RSS
 

Posts Tagged ‘lensbaby’

Overview of the Lensbaby System – Is it for you?

06 Sep

Are you interested in taking your photography to another level? Do you like the bokeh effect, or images that have a painterly look to them? Then perhaps you might want to give the Lensbaby lenses and optics a try.

leannecole-lensbaby-macro-flower-colour

Taken in the garden with using the macro converters, giving this image a very soft, painterly look.

Lensbaby is a system that allows you to insert, and use, different optics to a base lens. The most common one is the Composer Pro which has a rotating ball so you can use different angles when taking photos. You can get interesting effects with them by using selective focus, great bokeh, and you can achieve very painterly style images.

The company, Lensbaby, makes the lenses for cameras with interchangeable lenses, like DSLRs and mirrorless bodies. They have been designed to help you photograph the world in a new way. You can achieve some amazing results and can very quickly become addicted.

How long has Lensbaby been around?

Their story began in 2004 when one of their founders, Craig Strong, “joined an old Speed Graphic lens with a short Shop-Vac hose to shoot images otherwise impossible with an DSLR lens, which inspired the original Lensbaby lens.” From there the company has continued to grow and develop the lens swap system.

What is a Lensbaby?

The idea behind Lensbaby is an optic swap system. You get one of the systems that can use various optics, such as the Composer Pro. This is the part that connects directly to your camera, like a lens. There are two components to it, which are joined via a metal ball, that allows the second part to rotate so you can change your point of focus.

leannecole-lensbaby-lenses-optics

The Lensbaby lenses I have, 1) The Composer Pro, 2) Edge 80 Optic, 3) Double Glass Optic with f/4, 4) Macro Converters, 5) The containers they come in that are also tools, and 6) lens cap.

You put the optics into the Composer Pro. There is a range of options available that allow you to use the lens as a normal lens, a fisheye, a macro lens, etc. Each of the optics give you different effects. For this article the optics used where the Edge 80, Fisheye Optic and the Double Glass optics.

There is also a range of optics available for the iPhone. You can put them on your phone to get similar results.

Lensbaby also has a new lens now, the Velvet series. They look like real lenses, but deliver a soft, glowing effect at larger apertures. They don’t have optics that you swap in and out, however, and are also manually focused.

What do the lenses do and what effects do you get?

With the different optics you can get a lot of different effects. You can create images that have a tilt-shift look, so the subject in the image looks miniature. You can isolate certain areas, or the subject. For example, if you want to photograph a flower that is in amongst many others, you could isolate it so only that one flower is in focus.

One thing it is great for is bokeh. That same flower can have a fantastic blurred background by using a large aperture. The out of focus areas often look like they were painted as well, which, again, depends on the optic and the aperture that you use.

You don’t really get what you expect with normal photography or lenses, meaning really sharp images. You have to take a different approach to using a Lensbaby. If you are the type of photographer who is very technical, where the light and sharp focus is very important, you may not like these. However, if you like to experiment, see what you can achieve, and like dreamy painterly images, then you will love the Lensbaby.

leannecole-lensbaby-old-train-station

The Edge 80 Optic is also good for creating tilt shift images, to make your subject seem miniature.

What do you need to use a Lensbaby?

When compared to normal lenses the price is not too bad. But it does depend on how addicted you become, and how many different ones you want to try. I was given quite a few different optics, but I still went and purchased more.

However when starting with the system, you can begin with something simple, such as the Spark. It comes with one optic, and you can just go out and use it. The Composer Pro can also be purchased with an optic, and is perhaps the easier of the two to use.

To decide which one is for you, take a look at the Lensbaby gallery on their website. See what looks appeal to you, and which products were used to create them. Start there.

leannecole-lensbaby-old-car

Using the Double Glass Optic again, it has given focus to just a small part of the old car.

How easy are they to use?

They take a bit of getting used to, and there is a steep learning curve. You can’t simply put them on your camera and begin. To get the best results you need to do some research and learn how to use them. Once you have a good idea, then it is just a matter of getting out there to try it. You need to experiment a lot, and you will delete many photos, but as you gain experience you will get images that you are proud to show.

