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Sony’s US-only ‘Step up to Sony’ sales event is offering up to $1K off cameras, kits and lenses

03 Jun

Sony is currently running its ‘Step Up To Sony’ sales event, a summer sales event for U.S. customers that’s heavily discounting some of Sony’s most popular cameras, lenses and kits. The ‘Step Up To Sony’ event runs through Jun 22, 2019. We’ve rounded up some of the best deals from the sales event and have listed them below.

Cameras and kits

Sony a7R III (Adorama, B&H): $ 2,598 ($ 600 instant rebate)

Sony a9 (Adorama, B&H): $ 3,498 ($ 1000 instant rebate)

Sony a7R II (Adorama, B&H): $ 1,498 ($ 500 instant rebate)

Sony A7 II (Adorama, B&H): Body only for $ 898 ($ 500 instant rebate), kit for $ 1000 ($ 600 instant rebate)

Sony RX100 V (B&H): $ 898 ($ 100 instant rebate)

Sony RX10 IV (Adorama, B&H): $ 1,598.00 ($ 100 instant rebate)

Lenses

Sony FE 12-24mm F4 G (Adorama, B&H): $ 1,598 ($ 100 instant rebate)

Sony FE 70-200mm F4 G OSS (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Planar T* FE 50mm F1.4 ZA (Adorama, B&H): $ 1,398 ($ 100 instant rebate)

Sony Distagon T FE 35mm F1.4 ZA (Adorama, B&H): $ 1,498 ($ 100 instant rebate)

Articles: Digital Photography Review (dpreview.com)

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Nikon US’s ‘Capture the Savings’ event offers instant savings on cameras, kits and lenses

28 Apr

Nikon US has announced its seasonal ‘Capture the Savings’ sales event and with it comes a number of impressive instant savings across its mirrorless, DSLR and Coolpix cameras, as well as Nikkor lenses.

The event, which starts Sunday, April 28, is limited to products sold in the United States by Nikon Authorized Dealers, including but not limited to Adorama and B&H. If multiple products are required for the instant savings, Nikon notes that the items must be bought at the same time and appear on the same receipt for the savings to apply.

The full list of deals can be found on Nikon USA’s website, but we’ve rounded up a few of our favorites below, with the links to the products on Adorama and B&H:

Coolpix

Coolpix P900 Camera (Adorama, B&H) — $ 100 Instant Savings (April 28, 2019 through June 1st, 2019)

Coolpix W300 Camera (Adorama, B&H) — $ 90 Instant Savings (May 12, 2019 through May 18, 2019)

DSLRs

Nikon D850 Body Only (Adorama, B&H) — $ 300 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D750 Body Only (Adorama, B&H) — $ 400 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D750 24-120 VR Kit (Adorama, B&H) — $ 1,000 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D7500 Body Only (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D7500 16-80 VR Kit (Adorama, B&H) — $ 670 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z-series

Nikon Z6 Body Only (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z6 24-70 Kit (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z6 Filmmaker’s Kit (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z7 Body Only (Adorama, B&H) — $ 600 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z7 24-70 Kit (Adorama, B&H) — $ 600 Instant Savings (April 28, 2019 through June 1, 2019)

Nikkor Lenses

24-70mm f/2.8E ED VR (Adorama, B&H) — $ 500 Instant Savings (April 28, 2019 through June 1, 2019)

70-200mm f/2.8E FL ED VR (Adorama, B&H) — $ 650 Instant Savings (April 28, 2019 through June 1, 2019)

105mm f/1.4E ED (Adorama, B&H) — $ 300 Instant Savings (April 28, 2019 through June 1, 2019)

85mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

58mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

35mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

28mm f/1.4E ED (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

The various prices are determined by the Authorized Nikon Dealers at the time of sale. Nikon also notes that all prices and specifications of these deals are subject to change without notice, and Nikon is not responsible for printing or typographical errors with pricing information.

Articles: Digital Photography Review (dpreview.com)

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Tiffen launches ND/PL filter kits for DJI Osmo Pocket camera

10 Apr

Tiffen has introduced a pair of filter kits for videographers using the DJI Osmo Pocket that the company says help to create a more cinematic look to the footage recorded with the device. The kits consist of neutral density filters to control the shutter speed of the Osmo and polarisers to assist with color saturation.

A three-filter kit has ND4, ND8 and ND16 filters, each with a polariser built in, while the six-filter kit offers the same three ND/PL filters minus the polarising element.

