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Major ON1 Photo RAW update adds tethered shooting, better noise reduction and more

10 Mar

ON1 just released a major update to its photo editing software ON1 Photo RAW. The update, version 2018.1, brings with it a host of feature upgrades, including: better auto-alignment for the HDR mode, improved high ISO noise reduction, and more detailed image sharpening. The update also includes a new tethered shooting function for certain Nikon and Canon DSLRs, as well as a new import utility that allows metadata to be added as images are sucked in from the camera.

Video files can now be seen in the browser, and new sort features allows user to browse imported images in a number of ways, such as by file type, date, file name or rating. Users can also batch rename groups of images, and a date-and-time editing function lets you adjust the recorded moment an image was shot.

Finally, the company has also made some changes to the way images are debayered to improve the amount of micro detail preserved in the final render.

ON1 says its priorities are image quality and processing/handling performance:

“Version 2018.1 isn’t just about the new features, although there are many powerful new additions,” says ON1 Director of Product Dan Harlacher. “Image quality and performance are the top priorities in every update, and we are very excited for our customers to experience these improvements for themselves in this update.”

New users can take advantage of a free trial, or purchase the software in its entirely (usually $ 120) for a special limited-time price of $ 80. If you’re already using Photo Raw 2018, the new version is free.

For more information, visit the ON1 website.

Press Release

ON1 Photo RAW 2018.1 – New Update Available

Portland, OR – March 1, 2018 – ON1, Inc. is pleased to announce the immediate availability of the new ON1 Photo RAW 2018.1, the first major free update to Photo RAW 2018. Version 2018.1 includes image quality enhancements, performance improvements, and key features to optimize the photographer’s workflow.

“Version 2018.1 isn’t just about the new features, although there are many powerful new additions. We’ve been very focused on image quality and the results customers get from using ON1 Photo RAW. Image quality and performance are the top priorities in every update, and we are very excited for our customers to experience these improvements for themselves in this update,” says Dan Harlacher, Director of Product at ON1.

New Improvements

  • Debayering – The algorithms have been improved to increase the amount of micro detail while reducing aliasing, yielding photos that are noticeably crisper with less color artifacts.
  • HDR – HDR alignment and deghosting have improved, yielding sharper results with less ghosting, noise, and color fringe. Users now have the ability to select which frame is used for deghosting and can also adjust the amount of motion visible in water and clouds.
  • Faster Cataloging – The thumbnail and preview generation of images is now faster. Searching photos has also been improved.
  • Noise Reduction – Improvements to reduce large noise from very high ISOs. Automatic hot-pixel removal has been added, and green and purple color aberration reduction has improved.
  • Sharpening – The sharpening algorithms have been improved to enhance micro details and provide sharper initial results.
  • Panorama – The panorama merge dialog now does a better job with vertical panoramas as well as really large ones. It can now stitch together up to 25 photos at a time. Blending of photos to compensate for differences in exposure and white balance have been improved.
  • Preview Quality – The preview window has been improved to more accurately reflect the details and sharpness in photos at different zoom levels.

New Features

  • Import – Get photos from your camera to your computer, choose where you want the photos to go, assign metadata, and more.
  • Tethered Shooting – Get your photos to your computer instantly and apply import settings. Currently supports Canon and Nikon.
  • Soft Proofing – Simulate what your photo will look like when it’s printed.
  • Metadata Templates – Add metadata to a group of photos using presets. This allows you to choose and save only the information you want applied to your photos.
  • Video Browsing & Organizing – Now supports viewing video files so you can organize those as well. Copy, move, name, add metadata, and more.
  • Custom Sorting – This option in Browse allows you to put your photos in any order you choose.
  • Batch Rename – Rename all of your photos in a batch to add unique information to filenames.
  • Edit Capture Date – Adjust date and time on your photos so they match the actual date and time they were taken.
  • Auto Advance – Automatically switch to the next photo during the culling process when rating or tagging photos.
  • Additional Camera & Lens Support — Added support for several new cameras and many new lenses. See the full list here.

About ON1 Photo RAW

ON1 Photo RAW 2018.1 is the only photo editor designed by photographers for photographers. ON1’s unique community-driven development approach via The Photo RAW Project gives customers a voice in how it’s designed, allowing users to submit ideas and vote on new features. With fast photo management, hundreds of customizable photo effects, powerful masking tools, HDR, panos, layers, and other Lightroom and Photoshop-like features, Photo RAW 2018.1 is the ultimate all-in-one photo editor and raw processor with no subscription.

Craig Keudell, CEO of ON1 says “Our vision for Photo RAW has always been that it would the fastest, most flexible, and easiest-to-use raw processor and photo editor on the market. A single photography centric photo editor with powerful Lightroom® and Photoshop®-like features photographers can own and enjoy for many years. Photo RAW has come a long way in a short time and we are both excited and very busy building new exciting technologies for our next update.”

