s the perfect way to start; by knowing that you’re a camera person, just like me.

Being that we’re the same, I hope you understand the scope of what it means to “be a photographer” in an age when cameras are everywhere. Do you understand the power you hold in your hands? It’s the magnitude of this power that we will discuss.

With any luck, these simple truths about our craft will be nothing new. If anything, hopefully, these ideas will be a gentle reminder of the role you play in the photographic legacy.

On the other hand, if you have forgotten these facts or if you’ve never thought about them before, today is an especially important day for you.

Respect for the work…respect for yourself

It’s oddly paradoxical that photography can be so incredibly personal yet at the same time so impersonal. This is especially true of digital photography when often times the work we produce remains essentially intangible and often untouchable.

Where other creators physically intersect with their craft by either drawing, painting, sculpting or carving, we stand alone in a shared uniqueness. We use a machine to bring our expressions to life. We cannot touch what we capture with any sense of immediacy, and yet photography has become one of the most effective methods for bridging what we see with what we feel.

realizing-your-power-as-a-photographer-digital-photography-school-adam-welch-1-2

As photographers, we must grasp the sheer weirdness and complexity of what we do at a basic level. Our work is part science, part soul, part philosophy and as such should be respected for the beautiful oddball of the visual arts that it truly is.

Furthermore, you should have immense respect for yourself and your fellow practitioners of photography. Not through any sense of superiority but rather a feeling of camaraderie.

We compete on occasion, sure. We envy or criticize each other at times. With the internet being the internet, it’s quite easy to pick apart the work of others instead of building it up. We’re only human. Still, the fact remains that we will advance more by positive attitudes and tasteful critique than through thoughtless criticism and negativity.

I can assure you that we’re all in this madness together.

Photography is the servant of history

Imagine for a minute a couple of historic images in your mind. Ali standing over Frazier. That child running from a napalm strike in Vietnam. The aftermath at Kent State. A lone man staring down a tank in Beijing. Einstein sticking his tongue out for the camera.

All these moments, for better or worse, are solidified in history through photographs. Photography carries monumental weight for bringing awareness to the beauty and horrors present in the human condition.

Arguably, photography is the greatest asset for documenting history that the world has ever known.

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Every photograph is made by a man or woman who was present at the exact moment these events took place. For better or worse, the presence of a camera has been the catalyst for social, political and environmental change for nearly two centuries.

Where would we be without the photographs which move us to action and change the way we think about the world?

Photographers can strike fire anywhere with a single photograph.

Possessing the ability to potentially impact the entire course of civilization by what we do should fill us with a measure of pride, wonderment and ultimately a sense of apprehension. Think about that the next time you go out with your camera.

You can make a difference through your photography at any time and in any place.

You represent every photographer

If you bear with me, I find it’s necessary to share a quick story about a woodworker friend of mine; a story, which as it turns out, became the reason for me penning this article.

A few weeks ago I witnessed a rather nasty situation play out on social media between my friend and another woodworker. Without injecting my own opinion, it was obvious that the attitude shown towards my friend was met with universal disapproval by most of the commenters.

I was fascinated (and comforted) by the fact that what seemed to trouble people the most was the blatant disrespect which was being exhibited by one craftsperson to another.

My mind immediately jumped to the manner we as photographers conduct ourselves, both on and offline, and how that conduct impacts the public perception of photographers.

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As cameras become more and more available to the masses, it’s important to comprehend that we are all practitioners of an art form that dates back to the early 19th century. That’s quite the legacy. What I mean by this is that the way we interact with our subjects and our environment while we practice our craft can be just as important as the photographs we produce.

I have witnessed photographers moving “flying stones” at Racetrack Playa in Death Valley just so their shots couldn’t be replicated. On countless occasions, I’ve watched as cars back up behind a person who parked in the highway to make photos bears.

Perhaps most alarming of all, I have observed shockingly pretentious attitudes exhibited by professional photographers upon those deemed “beneath” their perceived level of skill.

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Be courteous and respectful to others, especially fellow photographers. Always be willing to pass on what knowledge you have about the craft. Keep in mind that we are stewards of our art and tend its flame for many generations of photo makers to come.

Never fall victim to the kind of indifferent behavior that would belittle the legacy of photography.

Final thoughts….

So, what’s the endgame here?

The keyword is “realization.”