The focusing system seems to be the hardest to get used to, at least it was for me. Having to manually focus the lens is a task in itself. For some of the optics it is easy though. Once the focus is sorted at the start, you can just move the composer pro around on the ball, and get it to the point and look that you want.

As with anything new, there is some trial and error. So be prepared to mess up a lot. It isn’t a good idea to take your new Lensbaby somewhere really important the first time you use it, like a wedding. Get to know it first before using it for anything critical.

leannecole-lensbaby-old-shearing-shed

Focusing on just a small part of the shearing shed to emphasis where the viewer should look.

Why are they better than other similar effects?

The results you get with the lenses are quite unique to the system. You can try and emulate the effects in Photoshop, but they don’t quite work the same.

Who would use them?

Anyone who is interested in trying something different, and to test themselves, should give Lensbaby a try. If you are interested in trying new types of photography, then you will love the Lensbaby. The effects are different every time, especially when you use different angles.

Through the lens, you see a whole new world. As you find yourself succeeding at taking photos with them, you will become addicted. The softness of the blur is very different, and being able to concentrate attention exactly where you want in the scene is wonderful.

leannecole-lensbaby-old-windmill

The Double Glass optic has helped to lessen the effect of the distracting foreground so you focus only on the windmill.

Manual focus

All the lenses are manually focused. If you aren’t very good at doing that, then the Lensbaby may not be for you. However, if you don’t have an issue with it, you will have a lot of fun as you experiment.

One problem was the aperture rings. The further you close it down, the darker it gets in the camera viewfinder, and it can be hard to focus. This is especially the case when you are using the Edge 80 optic with the Composer Pro. When the aperture is wide open you can see through your viewfinder quite well. But as you start to close it down to around f/8, the light dims and it is harder to see, and therefore focus.

The farther away the subject is, the easier it is to focus. Anything up close is harder, and requires a lot of practice. If you have trouble focusing and holding the camera still, use a tripod. There is some literature out there that says you can’t use a tripod with a Lensbaby, but that is not true.

Perhaps using the lens straight on will also be of benefit at the beginning. Learn to use them in a basic way first, then you can start to see what is possible as you experiment.

leannecole-lensbaby-macro-flower

A macro flower taken using the Double Glass Optic in the Composer Pro. The camera was on a tripod to ensure sharp focus.

Are they for you?

If you have read this far, then you are probably interested in trying them out. The Lensbaby website has some great resources for helping you to learn about their products. There are also lots of tutorials on YouTube that help you to figure them out.

leannecole-lensbaby-old-silos

The Edge 80 Optic is ideal for doing straight parts of the image. I used it to help highlight the silo in the background.

The Lensbaby lenses and optics are a great addition to any kit bag. The effects that are created from them are unique, and can give your photography a whole new look. They will help the artist in you, achieve the artistic impressionist images that you haven’t been able to get, with regular photography lenses that are available.

Here is a video from Lensbaby to give you a quick overview of some of the options.

Have you tried a Lensbaby before? Please share your thoughts and images in the comments below.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post Overview of the Lensbaby System – Is it for you? by Leanne Cole appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on Overview of the Lensbaby System – Is it for you?

Posted in Photography

 

Lensbaby Twist 60 real-world sample gallery

06 Aug

Lensbaby’s Twist 60 is all about the bokeh. It promises appealing subject/background separation with Petzval-like swirly bokeh, offering an F2.5 maximum aperture. The Twist 60 is part of Lensbaby’s Optic Swap system and is currently offered for Canon, Nikon and Sony E mounts. We just couldn’t resist taking it out for a spin  — and we have to confess that we stuck mostly to wide open apertures in order to get the full swirly effect.  Take a look at our samples below, and stay tuned for more thoughts on swirly bokeh!

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby Twist 60 real-world sample gallery

Posted in Uncategorized

 

Lensbaby Circular 180+ ultra-wide-angle GoPro lens launches on Kickstarter

25 May

Lensbaby has launched a Kickstarter campaign for the Lensbaby Circular 180+, a lens that attaches to a GoPro Hero’s waterproof housing. The Circular 180+ has an ultra-wide 185° field-of-view and features ‘tack sharp edge-to-edge focus,’ according to Lensbaby, as well as ‘intense depth’ and rugged construction.