ON1 Photo RAW 2018.1 isn’t just for raw files. Supported file formats include JPEG, TIF, PSD, PSB, PNG, and DNG are supported and benefit from the speed, performance, and abundance of editing tools in the app. Photo RAW 2018.1 continues to work seamlessly within current photography workflows. The app integrates as a plug-in for Adobe® Lightroom® Classic CC and Photoshop® CC and further builds its case as a complete standalone photo editor or alternative to the Adobe Photography Plan. Version 2018.1 also integrates with the major cloud services to allow for uploading, managing, and editing photos across multiple computers. This allows users to sync photos and their edits across multiple computers or in a studio setting.

Price and Availability

ON1 Photo RAW 2018.1 is available now for an introductory price of $ 79.99 for a limited time (Reg: $ 119.99). A free and fully functional 30-day trial is also available on the ON1 website. A single purchase of ON1 Photo RAW 2018.1 will include both Mac and Windows installers and activation for up to five computers. It comes with a 30-day money-back guarantee, world-class customer support, hundreds of free video tutorials, and free ON1 Loyalty Rewards every month.

For More Information

* ON1 Photo RAW 2018.1 Introductory Special
* Free 30-Day Trial
* The Photo RAW Project
* About ON1

Articles: Digital Photography Review (dpreview.com)

 
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Olympus offers major firmware update for OM-D E-M1 II, E-M5 II and Pen-F

28 Feb

Olympus has announced updates for its OM-D E-M1 Mark II, OM-D E-M5 Mark II and Pen-F cameras in the lead up to CP+ 2018. All three cameras get a new Bleach Bypass Art Filter and added support for the Panasonic Leica 200mm F2.8 Power OIS lens, but the improvements go beyond that for the individual camera models.

The E-M1 II’s list of updates is the longest. Firmware 3.0 brings improvements to Pro Capture Mode, increasing the pre-shutter buffer depth from 14 to 35 frames. Pro Capture Mode H can also now be used with any Four Thirds or Micro Four Thirds lens. Focus Stacking mode now works with the 12-100mm F4 Pro, and the camera will now provide in-body distortion correction for the 8mm F1.8 Fisheye Pro.

Olympus OM-D E-M5 II firmware 4.0 adds the focus stacking feature found on the
TG-5 and E-M1 II

Other E-M1 II improvements include the ability to set smaller AF target points in S-AF and C-AF, a 100% magnification option in image playback and a Flicker Scan feature to help choose a shutter speed that avoids flickering from problematic light sources. Olympus also says that C-AF performance has been improved overall, as has stabilization in video shooting, among other minor feature updates.

Olympus OM-D E-M5 II firmware 4.0 adds the focus stacking feature found on the TG-5 and E-M1 II. In this mode, eight images are captured as focus is shifted to create a composite final image with greater depth of field.

Firmware 3.0 for the Pen-F adds the ability to save Monochrome and Color Profile Control settings to the camera by way of a computer. Shading effects are also added to Color Profile Control and Color Creator.

For the full list of improvements, see the press release below or head to Olympus’ website.

YOUR UPGRADE AWAITS: OLYMPUS UNLEASHES POWERFUL NEW FIRMWARE FOR ITS OM-D AND PEN CAMERAS

New Functions and Improved Performance Are Delivered Through Firmware Version 2.0 for OM-D E-M1® Mark II, Version 3.0 for PEN-F®, and Version 4.0 for OM-D E-M5 Mark II

CENTER VALLEY, Pa., February 28, 2018—Today Olympus announces a series of new firmware updates that are available immediately for several of its latest interchangeable lens cameras. The firmware upgrades include Version 2.0 for the flagship Olympus OM-D E-M1 Mark II, Version 3.0 for the Olympus PEN-F, and Version 4.0 for the Olympus OM-D E-M5 Mark II.

Olympus is dedicated to providing ongoing product functionality and performance improvements to deliver cameras that users can depend on long after their initial purchase. The latest firmware updates are designed to bolster Olympus’s interchangeable lens cameras with the latest functionality, improved performance, and expanded creative options. Many of the firmware updates were implemented in response to users’ requests.

For example, Firmware Version 3.0 for the PEN-F adds the ability to save the settings of the Monochrome and Color Profile Control from the user’s computer onto the camera. Firmware Version 4.0 for the OM-D E-M5 Mark II adds the Focus Stacking function available on the OM-D E-M1 and E-M1 Mark II. In addition to these upgrades, videographers will now have access to the Look Up Table (LUT) file for the OM-D E-M1 Mark II and the OM-D E-M5 Mark II, allowing for advanced control and optimal color grading using DaVinci Resolve®.

Other new features include improved Pro Capture Mode functionality in the OM-D E-M1 Mark II’s Firmware Version 2.0, while the PEN-F’s Firmware Version 3.0 includes shading effects that were previously only available in Monochrome Profile Control and are now available in Color Profile Control and Color Creator.

