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Posts Tagged ‘Leica’

Leica M10 Monochrom sample gallery

12 Oct

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The Leica M10 Monochrom takes the M10 body but includes a newly-developed 40MP full-frame sensor, with no color filter array. Like previous Monochrom variants, this makes the M10 M capable of producing stunning ‘true’ black and white images. We’ve been shooting with the new Monochrom for a few days with a mixture of old and new glass. Take a look!

See our Leica M10 Monochrom sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Leica announces 9 Portuguese-made lenses for the US market, bypassing import tariffs

28 Aug

In retaliation for allegedly illegal subsidies from the European Union to Airbus, giving the European airplane manufacturer an unfair advantage over US-based Boeing, the United States levied about $ 7.5B USD in tariffs against the EU. These tariffs, beginning last fall, have been applied to certain EU goods, as approved by the World Trade Organization (WTO).

Included in the new tariff regulations are selected imports from France, Germany, Spain and the United Kingdom, including a 25-percent tariff on ‘agricultural and other products.’ Under the umbrella of ‘other products’ are camera lenses. Leica has long been known for making many of its cameras and lenses in Germany, resulting in US customers being forced to pay more for already expensive Leica lenses.

In order to bypass the US-issued tariff, Leica began work on establishing an alternative production line elsewhere in Europe. Building upon an existing presence in Portugal, Leica will now offer US-based customers nine different M-mount ‘Made in Portugal’ lenses for a reduced cost relative to their tariff-inflated ‘Made in Germany’ equivalents. Customers can still choose to pay extra for the same lenses made in Germany.

The nine lenses Leica is currently manufacturing in Portugal for the US market include the following, with Made in Portugal prices listed first and Made in Germany prices listed second:

• Summicron-M 28mm F2 ASPH (Black) – $ 4,395 (Portugal) – $ 4,895 (Germany)

• Elmarit-M 28mm F2.8 ASPH (Black) – $ 2,295 – $ 2,595

• Summaron-M 28mm F5.6 (Silver) – $ 2,595 – $ 2,895

• Summicron-M 35mm F2 ASPH (Black) – $ 3,295 – $ 3,695

• Summicron-M 35mm F2 ASPH (Silver) – $ 3,495 – $ 3,895

• Summilux-M 50mm F1.4 ASPH (Black) – $ 3,995 – $ 4,395

• Summilux-M 50mm F1.4 ASPH (Silver) – $ 4,195 – $ 4,695

• Summilux-M 50mm F1.4 ASPH (Black-Chrome) – $ 4,595 – $ 5,095

• Summicron-M 50mm F2 (Black) – $ 2,395 – $ 2,695

As you can see, the Made in Portugal lenses do not fully capture the 25 percent tariff levied against the imported German versions, but the relocated production does provide some relief to customers in the US. Presumably Leica incurred considerable cost to their business setting up a new production line. Of this, Leica says, ‘Leica Camera has made a large investment to establish a second production line in reaction to these global economic developments and market requirements.’

Image credit: Leica Store Miami

Leica continues, assuaging the fears of customers that Made in Portugal lenses will be inferior products, ‘With this new production line at Leica Camera’s state-of-the-art facility in Portugal, Leica has decided to offer USA consumers a choice to buy a selection of some of the most popular and essential Leica M-Lenses, stringent to the same quality and standards expected from Leica as our German-made products, Made in Portugal, at a much lower price than their Made in Germany counterparts. The price differential is a direct result of tariffs, and in no way indicative of quality standards.’

If you’d like to learn more about the Leica facility in Portugal, Film and Digital Times published a great tour in 2017.

The nine lenses Made in Portugal lenses Leica has announced will be released in staggered groups. The trio of Leica Summilux-M 50mm F1.4 ASPH lenses will be available this month. In September, the Leica Summicron-M 35mm F2 primes and the Summaron-M 28mm F5.6 will begin shipping. Finally, this December, the final three lenses, the Summicron-M 28mm F2, Summicron-M 50mm F2 and Elmarit-M 28mm F2.8, will become available.

Prospective customers can order any of the nine Portuguese-built lenses from US-based Leica stores, including Leica Store Miami.

