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Posts Tagged ‘Lenses’

Nikon Releases Two “Micro” Lenses for Z Series Cameras

11 Jun

The post Nikon Releases Two “Micro” Lenses for Z Series Cameras appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Nikon releases two Z-mount micro lenses

Nikon has officially released two Z series lenses and announced the development of two more. These lenses will enhance the already impressive Z-mount lineup and should go a long way toward making Nikon’s mirrorless system a compelling option for beginners and professionals alike.

The newly released lenses, the Nikkor Z MC 105mm f/2.8 VR S and the Nikkor Z MC 50mm f/2.8, both feature 1:1 magnification capabilities – a first for Nikon’s Z series. And the lenses under development, the Nikkor Z 28mm f/2.8 and the Nikkor Z 40mm f/2, will offer compact, (likely) low-priced glass for travel photography, walkaround photography, and more.

Nikon Z 28mm f/2.8
The Nikon Z 28mm f/2.8 is currently under development.

The Z 105mm f/2.8 will feature outstanding image quality at an ideal short-telephoto focal length, perfect for standard macro photography – of flowers, plants, and less-skittish insects – as well as product photography, detail photography, and even portraits. The maximum f/2.8 aperture should offer smooth backgrounds (Nikon promises “the beautiful bokeh of a micro lens”); you’ll also get Vibration Reduction for working at high magnifications or in low light. And for photographers requiring fast focus, the 105mm f/2.8 packs a quick (and quiet) STM motor.

Nikon Z 105mm f/2.8 micro lens
The Nikon Z 105mm f/2.8

The new Z 50mm f/2.8, on the other hand, is designed as an all-purpose lens, though it still offers a 1:1 magnification ratio for high-quality macro shots. While the 50mm focal length and small working distance will make photographing some macro subjects more difficult – insects, for instance – you can still capture beautiful detail photos, and Nikon guarantees “beautiful bokeh” for pro-level macro and portrait results. If you’re a casual photographer, you’ll love the low-light capabilities offered by the f/2.8 maximum aperture, as well as the lightweight, compact body; you can mount the 50mm f/2.8 on your camera, slip it in your bag, and carry it around all day for spur-of-the-moment photography.

Nikon 50mm f/2.8 micro lens on a Z6 II
The Nikon Z 50mm f/2.8 mounted on the Z6 II.

According to the press release, the Nikon 105mm f/2.8 and the Nikon 50mm f/2.8 will start shipping at the end of June, though B&H notes an expected availability in July. You can currently preorder the two lenses for $ 999 USD and $ 649 USD, respectively.

As for the 28mm f/2.8 and 40mm f/2: While Nikon is keeping the details under wraps, you can expect a 2021 release date. So keep an eye out!

Nikon Z 40mm f/2
The Nikon 40mm f/2, a compact, all-purpose lens.

Now over to you:

What do you think of these new lenses from Nikon? Are you considering buying any? Are there any lenses you wish Nikon would release?

The post Nikon Releases Two “Micro” Lenses for Z Series Cameras appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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A Guide to Blurring Backgrounds and Best Lenses to Use

09 Jun

Have you ever wondered just how to create that perfectly blurred background in your photos? You know like the professional shots that have the subject of the image in super sharp focus, but everything else is a blur like you forgot to put your glasses on? While these kinds of photos may look difficult to create there’s actually only a Continue Reading
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When To Use APS-C Lenses Over Full Frame Lenses

15 May

There is an ongoing discussion within the photography world on the pros, cons and when exactly it is best to use APS-C lenses rather than full frame lenses. When you come to choose a new lens for your camera, deciding between an APS-C or full frame lens can have a significant effect on the images you produce. Understanding the differences Continue Reading
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Two Autofocusing Tilt-Shift Lenses From Canon May Debut Next Year

08 May

The post Two Autofocusing Tilt-Shift Lenses From Canon May Debut Next Year appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

two autofocusing tilt-shift lenses may debut next year

Canon will release its first RF-mount tilt-shift lenses within the next year, claims Canon Rumors. What’s more, these will “be the first tilt-shift lenses with autofocus.”