Main Features

OM-D E-M1 Mark II Firmware Version 2.0 Details

1. Improved Pro Capture Mode functionality
Pro Capture Mode provides lag-free shooting so users can capture high-quality, full-resolution images at precise moments without compromise. Pro Capture buffers a running series of JPEG and RAW images when users press the shutter release halfway. With Firmware Version 2.0, the maximum number of pre-shutter frames that can be recorded once the shutter button is fully pressed has increased from 14 to 35.

Additionally, a new display icon shows users that they have initiated Pro Capture Mode and the camera is currently buffering frames.

All attachable lenses are now compatible with Pro Capture H (focus locks after first image is buffered).

Lens Pro Capture L Pro Capture H
Olympus Micro Four Thirds System standard lenses Yes Yes
Other Micro Four Thirds System standard lenses No Yes
Four Thirds System standard lenses No Yes
Lenses without electrical contacts (MF only) Yes Yes

2. Focus Stacking now supports the M.Zuiko Digital ED 12–100mm F4.0 IS PRO
Firmware Version 2.0 now allows the M.Zuiko Digital ED 12–100mm F4.0 IS PRO to support in-camera focus stacking. Additionally, seven other lenses support focus stacking, including the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO, ED 30mm F3.5 Macro, ED 60mm F2.8 Macro, ED 300mm F4.0 IS PRO, ED 7–14mm F2.8 PRO, ED 12–40mm F2.8 PRO, and ED 40–150mm F2.8 PRO.

3. Small AF Target setting added to S-AF and C-AF
In response to feedback from Olympus users looking for a greater level of precision when choosing a specific AF target, Small AF Targets have been added to the single target (1-point) AF area.

4. In-body Fisheye Correction when using M.Zuiko Digital ED 8mm F1.8 Fisheye PRO
Fisheye Distortion Correction is now available in-camera so that the M.Zuiko Digital ED 8mm F1.8 Fisheye PRO can be used as a wide-angle lens without the fisheye effect. Fisheye Correction effects can be viewed by the user in real time on the rear monitor or EVF before shooting.

5. The magnify setting now offers a 100-percent enlargement ratio for use during image playback
Due to Olympus user feedback, pixel size display has been added to the magnification ratio options, making it possible to review images at a 1:1 pixel ratio.

6. New Flicker Scan function removes flickering when using the electronic shutter
The Flicker Scan function allows users to preview the scene and choose the proper shutter speed to avoid flickering, a phenomenon that is common when using the camera’s electronic shutter under fluorescent or LED light sources.

Other Improvements

  • Continuous AF (C-AF) performance has been improved.
  • AF response has been improved when using back-button focus AF settings with the AEL/AFL button.
  • IS performance has been improved when shooting video, enabling more natural camera work (IS-equipped lenses require simultaneously released firmware update).
  • Tethered shooting responsiveness and stability using Olympus Capture has been improved, providing an easier shooting workflow.
  • The remaining battery level icon has been fine-tuned.

PEN-F Firmware Version 3.0 Details

1. Monochrome and Color Profile Control settings can be saved onto camera via computer
It is now possible to save Monochrome and Color Profile Control settings in images recorded on the PEN-F to the camera via a computer. Using the latest Olympus Digital Camera Updater (Ver. 2.1), simply select the image with the profile you want to use and save the settings to the camera.

2. Shading effects in Monochrome Profile Control are available in Color Profile Control and Color Creator
Due to popular demand, shading effects have been added to Color Profile Control and Color Creator for a wider range of photographic expression.

OM-D E-M5 Mark II Firmware Version 4.0 Details

1. In-Camera Focus Stacking function
The Focus Stacking function available on the Tough TG-5 and OM-D E-M1 Mark II is now available on the OM-D E-M5 Mark II. The focus is shifted in half-pixel increments while capturing eight images, which are then composited to form a single image that is in focus from the foreground to the background. A total of eight lenses are supported (the same lenses supported by OM-D E-M1 Mark II Firmware Version 2.0).

Common Features for OM-D E-M1 Mark II, PEN-F, and OM-D E-M5 Mark II

1. New Bleach Bypass Art Filter option
The Bleach Bypass Art Filter included in the OM-D E-M10 Mark III (released in September 2017) is now available with these firmware updates. This option replicates the bleach bypass effect used to develop film creating images with a beautiful metallic sheen.

2. Support for Panasonic LEICA® DG ELMARIT 200mm/F2.8/POWER O.I.S. interchangeable lens
This firmware update improves the compatibility with the Panasonic LEICA DG ELMARIT 200mm/F2.8/POWER O.I.S. (H-ES200) interchangeable lens.

Please visit the following URL for more details on the firmware updates: getolympus.com/firmware

Movie-exclusive picture mode: “Flat” LUT file release
An LUT file is released for movies recorded in the movie-exclusive picture mode “Flat” with the OM-D E-M1 Mark II and E-M5 Mark II. This file converts recorded videos to BT.709 in DaVinci Resolve from Blackmagic Design Pty. Ltd. for color grading.