Articles: Digital Photography Review (dpreview.com)

 
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Fotodiox’s new adapter gives Leica M-mount lenses autofocus on Fujifilm X series cameras

14 Aug

Fotodiox’s new Pro Pronto AF adapter is finally available to pre-order. Announced a few months ago, the specialized adapter lets you autofocus Leica M-mount lenses with Fujifilm X series cameras.

The first adapter of this kind was the Techart Leica M-mount to Sony E-mount adapter released back in 2016. Fotodiox followed up with its own M-mount to E-mount adapter, but this is the first time we’ve seen one for Fujifilm X-mount cameras.

The adapter, which supports lenses up to 680g (1.5lbs), is constructed from brass and an aluminum alloy, and uses an integrated helicoid mechanism to extend and retract the lens using AF-S or AF-C contrast-detection autofocus.

Here’s a video of Fotodiox’s older Leica M-mount to Sony E-mount adapter in action:

The Fotodiox Pro Pronto AF adapter is available to pre-order now for $ 350. The Leica M-mount to Sony E-mount version is still available for $ 250.

Articles: Digital Photography Review (dpreview.com)

 
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These copper-plated Leica cameras manage to make even broken rangefinders expensive

13 Aug

Leica specialist store, Meister Camera, has found a way to make non-working Leica cameras into expensive one-of-a-kind pieces of art by copper-plating the camera, lens and all.

Meister Camera currently has eight of these one-off pieces for sale on its website. According to the product descriptions, the shop partners with a third party to copper-plate the cameras using what it calls a ‘galvanic process.’ The precise details of how the entire camera is effectively embalmed in a coat of copper, including the glass lens and non-metal components, remains unknown, but the end result speaks for itself.

Most of the copper-plated cameras are various versions of the Leica I, II and III cameras, but Meister Camera also has a copper-plated M3 up for sale. Prices start at 995€ (~$ 1,170) for the Leica IIf and go up to 1,450€ (~$ 1,705) for the Leica M3. You can see more information for each of the cameras on Meister Cameras’ online shop.

Articles: Digital Photography Review (dpreview.com)

 
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MS Optics reveals its latest lens, the Elnomaxim 55mm F1.2 for Leica M-mount cameras

31 Jul

Miyazaki san of MS Optics fame has released his latest M-mount lens, the Elnomaxim 55mm F1.2.

Bellamy Hunt over at Japan Camera Hunter is still working to translate the details of the lens, but what is known at this point is that the lens uses a gauss type optical design with an extremely simple formula. Specifically, the lens is Miyazaki san’s take on the Zeiss 50mm F2 Sonnar lens originally designed for the Zeiss Contax I rangefinder.

The entirely manual lens features an aperture range of F1.2 through F16, has a minimum focusing distance of one meter (3.25ft) and has a 49mm front filter thread. The lens measures in at 50mm diameter, 43mm long and weighs 180g (6.35oz).

Japan Camera Hunter has shared a few sample photos captured with the lens:

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As is the case with most MS Optics lenses, this thing isn’t going to win any sharpness contests, but it has character.

The Elnomaxim 55mm F1.2 lens for M-mount is available in black chrome and silver chrome, and is currently available to order from Japan Camera Hunter for $ 1,200. Units are being produced in small batches, so expect stock to come and go.

Articles: Digital Photography Review (dpreview.com)

 
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Leica M10-R sample gallery (DPReview TV)

24 Jul

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Our team at DPReview TV hit the streets to test the new Leica M10-R. Find out what 40MP from a Leica rangefinder looks like in our sample gallery.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Leica M10-R review

24 Jul

The M10-R is Leica’s newest rangefinder camera. It’s also the first M-series model to push resolution beyond 24MP, making the jump to a 40MP sensor. We take a look at what’s new – and what stays the same – in our hands-on review.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Intro
  • Flower sample photos
  • Similarities to the M10-P
  • Displays
  • Visoflex issues
  • File size and buffer
  • Stability
  • Street photography
  • Shutter
  • Battery life
  • Image quality
  • Who's it for?