Realize that the role photography plays in the world cannot be overstated, and your part in that story is just as important.

The way we approach photography is very much a reflection of how we approach life and each share similar outcomes.

Be mindful that you always remember the impact of the photos you make and how far the manner by which you make those photos truly reaches. Photographs carry a unique duality which occupies a cloudy space among other art forms.

Our cameras have the power to make, record and even change history, but without you, a camera is just a camera.

Remember the power you have as a photographer and wield it accordingly.

The post Your Photographic Legacy: Realizing Your Power as a Photo Maker appeared first on Digital Photography School. It was authored by Adam Welch.


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Smartphone lens maker Largan is optimistic about multi-lens camera adoption

14 Feb

iPhone sales saw a drop in the last quarter of 2018 which inevitably impacts on Apple’s component suppliers. Taiwan-based Largan Precision is a major supplier of lens modules which are used in Apple’s iPhones among other devices.

According to a report in DigiTimes the company saw its fourth-quarter revenues and operating profits decrease by more than 20 percent but remains optimistic about the adoption of triple- and more lens camera modules on flagship smartphones. As a consequence Largan Precision is planning to expand its production capacity.

The good news for companies like Largan is that even with overall smartphone sales slowing down, thanks to the adoption of multi-lens cameras more cameras and lenses are required to fulfill demand. Back in June Largan CEO Adam Lin told reporters the following:

‘Generally speaking, the smartphone industry may have started to slow, but the demand for more camera lenses does not stop there…the same smartphone shipment quantity would require more camera lenses than in the past.’

In addition to Apple, Largan has also become a lens module supplier for other industry giants including Huawei, Oppo, Vivo, and Samsung. The company also says it’s begun shipping periscope lens modules and seven-lens camera modules, so we should be looking forward to see those technologies on production smartphones sometime in the near future.

Articles: Digital Photography Review (dpreview.com)

 
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Review: Grip Gear Movie Maker 2

02 Sep

Grip Gear Movie Maker 2
gripgear.com | $ 130 | Buy now

In 2018, almost every one of us has a camera that can film HD or even 4K video. Videos can be uploaded to Youtube, Vimeo, Facebook, or Instagram with the click of a few buttons. What once was reserved for filmmakers or TV productions with giant budgets now is available in everything from full-frame DSLRs to GoPros to the smartphone in your pocket.

So how do you make your videos stand out in a sea of cats flushing toilets and grandmas dancing the funky chicken? A whole accessory segment has grown to try and help you do just that. External microphones, add-on wide/tele lenses, and gyroscopic stabilizers can all polish up your footage and give your videos a far more professional feel (even if you’re just filming your kid’s piano recital). But what if you want something that will stand out even more? The Grip Gear Movie Maker might be what you are looking for.

What is it?

The Grip Gear Movie Maker is a compact (claimed to be the world’s smallest) motorized motion control slider/dolly. It’s aimed at smartphone or GoPro photographers, but has a 750g/26oz weight limit high enough for most mirrorless cameras and even a few smaller DSLRs as well.

Having a tool like a slider gives video-makers access to some of the most iconic shots in cinematography

For those not familiar, a motorized camera slider is a set of track, single in this case, frequently double in larger rigs, with a motor mount designed to allow a camera to be attached. The motor allows the camera to move along the track at very precise and consistent speeds. Having a tool like a slider gives video-makers access to some of the most iconic shots in cinematography. Tracking, dolly, and push-in shots are some of the foundations of scene building and emotional communication. Adding them to your videos will make them stand out in a way that an add-on wide angle lens never could.

In use

Setup for the Movie Maker is fairly easy. The slider track itself is a modular design that clamps together with each section of tracking being about 12in/30.5cm long. This both allows easier transport and gives you the option to purchase additional sections. The motor unit slides onto the rails and has a small ballhead with a standard tripod screw, and a spring-loaded smartphone holder is also included.

Power is supplied by an internal rechargeable battery giving a claimed run time of up to two hours. The battery’s micro-USB charging port also allows the use of a USB battery pack for far longer run times. The track has three pairs of adjustable feet that allow basic leveling on uneven ground. They also offer the ability to wrap around something like a pipe or fencepost to allow the camera to move vertically. More importantly, there are 1/4-20 and 5/8 tripod mounts on the bottom of the track.

How does it work?

