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10 Awesome Photoshop CC Tricks You Wish You Knew

27 Oct

The post 10 Awesome Photoshop CC Tricks You Wish You Knew appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

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All photographers want their photos to look fantastic and part of the path to great images is the post-processing. You can do so much with the right tools if you know how to use them well. Photoshop is such an amazing tool for photographers. The more you use it the more you find that it can do. The more you realize you have to study to be able to make the most of it. In this article, I will share with you ten cool Photoshop CC tricks I love using when I work on my photos in Adobe Photoshop.

1. Photoshop search

10 Awesome Photoshop CC Tricks You Wish You Knew

Photoshop articles like this or video tutorials often suggest tools to use that you may not be familiar with. It’s easy enough to remember the tool but forget its location within photoshop. This is where the Photoshop search comes in helpful.

Up in the top right of the main photoshop window, you will find a search icon. Click on it to search not only to find that tool you want but other things too. You can also search for tutorials, Lightroom and Adobe stock images.

2. Manage keyboard shortcuts

10 Awesome Photoshop CC Tricks You Wish You Knew

When working with any complicated software, it pays to learn at least some of the keyboard shortcuts. Knowing the shortcuts for the tools you use the most will help speed up your workflow.

In photoshop you have the capacity to customize your keyboard shortcuts. It’s easy enough to do. If you’ve been using photoshop for a while you will know which tools you use often and will want to know the shortcuts.

To find them, all you need to do is go to the top menu and select Edit->Keyboard Shortcuts. This opens up a window where you’ll see all the information you need to learn the shortcuts and change them.

Most keys and many combinations have shortcuts assigned. These can be customized to suit your working style.

One key that has no default shortcut assigned is the ‘n’ key. You can assign your favorite tool to it without disrupting any of the other shortcut keys.

3. Temporary tool select

Another helpful trick that aids smooth workflow is being able to temporarily select a tool.

Say you’re working on an image with the Burn tool and you see a small blemish you want to remove with the Clone tool. You can simply press and hold the ‘s’ key to select the Clone tool. Once you’ve removed the blemish, release the ‘s’ key and your cursor will revert back to the Burn tool.

This can be used with most keyboard shortcuts.

4. Open the same image in two windows

Photoshop-CC-tricks

Opening the same image document in two windows gives you some great flexibility. You can have one instance of the file zoomed and be working on the details and the other showing the entire frame. This lets you see the changes you make in the detailed view as they happen in the full-frame window also.

To open two image documents, go to ‘Window’ in the top menu and select Arrange->New Window for [the file name of the opened file]. Click on this file, and a new instance of the file will open. Now you can select Window->Arrange and select the display option you prefer. Here I have selected to show 2-up Vertical.

This trick is very cool if you are working with two or more monitors.

5. Creating selections of Highlights and Shadows

Photoshop-CC-tricks

Selecting only the highlights or dark areas of an image can give you more control when making certain adjustments.

To do this, choose the type of adjustment you want to make. For this example, I have added a Curve Adjustment Layer. This is from the menu at the bottom of the Layers panel. Once I have the new adjustment layer, I then delete the layer mask.

Here’s where the magic happens. Press Ctrl+Alt+2 (Cmd+Opt+2 on Mac) and all the bright pixels will be selected. When you click on the Curves icon in the Layers panel, you will not only be making adjustments to the brightest pixels. In the Properties panel of the mask, you can choose to invert the selection and work on the darker pixels.

6. Pen tool tips

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Learning to use the Pen tool in photoshop is frustrating for many people. At first, it can be difficult to make the line go where you want it to. Here are some tweaks you can make so your learning curve is not so steep.

When you have the Pen tool selected, click the Cog icon on the top menu. Here you can alter the settings for how the line looks and responds. You can determine the weight and color of the line. This can be helpful in allowing you to see where you’re drawing more easily.

Probably the most helpful aspect of the Pen tool settings is the Rubber Band checkbox. With this setting active, you can see where your line is as you draw. This allows you to see where your line will be in real-time. Without the Rubber Band box checked, you will not see where your line will be drawn until you click on a point.