At the time of writing, Canon offers a number of tilt-shift lenses for its DSLR lineup, including the 17mm f/4L, the 24mm f/3.5L II, and the 90mm f/2.8L Macro. But all of Canon’s TS lenses are manual focus only, and Canon has not yet produced a tilt-shift option for mirrorless shooters. 

If the rumors are right, Canon will release two wide-angle TS lenses:

  • A 14mm f/4L lens
  • A 24mm f/3.5L lens

The 14mm f/4L lens should be perfect for ultra-wide landscape photography; with a 14mm focal length, you gain the expansive field of view that’s especially popular among pro landscape photographers. It’s a perspective that cannot be matched by Canon’s current tilt-shift offerings (Canon’s widest TS lens is the aforementioned 17mm f/4L, followed by the 24mm f/3.5L II).

The 24mm f/3.5L, while perhaps less groundbreaking, offers a “standard” wide-angle perspective. It’ll undoubtedly excel when shooting landscapes, architecture, and even environmental portraits, either as a conventional lens or with the tilt-shift effects applied. 

But what’s the value of a tilt-shift lens?

Lenses featuring tilt-shift capabilities allow you to address certain problems posed by architecture and landscape photography (though the TS effect is also just cool!). Specifically, tilting the lens adjusts the plane of focus. You can use this to produce a “miniature” effect, where all the elements look small and human-made – or you can use it to keep certain elements in focus while blurring out other elements. 

So a landscape photographer might use the tilt effect to keep an entire scene in focus from front to back, even with a shallow depth of field. And a portrait photographer might use the tilt effect to creatively blur out all but the subject’s face.

You can also shift the lens; this essentially lets you choose a vantage point off to the side of your camera, but without having to move the camera body. It’s invaluable for architectural photography, where shifting the lens upward prevents unwanted distortion. You can also use the shift effect when capturing panoramas in landscape photography (it makes for beautiful, easily stitched results!).

Currently, Canon’s tilt-shift lenses are relatively expensive, and I doubt this RF-mount glass will break the mold, especially given the added autofocus capabilities. But we’ll ultimately have to wait and see; Canon Rumors suggests a “first half of 2022” announcement (one that should, incidentally, come “alongside a high-megapixel camera”).

So keep an eye out for more information. And if you’re thinking about purchasing a tilt-shift lens, you might want to hold off until these RF-mount options have been unveiled.

Now over to you:

What do you think of Canon’s potential tilt-shift lenses? Would you be interested? What draws you toward tilt-shift glass? Share your thoughts in the comments below!

The post Two Autofocusing Tilt-Shift Lenses From Canon May Debut Next Year appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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The 3 Must-Have Camera Lenses Every Photographer Should Own

26 Apr

The post The 3 Must-Have Camera Lenses Every Photographer Should Own appeared first on Digital Photography School. It was authored by Guest Contributor.

3 must-have lenses every photographer should own

What are the essential camera lenses every photographer must have?

In this article, I’m going to share the three key lenses that no photographer should be without. These recommendations come from personal experience; I rely heavily on these three lenses in my own photography.

They offer enough versatility to shoot in almost any situation, and they’re available for just about every camera system and lens mount on the market, from DSLR to mirrorless, from Nikon to Sony.

So if you’re ready to discover the must-have camera lenses for every photographer, let’s dive right in, starting with…

1. The general-purpose zoom

must-have camera lens standard zoom

A general-purpose (standard) zoom goes from around 18mm to 70mm. At the wide end, you get an expansive field of view for environmental shots. And at the long end, you get a field of view close to that of the human eye.

These zooms are hugely popular and come in many shapes and sizes. For instance, you can grab an 18-55mm kit lens or a (more expensive) 24-70mm lens.

Out of all my lenses, a standard zoom sits on my camera the most. It lets me shoot fairly wide while also offering decent zoom for objects off in the distance. You can shoot landscapes at 18mm, environmental portraits at 24mm, street shots at 50mm, and tighter portraits in the 60mm+ range.

Ideally, your general-purpose zoom packs a wide maximum aperture for low-light shooting and precise depth of field control (f/2.8 is best, but f/4 also works). Of course, if you can’t yet afford a wide-aperture zoom, that’s okay; a standard kit lens will work fine in most situations.