While the rails and connecting/mount hardware are aluminum there is unsurprisingly a lot of plastic in the Movie Maker’s construction. You definitely don’t feel like you are holding a high end device – but at $ 130, you also aren’t paying for one either. The little ballhead is of middling quality and care needs to be taken when connecting the rails to make sure there is no gap between the sections of plastic teeth. But overall, construction is just fine for the intended purpose and price-point. The Movie Maker also breaks down into a surprisingly small package. While packing for a family vacation, I tossed everything into some extra space in my suitcase and took it along with no trouble.

Mounting is both a simple affair and a bit limiting. While the adjustable feet do allow some tolerance for uneven ground and vertical mounting, they’re also not all that large or strong so you won’t want to rely on them if you are using a camera at the top of the Movie Maker’s weight limit.

The lightest travel tripod I had in my closet held the Movie Maker quite well

Perhaps more importantly, you’ll quickly find that using the feet pretty much locks you into low angle shots. You’ll be forever dragging tables across the room or trying to set the unit up on a car hood in order to get your camera off the ground. The answer to this is going to be the tripod mount. This gives you far more options to find the optimal height and placement for your shot. And given that the whole unit doesn’t weight that much and doesn’t work with heavy DSLRs, you don’t need much of a tripod at all. The lightest travel tripod I had in my closet held the Movie Maker quite well (assuming that you aren’t filming in a windstorm).

That said, the design of the Movie Maker’s tripod mount is somewhat frustrating. In an effort to offer both 1/4 and 3/8 tripod mounting options, the mount is a 3/8 thread with a 1/4 adapter nut screwed into it. This would be fine except that for those of us using standard 1/4 tripod screws (most everyone), this means that there is very little surface area to prevent wobbles or twisting as the camera is on the far ends of the track. I ended up using gaffer tape or zip-ties occasionally to keep everything steady. A better design would have had the 1/4 screw go directly into the Movie Maker and include a 3/8 adapter for those who want one. As is, I would probably rig up a tripod plate with a 3/8 screw if I were going to be using the Movie Maker regularly.

Controls for the Movie Maker are quite simple. In fact, there are only four buttons: two that control starting/stopping/direction and two that increase/decrease the motor speed. There are nine speeds to choose from, the slowest being a VERY slow crawl and the fastest being moderately quick. There is even a handy guide printed on the track that tells you how long the motor will take to cross the whole track at each speed. I would prefer to have seen a few more speeds on the “fast” end and I’m unsure how many people will find the slowest speeds to be useful. Generally though, the speed range works just fine for most purposes.

One thing worth noting is that, unlike with higher-end sliders, there is no option to pan or tilt the camera while it is running on the track – it is locked to whatever angle you set the ballhead at. On a Hollywood production, this would be a significant limitation. But on a slider at this price-point, it can easily be forgiven.

With just a few exceptions, the footage is generally outstanding

With just a few exceptions, the footage is generally outstanding. Using the same camera, I’m not sure that you would be able to tell the difference between a shot on the Movie Maker vs one done on a slider that was three times the price. But about those “exceptions” – the first is that the camera’s microphone can pick up motor hum, especially at the faster speeds. The motor isn’t loud, but it isn’t silent either. The second is something I alluded to earlier: gaps in the plastic teeth. When assembling the rail sections, you need to make sure that there are no gaps where the plastic teeth come together. If there is a gap, you will see a noticeable bump as the motor unit tries to crawl across it.

The final exception isn’t the fault of the Movie Maker at all, but it is something that must be mentioned given that Grip Gear is positioning the Movie Maker as a tool for “mobile filmmakers”. When using a tripod, gimbal, or other external stabilizer, your camera’s internal optical image stabilization system must be turned off. If left on, it can introduce vibrations on its own just due to the way that these systems operate. The late Canon guru Chuck Westfall described the situation like this:

“The IS mechanism operates by correcting shake. When there is no shake, or when the level of shake is below the threshold of the system’s detection capability, use of the IS feature may actually *add* unwanted blur to the photograph, therefore you should shut it off in this situation. Remember that the IS lens group is normally locked into place. When the IS function is active, the IS lens group is unlocked so it can be moved by the electromagnetic coil surrounding the elements. When there’s not enough motion for the IS system to detect, the result can sometimes be a sort of electronic ‘feedback loop,’ somewhat analogous to the ringing noise of an audio feedback loop we’re all familiar with. As a result, the IS lens group might move while the lens is on a tripod, unless the IS function is switched off and the IS lens group is locked into place.”