Please visit the following URL for more details: getolympus.com/firmware

Articles: Digital Photography Review (dpreview.com)

 
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Avoid These 5 Major Mistakes Made By Travel Photographers

18 Feb

Whether you are traveling abroad or within your own country, there are several mistakes that I’ve seen travel photographers make that hinder the process of making memorable photos.

Five Major Mistakes Made By Travel Photographers

Mistake #1: Not being aware of cultural sensitivities and laws

When you travel to another country it’s easy to forget that the people there may see certain things differently than you. For example, in China, you will see signs up in temples asking you not to take photos. So it should be fairly obvious that doing so may cause offense.

Others are not so obvious. Did you know that in Spain the law prohibits photographers from taking photos of people in public without permission unless they are taking part in a cultural event such as a festival? That’s right, Spain is not a great place to be a street photographer (although that doesn’t stop people from doing it).

Unless you know this, you probably think taking candid photos of people in Spain is perfectly okay (as it is in most other places). Once you understand the attitude (and the law) towards photographing people in Spain, you can adjust your behavior to fit in with local expectations and behavior.

If you want to create a street photo of somebody, it’s best to stop them and ask for permission. That way you protect yourself and (added bonus!) keep out of trouble with the police.

Avoid These 5 Major Mistakes Made By Travel Photographers

I made this street portrait in Cadiz, Spain after asking the street vendor if I could take his photo. If I had tried to take a photo without him noticing it would have been illegal, and if he had called the police I would have been on the wrong side of the law.

Some countries have laws forbidding the photography of certain buildings, like airports. Did you know that photographers have been arrested, jailed, and accused of spying in Greece for photographing an airshow at a military base? If you’re going to Greece it’s a good idea to know which buildings are out of bounds for photographers. Make sure you’re aware of any legal restrictions in your country of travel.

Mistake #2: Being disrespectful to local people

When you travel somewhere new, especially somewhere that is exotic to you, it’s easy to treat people as if they were laid out, like colorful extras in a movie scene, for you to take photos of. That is not true, and it’s disrespectful and unkind to act as if it is. Imagine how you would feel if somebody from another country came and tried to take photos as you went about your daily life, without consideration for you and your feelings.

It seems to me that a big part of the problem is when people travel through other countries without interacting with locals in anything other than a commercial context, such as renting a hotel room or eating in a restaurant. Sometimes this is down to language – it’s hard to strike up a conversation in China if you don’t speak Chinese, for example.

But your travels (and life in general) can become a lot more interesting if you are open to non-commercial experiences with local people. Try having conversations with people about their hopes and dreams, what they do for a living, how they like living in their town and similar topics. You’ll gain a deeper understanding and appreciation of the places you’re traveling through when you do.

Avoid These 5 Major Mistakes Made By Travel Photographers

A Spanish friend of mine invited me to see a farm owned by a member of her family. I would never have gotten to see the farm or make this photo if we didn’t know each other.

Language study is an excellent way to meet local people. I have many good friends in Spain and South America that I met online through websites aimed to help people learn other languages. I’ve met most of them in person and learned a lot about their culture and countries in the process.

Mistake #3: Not putting safety first

Another mistake I’ve seen photographers make is forgetting to take care of their personal security or failing to take appropriate precautions to guard their gear against theft.

Most photographers travel to most places without any security problems, but there is always the potential for something to go wrong, especially if you don’t put much thought into your personal safety and the security of your camera and computer equipment. Some countries are safe, others can be dangerous, so make sure you do your research beforehand and take any appropriate precautions.

A good travel insurance policy that covers your gear (check the fine print) will help give you peace of mind if the worse does happen.

Mistake #4: Taking too much gear

We’ve all seen the type of photographer that walks around with a large dSLR camera and telephoto lens, perhaps even two, swinging from their side.

At the other extreme are photographers who travel with just one camera and one lens. When I worked at EOS magazine we published an article about a photographer who traveled to India with one camera and a single 50mm lens. He made some beautiful images so the approach worked for him.

Avoid These 5 Major Mistakes Made By Travel Photographers

During a recent trip to China, I calculated afterward that I had used my 35mm lens for 73% of the photos, including the one above. That tells me that I probably could have taken just that lens and still enjoyed a very productive journey.

There’s nothing wrong with taking lots of gear, especially if it works for you. Professionals often take lots of lenses so they know they are covered for just about any situation they may encounter. But there are a couple of things worth considering.

  • The first is that a large camera and lens combo is an obvious target for theft. Smaller cameras attract less attention and don’t look as expensive.
  • The other consideration is creative. If you have too much gear it’s heavy to carry around and you can waste time trying to decide which lens/camera combination to use.

The key is to think in advance about the subject matter you intend to photograph and what gear you’ll need for it. If you are into long exposure photography, for example, then you’re going to need a tripod, cable release and neutral density filters.

If you are photographing people, you need to decide what lens or lenses you are going to use for portraits. If you are photographing local architecture, you will probably need a good wide-angle lens. If you are going to walk around all day taking street photos, a small camera and lens are much less tiring than a large DSLR with a telephoto zoom.