Tiffen says the filters are coated to prevent moisture sticking to the surface and to protect against reflections and scratches. The optical glass has a 10-year warranty, and a metal case is provided to store them in.

The 3-filter Osmo Pocket Filter Kit costs $ 49.99 while the 6-filter kit is $ 79.99. For more information see the Tiffen website.

Press release:

Tiffen Filter Kits Now Available for the New DJI Osmo Pocket

Tiffen Filters, a division of The Tiffen Company, introduces their exclusive new line of filters for the DJI™ Osmo Pocket. The filter kits will consist of a three-filter kit of neutral density polarizer filters and a six-filter kit of neutral density and neutral density polarizers available for DJI™’s latest 3-axis stabilized handheld camera.

The filters feature a multilayer and hydrophobic coating, waterproof surface and scratch prevention technology. They guarantee ultra-low reflection rates and have unmatched color fidelity. Its 4K high definition optical glass has a ten-year warranty.

“We’re excited to announce the launch of these filter kits for the popular DJI™ Osmo Pocket,” said Andrew Tiffen, SVP of Marketing, The Tiffen Company. “Matching our exclusive line of filters with the latest pocket-sized handheld gimble from DJI gives content creators the tools they need to enhance the cinematic footage they create with the device.”

Each filter kit includes a compact metal carrying case to safely pack and store the filters until ready for use, making it easy to take these filters on any video-worthy adventure with the DJI Osmo Pocket.

With Tiffen’s exclusive kit of filters for the DJI™ Osmo Pocket, imagemakers can create more professional content by having greater control in camera. When used in conjunction with the award-winning filter technology engineered by Tiffen, the high-quality performance of the DJI™ Osmo Pocket camera system is taken to the next level.

Articles: Digital Photography Review (dpreview.com)

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The Best Fujifilm X-Series Kits for Travel Photography

20 Mar

The post The Best Fujifilm X-Series Kits for Travel Photography appeared first on Digital Photography School. It was authored by Matt Murray.

Travel has always been my first love. In 1994 I bought my first camera – a Pentax Zoom 90 WR point and shoot – because I was going to Europe for a two-year working holiday. The only way to share photos with family back then was to have the film developed and post the prints home!

While photography (and technology) has changed remarkably in the last 25 years, what you should look for in a camera for travel photography is much the same: small, light, capable of great results and preferably weather resistant.

I’ve used all sorts of camera brands over the years. However, for me, Fujifilm X-Series cameras and lenses are the perfect travel companions. Whether it’s a trip to the Australian outback, visiting remote Buddhist temples in the Javanese jungle, photographing puffins in the Faroe Islands or capturing traffic trails in Taiwan, my X-Series cameras have always produced stunning results. Here are my recommended Fujifilm X-Series kits for your next big adventure.

Best minimalist kit

Camera: Fujifilm X100F
Lens: Fixed F2 Fujinon lens
Weight: 469 grams

The best minimalist kit choice was easily the stunning Fujifilm X100F. This is the best compact digital camera ever made. Yes, it really is that good!

Many photographers – including diehard users of other brands – use this as their “take everywhere” shooter. The X100F is small and quiet, and the fast f/2 Fujinon lens creates beautiful images. It may be small, but it boasts an impressive array of features including a leaf shutter and built-in neutral density filter.

Like all the cameras I feature in this article, the X100F can shoot RAW alongside Fujifilm’s array of stunning JPG film simulations, that replicate the look of classic films such as Provia and Velvia. Fujifilm cameras produce the best JPGs I’ve seen straight out of the camera.

This choice is a little unusual as it has a fixed lens. That’s right. You can’t take it off and swap it for another lens. If the 23mm focal length (35mm in full-frame terms) isn’t your preferred choice, the system also has wide-angle conversion and telephoto converter lenses. However, these do add extra weight to your kit. One of the few downsides to the X100F is that it’s not weather resistant. But, at least it’s small enough to fit in your pocket during a downpour.

One body plus one lens kit

Camera body: X-T30
Lens: XF 18-55mm F2.8-4 R LM OIS lens
Approximate weight: 693 grams

If you only have space to take one body and one lens on a trip, I would recommend the brand new Fujifilm X-T30 with the XF 18-55mm F/2.8-4 R LM OIS lens. I’ve been using this line of cameras since buying the X-T10 as a second body back up to my X-T1, and I’ve also used the X-T20. The X-T cameras with a “0” after them are lighter, cheaper, non-weather resistant versions of the flagship models, but usually feature much of the same technology. For example, the X-T30 has the same 26.1MP X-Trans 4 CMOS sensor as the X-T3.