Consider these general-purpose zooms from Canon:

  • Canon EF-S 18-55mm f/4-5.6 IS STM
  • Canon EF 24-70mm f/4L IS
  • Canon EF 24-70mm f/2.8L II USM
  • Canon RF 24-70mm f/2.8L IS USM

These general-purpose zooms from Nikon:

  • Nikon AF-S DX 18-55mm f/3.5-5.6G II
  • Nikon AF-S 24-70mm f/2.8G
  • Nikon Z 24-70mm f/2.8 S
  • Nikon Z 24-70mm f/4 S

And these general-purpose zooms from Sony:

  • Sony 16-50mm f/3.5-5.6 OSS
  • Sony 24-70mm f/2.8 GM
  • Sony 24-70mm f/4 Vario-Tessar OSS

2. The macro lens

must-have camera lens 85mm macro

A macro lens lets you get up close and personal to your subject so you can capture stunning details of insects and flowers – as well as close-ups of clothing, jewelry, and more.

Note that the length of your macro lens isn’t as important as its magnification capabilities (a 1:1 magnification ratio or higher is best; it’ll let you get insanely close to your subjects).

I currently keep a 50mm f/2.8 macro in my bag because it’s small and light. I carry it around with me all the time, and when I need it, I whip it out for a detail shot or two. My macro lens also doubles as a decent portrait lens (it’s very sharp and the f/2.8 maximum aperture provides a shallow depth of field). And the level of detail you can get when shooting objects up close is fantastic.

Having a macro lens opens up a whole new world of tiny objects to photograph. Also, if you do any type of product photography (jewelry, food, etc.), this lens will allow you to capture a much greater level of detail than is possible with non-macro lenses.

Consider these macro lenses from Canon:

  • Canon EF 100mm f/2.8L IS Macro
  • Canon RF 85mm f/2 Macro IS STM
  • Canon EF-S 35mm f/2.8 Macro IS STM

These macro lenses from Nikon:

  • Nikon AF-S Micro 60mm f/2.8G
  • Nikon AF-S Micro 105mm f/2.8G VR

And these macro lenses from Sony:

  • Sony 90mm f/2.8 Macro G OSS
  • Sony 30mm f/3.5 Macro

3. The telephoto zoom

telephoto zoom essential camera lens

The most useful telephoto zooms span from around 70mm to 200mm – so you can capture standard field of view shots on the wide end and tight shots on the long end.

For instance, you might shoot full-body portraits at 70mm, tighter landscapes at 150mm, and headshots at 200mm. You can also use a 70-200mm lens to photograph sports, architecture, weddings, and more.

Regarding the maximum aperture: f/4 is acceptable and will get you decent low-light capabilities plus a shallow depth of field (especially when shooting at 200mm). But an f/2.8 maximum aperture is the holy grail of 70-200mm lenses; the depth of field is gorgeous at f/2.8, plus you can shoot indoors for basketball games, wedding ceremonies, graduations, etc.

The wider aperture will also let you shoot at faster shutter speeds so you can capture moving subjects such as birds and other wildlife. And a 70-200mm lens is a handy portrait lens; the focal length minimizes distortion and narrows the field of view to fill the frame with your subject.

So check out these telephoto zooms from Canon:

  • Canon RF 70-200mm f/2.8L IS
  • Canon RF 70-200mm f/4L IS
  • Canon EF 70-200mm f/2.8L IS III
  • Canon EF 70-200mm f/4L IS II

These telephoto zooms from Nikon:

  • Nikon Z 70-200mm f/2.8 S
  • Nikon AF-S 70-200mm f/2.8E VR
  • Nikon 70-200mm f/4G VR

And these telephoto zooms from Sony:

  • Sony 70-200mm f/2.8 GM OSS
  • Sony 70-200mm f/4 G OSS

Wait, what about…?

super-telephoto zoom must-have camera lens

I am sure that many of you reading this have other lenses you would consider essential.

For instance, a fast 50mm prime is great for portraits and street shots. A wide-angle zoom is perfect for landscape, architecture, and environmental portraits. A longer zoom lets you capture ultra-tight landscapes, birds, wildlife, and sports.

