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Posts Tagged ‘Leaves’

Weekly Photo Challenge – Leaves

01 May

The post Weekly Photo Challenge – Leaves appeared first on Digital Photography School. It was authored by Sime.

Lots of you got involved in last week’s challenge ‘phones’ well done! This week we want you back on your actual cameras and we want you turning your attention to the trees, but more specifically their leaves! Lots of detail to be found in leaves, interesting patterns, shadows, reflections, mottled sun shining through, etc.

Make sure you read to the end of this post, there’s a little bonus in there for you**

Share your photographs of leaves – make sure it’s a NEW photo for this challenge! You have to take your camera and go take a NEW photo for this one, no photos from your previously shot leaves folder, got it! ?

Tag your photos with #dPSLeaves and make sure you tag us on social media.

leaves photo challenge for dps
This leaf was on its plant on a rocky bridge in Scotland, they were in shadow and this one was sitting out in the sun.
leaves photo challenge for dps
During Covid lockdown here in Melbourne, I’d go walking each day with my kids, challenge myself to find a new leaf.
leaves photo challenge for dps
Sun burning through a tree on a cold day here in Melbourne, over-exposed to kill detail and give it a ghostly look.

Well, you get the idea, we want to see you be creative with leaves! Simple really… Take a simple, easy to find subject and try to make it stand out through working on your skill and trial & error! Mostly we’re shooting digital I guess, so it doesn’t really cost much to try, try and try again!

**Here’s that little bonus I was talking about, we want to hear YOUR weekly challenge theme ideas – make sure when you post your photo below that you let us know your theme that you’d like everyone to try! We’ll feature your photo for that challenge.

If you get stuck for ideas, jump into the Facebook group and see what others are doing!

How do I upload my photo to the comments?

Simply upload your shot into the comments field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them.

Weekly Photography Challenge – Looking Up

The post Weekly Photo Challenge – Leaves appeared first on Digital Photography School. It was authored by Sime.


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Lead engineer for computational imaging on Pixel devices leaves Google

14 May

According to a report by industry publication The Information, two key executives in Google’s Pixel team left the company earlier this year. One of them is the former General Manager of the Pixel Smartphones Business Unit, Mario Queiroz. According to his Linkedin profile, he left Google at the end of January to take on the role of Executive Vice President at data security company Palo Alto Networks.

A few months earlier, and two months before the launch of the Pixel 4 devices in October 2019, he had already moved internally from the Pixel team into a role that directly reported to Google CEO Sundar Pichai.

From an imaging point of view, the second executive leaving the Pixel team and company is more interesting, though: Marc Levoy has been a Computer Science professor at Stanford University since 1990 and since 2014, in his role as Distinguished Engineer at Google, had been leading the Pixel team that developed computational photography technologies for Pixel smartphones, including HDR+, Portrait Mode, and Night Sight.

Since its inception the Pixel smartphones series had excelled in the camera department, receiving positive camera reviews across the board. With the Pixel phones using very similar camera hardware to its direct rivals, a lot of the Pixel’s camera success could likely be attributed to the innovative imaging software features mentioned above.

However, things look slightly different for the latest Pixel 4 generation that was launched in October 2019. While many of the software features and functions were updated and improved, the camera hardware looks a little old next to the top-end competition. Companies like Samsung, Huawei and Xiaomi offer larger sensors with higher resolutions and longer tele lenses, and combine those hardware features with computational imaging methods, achieving excellent results. The Pixel 4 is also one of very few high-end phones to not feature a dedicated ultra-wide camera.

The Pixel 4 camera is still excellent in many situations but it’s hard to argue that Google has, at least do a degree, lost the leadership role in mobile imaging that it had established with previous Pixel phone generations.

It looks like internally there has been some discontent with other aspects of the Pixel 4 hardware, too. The report from The Information also details some criticism from Google hardware lead Rick Osterloh on the Pixel 4 battery:

At a hardware team all-hands meeting in the fall, ahead of the October launch in New York, Osterloh informed staff about his own misgivings. He told them he did not agree with some of the decisions made about the phone, according to two people who were present at the meeting. In particular, he was disappointed in its battery power.

