RSS
 

Posts Tagged ‘larger’

DJI’s new Pocket 2 three-axis-stabilized mini camera offers larger sensor, wider lens and more

21 Oct

DJI has announced the release of its new DJI Pocket 2, a second-generation three-axis mini camera.

The updated camera drops the Osmo nomenclature its predecessor bore and improves its performance across the board. Despite keeping its compact size, weighing just 117g (4.2oz), the Pocket 2 has a larger sensor and wider lens than the Osmo Pocket, which DJI claims has dramatically improve image quality for both photos and video.

The new 1/1.7” sensor (Osmo Pocket had a 1/2.3” sensor) works in tandem with a new 20mm (equivalent) F1.8 lens to capture 16MP photos in standard mode and up to 64MP images in high-resolution mode. The Pocket 2 can record 4K video at up to 60fps at a 100Mbps bitrate. DJI has added HDR recording and the device now offers up to 8x zoom using the 64MP high-resolution mode or 4x lossless zoom when shooting at 16MP or in 1080p.

DJI has also improved the focus system, which should make it easily to track moving subjects faster and more accurately than with the Osmo Mobile. The Hybrid 2.0 AF feature uses a combination of contrast and phase detection to deliver these performance improvements.

DJI Matrix Stereo also improves upon one of the weakest points of the Osmo Mobile—audio. The new audio system uses an array of four microphones to capture what DJI calls an ‘immersive audio experience.’ DJI has added a number of audio features, including Directional Audio, SoundTrack and Audio Zoom. Below is a description of the new features straight from DJI:

’Directional Audio enhances sound recording from those microphones to pick up as much detail as possible, with SoundTrack adjusting the audio based on where the camera is facing, while Audio Zoom narrows the sound field when zooming the camera in. To further filter out unwanted background sounds, an optional wind noise reduction helps keep the audio clean in outdoor settings.’

As with nearly all of DJI’s products, there’s a handful of pre-programmed shooting modes included with the Pocket 2:

  • Pro Mode: Control advanced camera settings such as ISO, shutter speed, EV, and focus mode.
  • ActiveTrack 3.0: Select a subject and let DJI Pocket 2 keep it in the frame automatically.
  • Slow Motion: Capture the fast-moving world in slow motion with a max speed and resolution of 8x at 1080p.
  • Timelapse, Hyperlapse, Motionlapse: Speed up the world around you with the varying effects of three different time-lapse operations. Hyperlapse automatically integrates Electronic Image Stabilization (EIS) for added smoothness. Users have the ability to save individual images separately, record in RAW format, and use ActiveTrack 3.0.
  • Panoramas:
    • 180° Pano: Captures four photos for sweeping landscape images.
    • 3×3 Pano: Merges nine images for a wide and detailed view.
  • Livestreaming: Livestream directly to Facebook, YouTube, or RTMP.
  • Story Mode: Preset camera movements, color profiles, and music make it easier to choose a template, record the moment, and share to social media instantly.

Other features include a new Fast Wake option that will instantly turn on the device so you don’t miss any action, a Drop Aware function that will ‘take preventative measures when it senses the gimbal falling’ and a Pause Recording feature that will quickly pause video recordings.

With new hardware comes new accessories, including a charging case, wireless microphone set, waterproof housing, a more compact control wheel, an extension rod, a (more) wide-angle lens attachment, a wireless module and a smartphone support system. All of the above features and more can be controlled with the free DJI Mimo smartphone app, available on both Android and iOS.

The DJI Pocket 2 can be purchased in two configurations: the DJI Pocket 2 with the Mini Control Stick and Tripod mount for $ 349, or the DJI Pocket 2 Creator Combo, which includes the Mini Control Sitck, tripod mount, wide-angle lens attachment, wireless microphone with windscreen, the do-it-all handle and the micro tripod for $ 499. Units can be purchased through DJI’s online store and authorized DJI retailers.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DJI’s new Pocket 2 three-axis-stabilized mini camera offers larger sensor, wider lens and more

Posted in Uncategorized

 

Apple unveils 5G iPhone 12 Pro, 12 Pro Max devices with larger screens, better cameras and more

14 Oct

Moments after revealing its iPhone 12 devices at today’s virtual event, Apple showed off the next-generation of its flagship mobile devices, the iPhone 12 Pro and iPhone 12 Pro Max.