You get the idea. Ultimately, you need to find the right balance between taking enough gear to meet your needs and taking too much. Also, if security is a concern, you may want to consider leaving your more expensive gear at home.

Mistake #5: Not doing enough research

If there’s one mistake that links all the others, it’s this one – not doing enough research. It’s important because it makes you aware of any local laws or cultural sensitivities you need to know (mistake #1).

As part of your research, you may get in touch with local people (mistake #2) who can give you advice or help you gain access to places or events you would never know about otherwise. Some photographers go even further and work with a fixer – somebody who introduces you to other people, translates if necessary, and acts as a bridge between you and the local culture.

Research alerts you to any security considerations (mistake #3). It helps you decide what gear you need to take, and avoid overload caused by taking too much equipment (mistake #4).

In other words, doing your research is a key part of avoiding the mistakes that many travel photographers make.

Avoid These 5 Major Mistakes Made By Travel Photographers

Research also helps you find interesting places to photograph, such as this ancient fishing village in north Devon.

Conclusion

These mistakes are based on my observations of other photographers while traveling. But what mistakes have you seen other photographers make? What mistakes have you made yourself? I’m looking forward to hearing your responses in the comments section below.


The Candid Portrait

If you’d like to learn more about street and travel photography then please check out my popular ebook popular ebook The Creative Portrait.

The post Avoid These 5 Major Mistakes Made By Travel Photographers by Andrew S. Gibson appeared first on Digital Photography School.


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Lightroom Classic 7.2: Major performance boost, new features, and more

14 Feb

Lightroom Classic 7.2—the performance boosted version of Lightroom DPReview got to test for ourselves at the end of January—has finally arrived! And with it come numerous performance improvements, better support for Intel hardware, a fix for speed issues experienced by some users, and some new features to boot.

Additionally, Adobe has also updated the new cloud-based Lightroom CC ecosystem for both desktop and mobile operating systems. Let’s take them one at a time.

Lightroom Classic Performance Boost

The company explains that it has worked with Intel to improve performance scaling on computers that have multiple cores and at least 12GB of RAM, and as we showed in January, the result is much faster importing and preview generation, and improved speed for things like adjustments rendering in Develop, HDR/Panos rendering, and more.

“One key attribute of the enhancements is that they scale appropriately with a customer’s investment in hardware,” says Adobe. Users who invest in newer, more powerful hardware will see more performance improvements, particularly if the system has at least 12GB of memory. This time around, Adobe says it focused on batch processing improvements (how efficiently system resources are used and batch tasks are completed), but the company will also focus on Interactive (interface response speed) needs in the near future.

Some users had experienced problems with Lightroom Classic slowing down over time, an issue Adobe says it has fixed “in most cases,” though it is possible some users will still experience this issue.

Lightroom Classic Feature Enhancements

Performance improvements and fixes aside, Lightroom Classic 7.2 comes with multiple new features, including a text search for finding a specific folder (“Folder Search”), the ability to filter favorites within folders, an option for creating collection sets from folders for use with Lightroom mobile, as well as a feature for creating collections from Map Module pins.

This version of Lightroom Classic also adds a library filter for unedited and edited images and enables users to create smart collections with unedited or edited images.

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Finally, Adobe says it has enabled Photoshop Continuously Scalable User Interface in the Adobe Camera Raw plugin, with the scaling limited to 100% or 200%. Support for per-monitor scaling in Windows has also been added. In explaining the plugin update, Adobe said, “This is primarily a Windows change to sync up Photoshop, and Windows users will now be able to scale the ACR plugin from 100% to 500%, in increments of 100%.”

The full Lightroom Classic 7.2 update changelog is available here, new camera support can be found here, and new lens profile support can be found here.

Updates to Lightroom CC and Lightroom Mobile

In addition to the Lightroom Classic CC updates, the whole Lightroom CC ecosystem—including the Lightroom Mobile apps on iOS and Android—have been updated as well with “optimized performance, added support for new cameras and lenses, and some great new features for desktop and Android.”

Adobe says it put a lot of effort into “tuning and improving stability” with this update. Lightroom CC on Mac and Windows will see performance improve when moving between photos, grid scrolling, and exporting, while all the apps across mobile and desktop should be “a lot more stable.”

As for new features, Lightroom CC for desktop gets the ability to add copyright to imported images; meanwhile, Lightroom Mobile on Android gets a geometry tab for correcting perspective distortion, the ability to add a watermark upon export, the ability to search your Lightroom library with Google Assistant, and a new “Add to Lr” option that will allow you to add photos from third party apps directly into your Lightroom library.

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All of these updates are available now, so if you have a Creative Cloud subscription, update to the latest versions and give them a go. And if you want to dive deeper into all of these new features, head over to the Adobe blog.

Articles: Digital Photography Review (dpreview.com)

 
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*Updated* Adobe is preparing a major Lightroom Classic performance update, and we got to try it

30 Jan

This article has been updated to include results from a 2015 quad-core Apple MacBook Pro.