Battery and camera performance are likely only two out of a range of factors that caused Pixel 4 sales figures to decrease when compared to its predecessors. IDC estimates that Google shipped around 2 million Pixel 4 units in the first two quarters the phone was on sale, compared to 3.5 million Pixel 3 units and almost 3 million Pixel 3A devices.

These figures are also relatively small when compared to the largest competitors. According to IDC Apple sold a whopping 73.8 million iPhones in the fourth quarter of 2019, for example.

It’s not entirely clear, but likely, that the departures of Queiroz and Levoy are linked to the Pixel 4’s performance in the marketplace. What will it mean for future Pixel phones and their cameras? We will only know once we hold the Pixel 5 in our hands but we hope Google will continue to surprise us with new and innovative technologies that get the most out of smartphone cameras.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei P20 Pro hands-on: 3x zoom lens leaves the competition behind

04 Apr

The P20 Pro is Huawei’s latest flagship smartphone and, at least in the camera department, arguably the most innovative mobile device we have seen in quite some time. The camera module was developed in cooperation with Leica and is the first to combine three sensor/lens modules:

  • A large 1/1.7-inch RGB sensor with Quad-Bayer structure in the main camera is designed to capture as much light as possible and keep noise levels low.
  • A secondary high-resolution monochrome sensor provides depth estimation for the simulated bokeh effect, helps with digital zooming at low magnifications and improves detail and noise levels.
  • A dedicated tele-camera with an equivalent focal range of 80mm springs into action at 3x or higher zoom factors.
The Huawei P20 Pro camera combines three cameras: The main module is at the center, the monochrome camera at the bottom (left in this image) and the tele at the top (right).

So the spec sheet looks impressive but is the Huawei P20 Pro the best camera smartphone money can currently buy? We had the opportunity to shoot with a Huawei P20 Pro for a few days. Here are our first impressions.

Please note that the camera software on our test unit is not final, so some improvements can be expected for the production version.

Key specifications:

  • Triple-camera, 10MP output size
  • Main camera: 1/1.7-inch 40MP Quad-Bayer sensor, F1.8 aperture and 27mm equivalent focal length
  • Secondary camera: 20MP 1/2.78-inch monochrome sensor, F1.6-aperture and 27mm equivalent focal length
  • Tele-camera: 8MP, 1/4.4-inch RGB sensor, F2.4-aperture, 80mm equivalent focal length and optical image stabilization
  • Kirin 970 chipset
  • 6.1-inch Full View display
  • 6GB RAM
  • 128GB internal storage
  • 4,000 mAh battery

Wide-angle

In bright light the P20 Pro’s main camera captures images with good detail and very low noise levels. As you can see in the sample below, there is no noticeable grain in the blue sky, which is unusual for a smartphone, and fine detail is rendered nicely, though almost a touch oversharpened. Dynamic range is excellent as well, with very little highlight clipping for a smartphone camera.

Colors and contrast are definitely on the vibrant end of the scale but if you like things a little more natural you can can set colors to ‘smooth’ in the settings. There is a touch of corner-softness in our sample but overall the P20 Pro performs very well in good light.

ISO 50

The picture below was taken in a dim bar. In these conditions the camera does a very good job at keeping noise levels down. Some fine grain is noticeable in the shadows, but overall the image is very clean.

Some detail is lost on very fine textures but you have to zoom in to full-size view to notice. Edge detail is still very sharp and colors are maintained nicely. This is very good image quality from a smartphone in these light conditions.

ISO 1250

The very dim street lighting in the scene below pushes the P20 Pro camera to its limits. The image is exposed very well and colors are rendered nicely. However, detail clearly suffers and some fine textures are very soft. In these conditions the lack of optical image stabilization also becomes obvious, with some images showing signs of camera shake.

ISO 4000

Zoom

Thanks to the triple-camera with dedicated tele module, zoom is one of the P20 Pro’s highlight features. The series below shows the same scene as the first image in this article, with the camera zoomed onto the stork that is nesting on the church tower.

3x zoom

As you can see when clicking through to the full version of these images, detail is still decent at a 3x zoom factor and a good step ahead of any other current smartphone. Noise is very well controlled as well. At 5x a loss of detail and texture becomes more obvious but the images are still usable at smaller output sizes, for example in social media.