The two new models are constructed of surgical-grade steel and use advanced physical vapor deposition (VPD) technology that results in a ’spectacular luster.’ Despite having effectively the same physical dimensions of their predecessors, the iPhone 12 Pro and 12 Pro Max feature larger screens, 6.1” and 6.7”, respectively, as Apple has managed to further shrink the bezel.

The new iPhone 12 Pro models are based on Apple’s A14 Bionic chip, which was first seen its the company’s iPad Air refresh last month. The 5nm process chipset features a 6-core CPU and a 4-core GPU that Apple claims is up to 50% faster than any other phone on the market.

As with the iPhone 12, both the Pro and Pro Max receive sub—6GHz and mmWave 5G connectivity, ensuring the devices should work with the array of various 5G networks major carriers around the world are supporting. Apple has also included its new ‘Ceramic Shield’ technology to its flagship devices, which should help reduce the likeliness of cracked screens.

As has been the case for most of Apple’s ‘Pro’ devices, the company put a huge emphasis on the camera capabilities of its latest flagship devices. The iPhone 12 Pro features a 12MP (13mm equivalent) ultrawide module, a 12MP F1.6 wide module and a 12MP (52mm equivalent) telephoto module. Apple says the wide module captures 27% more light than previous-generations, aided by the larger aperture and seven-element lens. The optical image stabilization has also been improved, as well as autofocus thanks to the improved LiDAR capabilities.

Apple further pushed the photography boundaries with the iPhone 12 Pro Max, putting in a 47% larger sensor that offers an 87% improvement in low-light photos thanks to its larger 1.7um pixels. Apple also added swapped out the telephoto on the 12 Pro for a 5x (65mm equivalent) telephoto lens.

Apple has also added the ability to record HDR video, including the ability to shoot and in Dobly Vision HDR directly within the Photos app.

The iPhone 12 Pro will be available to pre-order on October 16, starting at $ 999. iPhone 12 Pro Max pre-orders will open on November 6 and pricing starts at $ 1,099. Both models are available in blue, gold, graphite and silver.

Apple ProRAW

In addition to the new hardware, Apple also revealed it will bring Apple ProRAW to its latest iPhone devices later this year. Apple says the new format will combine the benefits of its Deep Fusion and Smart HDR technology with the flexibility of a Raw file format when editing. The format will be able to be captured with all the onboard cameras.

To ensure third-party apps will also be able to make the most of the new format, Apple will be launching an API for both desktop and mobile apps for third-party developers to use. There’s no mention on when exactly we’ll see this update get pushed to devices.

This story is developing. Refresh the page for the latest information.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Apple unveils 5G iPhone 12 Pro, 12 Pro Max devices with larger screens, better cameras and more

Posted in Uncategorized

 

Do Larger Camera Sensors Create Different Looking Images? [video]

05 Jul

The post Do Larger Camera Sensors Create Different Looking Images? appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from fstoppers, they show you whether large sensors create different-looking images to smaller sensors in cameras.

?

In the video, Lee Morris photographs his friend Keith Bradshaw with four different cameras each with different sensor sizes.

Lee uses the following cameras and settings:

FujiFilm GFX 50R/ 43.mm x 32.9mm sensor/ 64mm lens f/8

Canon 6D/ 35mm ff sensor/ 50mm f5.6

FujiFilm XT-3/ 23.6mm x 15.6mm sensor/ 35mm f4

Panasonic GH5/ Micro 4/3 sensor/ 25mm f2.8

He shot each image in RAW and only changed the white balance. he also cropped in on all images to hide the 4/3 aspect ratio of the GH5 and GFX.

You may be surprised by the results (or perhaps you already knew this).

Check it out.

You may also find the following helpful:

  • Full Frame Sensor vs Crop Sensor: Which is Right For You?
  • Full Frame VS Crop Sensor VS Micro Four Thirds: Camera Sensors Explained
  • Is it Time to go Full-Frame? Weigh These Pros and Cons Before You Decide
  • Is Full Frame Still the Best?
  • Making Sense of Lens Optics for Crop Sensor Cameras

 

The post Do Larger Camera Sensors Create Different Looking Images? appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


Digital Photography School

 
Comments Off on Do Larger Camera Sensors Create Different Looking Images? [video]

Posted in Photography

 

Phottix announces larger LED panels with the Kali600

29 Jun

Lighting brand Phottix has announced a new LED panel for videographers and stills photographers called the Kali600. Larger than the company’s hotshoe Nuada series, the Kali600 is designed for location and studio work and to be mounted on a stand.