And it’s true:

All of those lenses are great to own.

But I’m trying to give you the three lenses that are most useful for every photographer, including folks who are new to photography or who have just bought their first camera.

And if you’re new to photography, these three lenses will give you the versatility to shoot in almost any situation.

You can use them for:

  • Family gatherings
  • Sports
  • Wildlife
  • Insects
  • Flowers
  • Landscapes
  • Events
  • Street scenes
  • Portraits

Then, once you hone in on the type of photography that most interests you, you might find that other lenses are essential for that specific subject – but until then, these are the lenses you should be carrying.

3 must-have camera lenses: conclusion

Well, there you have it:

The three camera lenses that every photographer should have, especially when starting out.

If you already own these lenses, great! And if not, consider adding them to your wish list.

Now over to you:

What lenses would you include on your own must-have lens list? Share your thoughts in the comments below!

About the author: Chris Folsom is a hobbyist photographer who spends much of his time photographing abandoned buildings. His photos have been published in newspapers and on numerous websites.

The post The 3 Must-Have Camera Lenses Every Photographer Should Own appeared first on Digital Photography School. It was authored by Guest Contributor.


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What are the Differences Between Canon EF, EF-S, EF-M, RF lenses

20 Apr

When you’re beginning to learn about photography, there is a lot to understand. Apart from the basics of cameras and photography, if there is one thing that trips most beginner photographers, it’s the different kinds of lenses available for a single brand of camera body. I’ve been there myself, so I thought I’ll clear up some basics. Let’s talk about Continue Reading
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Canon to Unveil 3 RF Lenses, but Discontinues 9 EF Lenses

12 Apr

The post Canon to Unveil 3 RF Lenses, but Discontinues 9 EF Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon to unveil 3 RF lenses, but discontinues 9 EF lenses

This past week brought both good news and bad news for Canon fans. 

The good news: Later this month, Canon will unveil three new RF lenses, including two pro-level super-telephotos.

The bad news: Canon has discontinued nine EF lenses, with plans to drop at least four more lenses before 2021 is out. 

Let’s take a closer look.

Canon unveils new RF lenses

According to Canon Rumors, Canon will likely be announcing three RF-mount lenses before April is out:

  • Canon RF 100mm f/2.8L IS USM Macro
  • Canon RF 400mm f/2.8L IS USM
  • Canon RF 600mm f/4L IS USM

The 400mm f/2.8L and the 600mm f/4L will go a long way toward making Canon’s full-frame mirrorless lineup appealing to professional sports and wildlife shooters, who frequently work with snappy f/2.8 and f/4 super-telephotos. While Canon currently offers a handful of long RF lenses (including the well-reviewed RF 100-500mm f/4.5-7.1L IS USM), the narrow maximum apertures are a dealbreaker for serious action and low-light photography. 

The Canon RF 100mm f/2.8L Macro will debut as a mirrorless successor to the popular Canon EF 100mm f/2.8L Macro, an ultra-sharp, close-focusing lens used by macro enthusiasts and professionals alike, plus product photographers and event photographers for key detail shots. Of course, the price remains to be seen (currently, the Canon EF 100mm f/2.8L goes for around $ 1300 USD, though when I bought mine – around five years ago – the price was a more tolerable $ 750 USD). But close-up photographers will undoubtedly appreciate the addition of another powerful lens to the list of macro options. 

So if you do wildlife photography, sports photography, or macro photography, keep an eye out for Canon’s announcement later this month.

Canon discontinues a long list of EF lenses

While Canon’s dedication to the new RF lineup is praised by many (myself included), it’s sad to see the flip side: the wasting away of the EF/EF-S lineup. 