5x zoom

The 10x zoom image shows the typical softness and pixelation we are used to from digital zoom images and is best reserved for emergency situations. That said, while the P20 Pro’s zoom can’t compare to the optical zoom of a compact camera, it’s outstanding for a smartphone camera. Kudos to Huawei for squeezing the technology into the thin body of a mobile device.

10x zoom

The zoom is still usable in indoor light conditions and produces results that, in terms of detail and noise, aren’t far off from images captured in bright outdoor light.

Wide angle 3x zoom
5x zoom 10x zoom

The Huawei’s zoom is not only handy for magnifying elements of the scene, just like the optical zoom on a “real” camera it also helps compress the planes of a scene. In the wide-angle image below the mountain range in the background is so small, it’s hardly noticeable.

In the 3x zoom image the mountains have become a much more important element of the composition, thanks to compression. However, in the zoom image the color response is much less vibrant and the camera tends to be a little more prone to highlight clipping. Hopefully that is something that can be fine-tuned for the final software version.

Wide-angle
3x zoom

While zoom performance is generally pretty amazing for a smartphone camera, we found exposure to be very unstable when zoomed in. Once zoom is activated you can get very noticeable exposure jumps between two images in a series, as you can see in the 3x zoom samples below.

We would expect this bug to be fixed with a software update, hopefully for the final release of the production software.

Underexposure Slight overexposure

Portrait/Aperture modes

Like most current high-end phones, the P20 Pro offers a background-blurring Portrait mode. The feature works very well with head-and-shoulder type portraits. The default blur strength is pleasant and the masking of the subject is quite accurate. Only some minor segmentation artifacts are visible in the hair of the subject below.

Portrait mode

Things don’t look as good with full-body portraits, however. Like in the shot below, on most occasions Portrait mode does not trigger for this type of scene.

Portrait mode

Portrait mode applies a degree of skin tone smoothing to your subject’s face. If you don’t want that, or take an image of an object rather than a person, you can switch to Aperture mode which artificially blurs the background in the same way as Portrait mode.

As you’d expect, the mode delivers similar results as Portrait mode but more complex objects, such as the bicycle in the image below, can cause some trouble, especially when shooting zoomed in. Foreground/background separation in this shot is pretty bad, with a lot of blur applied to areas that should be sharp and vice versa.

Aperture mode, 3x zoom

Video

Video, and particularly video image stabilization, are strong points of the Huawei P20 Pro camera. The clip below was shot hand-held and is very stable and smooth, almost steady-cam-like. No judder, over-compensation or similar kind of artifacts are visible. Other than that, detail is in line with the competition and the color response is similar to still image mode.

Conclusion

We’ve only had a few days with the Huawei P20 Pro but that has been long enough to say it is the most advanced smartphone camera to date. General image quality is very good, with good detail, very low noise levels across all light levels and excellent dynamic range. In terms of those parameters the differences to other flagship smartphones, for example the Google Pixel 2 or Samsung Galaxy S9 Plus aren’t massive, however.

Where the P20 Pro really leaves the competition behind is zoom. The dedicated 3x tele-lens provides a real advantage in the zoom department and makes this device the best current smartphone for zooming. The triple camera is also capable of creating a natural looking bokeh simulation, and in video mode the image stabilization is up with the very best, creating an almost steady-cam like effect.

There are still a few niggles in the camera software but hopefully those will be ironed out for the final release and our full review. It’s still early in 2018, but it’ll be interesting to see what the competition will come up with later in the year in order to counter Huawei’s impressive move.

Articles: Digital Photography Review (dpreview.com)

 
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Cold Frontage: Storm Leaves Waterfront House Encased in Frozen Waves

30 Mar

[ By WebUrbanist in Art & Photography & Video. ]

ice house exterior

When a cold front blew in over Lake Ontario, photographer John Kucko caught wind of the phenomenon and rushed to shoot images of a remarkably frozen home.

iced over house

Located in Webster, New York, the house is entirely trapped inside ice, a combination of sheets and icicles wrapping the residence on all sides. Outdoor furniture and landscaping elements between the lake and the house were likewise wrapped in frozen water.

cold front

An unusual combination of waves, wind and freezing weather contributed to the mix, as well as the home’s proximity to the lake. Winds over 80 mile per hour pushed water the short twenty feet to the residence. You can see more images and videos on the photographers Facebook page.

ice house detroit

Years ago, artists in Detroit did something similar but intentional with an abandoned home, showering it with water and letting it ice over for effect.