The panel has 600 LEDs and can produce light across a range of 3200-5600K while offering a maximum brightness of 3000Lux. With a pair of battery plates the panel can be run from two optional Sony NP-type batteries or directly via the mains using the supplied AC adapter. A set of barndoors and a diffuser are included, as is a wireless remote that can be used to control the brightness and color temperature of the output.

The Phottix Kali600 costs $ 170 and is shipping straight away. For more information see the Phottix website.

Press release

Feel the power – Meet the Phottix Kali600 Video LED

Following the success of the Phottix Nuada series LEDs, Phottix is announcing a new LED lighting line-up: the Phottix Kali.

The new series will debut with the Kali600 model – a larger studio-style LED Panel for video and general studio and location photography.

Features:

  • Excellent color rendering – CRI 95+
  • Digital Power Control: 10% – 100%
  • Digital Color Control: 3300K – 5600K
  • Uses 2 Sony-compatible batteries or AC Adapter

The Phottix Kali600 will feature a maximum brightness of 3000Lux (36W). Being both mains and battery powered it can be used in the studio or on-location. The Kali600 offers power and color temperature control – via the panel as well as a wireless radio remote. Barndoors, white diffuser panel and AC Adapter are included.

What’s included:

  • Kali600 LED Main Panel with Barndoors and Diffuser Panel
  • Remote Control Unit
  • AC adapter ( US & UK & AU & EU plug )
  • Printed User Manual

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Phottix announces larger LED panels with the Kali600

Posted in Uncategorized

 

Canon teases CMOS sensor nearly 40 times larger than a 35mm full-frame sensor

19 Jun

In 2010, Canon revealed that it was developing the world’s largest CMOS sensor, one measuring about 40 times larger than a full-frame CMOS sensor. The company has now added more details about the project to its website, including a discussion of a real-world application.

Whereas a 35mm full-frame sensor measures 36 x 24mm, Canon’s massive chip measures about 200 x 200mm. Canon gives a little detail about some of the challenges presented by such a large sensor and how it overcame them, saying in part:

Increasing the size of CMOS sensors entails overcoming such problems as distortion and transmission delays for the electrical signals converted from light. To resolve these issues, Canon not only made use of a parallel processing circuit, but also exercised ingenuity with the transfer method itself.

Overcoming this problem allowed comparatively fast readout of the sensor’s huge pixels, allowing it to capture video at 60fps in conditions as dark as 0.3 lux, which is about as bright as a night scene illuminated by the moon.

The company says the sensor has already been used by Japan’s Kiso Observatory to capture the first ever video of meteors that otherwise would have been too faint to record. This allowed analysis of the meteor frequency, providing supporting evidence for a theoretical model of meteor behavior.

Canon also suggests the ultrahigh-sensitivity sensor could be used for various other applications requiring video in extreme low-light conditions, such as studying the behavior of nocturnal animals or shooting video of aurora.

Via: Canon

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon teases CMOS sensor nearly 40 times larger than a 35mm full-frame sensor

Posted in Uncategorized

 

Lifeprint unveils larger, WiFi-enabled version of its AR-equipped mobile printer

06 Dec

Lifeprint, the company behind the mobile photo printers with embedded augmented reality technology, today announced its second model, which produces larger prints than the original version and offers Wi-Fi connectivity as well.

The new printer can print images that are 3 by 4.5 inches in size—compared to the original model’s minuscule 2 by 3 inch prints—and thanks to the new Wi-Fi feature you can remotely send an image for printing to a Lifeprint printer from anywhere, or send photos to printers owned by friends and family. For local printing, a Bluetooth connection is available as well.

As with the original Lifeprint, you can print video stills or a frame of an iPhone Live Photo and then view the full version via the Lifeprint app, merging physical print with digital display technology and offering a novel way of sharing videos with friends and family.

Like most mobile printers on the market, the Lifeprint prints on Polaroid’s ZINK paper, which does away with the need for ink cartridges and comes with an adhesive backside. Inside the app you can add stickers, captions and filters before printing. At more than $ 1 per photo, the luxury is not cheap, so select your images and videos wisely.

