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Posts Tagged ‘longawaited’

Irix announces its long-awaited 45mm F1.4 still lens for Canon EF, Nikon F and Pentax K mounts

09 Mar

Irix has announced the details of its new 45mm F1.4 manual lens for full-frame camera systems.

The lens was originally teased as a prototype way back in 2017 at The Photography Show. Last year, a cine version of the lens was released, but the still photography version remained to be seen, until today.

The 45mm F1.4 lens is based around Irix’s Dragonfly design technology, which uses an aluminum-magnesium alloy and composite elements to create a lightweight, but sturdy design that’s weather-resistant thanks to multiple gaskets throughout the lens. The focus ring has a 140-degree throw, a focus-lock feature and offers laser-engraved markings with luminescent paint for easier viewing in low-light environments.

No launch date or pricing information is available at this time. When the 45mmm F1.4 lens does launch, it will be available for Canon EF, Nikon F and Pentax K camera systems. We have contacted Irix to request more information and will update this article accordingly if and when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces development of long-awaited GR III

25 Sep

Ricoh has announced the development of its new GR III, a significant update to the GR and GR II. The camera gains sensor-shift image stabilization and on-sensor phase detection as part of an updated 24MP sensor. The camera’s 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added for the first time.

The GR III’s sensor can now shift in three axes to compensate for camera shake and, in common with Ricoh’s Pentax DSLRs, this shake can simulate the effect of having an anti-aliasing filter.

Since the stabilization is done at the sensor level, we suspect the lens has been redesigned to boost focus speed. On-sensor phase detection underpins a hybrid phase- and contrast-detection system which, combined with a new processor and the new lens will, we hope, make the autofocus performance more competitive.

The redesigned 28mm equiv. F2.8 lens will have six elements in four groups, including two aspherical elements. The minimum focus distance has improved to 6cm (2.4″) from 10cm (3.9″). The built-in 2-stop ND filter from the GR/GR II remains. The GR III can record 1080/60p video, up from 1080/30p on its predecessors.

From the front at least, the design is unchanged, though preliminary specs say that the III isn’t quite as wide as the I and II. We’ve yet to see the back of the camera but we do know that the 3″ LCD is now touch-enabled. The GR III has a USB-C socket, which the company says can be used for video output. Wireless functionality continues to be offered through Wi-Fi only: no Bluetooth here.

The GR III will be available in early 2019 at price to be determined later.

Press Release:

RICOH GRIII, a high-end digital compact camera to be exhibited for preview at Photokina 2018

LONDON 25 SEPTEMBER 2018 – RICOH COMPANY, LTD. and RICOH IMAGING EUROPE, S.A.S. are pleased to announce a preview showing of the RICOH GRIII camera at Photokina 2018 — the world’s largest, full-scale trade fair of photographic and imaging products, to be held from September 26 to 29 in Cologne, Germany. The new camera has been in the process of development as the latest model of the RICOH GR series, which features a line-up of high-end digital compact cameras combining exceptional image quality with a compact, lightweight body ideal for snapshot photography.

Over a history of more than 20 years, the RICOH GR series has always kept its basic concept of optimising the essential values of a camera — high image quality, snapshot capability and portability — while at the same time making the changes and refinements needed to meet emerging needs. Because of this, GR-series models have been preferred by a great many photographers, particularly professionals and highly experienced amateurs.

Currently under development, the RICOH GRIII inherits the basic GR-series concept, but it incorporates totally new devices in its main components, including a newly designed lens, a new image sensor, and a new imaging engine. These are designed to further upgrade image quality, strengthen many of the functions and improve the user interface.

Designed to be the ultimate snapshot camera, the RICOH GR II is a totally new breed of GR camera, one that will give the user new and different creative possibilities. We hope Photokina 2018 visitors will enjoy their first look at this new-generation GR-series model.

Overview of the product under development

  • Model name: RICOH GRIII
  • Launch date: Scheduled to be launched in early 2019
  • The design and specifications are identical to those first announced publicly about the camera’s development, and are subject to change without notice.

Ricoh GR III specifications (preliminary)

Body type
Body type Large sensor compact
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2
Effective pixels 24 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
White balance presets 8
Custom white balance Yes
Image stabilization Sensor-shift
Uncompressed format RAW
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit DNG)
Optics & Focus
Focal length (equiv.) 28 mm
Maximum aperture F2.8–16
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Normal focus range 10 cm (3.94)
Macro focus range 6 cm (2.36)
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,037,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (optional)
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Auto, Flash On, Flash On+Red-eye, Slow-speed Sync, Slow Sync+Red-eye
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Internal, SD/SDHC/SDXC (UHS-I supported)
Storage included 2GB
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI No
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via smartphone)
Physical
Battery Battery Pack
Weight (inc. batteries) 257 g (0.57 lb / 9.07 oz)
Dimensions 109 x 62 x 33 mm (4.29 x 2.44 x 1.3)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Google’s long-awaited Clips Camera hits stores, will cost you $250

30 Jan

If you’ve been desperately waiting for Google’s artificial intelligence-driven Clips camera to go on sale now is your moment. The company has added the video clip shooting device to its store for US customers at the expected $ 250 price tag, with delivery expected between the end of February and the beginning of March.

The lifelogging camera was first revealed at the Pixel 2 event in October. It’s designed to recognize the best moments and composition, and to shoot automatically when it ‘thinks’ the occasion is right. The aptly named Clips camera shoots short ‘clips’ of video which can be reviewed in a Google Clips app. In the app, clips can be saved or deleted, and still images can be extracted from the clips as well.