Alternatives for the camera body would be the X-T20 and the X-E3. The X-T20 gives you a screen that tilts up and down for overhead and low to the ground shots. Whereas, the X-E3 is the more minimalist choice, and features a joystick that controls where the focus point is in the frame. The X-T30 and the X-T3 have both of these features.

My choice of lens for this kit is the XF 18-55mm F/2.8-4 R LM OIS. Not only is it one of my favorite Fujifilm lenses, but it’s also the lens that I’ve used the most over the last three years.

Often sold with camera bodies, many newcomers to the X-Series remark that the XF 18-55mm F2.8-4 R LM OIS lens is “surprisingly good for a kit lens.” In no way is this lens like the subpar beginner kit lenses produced by other manufacturers. The XF 18-55mm F/2.8-4 R LM OIS is a stunningly sharp lens in its own right and has produced some of my favorite images ever.

It may not be weather resistant, but it does feature OIS (optical image stabilization) to ensure your shots are as sharp as possible at lower shutter speeds. It’s a variable aperture zoom lens, meaning that the maximum aperture changes as you zoom through the range. However, you can still shoot at f/2.8 at the 18mm focal length, and f/4 at the 55mm end. It’s a top lens for landscape, cityscape, and portraits.

Best kit under 1kg

Camera body: X-T30
Lenses: XF 18-55mm F/2.8-4 R LM OIS + XF 35mm f/1.4 R
Approximate weight: 880 grams

My picks for the best kit weighing under 1kg include the same choices as the ‘One body plus one lens’ kit above, with the addition of the XF 35mm f/1.4 R. The first time I used this lens, I was blown away by its sharpness and stunning bokeh. It’s a top lens for portraits, still life subjects and even street shooting.

It did have a reputation of being slow to focus, but with Fujifilm’s ongoing firmware updates to both lenses and camera bodies, this has greatly improved. I wouldn’t hesitate to use it in any situation. This lens has a fast maximum aperture of f/1.4 that enables you to shoot images handheld at night without raising the ISO too high or lowering the shutter speed too low.

One zoom, two fast primes kit

Camera bodies: X-T30
Lenses: XF 18-55mm F2.8-4 R LM OIS + XF 35 1.4 R + XF 60mm f2.4 R Macro
Approximate weight: 1.095kg

For a lightweight travel kit weighing just over 1kg and featuring two fast prime lenses, add the XF 60mm f/2.4 R Macro to the kit above. This is another option often overlooked by newer lenses on the block, but it offers superb image quality for portraits and macro shots.

Although it’s not a true macro lens (it offers 1:2 magnification rather than the standard 1:1 magnification for a true macro lens), it is an incredibly light option for close up shots. It weighs less than a third of the weight of Fujifilm’s XF 80mm F/2.8 R LM OIS WR Macro lens.

Best weather resistant kit

Camera bodies: X-T3
Lenses: XF 16mm F1.4 R WR, 23f2, XF 50-140mmF2.8 R LM OIS WR.
Approximate weight: 2.6 kg check

The best weather resistant kit features Fujifilm’s newest X-Series flagship camera. The X-T3 has won high praise from users and critics alike since its release in mid-2018. It is an impressive performer, having the fastest autofocus in the X-Series lineup and a continuous shooting rate of up to 20 frames per second. I’ve really enjoyed using this camera alongside my X-T2, which is still an excellent camera.

The newcomer to this kit is the XF 16 f/1.4 WR lens – often praised as the best lens in the X-Series lineup. Weather resistant, the lens is optically stunning, and a solid performer for landscape, cityscape, and low light shots. With a close focusing distance of 15cm, the XF 16 f1.4 WR lens is highly versatile. I’ve loved using it for food photography.

Best travel kit with zoom lenses

Camera bodies: X-T3 and X-T30
Lenses: XF 18-55mm F/2.8-4 R LM OIS and XF 50-140mm F/2.8 R LM OIS WR.
Weight: 1.8kg

This kit gives you the best of both worlds: the light X-T30 with the XF 18-55mm F/2.8-4 R LM OIS lens, and a weather resistant combo of the X-T3 with the stunning XF 50-140mm F/2.8 R LM OIS WR lens.