Adobe Lightroom Classic users have been pining for a serious performance update for ages—even Adobe admitted that Lightroom performance was lackluster, and improving it was ‘top priority.’ Well, it looks like ‘top priority’ is going to pay off very soon.

Late last week, Adobe told DPReview that it has a significant Lightroom Classic performance update in the works. The update—which is “coming soon”—is supposed to improve performance across the board for anybody using a multi-core machine with at least 12GB of RAM. Or, in Adobe’s own words:

In this upcoming Lightroom Classic 7.2 release, we were able to make significant strides with our partners at Intel on addressing key performance issues. We have optimized CPU and memory usage so that performance will scale better across multiple cores on computers with at least 12 GB of RAM.

Adobe claims the update will result in:

  • Faster import and preview generation
  • Faster walking of images in the Loupe View
  • Faster rendering of adjustments in Develop
  • Faster batch merge operations of HDR/Panos
  • Faster export

The company’s own benchmarks back up this claim in a big way. Adobe shared these results with DPReview, revealing substantially improved export times between the current v7.1 and the upcoming v7.2.

Adobe Export Test

Adobe tested the new build on three machines:

  1. A 10-core iMac Pro with 32GB of 2666MHz DDR4 RAM, a 3GHz Intel Xeon W processor, AMD Radeon Pro Vega 64 graphics card with 16GB of RAM.
  2. An 8-core Windows 10 PC with 64GB of 2400MHz DDR4 RAM, a 3.2GHz Intel Xeon E5-1660 processor, and an Nvidia GeForce GTX 1080 graphics card with 8GB of RAM.
  3. A 10-core Windows 10 PC with 64GB of 2400MHz DDR4 RAM, a 2.9GHz Intel Core i9 7960X processor, and an Nvidia Quodro P2000 graphics card

Each of the three showed significant speed improvements when exporting 100 heavily edited Raw files as either full-resolution JPEGs or full-resolution DNGs:

  • The 10-core iMac Pro exported JPEGs 29.5% faster and DNGs 43.7% faster
  • The 8-core Windows 10 PC exported JPEGs 32.5% faster and DNGs 32.4% faster
  • The 10-core Windows 10 PC exported JPEGs 48.3% faster and DNGs 64.7% faster

Additionally, while subsequent tests of the current version got slower and slower on the Windows, version 7.2 fixes this problem. In other words: Lightroom Classic will no longer slow down over the course of a long editing session on Windows machines.


Our own tests also showed a noticeable speed boost when it came to exporting files, and a massive increase in performance on import. Adobe gave us early access to the new build, and we tested it alongside the current version of Lightroom Classic CC twice. We ran an initial export test on a 2016 13-inch MacBook Pro, with 16GB Ram and a 3.3GHz dual-core i7 processor running macOS 10.12.6, and found a modest but still significant speed improvement of around 11%.

After speaking to Adobe’s technical experts, we then conducted a follow-up import and export test on a Mid-2015 15-inch MacBook Pro. Specifically, a Retina model with a 2.2GHz quad-core Intel Core i7, 16GB of RAM, and Intel Iris 5200 Pro graphics card. It’s not exactly in the same class as the 8+ core powerhouses that Adobe seems to have lying around, but it’s arguably closer to the average setup for an enthusiast or semi-professional photographer. Also, despite being an older machine, we knew that according to Adobe, more cores would give us a better chance of seeing some serious performance gains.

As such, these results replace our earlier published figures.

DPReview Import Test (2015 Quad-core MacBook Pro)

When importing 130 Raw files from the Fujifilm X-T2 (7.6GB in total), we saw a major performance boost in LR Classic CC 7.2, on our quad-core 2015 MacBook Pro. Roughly 80%, in fact.

  • LR 7.1 – 4:05 (245 seconds)
  • LR 7.2 – 50 seconds

DPReview Export Test (2015 Quad-core MacBook Pro)

When exporting the same 130 Raw files as JPEGs (quality level 80, Adobe RGB), after heavy edits (including exposure, shadow/highlight adjustment, lens corrections and luminance noise reduction) we saw a modest performance improvement in LR Classic CC 7.2 compared to 7.1. Roughly 10% when averaged out – very similar to the 11% performance increase we saw when we ran the earlier test on our dual-core 2013 Mac.

  • LR 7.1 – 11:08 (668 seconds)
  • LR 7.2 – 10:16 (616 seconds)

Adobe was adamant that this update is just the beginning. The company is “pleased with these performance improvements” and believes Lightroom Classic users will be please as well, but Adobe also told us it is “far from done.” The company promises continued performance optimizations and improvements in future releases of Lightroom Classic CC.

For now, we’re just happy to see the first fruits of that “top priority” promise Adobe made last year.

Articles: Digital Photography Review (dpreview.com)

 
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Major Update: Adobe adds tone curve, split toning and more to Lightroom CC

13 Dec
The tone curve, one of the most important features missing from Lightroom CC 1.0, is finally being added. Photo: Adobe

Adobe has launched a major update to the entirely Lightroom CC ecosystem today, releasing major updates for Lightroom CC on Mac, Windows, iOS, Android, and the web, in addition to a few updates for Lightroom Classic CC and Adobe Camera Raw. If you’re a Creative Cloud subscriber, you’ll want to update ASAP.