The 12MP camera has a shutter button too for human driven activation, but the main idea is that it is placed somewhere it can see what’s going on, and it does all the work for you. The main idea is that using Clips in its automatic ‘intelligent’ mode allows the user to be in the pictures instead of having to be behind the camera.

Below is a sample clip posted to the Google blog, with the video captured by the camera on the left and the still extracted from the video on the right. Stills are extracted using the Google Clips app.

The camera can record at 15fps, and uses a lens with a 130° angle of view. Images are stored in the 16GB internal memory, and the camera can run for three hours on a single charge. Connection is via USB-C, Wi-Fi or Bluetooth.

As reported before, professional photographers were consulted to help the company understand what makes a good or a bad picture, so the after analyzing what’s happening and where the elements are in the frame, the device’s brain decides whether to record or not. The camera also learns about the people you mix with, and will take more clips of people it sees often, as it will assume they are closer to you. Thankfully, it will also get to know your cat, to save you the bother of photographing it yourself.

For more information, visit the Google webstore.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics’ long-awaited Laowa 15mm F2 for Sony FE is finally available

20 Aug

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Venus Optics has finally announced the price and delivery date of the second lens to join its Zero-D line up: the 15mm F2 for Sony’s E-mount that was first announced last September, and which the company has called “the world’s fastest 15mm rectilinear lens for full-frame.” The lens is due to ship at the end of August or early September, and will cost $ 850. First orders will include UV, ND1000 and polarizing filters for free.

The Zero-D in the name denotes the company’s claim that even though these lenses are very wide-angled, they exhibit almost no curvilinear distortion – or barreling. And at its angle of view of 110°, Venus Optics claims the new 15mm is the widest available rectilinear F2 lens for the Sony E system.

Here are a few official sample shots captured with the new lens:

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The manual focus lens is constructed using 12 elements in nine groups, with three extra-low dispersion elements and two aspherical lenses.

Venus Optics says that it has tried to keep the design compact and lightweight, achieving dimensions of 66x88mm and a weight of just 500g/1.1lbs. Unusually for such a wide lens, a filter thread (72mm) is actually built-in, and the lens’ closest focus distance is just 15cm. The nine-bladed aperture runs to F22, and users have the choice to operate with or without clicked stops.

For more information or to pre-order the long-awaited lens check out our hands on with the Laowa 15mm F2 FE from its debut last September, or visit the Venus Optics website.

Press Release

Venus Optics announces the Laowa 15mm f/2 FE Zero-D, the world’s widest f/2 native lens for Sony full frame E-mount cameras

Featuring a 110° Angle of View, Ultra-fast f/2 aperture, 72mm filter thread, Super light & compact & close-to-zero distortion

Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to announce the world’s widest rectilinear f/2 native lens for Sony Full Frame E-mount cameras, Laowa 15mm f/2 FE Zero-D.

Super Light & Compact
The Laowa 15mm f/2 FE Zero-D is currently the widest f/2 rectilinear lens in the market which comes with a native E mount (i.e. Does not require additional adapters). It is an ultra-wide & ultra-fast prime lens which covers both 35mm full-frame & APS-C sensors. Despite the extreme specifications, Venus Optics has successfully minimized the weight of the lens to around 500g (~1.1 pounds) and 8cm long. This compact and light lens comprises of 12 elements in 9 groups with 2 pcs of aspherical elements and 3 pcs of Extra-low dispersion elements. The patented optical design successfully minimizes the distortion and chromatic aberrations to its lowest but at the same time, delivers a superb optical performance from corners to corners.

72mm Filter Thread
Ultra-wide & fast lenses in the market tend to be huge and have a dome-shaped front element. It is a headache for landscape photographers who need to use filters very often. Venus Optics understand their needs and manage to design a flat front surface and include a 72mm filter thread into the lens. 72mm screw-on filters can be used and no more investment on bulky filter holder is required.

Ultra Wide & Fast
The extreme 110° angle of view and ultra-fast f/2 aperture allow photographers to create impressive astro-photography shots with ease. It also gives photographers a fast and wide-angle option for landscape photography and low-light shooting.

Close focusing distance
Photographers can take advantage of the super close focusing distance (i.e. 15cm) and the f/2 aperture to create some bokeh shots and wide angle close-up shots.

Close-to-Zero Distortion
The Laowa 15mm f/2 FE Zero-D is the second member of the Close-to-Zero distortion line-up from Venus Optics, followed the launch of 12mm f/2.8 Zero-D last year. The lens is specially designed to remove the optical distortion commonly exist in wide angle lenses at infinity focus. Any straight lines will be retained.

Added feature for videographers
The new Laowa 15mm f/2 FE Zero-D is specially designed with an aperture switch which allows users to quickly switch between click-less and clicked aperture. This added feature will be extremely useful for videographers.

Availability
The Laowa 15mm f/2 FE Zero-D is currently available to pre-order in the official website of Venus Optics (http://www.venuslens.net/) and their authorized resellers..
Recommended Retail Price in US (without tax) is USD 849/pc. Pricing may vary in different countries. Shipping will start from late Aug/early Sept.

Supplementary Information

Flickr gallery with full size sample images

Video Introduction of Laowa 15mm f/2

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces development of long-awaited full-frame Pentax DSLR

05 Feb

And so it was written that since the beginning of recorded time, Pentax shooters have predicted the release of a full-frame K-mount DSLR. Today, their prayers have been answered, as Ricoh has announced the development of exactly that. The company didn’t share a whole lot of detail, other than to say that it will be compatible with DA lenses via a crop function and that it will be available by the end of 2015. Click through for (very little) additional information

Articles: Digital Photography Review (dpreview.com)

 
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