The new lens is designed specifically for GoPro’s Hero action cameras, attaching to the waterproof housing with a mount that screws tightly into place. The lens housing is likewise waterproof with an IP68 standard rating, enabling it to handle ‘extended immersion’ to depths down to 3m/9.8ft. The lens is joined by a water-resistant mount, and there’s a waterproof add-on mount as well. Compatibility includes the GoPro Hero, Hero+, Hero+ LCD, and the current standard housing, which supports the Hero4 Silver and Black, Hero3+, and Hero3.

Lensbaby is seeking $ 30,000 in funding on Kickstarter, where the Circular 180+ lens is offered at various price points as low as $ 69. Backers are expected to receive their orders in August 2016, assuming the funding campaign is successful.

Via: Kickstarter

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby Circular 180+ ultra-wide-angle GoPro lens launches on Kickstarter

Posted in Uncategorized

 

Swirly bokeh: Lensbaby announces Twist 60 lens

12 Apr

Lensbaby has announced the Twist 60, a new lens for creative photography. From what we can see, the Twist 60 is all about bokeh. The 12 aperture blades and a maximum aperture of F2.5 should give a soft, well-rounded bokeh with good separation of the subject from the background, but the real ‘twist’ is just that – the twist. Specifically the twisty, swirly bokeh. Lensbaby claims the lens is modeled after Joseph Petzval’s Classic 19th-century design, giving photographers the ability to introduce and control that distinctive circular bokeh that is unique to Petzval-type lenses.  

We are interested to see how this lens performs, as it is almost half the price of similar lenses recently announced and it is available (via the Lensbaby Optic Swap System) in a wide variety of mounts.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1483721425″,”galleryId”:”1483721425″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

The Twist 60 is available for pre-order starting April 12, 2016 and is currently offered in Canon, Nikon, and Sony E mounts. It is priced at $ 279.95/£196 for the full lens or $ 179.95/£126 for the Twist 60 Optic (for use with other Lensbaby Optic Swap System lenses).


Press release:

Lensbaby’s New Twist 60 Lens Exudes Pure Magic of Vintage Photography

Company’s love of old lenses inspires new creativity with classic image elements optimized for full frame photographers
 
Portland, OR – April 12th, 2016 – Lensbaby, makers of award-winning creative effects lenses, optics and accessories, today announced the availability of the Twist 60 lens. Twist 60 helps creative photographers find their visual voice by seeing the world differently.
 
This metal-bodied 60mm f/2.5 lens with gold anodized accents creates powerful portraits, spotlighting subjects by freeing them from their background and surrounding them with swirly blur and enhanced vignette. The brighter the aperture, the greater the swirl and the greater the vignette.
 
“Twist 60 embodies our love of old lenses and their unique ways of helping photographers discover creative possibilities,” said Craig Strong, Lensbaby Co-Founder & Chief Creative Officer. “True to an 1840 design by Joseph Petzval, this lens reveals striking separation between subjects and their background, a quality that modern lens designs lack.”
 
Twist 60 Lens specs:
? 12 blade f/2.5-22 aperture
? 60mm focal length
? Twisty, swirly blur
? Recommended for use on full frame cameras
? Available in Canon EF, Nikon F, and Sony E mounts
? 4 elements in 3 groups
? Filter threads: 46mm
? Black anodized body with gold anodized aperture ring
? Minimum focus distance – 18”
 
Availability
Twist 60 lens retails for $ 279.95 and is available via pre-order beginning April 12, 2016 (shipping May 5th, 2016). Twist 60 Optic will also be sold separately for use with other Lensbaby Optic Swap System-compatible lenses. It retails for $ 179.95. For best results, when using it in a tilting Lensbaby such as the Composer Pro, photographers should shoot with Twist 60 pointed straight ahead. Lensbaby products are available at lensbaby.com, B&H, Adorama, and from select specialty photo stores worldwide.
 
About Lensbaby
For over a decade, photographers have relied on Portland, Oregon based Lensbaby to help them break free of routine, tinker, and open themselves up to unexpected results – dancing, playing and delighting in what’s possible with a creative lens and their imagination.