Here’s what Adobe has in store for you with this latest Lightroom update.

Tone Curve and Split Toning

Two of the most useful and conspicuously absent features in Lightroom CC 1.0 were the Tone Curve and Split Toning. Well, there’s no longer any reason to hop back into Lightroom Classic CC to take advantage of these: they’re coming to Lightroom CC.

You’ll find the Tone Curve next to the Auto button in the Light panel, where you can choose between Parametric Curve or Point Curve modes, as well as the Red, Green, and Blue channels.

Split Toning lives in the Effects panel, where you can … well … split tone.

Adobe Sensei Auto Mode

Another major feature improvement coming with the December update is Auto mode, which is now much more intelligent thanks to Adobe Sensei artificial intelligence platform. From Adobe’s blog post about the update:

Using an advanced neural network powered by Adobe Sensei, our artificial intelligence (AI) and machine learning platform, the new Auto Settings creates a better photo by analyzing your photo and comparing to tens of thousands of professionally edited photos to create a beautiful, pleasing image.

This new Auto mode is launching ecosystem wide—you’ll find it in Lightroom CC, Lightroom CC for iOS, Lightroom CC for Android, Lightroom CC on the web, Lightroom Classic, and Adobe Camera Raw (ACR).

Everything Else

The three updates above are the most impactful, but the December update comes with a bit more to enjoy.

  • Lightroom CC now lets you change the capture time of an image or batch of images (“providing relief for those times that you forgot to change your camera’s time or time zone settings.”).
  • Lightroom CC for Android received several bug fixes and the ability to launch directly into popular modes from the home screen by pressing and holding the app icon.
  • Lightroom CC for iOS now lets you create and customize a text based watermark for your images on export, and HDR capture has been improved.
  • Lightroom Classic CC and Adobe Camera RAW are seeing some ‘refinements’ to the Color Range Masking tool.
  • And, finally, Adobe has added support for new cameras and lenses, including the Sony a7R III, Leica CL, iPhone X, and Google Pixel 2 among others.

You can read more about the December update on Adobe’s blog. CC subscribers just have to update their copy to the latest version to take advantage of all the features described above.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram is testing a ‘Regram’ button and other major feature updates

30 Nov
Photo by Erik Lucatero

Instagram is testing a bunch of new features, including one very intriguing and long-awaited button that will put several 3rd party apps out of business: the Regram. The new features were published by The Next Web, which was able to obtain screenshots of several feature updates that are still only being tested with small groups of users.

First things first though: Regram. Like Tumblr’s Reblog or Facebook’s Share, regramming would allow Instagram users to share another user’s photo or video with their own followers. Third party apps already allow for a cumbersome version of this, but a built-in button has never existed… until now.

Regram Button Screenshot. Credit: The Next Web

In addition to the Regram, TNW found that Instagram may soon:

  • Allow you to search for and add GIFs to your profile or Instagram Story.
  • Allow iOS users to join a Beta program that will give you early access to upcoming versions of the app.
  • Add an Archive feature for Stories (you can already archive regular posts)
  • Create a “Closest Friends List” that lets you share posts or stories with a smaller more intimate group.
  • Share to WhatsApp
  • Search by Top Hashtag and Top Emoji
  • Follow hashtags, not just other profiles

There is also an “Add Coffee” button that mysteriously popped up in the share page (the same page where you write your caption, select the social media accounts you’d like to share to, and click post). Nobody seems to have any idea what that’s about.

To see screenshots of all these features, head over to The Next Web’s report by clicking here. And let us know what you think of these new features in the comments down below.

Articles: Digital Photography Review (dpreview.com)

 
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Researcher says he was threatened after finding major DJI security flaw

28 Nov

Drone maker DJI has been criticized roundly this weekend over its alleged response to security researcher Kevin Finisterre’s discovery of a significant security issue involving the company’s system. According to Finisterre, he began hunting for bugs in DJI’s system under its recently established bug bounty program. In the process, Finisterre says he discovered a major security issue, but rather than rewarding him for his effort, DJI accused him of hacking and threatened to report him to the authorities.

DJI announced its bug bounty program in August following a report that claimed the U.S. Army had banned use of the maker’s drones over security concerns. As part of its announcement, DJI had stated:

The DJI Threat Identification Reward Program aims to gather insights from researchers and others who discover issues that may create threats to the integrity of our users’ private data, such as their personal information or details of the photos, videos and flight logs they create.