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[ By WebUrbanist in Art & Photography & Video. ]

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Architectural Relics: When Demolition Leaves Behind Nonsensical Structures

19 Jan

[ By SA Rogers in Architecture & Cities & Urbanism. ]

thomasson-2

Steps that go nowhere, pedestrian walkways that dead-end into elevated bridges, doors that open out into mid-air: these so-called ‘Thomassons’ are what happens when workers demolishing an outdated structure leave part of it behind, whether out of necessity or laziness. Ultimately, they become almost sculptural in their absurdity, visual ties to the past of a particular place. Walking up one of those staircases to nowhere almost seems like it could be the key to time travel.

thomasson-10

thomasson-3

Japanese artist Akasegawa Genpei named these nonfunctional structures ‘thomassons’ or ‘hyperart thomassons’ in the ’80s in reference to a baseball player with a ‘useless position’ on his team. He noted one such structure in Tokyo in 1972, a staircase that had no entranceway once you reach the top. Discovering more around the city, Akasegawa began giving them names like “the useless window of Ekoda,” building a collection that was published as a book called Chogeijutsu Tomason.

thomasson-5

thomasson-6

thomasson-7

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A photo posted by ???? ?????????Y????? (@ytanet) on

 

 

These days, images of such relics are collected via Instagram tags, on the Hyperart: Thomasson tumblr and on Reddit. There’s even a Thomasson Observation Center on Facebook, accepting public submissions and curating them into new visual references.

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A photo posted by uu_architects (@uu_architects) on

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A photo posted by ??????/masataka matsuoka (@masatakamatsuoka) on

thomasson-wikimedia-1

thomasson-wikimedia-2

Like the human appendix, these vestigial structures have long since ceased to be useful, yet somehow they’re still around, even as the world constantly shifts and changes. That in itself is pretty strange and incredible.

(images: Mathieu C, Matthew Fargo, Seng Chen and mindbomb via hyperart thomasson tumblr; reddit; wikimedia commons)

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[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Weekly Photography Challenge – Fall Leaves

17 Sep

Earlier I rounded up several images of fall leaves to get you thinking about shooting the autumn colors.

Now it’s your turn to get shooting.

Pedro Fernandes

By Pedro Fernandes

Randi Hausken

By Randi Hausken

Weekly Photography – Fall Leaves

If it is autumn or fall in your area the leaves may be changing color soon. So now is the perfect time to go shoot some great colorful images of leaves, landscapes, or even fall portraits. Even if it is not autumn where you live (southern hemisphere) try finding some interesting leaves, do a macro shot, or get creative with processing or composition.

Here are some articles that may give you ideas how to approach this subject:

  • Guide to Creative White Balance for Landscape Photography
  • Tips for Abstract Macro Photography; Using Texture and Light
  • 12 Tips to Help You Capture Stunning Landscape Photos
  • Backyard Macro Photography Safari
  • How to Create Strong Compositions Using Color Contrast
  • Add Contrast to Your Images by Using Complementary Colors
David Ohmer

By David Ohmer

Umberto Nicoletti

By Umberto Nicoletti

Stuart Williams

By Stuart Williams

--IZA--

By –IZA–

Vincent Brassinne

By Vincent Brassinne

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

Michael Salvato

By Michael Salvato

Elisa Greco

By elisa greco

Olli Henze

By Olli Henze

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The post Weekly Photography Challenge – Fall Leaves by Darlene Hildebrandt appeared first on Digital Photography School.


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21 Technicolor Images of Fall Leaves

16 Sep

Here in the Northern Hemisphere fall is upon us and the leaves are already changing color. What better time to get out and photograph them!