Here’s the list of EF and EF-S lenses Canon has discontinued in the last month, as tracked by Canon Rumors:

  • Canon EF 14mm f/2.8L II USM
  • Canon EF-S 35mm f/2.8 Macro IS STM
  • Canon EF 135mm f/2L USM
  • Canon EF 180mm f/3.5L Macro USM
  • Canon EF-S 10-22mm f/3.5-f/4.5 USM
  • Canon EF-S 15-85mm f/3.5-5.6 IS USM
  • Canon EF 24-70mm f/4L IS USM
  • Canon EF-S 55-250mm f/4-5.6 IS STM
  • Canon EF 70-300mm f/4-5.6L IS USM

And according to Canon Rumors, these lenses will also be discontinued in 2021:

  • Canon EF 35mm f/2 IS USM
  • Canon EF 300mm f/2.8L IS II USM
  • Canon EF 400mm f/4 DO IS II USM
  • Canon EF 500mm f/4L IS II USM

While some of these discontinued lenses undoubtedly have RF replacements on the way, others will be forgotten, at least for the foreseeable future. So if any of the above glass interests you, I’d highly recommend you buy while products remain available. 

Now over to you:

How do you feel about Canon’s decision to discontinue these lenses? Did you expect such a fast break with the EF lineup? Share your thoughts in the comments below!

The post Canon to Unveil 3 RF Lenses, but Discontinues 9 EF Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Samyang teaser suggests two new astrophotography prime lenses will be released later this month

04 Apr

Samyang, also known as Rokinon or Bower depending on the retailer, has posted a teaser on its Facebook page for two upcoming lenses — a full-frame lens and an APS-C lens — which appear to have been designed specifically with astrophotography in mind.

Samyang doesn’t reveal the focal length or aperture for either lens, nor whether these are manual lenses or autofocus lenses, but both lenses are relatively compact primes based on their respective silhouettes. Samyang says the lenses will be ‘Masterpiece[s] for Astrophotography,’ with night sky photos (presumably captured with the respective lenses) as the background for the teaser.

The duo will be out by the end of the month, according to the post, so it shouldn’t be long before we know the details.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Unveils Three Compact Prime Lenses for E-Mount Cameras

02 Apr

The post Sony Unveils Three Compact Prime Lenses for E-Mount Cameras appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Sony unveils three prime lenses for E-mount cameras

Last week, Sony announced three E-mount lenses:

The FE 24mm f/2.8 G, the FE 40mm f/2.5 G, and the FE 50mm f/2.5 G; all promise to deliver excellent optics in a compact form.

The three lenses will launch this May. Designed as a set, they offer a beautifully wide field of view on the 24mm end for scenic shots and environmental portraits, plus a standard perspective at the 40mm and 50mm focal lengths, perfect for portraits, street photography, and even detail shots.

Sony unveils three prime lenses woman with camera

Sony explains, “The lenses were designed for a wide range of photo and video uses including portraiture, landscape, street photography, and more…With these three dynamic lenses, our customers can capture a wide range of perspectives with the excellent resolution and beautiful bokeh that Sony’s G lenses are known for.”

And while we can’t currently confirm the resolution of these lenses with a hands-on review of our own, sample images look very nice, and Sony’s own tests show tack-sharp results especially when stopped down to f/8. If you’re an APS-C shooter who demands the highest optical quality, or you’re working full frame and want some compact-yet-capable prime lenses, the 24mm f/2.8, 40mm f/2.5, and 50mm f/2.5 will deliver.

Plus, all three lenses offer fast maximum apertures, which translates to lovely bokeh – especially on the 50mm f/2.5, but also on the 40mm f/2.5 and even the 24mm f/2.8 when shooting close-ups.

Of course, f/2.5 and f/2.8 maximum apertures will get you more than just creamy backgrounds. With a wide aperture, you can shoot indoors or at twilight while still maintaining a reasonable ISO, so you can photograph events and night portraits – or record low-light video – and come away with clean results.

Sony also promises “fast, precise AF with excellent tracking performance” and top-notch build quality (all three lenses are dust and moisture resistant).

But while strong build quality, image quality, and focusing do make for a powerful package, even more impressive are the lenses’ compact builds. Travel photographers, street photographers, and videographers will love the pocket-sized design, perfect for on-the-go shooting, long hours behind the camera, and international travel. In fact, all three lenses are identical in size, so you can pack them all without sacrificing weight or space. Check out the lenses next to one another:

Sony unveils three prime lenses

And the prices are surprisingly reasonable. You can grab each lens for just $ 600 USD – not bad at all, given the optics, build quality, and AF capabilities.

