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Posts Tagged ‘Magnification’

Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 boasts 16.6x magnification

13 Feb

Olympus has unveiled a super telephoto zoom for its Micro Four Thirds cameras: the M.Zuiko Digital ED 12-200mm F3.5-6.3. It’s a 24-400mm equiv. zoom boasting a class-leading 16.6x magnification. Though it lacks the ‘Pro’ designation of higher-end Olympus optics, the company claims that it offers the same dustproof and splashproof build quality as those lenses.

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The 12-200mm F3.5-6.3 does not offer built-in stabilization, and will rely on camera body IS. The lens uses Olympus’ MSC (Movie and Still Compatible) focusing mechanism and provides quieter operation – particularly useful for shooting video. The company’s ZERO (Zuiko Extra-low Reflection Optical) coating is also employed to reduce flare and ghosting.

The 12-200mm will go on sale in March for $ 900.


Official Olympus 12-200mm F3.5-6.3 sample images

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Press release

OLYMPUS ANNOUNCES M.ZUIKO® DIGITAL ED 12-200mm (35mm EQUIVALENT 24-400mm) F3.5-6.3 LENS

Powerful 16.6x Zoom is the Highest Magnification Available on an Interchangeable Lens for Mirrorless Systems

CENTER VALLEY, PA., February 13, 2019 – Olympus is pleased to announce the M.Zuiko Digital ED 12-200mm F3.5-6.3 (35mm equivalent 24-400mm) super telephoto zoom lens. Conforming to the Micro Four Thirds® System Standard, this lens features the highest magnification zoom available on an interchangeable lens for mirrorless systems at 16.6x . Users will experience excellent depictive performance across the entire focal length from wide-angle to telephoto, making it the perfect travel companion, packing high-speed and high-precision autofocus into an amazingly compact, lightweight form. The M.Zuiko Digital ED 12-200mm F3.5-6.3 lens features a dustproof and splashproof construction, making this lens durable enough to withstand the toughest shooting conditions, especially when paired with a weathersealed Olympus OM-D® camera body.

When shooting wide, the closest focusing distance is approximately 22 cm (approximately 10 cm from the end of the lens) from the main subject for capturing the subject along with an expansive background. When shooting telephoto, the maximum magnification of 0.46x (35mm equivalent) for close-up photography and for significant background defocusing. This do-it-all lens is perfect for close-ups of children’s expressions, indoor and outdoor situations and a variety of other subjects.

The M.Zuiko Digital ED 12-200mm F3.5-6.3 lens features the same reliable dustproof and splashproof performance as the M.Zuiko PRO lens series. When combined with a dustproof and splashproof camera , it can function in the most punishing of environments.

This lens is equipped with the MSC (Movie and Still Compatible) mechanism, an advanced inner focusing mechanism providing fast, smooth, quiet and accurate auto-focusing, ideal for video shooters. Users will enjoy a short shooting time lag, so split-second photo opportunities are not missed. Amazingly high-speed, precise autofocus performance on this high-magnification zoom lens will provide comfortable, fun shooting.

ZERO (Zuiko Extra-low Reflection Optical) coating, Olympus’ cutting-edge thin-coating technology, cultivated from multilayer film disposition technology used in microscopes, has been applied to the M.Zuiko Digital ED 12-200mm F3.5-6.3 lens to drastically reduce ghosts and flares, contributing to a clear, high-contrast image.

Separately Available Accessories

LC-72C Lens Cap: Equipped with a 72mm filter diameter that can be attached and removed without the need to remove the lens hood.

LH-76B Lens Hood: Protects the lens and reduces unnecessary light entering the lens when shooting in backlit conditions.

LSC-0914 Lens Case: A pouch-style lens case that protects lenses with three-layer construction. Lenses can be stored with the lens cap, protection filter and lens hoot (stored) attached.

ZUIKO PRF-ZD72 PRO Protection Filter: A lens filter equipped with ZERO coating and blackened glass edges, used to suppress flares and ghosting caused by reflections. The frame consists of a satin finish black aluminum. This filter is also compatible with other lenses of a 72mm filter diameter.