Lensbaby makes award-winning creative effects lenses, optics and accessories that follow this philosophy, including the Velvet 56, a versatile portrait and macro lens; their unique Optic Swap System, which lets photographers swap their optic and tilt their lens for limitless effects; and mobile lenses that transform everyday smartphone photography. Lensbaby products are sold and distributed worldwide. For more information, visit www.lensbaby.com

Lensbaby Twist 60 specifications

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Swirly bokeh: Lensbaby announces Twist 60 lens

Posted in Uncategorized

 

Lensbaby Edge 50 Optic launches for pre-order

14 Jan

Lensbaby has announced that its Edge 50 Optic lens is now available to existing Muse and Composer owners for pre-order. Previously sold only in combination with the Composer II lens body, the Edge 50 Optic is part of Lensbaby’s Optic Swap System for Muse and Composer series lenses, and was released in October 2015. 

The Edge 50 is a 50mm F3.2 optic which, according to Lensbaby, creates a ‘sharp slice of focus bordered by silky, smooth blur.’ Features include a 9-blade aperture, 8″ minimum focusing distance, 8 multi-coated glass elements in 6 groups, a flat optic field and 46mm filter threads.

The Lensbaby Edge 50 Optic is available to pre-order now for $ 224.95 and will begin shipping to customers starting January 26.

Lensbaby Announces Availability of Edge 50 Optic for Photographers Who Already Own a Lensbaby Lens in the Composer or Muse Series

Portland, OR – January 11, 2016- Lensbaby, providing creative effects lenses to photographers that ignite their creativity and expand their unique visions of the world, today announced the availability of the Edge 50 Optic, part of their Optic Swap System, for photographers who already own a Lensbaby lens in the Composer and Muse series. 

Edge 50 Optic was originally released on October 21, 2015 in combination with the Composer Pro II lens body. Composer Pro II is an upgraded metal-bodied lens that swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Edge 50 Optic is designed to work with all Optic Swap System-compatible Lensbaby lenses in the Composer and Muse series. These lenses work on DSLR and mirrorless cameras.

Edge 50 Optic is a high-quality, 50mm f/3.2 optic that lets you control depth of field in-camera for an authentic, immersive shooting experience. Photographers can use Edge 50 to create images with a sharp slice of focus bordered by silky, smooth blur. Using selective focus, shooters can lead the viewers’ eyes on a unique journey through landscapes, close-ups, miniature effects, street photography and food photos.

“We created our Optic Swap System to provide unlimited creative effects through interchangeable optics,” said Craig Strong, Lensbaby Co-Founder & Chief Creative Officer. “We’re happy to finally be able to provide our loyal fans who use and love their older Composer and Muse lenses with yet another creative visual tool in the Edge 50 Optic.”

Edge 50 Optic specs:

  • For use with Lensbaby Optic Swap System lenses in the Composer and Muse series
  • Focal Length: 50mm
  • Aperture range: f/3.2 through f/22
  • 9-blade internal aperture
  • Flat field optic (creates a slice of sharp focus)
  • Minimum focusing distance: 8” from the front of the lens
  • Maximum focusing distance: Infinity
  • Size/Weight:  2.125” (5.4 cm) high x 1.875” (4.76 cm) wide / 5.5 oz (155.9 g)
  • 8 multi-coated glass elements in 6 groups
  • 46mm filterthreads

Images
http://lensbaby.com/resourceroom/optics

Availability
Edge 50 Optic retails for $ 224.95 and is available via pre-order beginning January 11, 2016 (shipping January 26th, 2016). Lensbaby products are available at lensbaby.com, B&H, Adorama, and from select specialty photo stores worldwide.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby Edge 50 Optic launches for pre-order

Posted in Uncategorized

 

Gear of the Year Part 8: Wenmei’s choice – Lensbaby Velvet 56mm f/1.6

31 Dec

My photographic style has always favored precision and sharpness with rich tones and vibrant colors.  I also have a bit of a control issue – my inner engineer likes predictable behaviors and consistent results. But sometimes I get into a photographic rut and I need something to give me a creative jump-start. Where do I turn? To Lensbaby of course, because how better to feed my need for precision, sharpness, control and predictable results than by using creative lenses that have very few of those qualities?

Predictable behavior. ISO 400, F4, 1/125sec.

My pick for Gear of the Year is the Velvet 56 F1.6 lens from Lensbaby. It’s a portrait lens that is incredibly versatile, going from a soft ethereal glow at F1.6 to satisfyingly sharp details when stopped down.