This is bad enough for still images, but it is even more noticeable when shooting video. Most mirrorless and even many compact and action cameras offer the option to turn their OIS systems off. However, this becomes more tricky for smartphones. Some Android phones and software appear to allow the user to turn off OIS, but you will need to verify this for your own phone.

Far worse is the news for owners of iPhone models 7/8/X. As far as I have been able to tell, there is no way to disable OIS on an iPhone. This makes the Grip Gear Movie Maker somewhat frustrating for millions of phone owners. As I mention above, this isn’t Grip Gear’s fault and iPhones have the same issue with gimbals, tripods and other stabilization devices. But it’s also an important issue that can’t be ignored.

Some Extras

There are a few extras that give the Movie Maker additional functionality. The first is that the motor unit can be removed from the track and with the installation of an included mount, turns into a motorized head for panoramic images or time-lapse video. While fairly basic, this works surprisingly well.

Sadly, due to the use of the motor to drive the camera rotation, it is impossible to use the panoramic functionality and the slider at the same time. While understandable, especially at this price point, it’s kind of a bummer because timelapse slider videos can be really neat.

The second extra is something Grip Gear calls a Micro Dolly. It is essentially a small three-wheeled platform that uses the motor unit from the Movie Maker for power. It is a small unit, and the wheels are made for smooth terrain. But even so, in the right location you can get essentially endless dolly type shots.

Additionally, the two “steering” wheels can rotate allowing the Micro Dolly to run in various size circles. I could see this being useful for portrait, product or even unique timelapse videos.

What’s the bottom line?

All told, this is a clever and inexpensive kit that does what it claims to. You can get some unique video shots that are unlike what you see 500 times a day on your friends’ social media posts.

Are you going to make huge dolly shots with two feet of track or a little rolling cart on a table? No, you aren’t. This isn’t for Hollywood films, it’s for phones and GoPros. It would make a fun birthday/holiday gift for someone you know who enjoys making short videos for YouTube or Instagram. I could also see it being an easy way to add some style to videos for Kickstarter projects or Etsy sellers.

Would I put it on the top of my list of “most useful video accessories”? No, probably not. But is it in the running for “best value in a fun video accessory”? Absolutely.

What we liked:

  • Price
  • Unique shots
  • Creativity

What we didn’t:

  • Subpar tripod mount
  • Weight limits
  • Weak ball mount
  • Interaction with phone OIS systems that can’t be turned off

Articles: Digital Photography Review (dpreview.com)

 
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The Kanton DX35 concept is an all-in-one film development machine the size of a coffee maker

13 Jul

Developing film isn’t necessarily a difficult task. But it is time-consuming and, generally speaking, it tends to require a decent bit of space and equipment to get started. Industrial designer Thomas Müller is hoping to change that, with a clever device he calls the Kanton DX35.

This tabletop device is a ‘smart home solution to develop your colour as well as black and white films in both 35mm and 120 [film] without the need of a darkroom.’ The Kanton DX35 is little more than a concept right now, but Müller hints it could become more by asking consumers to sign up for more information when ‘further progress’ is made. Whatever stage of development it’s in, it’s quite the setup.

To load film, it’s simply a matter of adjusting the reel to fit your roll of 35mm or 120 film and slipping it back into the container. Once it’s in the container, it’ll automatically unwind the film in complete darkness. Once unwound, it’s a quick cut of the film with the integrated cutter, and you’re on your way to the next step.

Development is aided by a dial and screen that automatically heats up the chemicals to the correct temperature and lets you know when you need to switch out the chemicals, pending your development method of choice. Step by step, the Kanton DX35 guides you through the process of adding the required chemicals to container and automatically agitating the film inside the container to get an even development.

Once the film is developed and chemicals are back in their places, it’s simply a matter of giving it a rinse and removing the reel from the container. Below is a visual step-by-step guide provided by Müller:

Sure, this concept doesn’t account for all of the intricacies of developing film, but for a device that doesn’t take up much more space than a coffee maker, it looks pretty impressive.

To sign up for updates from Müller on the Kanton DX35, head on over to his product page and sign up. If he ever decides to bring it to life, you’ll be the first to know.