Specifications are subject to change without notice. Company names and product names contained in this release are trademarks or registered trademarks of their respective companies.

U.S. Pricing and Availability
The Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 lens has an expected availability of late March 2019 with suggested retail pricing of $ 899.99 (USD) and $ 1,149.99 (CAD). The LC-72C Lens Cap will retail for $ 14.99 (USD & CAD). The LH-76B Lens Hood will retail for $ 49.99 (USD) and $ 64.99 (CAD). The LSC-0914 Lens Case will retail for $ 31.99 (USD & CAD). The ZUIKO PRF-ZD72 PRO Protection Filter will retail for $ 79.99 (USD & CAD).

Olympus M.Zuiko Digital ED 12-200mm F3.5-6.3 specifications

Principal specifications
Lens type Zoom lens
Max Format size FourThirds
Focal length 12–200 mm
Image stabilization No
Lens mount Micro Four Thirds
Aperture
Maximum aperture F3.5–6.3
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 16
Groups 11
Special elements / coatings 3 Aspherical lenses, 2 Super ED, 2 ED, 1 Super HR, 2 HR elements + ZERO coating
Focus
Minimum focus 0.22 m (8.66)
Maximum magnification 0.46×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 455 g (1.00 lb)
Diameter 78 mm (3.07)
Length 100 mm (3.94)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 72 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Structure: Moving 4K close-ups shot at up to 1000x magnification

18 Jan

District 7 Media owner Drew Geraci recently published a short film titled “Structure” that takes viewers on an up-close journey inside everyday objects. The video was shot with a Sony A9 camera, as well as an AmScope Microscope with a camera attachment, Kessler Second Shooter control unit with a Stepper Motor, and Manfrotto Lykos Lights.

Geraci uploaded the video to Vimeo, where he explains that “Structure” presents organic objects magnified up to 1000x. Those objects include a variety of fruit, bell pepper seeds, mushrooms, carbonated water, soap bubbles, beet leaf, and more.

Everything was shot in 4K using the Sony A9, according to Geraci’s video description, where he explains that the process took place over 30 days, after which the shots were edited into the two minute video using Adobe Premiere Pro CC 2018 and After Effects CC 2018. In describing the inspiration for “Structure,” Geraci said:

It all started with a single shot—a small frozen snowflake I captured using a 100mm macro lens. I’ve shot plenty of macro photography in the past, but for some reason this image ignited my imagination and passion to shoot. So I did what any sane person would do—bought a microscope with camera capabilities and started to shoot everyday objects at 1000x+ magnifications.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics 60mm macro 2x lens promises high magnification on a budget

15 Jan

Anhui ChangGeng Optical Technology Company Limited, a new Chinese lens manufacturer, has introduced a 60mm lens under the Venus Optics brand name that it says can deliver 2x magnification macro photography. The f/2.8 manual focus lens is designed to cover both full frame and APS-C sensors for macro work, but will introduce vignetting when used at normal focus distances with the larger format. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Cowboystudio, DSLR LCD Foldable Viewfinder with 3.0x Magnification

16 Dec

Cowboystudio.com, shows you our new 3.0 Magnification DSLR LCD viewfinder. It comes with Two Framing modes: Magnification and stand, Compatible model: Nikon D700/ D300S/ D300/ D90/ D7000/ D3100/ D30003. CANON 7D/ 1D MARK IV/ 5D MARK II/ T2i/ T1i/ S904. Panasonic DMC-GF15. Pentax K-7 www.cowboystudio.com
Video Rating: 3 / 5

Chadwikks of Loudpakks first single ‘New Money’ Beat By Einstein of ‘Wake N’ Bake’ Beats Recording Engineer: Ricky ‘Double R’ Rush Mixing and Mastering by: Andrew ‘Pops’ Robinson (DJ Phetish P) Directed/Shot/Edited by Mike Greenberg konspiracystudios.com Shot on a Nikon D300s w/ 10.5mm Fisheye 17-35mm 50mm 2011 Chadwikk/ Loudpakk/ Konspiracy Studios Twitter: @BangLPKBang and @theLOUDpackkk www.facebook.com For Booking Contact: Larry_Lynn@live.com