What I love:

  • 56mm focal length, perfect for portraits
  • Sharp focus when stopped down, if I need a break from the velvet glow
  • 1:2 magnification means I can get up close and personal with my subjects or shoot near-macro details
  • Soft focus effect forces me outside of my comfort zone and makes me think more creatively when setting up my shots
  • Sleek body looks cool, especially the silver version

When I first picked up the Velvet 56, I had a hard time figuring out how to make it work for me. My creative style does not naturally include soft edges or ethereal glow, so getting a feel for the lens and how it works took several days of shooting. (In contrast, colleagues who tend to shoot in a dreamier, more vintage style have tried the lens and fallen in love with it immediately.)

Still shooting stopped down to F4, having trouble embracing the glow. ISO 200, F4, 1/200sec

With the Velvet 56, once you open up above F2.8 it’s impossible to get a sharp edge. Having a direct relationship between the wide apertures I typically use to capture light and the soft focus that is a signature of this lens was very frustrating to me. However, once I gave up on the idea of being able to control both light and focus in the ways I expected, I found creative freedom in allowing myself to shoot for the “feeling” of a moment rather than the precision of it.

Sleeping children helped me step into the world of intentionally soft focus (by taking “dreamy” a bit literally…each of us takes the path that works for us). ISO 800, F2, 1/125sec.

I am still a huge fan of sharp focus and the comfortably predictable results I get from more conventional lenses, but I find that I reach for the Velvet 56 more and more for personal projects and family lifestyle or legacy sessions. The phrase “emotionally in focus” is often used to justify keeping a blurry shot that you like, but I find that it is an accurate description of how I use the Velvet 56. Sometimes, emotionally in focus is the best way to capture the moment.

This ’emotionally in focus’ moment brought to you by an irritated 5 year old. ISO 400, F2, 1/250sec.

And sometimes you just have to appease the engineer inside and stop down to F5.6 or F8 to try for that tack-sharp focus. Luckily, the Velvet 56 can do that too (manual focusing ability of the photographer notwithstanding).

Nesting dolls on the mantel, no emotion required. ISO 800, F5.6, 1/200sec.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Gear of the Year Part 8: Wenmei’s choice – Lensbaby Velvet 56mm f/1.6

Posted in Uncategorized

 

Lensbaby rolls out Composer Pro II and Edge 50 Optic

21 Oct

Lensbaby has announced new additions to its lens lineup with the Composer Pro II and Edge 50 Optic. The Composer Pro II houses the swap-able optic, updating the original Composer with an ‘upgraded’ metal body, and the 50mm equivalent F3.2 Edge optic provides a tilt shift effect slice of focus that can be moved around the frame. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby rolls out Composer Pro II and Edge 50 Optic

Posted in Uncategorized

 

Lensbaby launches Creative Mobile Kit

09 Jul

Lensbaby has launched the Creative Mobile Kit, consisting of a mounting device and kickstand for your smartphone, and two lenses, the LM-20 and LM-30. The former captures a large sweet spot surrounded by gradually increasing blur, and the latter produces images with a sharp center surrounded by reflections. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby launches Creative Mobile Kit

Posted in Uncategorized

 

Lensbaby expands offerings to Fujifilm X mount

02 Jun

Lensbaby has announced availability of several of its most popular lenses for Fujifilm’s X mount. The Composer Pro with Sweet 35 Optic, Composer Pro with Sweet 50 Optic, Circular Fisheye and Velvet 56 are all now available for Fujifilm’s mirrorless interchangeable lens cameras. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby expands offerings to Fujifilm X mount

Posted in Uncategorized

 

Lensbaby Velvet 56mm f/1.6 real-world sample gallery posted

12 Apr

The latest from Lensbaby, the Velvet 56mm f/1.6, is designed to bring soft, dream-like effects to portraiture. It also provides a minimum focus distance of 5 inches for macro work. It’s by no means cheap for what it offers at $ 499.95, but for some photographers will offer the ability to capture soft focus effects in-camera rather than through processing. We took the Velvet 56 out for a spin. See gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lensbaby Velvet 56mm f/1.6 real-world sample gallery posted

Posted in Uncategorized