Articles: Digital Photography Review (dpreview.com)

 
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Lexar acquired by Chinese flash storage maker Longsys

03 Sep

Lexar will live on. Two months and a few days after parent company Micron announced that they would be discontinuing the Lexar band, Chinese flash memory giant Longsys has acquired the Lexar trademark and branding rights. The new owner promises that “the solutions and support they have come to expect from Lexar branded products will continue to be available.”

News of the acquisition broke yesterday on the Longsys website, and according to tech site Tom’s Hardware it’s a boon for both brands. Longsys has told the site “on a number of occasions about its desire to enter the U.S. market,” and Lexar was in need of a savior.

“We are very honored to acquire the Lexar brand,” Longsys CEO of Electronics Limited, Huabo Cai, said in a statement. “Lexar has built a great brand name and our vision is to make it even greater. Existing customers can rest assured that the innovative solutions and excellent support that they have experienced from Lexar will continue.

According to Cai, Longsys’ mission in acquiring the Lexar brand is to make it “the go-to brand for high-performance removable storage,” expanding on the brand’s offering with “even more compelling solutions as the age of wireless an big-data impact the consumer storage markets.”

Neither Micron nor Lonsys have shared any financial details about the acquisition, but for now, it sounds like Lexar will not only continue to exist… it’s about to start growing in a big way.

Press Release

Longsys Acquires Lexar Brand, a Leading Brand for High-Performance Removable Storage Solutions

Strength of Lexar Brand Combined with Longsys’ Consumer Storage Dedication Enables Continued Support to Existing Lexar Customers as well as Exciting New Growth Opportunities

SHENZHEN, China and SAN JOSE, Calif (Aug. 31, 2017) – Longsys, a world leader in consumer flash storage, today announced that it has acquired the Lexar trademark and branding rights from Micron Technology, Inc. The Lexar brand has long been recognized as a leading brand for high-performance, high-reliability removable storage solutions for a wide variety of applications, such as the professional photography market. This acquisition provides assurance to existing Lexar customers that the solutions and support they have come to expect from Lexar branded products will continue to be available. Additionally, the market reach and product breadth provided by Longsys promises to expand the Lexar customer experience into new market segments and geographies.

“We are very honored to acquire the Lexar brand,” said Huabo Cai, CEO of Longsys Electronics Limited. “Lexar has built a great brand name and our vision is to make it even greater. Existing customers can rest assured that the innovative solutions and excellent support that they have experienced from Lexar will continue. The mission to make Lexar the go-to brand for high-performance removable storage continues, and we will expand upon it to offer even more compelling solutions as the age of wireless and big-data impact the consumer storage markets.”

Longsys has been focused on flash storage for over 18 years and provides a broad portfolio of solutions. Its embedded storage brand FORESEE® is leading in the market in China and growing rapidly on a worldwide basis. The company develops complete solutions, including software and hardware, which is key to innovation and deploying leading-edge flash technologies, such as 3D NAND. Longsys currently sells over 100 million flash-based products to the market on an annual basis. Lexar customers will benefit from the strategy and company culture of Longsys, including innovation, stability, strict quality control, localized and customized support and services, and a consumer storage focus.

Longsys envisions continued growth in the removable storage market, as many industry trends impact the consumer, including big data, wireless, and Quality of Service (QoS). Virtual reality, 8K video, automotive infotainment, video surveillance and drones are all examples of emerging applications expected to drive demand for high-performance, high-reliability removable storage. Longsys, with its focus on consumer storage, innovation, quality and reliability, is uniquely positioned to offer Lexar products and services to help solve these complex problems and provide solutions the market will demand.

Articles: Digital Photography Review (dpreview.com)

 
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Panono no more: 360-degree camera maker sold after ‘amazing but also exhausting journey’

05 Jul
Jonas Pfeil demonstrates the size and design differences between the working prototype Panono camera (right) and the design model of the final production unit (left). In a letter to backers he has confirmed that the company is to be sold, after only delivering around 400 cameras.

It’s official: Panono, maker of an innovative 360-degree camera, is to be sold after only managing to deliver around 400 cameras to its backers. The company filed for bankrupcy in May, but in a letter to backers, co-founder Jonas Pfeil has confirmed that the sale of Panono’s assets is expected to be finalized very soon.

As he explains, ‘assets’ in this context means ‘inventory, software, the rights to the hardware, almost all employee contracts, IP rights etc., […] but not the obligations towards external parties’. External parties like the Indiegogo backers that funded the Panono camera. In other words: if you backed Panono and you didn’t get your camera yet, you’re officially out of luck.