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Leica M10-R sample gallery

18 Jul

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The Leica M10-R offers a familiar handling experience but ups the resolution from standard M10-series bodies to 40MP. We’ve been out shooting with a late preproduction M10-R, to give you a sense of what that extra resolution looks like.

To reflect the manner in which the M10-R is likely to be shot by most owners, the majority of the images in this gallery are converted from Raw, with some out-of-camera JPEGs included for spice. Really mild spice.

Please note that the images in this gallery were shot with a pre-production M10-R. As such, image quality may not exactly match results from shipping cameras (but is likely to be extremely close).

Check out our gallery of samples from the Leica M10-R

Articles: Digital Photography Review (dpreview.com)

 
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What you need to know about the new Leica M10-R

18 Jul

What you need to know about the new Leica M10-R

Leica has just released a major update to the M10-series, with a big leap in resolution over the original M10 models. The new M10-R features a variant of the 40MP sensor found in the more recent ‘Monochrom’ version, and includes a couple of the nice extras introduced in the older ‘P’ model. Read on to learn more.

New 40MP CMOS sensor

Externally, the only difference between the M10 and M10-R is the addition of an ‘R’ to the engraving on the hotshoe.

Internally, it’s a different story. The M10-R offers a big jump in pixel count, from 24MP to 40MP. For anyone who was expecting the next-generation M to feature the 47MP sensor from the SL2 and Q2, we’re told that the reason Leica opted for a ‘color’ version of the M10 Monochrom’s 40MP sensor is simply size. The 40MP sensor is thinner, and better optimized for use in the compact body of the stills-only M10-series cameras.

Like the original M10, there’s no option to shoot video. There’s also no low-pass filter on the sensor, to really make the most out of all those pixels. The downside to that is that moiré can be an issue in some situations (especially when shooting fabrics).

Same processor, better high ISO and dynamic range

The M10-R’s processor is the same Leica Maestro II that we’ve seen in previous M10-series models, but Leica claims that thanks to the new sensor, dynamic range has been substantially improved in Raw mode. Despite the significant increase in the size of its files, the M10-R’s continuous shooting rate is 4.5 fps – barely slower than the original M10’s 4.8 fps.

Like the original M10/P, native ISO sensitivity spans 100-50,000 (everything above 6400 is accessed via the ‘M’ setting on the ISO dial shown here) and the maximum exposure time has been extended to 16 minutes (from 4 minutes on the M10/M10-P).

Raw files are recorded in the DNG format, in 14-bit, with lossless compression.

Rangefinder focus system

Leica aficionados can skip this section, but for the uninitiated, the Leica M10-R is a rangefinder-type camera. It has an optical viewfinder, offering a comfortable field-of-view of approximately 28mm.

A series of prisms and mirrors under the top-plate (linked to a cam which connects to the lens) project two overlapping images into a small patch in the middle of the finder which, when they line up, indicate accurate focus. This was considered high technology in the 1920s, and still works well 100 years later, once you’ve got the hang of it.

Focus accuracy

One of the first questions I asked Leica representatives when they showed us the M10-R was whether the focusing system had been revisited to increase its accuracy, given the demands of a new 40MP sensor.

The answer I received was ‘no’. The system was overhauled and improved for the original M10, and has not been tweaked since. From my shooting on the M10-R so far, focus accuracy is about what I’d expect from shooting with the original M10. When working wide-open, it’s sensible (if you can) to focus bracket a little bit, but with practice, it’s not too hard to get focus where you want it, in most situations – despite the higher pixel count. For critical work, the optional Typ 020 viewfinder (shown above on an M10) allows for precise manual focus.

Framelines

The approximate field of view your lens is indicated in the viewfinder using projected frame lines. You can preview the field-of-view provided different lenses (from 28mm to 135mm) by moving the lever below the viewfinder window (shown in the previous section of this article).

When you mount a different lens, the frame lines will automatically adjust accordingly. To accurately frame shots using lenses wider than 28mm, you’ll need to attach an optical finder to the M10-R’s hotshoe. This image shows how much the 75mm Summilux intrudes into the view, but it’s an exception: most M-mount lenses don’t take up this much visual real estate.