Two more helpful tips with the Pen tool are:

  1. Use the spacebar as you click. Hold the spacebar to allow you to place the point precisely where you want it to be.
  2. Once your line is complete, use Alt+Click to modify the handles on a point so you can alter the curve of the line.

7. Select colors from any application

10 Awesome Photoshop CC Tricks You Wish You Knew

Matching a color you want to use in photoshop with a color in another program or app is easy and can be very useful. Pulling the same color and applying it to text, a brush or fill means you can precisely color match what you are working on.

Shrink your photoshop window and place it over the area you want to select the color from. Simply select the tool for how you want to apply the color. In my example, I want to fill the background of my logo with a specific color from a photo on my website. Click and hold the Alt key as you drag your mouse to hover over the color you want to match.

When you release your mouse, Photoshop will use it as the selected foreground color. Now you can apply it as you wish.

8. Control Color Luminosity

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By creating a new black and white Adjustment Layer and setting the Blend mode to Luminosity, you can darken or brighten each color in your image. Simple drag the slider for each color you want to adjust until you are satisfied with its luminosity.

9. Transparency using ‘Blend If’

10 Awesome Photoshop CC Tricks You Wish You Knew

The ‘Blend If’ mode is a powerful tool when you know how to use it. Selecting and manipulating layers using the Blend If functions allow you to alter the luminosity or color channel of a layer.

In this example, I wanted to eliminate the black background from my logo and replace it with an image. The image is on the layer underneath my logo. Bring up the Layer Style panel by double-clicking on the layer you want to work on. With the Blend If mode set to Gray, use the slider below it to remove the darker or lighter pixels. In this example, I have moved the slider on the left towards the right to take out the black background of the logo.

Making the altered layer a Smart Object will make those hidden pixels transparent for even more flexibility.

10. Non-destructive Spot Healing Brush

10 Awesome Photoshop CC Tricks You Wish You Knew

Adding a new layer above the image you are working on allows you to work non-destructively with the Spot Healing Brush. Often with highly textured images, the Spot Healing Brush provides an unsatisfactory result. Adding an extra blank layer gives you more flexibility.

The key to making this work is to ensure you check the Sample All Layers checkbox in the top menu bar.

Conclusion

I hope there are a few new tips and tricks on this list of Photoshop CC tricks that you can find helpful. As with all things Photoshop, everyone works differently. There are also many ways to reach the same end result.

If you know of some other cool Photoshop CC tips or tricks let us know what they are in the comments below.

The post 10 Awesome Photoshop CC Tricks You Wish You Knew appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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7 Landscape Photography Tips You’ll Wish You Knew Earlier

08 Sep

Landscape photographer Nigel Danson has been reflecting on his time as a professional landscape photographer and has come up with 7 things that he wishes he knew when he first started out on his photographic journey.

Unfortunately for Danson, he’s not able to go back in time and tutor himself. But luckily for us, we’re able to learn from these key moments in his career without spending many years getting to those milestones!

“Recently, looking back at some photos I took over 10 years ago, it made me realize how far I’ve come as a photographer.” says Danson. “It made me think about the things I’ve learned over the last 10 or 15 years.”

Landscape photography can be a tricky art to master, and experience in the field is definitely your friend. But hopefully, these tips and tricks will help you to improve your shots in an instant and give you that boost you need to keep your photography developing.

Summary of the 7 Simple Tips to Improve Your Landscapes

  1. Use Aperture Priority Mode
  2. Master the Histogram
  3. Learn to Focus Properly
  4. Simplify Your Images
  5. Use Different Lenses and Stick with Your Camera
  6. Think About Where You’re Standing
  7. Learn and Use Lighting to Your Advantage

Have you got any landscape images you’ve shot recently? Share them with us in the comments below!