Thanking backers for their support and understanding, Pfeil called the experience ‘an amazing but also exhausting journey’. He stressed that, as shareholders, ‘the [outgoing] founders will […] not profit from this sale, as the money will be used by the insolvency administrator to pay outstanding invoices and other debt first.’

Meanwhile, there’s some good news for the 400 or so backers that did get their cameras – after some initial uncertainty, it seems that the cloud service supporting the device will continue to be maintained.

We really liked the Panono when we tested it last year, and we’re sorry to see it go. Were you one of the backers? Did you receive a camera? We’d like to hear from you.

Read our review of the Panono 360-degree camera (July 2016)

Articles: Digital Photography Review (dpreview.com)

 
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Grip Gear introduces Movie Maker, a tiny slider for smartphones and action cams

30 Nov

Grip Gear, maker of the handheld smartphone stabilizer IndieSolo, has launched the Movie Maker: a portable, electronically driven slider built for smartphones, action cams and compact cameras.

Powered by AAA batteries or a separate power bank via USB, the Movie Maker includes a rail, motorized head and a clamp to accommodate most smartphones. Eight speeds can be utilized, as slow as 6mm/min up to 300mm/min to create slow motion, time-lapse or real-time stabilized panning shots.

Upon reaching the end of the track, the Movie Maker will automatically bounce back and move in the opposite direction. The motorized head can also be used separately from the rail to pan 360-degrees for panorama. It’s all designed to pack away into a compact kit that can fit into a camera bag or backpack.

The Movie Maker is available now on Amazon for a list price of $ 130.

Press release

Hollywood production tools arrive for smartphones.
Grip Gear launches The Movie Maker tool set

<GripGear. 31 Oct. 2016. For immediate release. > Smartphone movie tool kit company, Grip Gear has upped the ante in video production with the launch of Movie Maker: a set of miniature production tools that puts all the equipment a movie company might use to make a major Hollywood production into a tiny package that will help turn a smartphone into a full-blown movie making resource.

As smartphones become more and more capable, they are becoming one of the most important tools for creating video content for both brands and individuals. By 2019 video will account for almost 80 percent of all consumer Internet traffic. Even now, Facebook experiences 8 billion video views per day. But as video proliferates, standing out from the crowd becomes an increasing challenge.

The Movie Maker helps video makers move up into a new realm of production quality and creativity with gadgets like an 8-speed electronic tracking slider, a 360º panoramic function and suction cups to hold your phone in impossible positions for the most amazing shots.

Co-founder Rhys Bradley said: “As a former grip in the film industry, I’ve long had a vision of creating a film set experience in a smaller format for smartphones and other small cams. With the Movie Maker, smartphone users can now create beautiful movie quality footage that used to take massive pieces of expensive film making equipment with a set of highly portable tools that can fit in a camera bag!”

Co-founder Dean Tzembelikos said: “After 3 years of development and meticulous attention to detail and quality we are proud to launch the Movie Maker. It will enhance the video making experience and bring out the creative juices in everyone. This is a genuine breakthrough in putting movie making into the everyone’s hands”

The Movie Maker will shortly be available on Amazon as well as at www.gripgear.com and cost USD $ 129.

Technical information:

  • Can use 99% of all smartphones, action camera’s and light compact camera’s
  • Folds small and is light weight and backpack friendly • Comes with 2 x 31cm tracks, additional tracks are available for extensions
  • Power Options: Plug into a power bank to extend operating times +36 hours (10400MA), or use 2 AAA batteries for 2 hours
  • Remote control for both speed and direction (8 speeds)
  • Bounce back for continuous motion: When the movie maker reaches the end of track it will not stop but move in opposite direction
  • Motor speeds vary from very slow, mostly used in time lapse 6mm/minute and to a 300mm/minute for real time.
  • Operates as a manual slider
  • Convenient ¼ inch threads allow you to attach The Movie Maker to a tripod, suction cup
  • Can climb 90 degrees
  • Weighs 900g and can hold up to 300g phone/camera
  • Can operate upside down
  • Use without tracks for pans or 360 Panorama shots
  • No vibration, even on full zoom videos are stable
  • Easy to use

Articles: Digital Photography Review (dpreview.com)