Let’s see what these photographers captured in this colorful images of fall leaves:

Louise Leclerc

By Louise Leclerc

Ram Yoga

By Ram Yoga

Darlene Hildebrandt

By Darlene Hildebrandt

Chechi Peinado

By Chechi Peinado

Stanley Zimny (Thank You For 19 Million Views)

By Stanley Zimny (Thank You for 19 Million views)

Jacki-dee

By jacki-dee

*Psyche Delia*

By *Psyche Delia*

Nicole Nicky

By Nicole Nicky

Greg Johnston

By Greg Johnston

Peaceful-jp-scenery

By peaceful-jp-scenery

Anne Worner

By Anne Worner

Susana Fernandez

By Susana Fernandez

Gisella Klein

By Gisella Klein

Stanley Zimny (Thank You For 19 Million Views)

By Stanley Zimny (Thank You for 19 Million views)

Paulo Valdivieso

By Paulo Valdivieso

Crifo

By crifo

Mike Monaghan

By Mike Monaghan

J J

By J J

Ms.Kimberly_B

By Ms.Kimberly_B

Susanne Nilsson

By Susanne Nilsson

Mirai Takahashi

By Mirai Takahashi

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The post 21 Technicolor Images of Fall Leaves by Darlene Hildebrandt appeared first on Digital Photography School.


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High-profile camera expert leaves Microsoft, returns to Nokia

03 Aug

As the former Head of Imaging at Nokia, Juha Alakarhu was a key figure in the development of the Finnish company’s PureView cameras. The innovative technology was implemented in models such as the Nokia 808 or Lumia 1020, which by many mobile photographers are still viewed as the best smartphone cameras ever made. Unfortunately, slightly slower than usual camera processing speeds and the high cost of the technology meant the devices never really caught on in the mass-market.

When Nokia’s device division was sold to Microsoft, Alakarhu and his team moved as well, but now it looks as if Microsoft is pretty much abandoning its entire smartphone business, making redundant a large proportion of the employees that were hired as part of the Nokia acquisition. Camera expert Alakarhu is among a number of high-profile engineers who have already found a new role, though, and it’s with his former employer. He is returning to Nokia as the head of the Ozo VR camera.

If you’d like to refresh your knowledge on Nokia’s PureView technology you can read our interview with Juha that was conducted on the occasion of the Nokia 808 launch in 2012.

Articles: Digital Photography Review (dpreview.com)

 
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Fox Talbot’s historical Mousetrap camera leaves UK for first time, heads to Tokyo

16 Sep

One of the first cameras to make a permanent photographic image has left the UK for the first time to be part of an exhibition hosted by the Japan Camera Museum in Tokyo. The so-called Mousetrap camera, used by William Henry Fox Talbot in his early experiments in creating the negative process in the 1830s, is the centre-piece of an exhibition entitled Kingdom of Elegance, Mahogany and Brass which shows off early cameras from the UK’s photographic industry. Sponsored by The British Embassy, the exhibition displays cameras owned by the Royal Photographic Society, the National Media Museum of the UK and a private collector called Kobayashi Yas.

Articles: Digital Photography Review (dpreview.com)

 
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Tree-Inspired Tower: Condo Balconies Unfurl Like Leaves

23 Mar

[ By WebUrbanist in Architecture & Houses & Residential. ]

tree shaped tower balconies

An iconic new mixed-use development in the heart of Montpellier in southern France, L’Arbre Blanc (The White Tree) grew out of a design concept tied to the outdoor traditions of this temperate region along the Mediterranean Sea.

tree tower city views

tree tower building detail

Spinning out from a central core, the design-defining balconies unfold brilliantly to offer upper-level residents an array of amazing panoramic views while providing shade for units below.

tree tower exterior view

This collaborative project by Sou Fujimoto Architects, Nicolas Laisné Associés and Manal Rachdi Oxo Architects (via ArchDaily with images by RSI Studio) includes a restaurant, bar, offices and art gallery in addition to dwellings.

tree towers and surrounds

tree tower urban context

Set in the fastest-growing city in France, the building is designed as a transition point between the heart of the old city and a series of faster-growing neighborhoods surrounding the existing center.

tree tower bar restaurant

tree tower street level

A series of passive heating and cooling strategies, including wind and solar usage, reinforce the tree concept with practical and sustainable solutions for everyday occupants.

tree tower interior designs

tree tower artificial lake

In terms of the housing units themselves: “The architects sought to encourage free-choice architecture, which they see as underpinning tomorrow’s housing trend where everyone starts with a ‘housing stock’ when they buy their flat and are not confined to manufactured articles, regimented layouts, turnkey spaces. Instead they are given possibilities, modular interior spaces they can choose from a catalogue of optional features and floor plans.”

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