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5 Things I Wish I Knew When I First Started Wildlife Photography

31 Mar

I first started photography almost 10 years ago, and I sometimes wonder where I would be if I knew what I know now, back at the start. I feel like I’ve learned the most important things about wildlife photography in the last 4-5 years, with the time prior to that being spent juggling schoolwork alongside my hobby.

The hardest part about getting really good at something is at the start. It can feel impossible to take a decent image when you’re comparing yourself to the stunning work you see online all the time. Maybe you’re even taking lessons, but feel like there’s some kind of barrier that you can’t bust through to photographic greatness above.

While we’re all still learning, whatever stage we’re at, I hope that some of these tips will help you fast track your photography. Hopefully, you can avoid some of the mistakes I made early on when I first started doing wildlife photography.

#1 Single-point focus is a must

There are few situations, other than perhaps birds in flight, where you would want to use anything but the single-point focus mode on your camera. If you allow the camera to select the best focus point itself, you’ll easily have an image of an animal with its body sharp but eyes out of focus. This kills the shot – instantly.

5 Things I Wish I Knew When I First Started Wildlife Photography

When you’ve switched to single-point focus, you can dictate exactly where the camera will look to focus. Point that little black square at the eyes of your subject and the rest will start to fall into place. Just be extra sure that you aren’t focusing on the nose, or beak, of an animal rather than the eyes. It’s an easy mistake to make in a small viewfinder. After that, no longer will you need to trash that super cute shot of a squirrel just because the eyes are not sharp.

#2 Semi-automatic modes are your friends

I want to address a common misconception I hear again and again. This is that anything other than full manual mode is cheating and not proper photography. While I insist that everyone should learn how to use their camera in full manual, there is no reason to add extra obstacles in your way to a great photo.

With wildlife photography, everything is moving so quickly and the light is constantly changing. Most of the time when shooting in full manual, you’re just introducing a load of unnecessary wheels to spin and adjust to account for the tiniest change in light.

5 Things I Wish I Knew When I First Started Wildlife Photography

Photo: Mario Calvo / Unsplash.com

But, that’s also not to say that photographers using semi-automatic modes aren’t capable of shooting in full manual. Having to continuously adjust settings in a fraction of a second will most definitely make you miss opportunities. Plus, when you really understand how full manual works, it takes only a little thought to adjust and perfect the exposure. It just adds time to the process.

Semi-automatic modes take away this chore, meaning you can focus more on composition and other, arguably more important, ingredients that make up a great photo. You can still have control over your exposure, fine-tuning it using exposure compensation. I have lost count of the number of shots I missed when I insisted on solely using full manual mode at the start of my photographic journey.

The shooting modes I’m referring to are Shutter Priority, Aperture Priority, and full Manual with Auto-ISO. Take a look at this article I’ve written about which of these is best for certain situations: Why Semi-automatic Mode is the Best Choice for Wildlife Photography

#3 Organization is key

By alborzshawn

My biggest regret is never properly organizing my photos. I only started to do this vigorously back in 2015, which I am quite ashamed to say! I use Adobe Lightroom, and it just makes life so much easier. Creating a catalog of my images, I can keyword and easily find them all. Collections allow me to sort through specific shoots quickly, and the delete button is never too far away either with a tap of the X key on my keyboard.

Deleting images is something that we all need to do, but it’s never easy. But be brave, and if a shot isn’t up to scratch then make sure to haul it out of your catalog and into the trash. If you don’t, you’ll end up with hard drives full of thousands of pictures and you’ll never be able to find the good ones hidden within them.

It’s good practice to make sure you dig through all the photos from a shoot fairly quickly. Remove the blurred and rubbish frames so that you don’t procrastinate and find down the line that you still have to prune the images from a shoot a few years ago. Whoops!

#4 You don’t need to fill the frame

I always thought that a good wildlife photo filled the frame with the subject. If it was too far away, then there was no shot to be had. How wrong I was! The style of minimalist wildlife photography, having the subject small in the frame, is becoming increasingly popular nowadays. Perhaps styles and tastes have changed in the field since I first started out, but either way, it is something I wish I had experimented with more when I was younger.