 
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Overview and Field Test of HoldFast Gear’s Money Maker Leather Camera Strap

02 Nov

The camera strap is one accessory that has definitely evolved along with the photography industry. While the default strap that comes with every camera might suit your basic shooting needs, there are plenty of options available with enhanced features (and style). Some help you shoot more ergonomically by better balancing heavy gear across your body, and some just give you the appearance of looking like a more polished professional. This product review is a camera strap that meets both ergonomic and stylistic needs of today’s photographers: the Money Maker leather camera strap by HoldFast Gear.

best leather camera strap Holdfast Moneymaker Review

About the MoneyMaker strap

The MoneyMaker is one of several camera strap products created by HoldFast Gear founder Matthew Swaggart. As a photographer himself, Swaggart created his line of camera straps to efficiently carry his own camera gear and pocket items, while also maintaining a nice aesthetic. Beginning with his very first product, the RuckStrap, Swaggart’s brand is perhaps best known for the MoneyMaker leather dual camera strap. Based in Tulsa, Oklahoma, every single HoldFast product is made in the USA, and Swaggart has been known to openly collaborate with customers to design custom straps.

best leather camera strap Holdfast Moneymaker Review

Benefits of Dual (or Double) Camera Straps

While dual (or double) camera straps are already very popular among photographers who carry multiple camera bodies, many of them such as the popular Black Rapid Double have designs that resemble tactical SWAT team gear. As a petite female photographer using these dual camera straps, I’m frequently met with raised eyebrows and asked if I’m getting ready for battle.

This is where the HoldFast MoneyMaker comes into play. Once I switched from Black Rapid to the MoneyMaker, I noticed even more raised eyebrows, but this time with the question, “Where did you get that beautiful camera strap?”

best leather camera strap Holdfast Moneymaker Review

MoneyMaker Basics

Crafted from high-grade leather and metal fasteners and buckles, the MoneyMaker is worn like suspenders, with a camera suspended from each end. The design balances the weight of the cameras so they both hang down by your hips, and you can even attach a third camera to the front by using an optional attachment leash. One of the best features, that is lacking from competitors such as BlackRapid, is the MoneyMaker’s inclusion of a Safety Catch clip that adds an extra layer of security to your camera.

best leather camera strap Holdfast Moneymaker Review

If you’ve ever used a Black Rapid camera strap, the mechanics of the MoneyMaker will be very similar.

  1. Start by first putting on the MoneyMaker Straps, then fasten the HoldFast screws to the tripod mount of your camera.
  2. Next, attach the circular split ring from the Safety Catch to your camera. This can be a bit tricky for Canon DSLRs.

best leather camera strap Holdfast Moneymaker Review

MoneyMaker Options and Variations

Textures

There are several standard variations you can choose from with the MoneyMaker to make it more comfortable and stylish. First, the MoneyMaker comes in several different materials including English Bridle, Water Buffalo, Great American Bison, and even Genuine Python. Prices and color options vary according to the material you choose, with Bridle Leather being the lowest priced, and Genuine Python costing the most.

best leather camera strap Holdfast Moneymaker Review

For those preferring camera straps not made of leather, HoldFast offers the Camera Swagg collection featuring the same MoneyMaker design crafted from high-grade nylon. Slightly lighter in weight and more affordable in price compared to leather options, this ultra-light option also comes in a wider array of colors including copper, navy, red, and black.

pratt_holdfast-gear-camera-strap_16

If you want a truly unique, one-of-a-kind camera strap, you can even opt for the hand tooled, hand painted leather MoneyMaker. Each is custom made to order and results in a beautiful, functional piece of art that embodies the art of leather craftsmanship.

Sizes

All of the leather straps can be ordered in the Original (1 1/2″ wide) or Skinny (1″ wide with 1 1/2 inch removable shoulder pads) version. They also come in Small, Medium, or Large, depending mainly on your height and build, with optional D-ring metal loops that can add extra attachment options. As a 5’2″ petite female, I opted for the Bridle Leather MoneyMaker in Chestnut color, size Small, and the Skinny version with no D-rings (they are’t recommended if you have long hair). It was a perfect fit!

best leather camera strap Holdfast Moneymaker Review

My Experience Shooting with the MoneyMaker

While the MoneyMaker is very popular among wedding photographers, I found it to be perfect for shooting concerts and corporate events as well. At concerts and music festivals, in particular, where leather camera straps aren’t yet prevalent, the MoneyMaker proved to be an excellent conversation starter among other photographers and concert-goers.