Lifeprint’s new larger printer is available exclusively through Apple Stores and on Apple.com for $ 150. A film pack of 20 is $ 30; $ 50 will get you a pack of 40.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lifeprint unveils larger, WiFi-enabled version of its AR-equipped mobile printer

Posted in Uncategorized

 

Go Big or Go Home: Athletes are Larger Than Life in Rio Art Installation

04 Aug

[ By SA Rogers in Art & Street Art & Graffiti. ]

JR main

Athletes have arrived in Rio for the Olympics on a massive scale in the form of two monumental photographic installations supported by construction scaffolding, one looking like he’s about to back flip over an entire building. French artist JR brings his signature black-and-white style to the streets for a dramatic addition to his ‘Inside Out Project,’ a global series bringing real people and their personal stories to public spaces through art.

JR street art rio 1

The athletes depicted aren’t household names – in fact, they’re not even Olympic athletes who will be physically present in Rio for the Games. The first, installed on the roof of a large residential complex, represents Mohamed Younes Idress of Sudan. “He lives and trains in Cologne, Germany,” says JR. “He missed out on the qualifications for the 2016 Rio Olympics but he is there some how.”

JR street art rio 3

The second figure appears to be that of a diver about to leap into the adjacent ocean. This installation rises from a rocky jetty overlooking the water in the Barra neighborhood. JR says he’s been working on this new technique, with the images supported by metal beams, for almost a year.

JR louvre

JR inside out 2

JR inside out 3

We previously featured JR’s large-scale work of urban camouflage outside the Louvre in Paris, where a black-and-white photographic installation made the museum’s iconic 11,000-square-foot pyramid by I.M. Pei seem to disappear. Other ‘Inside Out Project’ installations have included massive paste-ups inside Paris’ Pantheon building as well as covering a mass area of the ground in New York City’s Times Square.

Share on Facebook





[ By SA Rogers in Art & Street Art & Graffiti. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


WebUrbanist

 
Comments Off on Go Big or Go Home: Athletes are Larger Than Life in Rio Art Installation

Posted in Creativity

 

Souped Up: 12 Larger Than Life Campbell’s Soup Cans

23 May

[ By Steve in Design & Graphics & Branding. ]

campbell-soup-can-1dd
The red & white Campbell’s Soup can has been a huge pop culture (and occasionally pop art) icon for decades. HOW huge, you might ask? THIS huge…

campbell-soup-can-1f

campbell-soup-can-1b

campbell-soup-can-1e

The classic Campbell’s Soup can has been around a LONG time. Look closely at the gold medallion superimposed onto the divide between red and white: as stated, it was awarded to the company at the 1900 Paris International Exposition. More recently (1962 to be exact), pop artist Andy Warhol immortalized the by-then familiar can in one of his best-known paintings.

campbell-soup-can-1g

campbell-soup-can-1c

In 1981 Warhol visited Colorado State University in Fort Collins, which was holding an exhibition of his work in the art building. The acclaimed artist signed one of three huge replica Campbell’s Soup cans mounted outside the University Center for the Arts. In the summer of 2013, the restored signed can was unveiled at its new location at the UCA.

Soup Can-tonese

Giant Campbell's soup can, subway, Admiralty station, Hong Kong.

Campbell’s Soup cans can look a little different in other parts of the world – take Hong Kong, for instance. The jumbo can above, snapped in the city’s Admiralty subway station, depicts a flavor one wouldn’t expect in such a region.

Campbell’s Coop

campbell-soup-can-3a

campbell-soup-can-3b

Californians Steve & Chris White employed a little creativity and a lot of red & white paint when designing their one-of-a-kind Campbell’s Chicken Soup Chicken Coop. The pair adapted a hexagonal dog pergola (whatever that is) to suit the needs of their chickens, who thankfully can’t read.

Bigger in Texas

campbell-soup-can-4a

You’ll find this jumbo Campbell’s Soup can storage tank at Johnson’s Ranch in Uncertain, Texas. The oddly-named east Texas town only has about 150 residents, all of whom could presumably be fed for days if the tank really held tomato soup. Speaking of which, “The public restrooms at JOHNSON’S have been updated and improved.” Good to know!