5 Things I Wish I Knew When I First Started Wildlife Photography

This is great news for those of you who don’t have access to large telephoto lenses, too. It means you don’t need to go and shell out thousands for a 500mm prime lens when you can get shots that are just as good with a shorter telephoto (or even a wide lens).

Keep the subject small and introduce the environment around it into the scene. You might need to adjust your aperture to increase the depth of field, depending on what you’re trying to achieve. Since the surroundings will become a larger part of the shot, perhaps you want them to be more in focus than usual.

#5 You don’t need to stick to a normal aspect ratio

One thing that I’ve only started to do within the last year or so, is to play with the aspect ratio of my photos. You don’t need to stick to the standard that pops out of your camera. Try cropping into a square, or even creating a panoramic shot, to make long photos that capture a wider view than normal.

5 Things I Wish I Knew When I First Started Wildlife Photography

A colony of guillemots on the Farne Islands, Northumberland. One individual is attempting to land and squeeze into the group.

Experimenting with the aspect ratio of your photo makes them stand out too. Immediately people notice that the photo doesn’t fall into normal ratios, and pay attention to the shot. I really like these long, snaky frames. I feel they tend to work well with scenes that have a large number of focal points within them. For example, this image of the guillemots has so many different birds that you can look at in detail. The long frame creates a sense of a large colony of birds, and works well to get rid of the unnecessary sky above that would be there with a standard ratio.

In Conclusion

We can’t all be experts from the word go, I still have loads to learn about wildlife photography. But hopefully, some of these tips will help you to buck the trend and let you benefit from some of the things I wish I knew when I first started clicking wildlife photography.

The post 5 Things I Wish I Knew When I First Started Wildlife Photography by Will Nicholls appeared first on Digital Photography School.


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3 Things I Wish I Knew When I Started Photography

26 Jan

There are a some lessons that we all learn the hard way. Trial and error, though equally arduous, are still the two most ingraining teachers any of us will ever have. We often learn more from our failures than our successes. But like Newton tells us, at times we move forward only by hefting ourselves onto the shoulders of giants.

Boldness learn

More than anything, I wish I would have learned a few things sooner. There are so many lessons that would have benefitted me if I had only understood them on the front end of my trip into the photographic unknown.

So, in the spirit of solidarity I will share three things I wish someone would have told me when I started photography. Perhaps there were those who tried but for whatever reason I either couldn’t or wouldn’t understand. Hopefully these hard fought teachings will help you move forward and give you the mentality you need to start creating better images. Here they are in no particular order.

Learning chicago

The type of camera I would need

This is a dodgy subject that plagues many who are just starting out, or those who want to get more serious about their photography. I began my journey shooting a 35mm Nikon N65 with a 18-55mm kit lens that I bought when I was 18 years old. It was my first real camera. The late teenager version of me saved his money and paid $ 265 for it but I still felt as though I needed a better camera in order to make better images. That was 15 years ago.

Even then I was under the impression that I would need a “professional camera” in order to be a professional photographer. If you had asked me then, I wouldn’t have been able to even tell you what a “professional camera” actually was.

Camera types

What I wish someone had told me was that the best camera doesn’t exist. The only thing that truly matters is the knowledge to use whatever camera is in your hands to the utmost of its (and your) ability. True, times have changed and imaging technology has advanced alarmingly fast. Some people now earn a living with only the cameras in their smartphones.

The thing to always remember is that most cameras are capable of producing images of astonishing quality when coupled with a proficient user. Whatever camera you might currently have is likely more than enough. Allow your skills to mature and you will know when it’s time to upgrade.

Photography create

What post-processing is – and what it is not

Before you begin scrolling in horror at the very mention of post-processing let me assure you that this in not a dreaded commentary on what may or may not be considered “Photoshopping.” Instead, we’re going to talk about some misconceptions I had when first beginning to process my images.

I was under the impression that “getting it right in the camera” was an all encompassing mentality that meant nothing needed to be done after the moment of capture other than showing the image to the world. That is not necessarily true.