best leather camera strap Holdfast Moneymaker Review

When I shoot big concerts and events, I typically have the following camera setup:

  • (1) Canon 5D Mark III (B&H or Amazon pricing) with a 70-200mm f/2.8 attached  (B&H or Amazon pricing)
  • (1) Canon 6D (B&H or Amazon pricing) with a 24-70mm f/2.8 attached (B&H or Amazon pricing)
  • (1) 580 EXII Flash (B&H or Amazon pricing)
  • (1) Wallet with extra memory cards, batteries, and business cards

Using the MoneyMaker to carry my two camera bodies, I also used a lightweight ThinkTank belt pack to carry my flash and wallet. This combination helps balance the weight in my upper body and allows me to emerge with zero back and shoulder pain after shooting a multi-day music festival and two corporate conferences.

best leather camera strap Holdfast Moneymaker Review

best leather camera strap Holdfast Moneymaker Review

Things to Note

While my experience with the MoneyMaker was highly positive, there are a couple things about this camera strap system to note.

First, the use of all authentic leather makes the MoneyMaker heavy compared to the all-nylon systems of Black Rapid and other competitors. This isn’t a problem when you’re wearing and using the camera straps, but it can feel and appear somewhat intimidating right out of the box.

best leather camera strap Holdfast Moneymaker Review

Second, leather takes some time to break in, so the straps aren’t the softest and most supple at first. That doesn’t mean the straps aren’t comfortable, but you’ll need to use them frequently over time to get them to loosen up. Also, you’ll want to take extra care of the material if you go with a genuine leather camera strap option so it retains high quality.

Over to you

Do you have a certain camera strap that you prefer to use other than the default strap you automatically receive when you buy a camera? Is style as important as function when it comes to your ideal camera strap? What do you look for in a strap?

Please share in the comments below.

best leather camera strap Holdfast Moneymaker Review

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The post Overview and Field Test of HoldFast Gear’s Money Maker Leather Camera Strap by Suzi Pratt appeared first on Digital Photography School.


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Processor maker ARM acquires Apical

20 May

Processor maker ARM has acquired the UK-based imaging technology company Apical for a cash consideration of $ 350 million. The Apical name might not be too well known among consumers, but the company’s technology can be found in a very large range of digital cameras and smartphones.  

The company’s products include Assertive Display which makes screens adapt to changes in lighting, and Assertive Camera, a range of image signal processors (ISPs) and software modules that manage HDR capture, noise reduction and color management among other tasks. Apical is also one of the UK’s fastest growing technology companies and currently employs approximately 100 staff, most of them at its research and development center in Loughborough. 

According to the press release, with the acquisition ARM is hoping to get into new markets where computer vision technology is in demand, including connected vehicles, robotics, smart cities, security systems, industrial/retail and the ‘Internet of Things’ devices. That said, Apical also complements ARM’s offerings in the smartphone and digital camera sectors. 

“Computer vision is in the early stages of development and the world of devices powered by this exciting technology can only grow from here,” said Simon Segars, CEO, ARM. “Apical is at the forefront of embedded computer vision technology, building on its leadership in imaging products that already enable intelligent devices to deliver amazing new user experiences. The ARM partnership is solving the technical challenges of next generation products such as driverless cars and sophisticated security systems. These solutions rely on the creation of dedicated image computing solutions and Apical’s technologies will play a crucial role in their delivery.”

Apical’s dynamic range compression algorithm, ‘Iridix’ was used by a range of camera makers, including Nikon, Olympus and Sony as they developed their in-camera dynamic range options Active D-Lighting, Shadow Adjustment Technology and Dynamic Range Optimizer.

Articles: Digital Photography Review (dpreview.com)

 
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Drone maker DJI takes ‘strategic minority’ stake in Hasselblad to gain camera technology

05 Nov

Medium format and aerial camera maker Hasselblad has sold a minority stake to the Chinese drone giant SZ DJI Technology Co Ltd, in what the two companies describe as a ‘corporate partnership’. The exact size of the stake has not been revealed, but both sides are keen to point out that there will be no merging of the businesses and from an external viewpoint nothing will change. Read more

Articles: Digital Photography Review (dpreview.com)

 
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