Next Page – Click Below to Read More:
Souped Up 12 Larger Than Life Campbells Soup Cans

Share on Facebook





[ By Steve in Design & Graphics & Branding. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]


WebUrbanist

 
Comments Off on Souped Up: 12 Larger Than Life Campbell’s Soup Cans

Posted in Creativity

 

6 Benefits of Using Cameras With Larger Sensors

08 Dec

With ever increasing megapixel counts in smartphone cameras, do you need a dedicated camera at all? Or perhaps could you just get a really tiny compact camera?

At this point in time at least, the answer is probably no. Or at least not if you really want consistently good image quality. The reason is, that these devices don’t have large enough digital sensors.

The digital image sensor is the part of the camera that actually captures the image, from the light that is reflected onto it by the lens. The sensors are of a good size in any DSLR or mirrorless camera you are likely to buy, but in an iPhone or compact camera they are tiny.

It may be obvious to you that a larger digital sensor might result in higher resolution in your pictures. But, there are other benefits of a larger sensor that you might not be aware of, which go well beyond resolution. Therefore, in this article, I want to explain why a digital sensor is so important to your photography. The fact is it may be the most important factor to consider when purchasing a new camera.

1. Larger sensors generally provide higher resolution

Sensor size comparison chart

Sensors in DSLRs and mirrorless cameras are generally either Micro Four Thirds, APS-C, or Full Frame. Any of these will usually work fine, and as you can see they are all of good size. The sensors for smartphones and compact cameras, on the other hand, are extremely small in comparison.

Let’s start with the obvious thing – resolution. Having a digital sensor with a larger surface area provides the opportunity to include more pixels. Assuming the pixels are the same size, having a digital sensor that is 40% larger, reads that there can be 40% more pixels. That means higher resolution for your images, which in turn means more detail and the ability to make them larger.

A larger sensor can also lead to larger pixels, which has significant benefits for your pictures. If you see a Full Frame camera with the same number of megapixels as an APS-C camera, that doesn’t mean they will have the same image quality. Rather, that means the pixels will have been spread out over a larger surface area in the Full Frame model, and as you will see in the remainder of this article, having larger pixels spread out over a wider surface area has a whole host of benefits for your photography.

2. Larger sensors result in improved low-light performance

The number one predictor of whether a camera will have good low-light performance is the size of the digital image sensor. The camera testing that has been done shows a direct correlation between larger image sensors, and improved low-light performance.

A company called DxO Mark tests all digital cameras and assigns them a low-light performance score, which it calls its “sports” score (presumably because using high ISO is important to sports shooters, who often face poor light and need to use fast shutter speeds). This score is actually an ISO value. Specifically, the score is the highest ISO at which the camera will create a picture, without noise becoming too large of an issue (there is actually a technical formula they use involving decibels and signal to noise ratio, but that is my layperson’s definition of their score). The higher the score, the higher the useable ISO for that camera. For example, if a camera scores 900, that means the highest usable ISO for that camera is ISO 900. A camera with a score of 1250 would mean that its low-light performance was better, and performed well up to ISO 1250. And so on.

When comparing the scores for the current models of DSLRs and mirrorless cameras being sold right now, and then separating the results by sensor size, the result is rather striking:

Low light performance by sensor sizeTo explain this chart a little further, the range on the bottom is DxO Mark’s “sports scores,” which as mentioned above are really ISO values. Each camera was assigned a score, and I sorted them by sensor type. The range of values for Micro Four Thirds cameras is between ISO 757 and 896 (with the average at 825). The range for cameras with APS-C sensors is ISO 915 – 1438 (with an average of 1161). The range for full frame cameras is ISO 2293 – 3702 (with an average of 2811).

Notice that even the lowest rated APS-C camera performs better than the highest rated Micro Four Thirds camera. Similarly, even the lowest rated full frame camera performs better than the highest rated APS-C camera. When it comes to low-light performance, sensor size appears to make all the difference.

3. Dynamic range will likely be increased with larger image sensors

A larger digital image sensor also appears to lead to an increase in dynamic range for your camera. This is the range of tones that your camera can capture between pure white and pure black. The wider the range, the better.

There is no simple measurement for dynamic range, so comparing cameras is difficult. Finding the low-end of the spectrum (black) has a lot to do with the low-light performance of the camera, because digital noise increases when capturing very dark tones. At some point, the noise overwhelms the picture, so the bottom end of the dynamic range scale is not really “pure black” but rather “usable black.” What that means for us is that low-light performance determines part of the dynamic range of the camera, and as we saw in the previous section, low-light performance is largely a function of sensor size. Therefore, it would appear that a larger sensor would mean a higher dynamic range.