What I wish someone had told me was that all photographs, even analog (film), virtually always benefit from some extent of work after the image has been made. The quote which changed my thinking towards post-processing came from none other than Ansel Adams himself:

“The negative is the equivalent of the composer’s score, and the print the performance.”

Journey photography

The point Ansel was making is that yes you always want to strive to achieve the best exposure you possibly can in-camera so that you have a more complete representation of the scene in order to manifest a final photograph intermingled with your own creativity. Post-processing is not something to be avoided but rather embraced as a logical second step towards achieving your visualization regardless of what that visualization may be.

Perfection is unattainable

That’s right. No photograph is perfect and very few photographs are ever elevated to the level of fine art, whatever that means. This was an illusion that burdened me during my early days while learning to create photographs. I had an enormous misunderstanding about what actually went into the production of an image both creatively and technically.

One thing that I did know, was that my photographs looked nothing like some of the wonderful images I saw online or in photo magazines. I became discouraged, all the while feeling as if I was doing something completely wrong.

Perfection unattainable

What I wish someone had told me was that even if you labor in photography for the rest of your life, you will never snap a perfect frame. Your photographs will certainly become stronger as you hone your technique and acquire more capable gear, yes. But don’t think that you will ever reach a day when you can say, “Ah, now I’m perfect. All my photographs will be flawless from here on out.” That day will never come.

The craft of photography is a practice in personal evolution. It is a journey of constant learning. So take a breath, relax, and enjoy the process for the beautifully weird trip that it is.

Conclusion

These are just a few of things that I wish someone had told me when I first began making photographs. Do you have any lessons you have learned that could help others? List them in the comments below!

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10 things I wish I knew when starting my photography business

30 Dec

The moment I bought my first DSLR I knew that photography was my true passion. I didn’t consider myself a professional back then, but I was sure I wanted to become one. Well, the road  turned out a lot longer than I expected. I have learned there’s much more than meets the eye when it comes to the photographer profession. Continue Reading

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How to Prepare for a Portrait Session: A Few Things Your Photographer Wishes You Knew

10 Mar

Portrait photography is all about the face and can be really intimate and feel a little obtrusive for subjects that aren’t used to being photographed. But the end result can be beautiful and produce a photo that really captures the person. For the photographer there are a few aspects of different types of portrait photography that they wish their subjects Continue Reading

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17, October, 2014 – I Wish I Knew How To Paint

25 Oct

 

Sometimes it is good to slow it down and reflect on our photography.  In his last article Frank Sauer showed us how much we could find to photograph in our own backyard.  Today we share Frank Sauer’s newest essay I Wish I Knew How To Paint.  I hope you enjoy this essay and take some time this weekend to explore the world around you and try some photography like Frank describes.  

We still have a few spots open on our first and second Antarctica Trips.  Take a look at the instructor line up and give some serious consideration in joining us for this amazing adventure.  If you have any questions contact Kevin Raber.  You can learn more about these two trips HERE.


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This just in: Camera enthusiasts are ‘intense’ (who knew?)

12 Aug

nytlearns.png

New York Times writer Nick Bilton recently wrote an article about his experience with Leica cameras and lenses, and was surprised when this was met by an aggressive influx of ‘vehement messages from all kinds of photographers and camera fans’. Not only did Canon and Nikon fans attack him for not writing a similar piece about their favorite brands, but according to Bilton many Leica fans were also critical of his article, as well as his selection of ‘experts’. Click through for more on this surprising development.

News: Digital Photography Review (dpreview.com)

 
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Finnebassen – If You Only knew (Original Remix)

02 Nov

Finnebassen – If You Only knew Remix (2012) From the song”If Your Girl Only Knew” written by Missy Elliott and Timbaland for Aaliyah’s second studio album, One in a Million (1996) Photography : Eretria – Oropos soundcloud.com www.beatport.com www.mtvgreece.gr
Video Rating: 4 / 5

 
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