According to a long report on the matter published by Finisterre, he spent many weeks communicating with DJI through email about the scope of its bug bounty program, which hadn’t yet been publicly defined. After receiving confirmation that it included the company’s servers, Finisterre went to work in writing up a report disclosing his discoveries. Speaking of which…

Due to multiple security issues, including publicly available AWS private keys for DJI’s photo-sharing service SkyPixel, Finisterre reports that he was able to get access to highly sensitive user data, including: identification cards and passports, flight logs, and drivers licenses. Once he found this flaw, he claims that he alerted DJI to this vulnerability, and that the company acknowledged it.

After more than 130 emails back and forth between DJI and Finisterre, he states in his report that DJI said he would be rewarded with $ 30,000 under the bug bounty program (the maximum award). However, Finisterre reports that weeks later he received an agreement for his particular bug bounty that was “literally not sign-able.” As he goes on to explain in his report:

I won’t go into too much detail, but the agreement that was put in front of me by DJI in essence did not offer researchers any sort of protection. For me personally the wording put my right to work at risk, and posed a direct conflicts of interest to many things including my freedom of speech. It almost seemed like a joke. It was pretty clear the entire ‘Bug Bounty’ program was rushed based on this alone.

Efforts to alter the agreement didn’t pan out as hoped, says Finisterre, who goes on to claim that several different lawyers advised him that DJI’s final offer was, “likely crafted in bad faith,” and that it was “extremely risky” for him to sign it. It was about this time that Finisterre also receive a legal demand from DJI ordering him to delete/destroy the data he had gathered during his investigation, while appearing to threaten Finisterre with the Computer Fraud and Abuse Act.

In a statement to Ars Technica, who was the first to cover this spat between DJI and Finisterre, the Chinese drone giant referred to Finisterre as a “hacker,” claiming that he had accessed one of the company’s servers without permission and that he had tried to claim it under the company’s bug bounty program without following “standard terms for bug bounty programs.” The statement goes on to claim that Finisterre “refused to agree to these terms, despite DJI’s continued attempts to negotiate with him, and threatened DJI if his terms were not met.”

For his part, Finisterre says that he ultimately turned down the $ 30,000 in favor of going public with what he sees as an unsettling and unacceptable experience, concluding with the following statement:

If you that are wondering if DJI even bothered to respond after I got offended over the CFAA threat, you should be happy to know it was flat out radio silence from there on out. All Twitter DM’s stopped, SMS messages went unanswered, etc. Cold blooded silence.

Articles: Digital Photography Review (dpreview.com)

 
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Terry Richardson banned by major magazine publisher, according to leaked email

28 Oct
Photo by Christopher Macsurak (cc-by-2.0)

Following a scathing piece by The Times, a leaked Conde Nast email reveals that controversial photographer Terry Richardson has been banned from working with the company’s many publications—including major names like Vogue, Vanity Fair, Glamour, and GQ. The leak comes via The Telegraph, which claims that the email was “circulated within the media group Conde Nast International”, and follows years of sexual misconduct allegations against Richardson.

Richardson has long been one of the photographers of choice in the fashion industry for his ‘raw’ style, this despite the allegations against him. Entities working with Richardson were recently called out by The Times, which asked why the photographer is still ‘feted by fashionistas’ despite being known as ‘the Harvey Weinstein of fashion.’

The leaked Conde Nest email mentions neither The Times’ piece nor the allegations, instead reportedly stating:

I am writing to you on an important matter. Condé Nast would like to no longer work with the photographer Terry Richardson. Any shoots that have been commission[ed] or any shoots that have been completed but not yet published, should be killed and substituted with other material.

The Telegraph claims the email was signed by Conde Nast International Executive VP James Woolhouse.

The publication itself has not made any official comments about the matter; however, a representative for Richardson issued a statement about the report to the Huffington Post, saying:

Terry is disappointed to hear about this email especially because he has previously addressed these old stories. He is an artist who has been known for his sexually explicit work so many of his professional interactions with subjects were sexual and explicit in nature but all of the subjects of his work participated consensually.

Articles: Digital Photography Review (dpreview.com)

 
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The Phottix Juno is a fully-manual transceiver flash that works with all major brands

25 Oct

Phottix has announced a new fully-manual speedlight that is compatible with all major camera brands, and also features the company’s radio control system so it can operate as commander or slave in a group of other flashes.

The Juno has a maximum guide number of 58m/190ft at the longest end of its zoom head and offers power settings of 1/128th to full power in 1/3EV steps across eight stops. As the gun is fully-manual, it only needs a basic connection to the camera to trigger, so it is compatible with almost all camera models that feature a hotshoe.

In addition, Phottix has built its 2.4GHz Ares ll system into the Juno flash unit so it can work with up to four groups of flashes across 16 channels, and can be triggered by both Ares and Strato wireless controllers, as well as by other flashes and certain Sekonic light meters. Juno also features optical slave sensors to ensure it works with older and non-radio systems, and offers a thread on its side for mounting it in the horizontal position.

Phottix says its radio system operates over 100m and full power recycling takes about five seconds.

The Phottix Juno is powered by four AA batteries or an external battery pack, and costs $ 130. For more information, visit the Phottix website or watch the introductory video below:

Articles: Digital Photography Review (dpreview.com)

 
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