So if you’re a Sony shooter in need of a new lens (or two, or three) for travel photography, portrait photography, street photography, or handheld videography, I highly recommend you take a closer look at these options. You can currently preorder the 40mm f/2.5 G here, the 50mm f/2.5 G here, and the 24mm f/2.8 G here.

Sony unveils three prime lenses

Now over to you:

What do you think of Sony’s new bundle of prime lenses? Are you impressed? Are there any features that you wish Sony would’ve included? Share your thoughts in the comments below!

The post Sony Unveils Three Compact Prime Lenses for E-Mount Cameras appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Nikon’s Future: A Flagship Z Camera, 8K Video, and Affordable Lenses

08 Mar

The post Nikon’s Future: A Flagship Z Camera, 8K Video, and Affordable Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Nikon's future: a flagship Z camera, 8K video, and affordable lenses

Nikon will be releasing “a flagship Nikon Z-series mirrorless camera…within the year,” said Keiji Oishi, a Department Manager of Nikon’s Imaging Business Unit. The camera “is being developed with the goal of surpassing the D6.”

This comes from a recently published DPReview interview with Oishi, which touches on the past, present, and future of Nikon’s camera business, including new cameras, lenses, Nikon’s mirrorless sales success, and the pursuit of 8K recording. 

The development of a flagship mirrorless model is welcome news for Nikon fans; it firmly reinforces Nikon’s commitment to growth and innovation in the face of supply struggles and questions about the company’s viability.

While Oishi didn’t offer many details on Nikon’s upcoming flagship camera, he did claim it “will respond to the advanced needs of professionals” and will “debut a newly developed, high-resolution stacked CMOS sensor.” The term “high-resolution” is a relative one, but this could signal Nikon’s intent to compete with the upcoming Sony a1, an all-around powerhouse packing a 50 MP sensor, class-leading autofocus, and 8K/30p recording.

In other words: Nikon’s flagship model may look to satisfy more than just professional sports photographers. Were the camera to pack 45+ megapixels while offering fast autofocus and shooting speeds in the spirit of the D6, it’d be capable of capturing sports, events, portraits, and even pro-level landscapes. 

As for video:

Oishi claims that Nikon’s engineers “are considering powerful video features such as 8K that respond to the needs of all kinds of content creators and professionals.”

So while 8K video isn’t a guarantee, it’ll likely find its way into the upcoming flagship model. With the 2020 arrival of the Canon EOS R5 and the days-away release of the Sony a1, Nikon will soon be the only leading camera manufacturer without an 8K hybrid camera. And while Nikon is ostensibly a stills-centric brand, the 8K bandwagon is one that it won’t want to miss. 

So when can we expect this high-resolution, high-performance, 8K powerhouse?

Given the lack of recent leaks, don’t hope for anything before summer 2021, and fall or winter is a realistic possibility. But we’ll definitely see the camera before the year is out, assuming all goes to plan.

A few other interesting tidbits from the interview:

Nikon aims to produce lenses “with a focus on more compactness and affordability” in the hopes of “mak[ing]…lenses more accessible to more people.” This will come alongside an effort to offer an expanded lineup of APS-C Z-mount cameras. 

(Currently, Nikon only offers a single APS-C Z-mount model, the Z50.)

Nikon camera sales have “defied expectations” these last few months, especially with the launch of the Z6 II and the Z7 II. As Oishi explains, “In the last quarter, we reported record mirrorless sales, which was helped by strong performance of the Z7 II and Z6 II. We observed strong sales of new products, both mirrorless cameras and lenses.”

Oishi thinks the hot Z6 II and Z7 II sales come from DSLR holdouts; he states that “many loyal Nikon users [were] waiting on the second generation of the Z series,” and that, thanks to “the improvements we put into the second generation,” Nikon DSLR shooters have finally bought into the Z system.

This is all excellent news for Nikon fans, and while the company still has a long way to go, it’s clearly taking steps in the right direction.

Now over to you:

What do you think about Nikon’s upcoming flagship mirrorless camera? Where do you see Nikon headed over the next few years? And what affordable lenses would you like Nikon to produce? Share your thoughts in the comments below!

The post Nikon’s Future: A Flagship Z Camera, 8K Video, and Affordable Lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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