3″, 1.04M-dot touchscreen

The M10-R borrows from the M10-P in a couple of key respects, one being its touch-sensitive rear LCD. The touch functionality is well-implemented, to the extent that it doesn’t get out of the way of the shooting experience. It’s useful mostly for flipping through images in playback mode mode, and pinch-to-zoom to check focus. And you can tap as hard as you like – the screen is protected by Gorilla glass.

Touch-screen

It’s a bit disappointing that there’s no option to customize the touch function. It would be nice, for example, to be able to rate images by touch or use the screen as a focus point positioning pad with your eye to the (optional) EVF.

On the plus side, navigating through captured images and zooming in/out is very fast, with virtually no ‘lag’ despite the large file sizes. Please note that the image above shows the M10-P, and was taken at a time when we could still get friends to hold cameras for us from less than 6 feet away.

‘Silent’ shutter

The M10-R’s ‘silent’ shutter is actually nothing of the sort, but rather the nicely-damped, very discreet mechanical shutter from the M10-P. While not silent, it is less obtrusive than the shutter sound of the original M10. There is no truly silent, fully electronic shutter mode available, in either normal or ‘EVF’ (live view) shooting.

Same old battery and memory card bay

No surprise here – the M10-R’s battery and memory card are still accessed via a latched door on the base of the camera. Leica will tell you this is to help keep the camera sealed against dust and moisture (which is it, by the way) but we suspect that tradition plays a big part.

Having to remove the base of the camera to swap out a battery or SD card isn’t the worst thing in the world, but it does make using the M10-R on a tripod (or even just in a soft case) more awkward than it probably needs to be. We had hoped for USB charging on this model, via a more-accessible port somewhere on the body but alas, tradition won the day, yet again. There’s no official word on battery life, but we’d expect the M10-R to offer basically the same stamina as the M10 Monochrom (350-400 shots per charge).

The M10-R supports SD cards up to the SDXC standard. In other words, there’s no benefit from using UHS-II cards in this camera. You can do it (and they’re mechanically perfectly compatible), you just don’t gain anything.

Leica FOTOS app

The M10-R is fully compatible with the FOTOS app, allowing for remote capture, image review and file transfer to a smart device. A fully-featured ‘Pro’ version of FOTUS is also available for iPad, for an annual fee. The app is shown here running alongside the weird and wonderful M10-D (which as you can see, doesn’t have an LCD of its own).

The Leica M10-R is available in ‘black chrome’ and ‘silver chrome’, for an MSRP of $ 8,295 (the same price as the M10 Monochrom).

Articles: Digital Photography Review (dpreview.com)

 
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MS Optics is back with a 24mm F2 Leica M-mount lens that’s almost as small as a body cap

10 Jun
A comparison between the 24mm F/2 Aporia and a standard Leica body cap.

Boutique Japanese optics manufacturer MS Optics has released its latest bespoke lens, a 24mm F2 pancake lens for Leica M-mount cameras.

The MS Optics Aporia 24mm F2 M-mount lens is a return to Miyazaki’s specialty — wide-angle pancake lenses. This Gauss lens is barely larger than a Leica M body cap, yet manages to pack inside six elements in four groups and a focusing range from .5m (1.5ft) to infinity.

We promise that’s a lens on the Zeiss Ikon.

According to MS Optics founder and lens designer, Mr. Sadayasu Miyazaki, Gauss lenses tend to struggle with ‘coma flare from mid-frame into the corners causing reduced contrast and peripheral light falloff.’ Miyazaki says it was a struggle to get around this shortcoming, he’s managed to ‘bring it to a satisfactory level of performance’ thanks to low-dispersion elements.

The lens measures just 50mm (2”) diameter, 5.8mm (.23”) thick and weighs just 45g (1.59oz) — roughly the weight of a golf ball. Below are a few sample photos, captured by Bellamy Hunt of Japan Camera Hunter (JCH):

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The 24mm F2 Aporia is being stocked in very limited numbers on the JCH website in gold, black chrome and silver chrome. Right now all models are sold out, but Bellamy Hunt of JCH tells us units are currently being put through quality assurance and will go live ’in the coming weeks.’

Articles: Digital Photography Review (dpreview.com)

 
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