The digital image sensor testing done by DxO Mark bears this out. They call this their “landscape” score, and their results show a correlation between sensor size and an increase in dynamic range. The average for Micro Four Thirds cameras I looked at was 12.5 stops of dynamic range. That increased a bit to 13.0 for cameras with APS-C sensors, and then to 13.4 for full frame cameras. Therefore, a camera with a larger digital image sensor is very likely to have a larger dynamic range.

Comparison of dynamic range in digital cameras

All these scores are pretty comparable, and my point is not so much to compare these sensors (which will all get the job done), but rather simply to show that sensor size matters. Based on this, we can see that a camera with a much smaller image sensor (like a phone or compact camera) would not perform as well when it comes to these measures of image quality.

4. A larger sensor lets you create more background blur

If you want an appreciable degree of background blur in your images, you will need to use a larger digital image sensor. It is not just a function of aperture size (although that is obviously a very big part of it). In fact, it is virtually impossible to achieve a strong amount of background blur with a camera that has a tiny image sensor.

The relationship between digital image sensor size and background blur has actually been tested by the folks at DP Review. Here is a link to their testing and results. Be warned that they use a lot of math and technical terms. Here is a chart with some of their results:

DP-Review-Background-Blur-Chart

 

 

The results are that cameras with very small digital image sensors like smartphones and compact cameras are worthless if you aim to include background blur in your pictures. They go on to show that the larger the digital image sensor, the more blur you can include in your pictures. Therefore, sensor size is an important consideration if you want to achieve any amount of background blur in your photos.

5. A larger sensor can mean less diffraction

One other impact that the size of the digital image sensor has on your photos – and one of which you might not be aware – is on the amount of diffraction in your photos.

This may come as a surprise to you, if you are somewhat familiar with diffraction, because it is largely a function of using a very small aperture. Here’s how diffraction affects your pictures: When you use a small aperture, light reaching the edges of the image sensor can only get there after passing through the small aperture and then spreading out. That spreading of light causes the light rays to hit adjacent photo sites. Essentially, this spreading causes the light to sometimes hit the wrong photo site and leads to blur.

What does that have to do with the digital image sensor? Remember that diffraction is caused by a scattering of light across photo sites. Therefore, if you cram a lot of megapixels on a digital image sensor, the photo sites will be very small, and the scattering of light will cross over onto other photo sites more easily. That will mean an increase in diffraction. But in a camera where megapixels are more spread out, the same amount of scattering, will have less of an impact on your pictures.

As a result, larger image sensors where pixels are more spread out, tend to result in less image diffraction.

6. Larger sensors reduce the crop factor

Finally, let’s not forget about the crop factor that results from using a smaller digital image sensor. This chart shows the impact of crop factors. Notice in particular the yellow square in the center that shows the range of view for compact cameras:

Impact of crop factors

Of course, camera manufacturers have adapted to this by introducing extremely wide angle lenses which are designed for cameras with smaller sensors. Still it is generally much easier to obtain wide angle pictures using a larger image sensor.

Conclusion

It is not my intent to trash any particular camera, or system. The fact is that any camera is better than no camera, so use what you have. What I want to show here is that there are significant benefits to lugging around your DSLR, or mirrorless camera. That is true whether it is a Micro Four Thirds, APS-C, or a Full Frame camera. The benefits go well beyond resolution, and affect your overall image quality.

Larger sensors help you take better pictures in low-light, capture a greater dynamic range of tones, result in reduced diffraction, and let you achieve more background blur. So keep lugging around those cameras rather than trying to get it done with a phone or a compact model.

Do you have any additional data or questions you’d like to add? Please share in the comments below.

googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

The post 6 Benefits of Using Cameras With Larger Sensors by Jim Hamel appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 6 Benefits of Using Cameras With Larger Sensors

Posted in Photography

 

Microsoft Surface Pro 4 comes with larger screen and more power

07 Oct

Today Microsoft not only launched two new smartphones with PureView camera, but also the latest incarnation of its high-end Surface Pro tablet capable of running full desktop apps, such as Adobe Photoshop CC or Lightroom. Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Microsoft Surface Pro 4 comes with larger screen and more power

Posted in Uncategorized