Weighing in at 995 grams, you might actually question why I would choose this lens as part of a travel kit? I’ve even been laughed at when I’ve suggested this lens for travel. Although it’s heavy, this lens is a must-have in my travel photography kit.

Like an equivalent focal range 70-200mm, the lens has a constant maximum aperture of f/2.8, meaning that you can shoot with a shallow depth of field throughout the zoom range. This is particularly helpful during low light situations, or to achieve shallow depth of field at any time.

This XF 50-140mm F/2.8 R LM OIS WR lens also features OIS (optical image stabilization) and has a pleasing bokeh. I’ve used this lens for landscape, cityscape, and portraits. If I could only pick one lens for travel, I’d have to flip a coin to choose between the two amazing zooms in this kit.

If you have different weight or budget considerations, you could substitute the excellent XF 55-200mm F/3.5-4.8 R LM OIS lens in this kit. I’ve never regretted taking this lens along with me on trips, but if you plan on shooting in low light at the far range of the zoom, you will be shooting at a maximum aperture of f/4.8, which may slow down shutter speeds. Thankfully, this is another lens with OIS (optical image stabilization).

My favorite kit

Camera bodies: X-T3 and X-T2
Lenses: XF 16mm F/1.4 R WR + XF 18-55mm F/2.8-4 R LM OIS + XF 35mm f/1.4 R + XF 50-140mm F/2.8 R LM OIS WR
Approximate weight: 2.9 kg

This is my favorite kit. It may be the heaviest listed in this list, but this is what I would typically take on my travel adventures. It pairs two weather resistant camera bodies with my two favorite zooms and two favorite primes. This kit has a reach from 16-140mm (24-210 in full-frame terms) and covers many shooting situations. The XF 50-140mm F/2.8 R LM OIS WR lens may not be the longest in the X-Series lineup, but it’s still capable of capturing stunning wildlife images.

X-Series options I don’t recommend for travel kits

X-T100

In 2018, Fujifilm released the entry-level X-T100. Although this attractive looking camera looks very much like the rest of the X-Series line-up, its autofocus can’t match the cameras I’ve featured above.

18-135mm lens

The XF18-135mm lens is often on the list of recommended lenses for Fujifilm travel photography. Having owned and used one, it doesn’t make my list. For a slower, all-in-one travel zoom, I don’t think it has enough reach.

27mm lens

The 27mm F/2.8 pancake lens is sharp, and you can often buy them at a bargain price. It’s a firm favorite amongst many Fujifilm photographers, but it doesn’t make my list as it’s the only lens in the lineup not to have a ring on the lens to change aperture.

Conclusion

The Fujifilm X-Series range is perfect for travel photographers for so many reasons.

With an impressive lineup of prime and zoom lenses for all budgets, the X-Series has you covered for a wide range of situations including low light photography and adverse weather conditions. The camera bodies feature retro charm and excellent ergonomics, and no other system can match the beauty of Fujifilm’s straight out of camera JPGs.

Whether it’s a day trip near home or the trip of a lifetime, Fujifilm X-Series is my number one recommendation for travel photography.

Do you use Fujifilm Cameras for your travel photography? Let us know what you use in the comments below.

The post The Best Fujifilm X-Series Kits for Travel Photography appeared first on Digital Photography School. It was authored by Matt Murray.

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CineStill launches powdered versions of its B&W and color film development kits

11 Feb

CineStill has released powder-based versions of its Df96 monochrome and C-41 color film development kits. The new kits only require a bit of distilled water to bring them to life and make both storing and shipping easier for both retailers and consumers.

Unlike liquid chemicals, which are often limited in shipping options due to weight and various hazardous materials restrictions, powdered chemistry isn’t nearly as restricted. This means these new kits will be more affordable to ship — up to 75% cheaper according to CineStill — and more easily accessible outside of mainland United States and Europe with better shipping times, due to the ability to ship in First-Class and Priority envelopes, which aren’t as regulated for transportation.

The chemicals are identical to their liquid counterparts once mixed according to the instructions. The kits have an ‘indefinite’ shelf-life according to CineStill, until mixed, after which the chemicals should be good for up to one year in a sealed bottle. The Df96 development kit is rated for use with 16 rolls of monochrome film while the Cs41 development kit is rated for 24 rolls of color film.

Beyond saving on shipping, the price of the kits themselves are more affordable. The Df96 monochrome development kit costs $ 16.99, while the Cs41 color development kit costs $ 24.99, $ 3 and $ 1 cheaper than the liquid versions, respectively.

The Df96 ‘Developer&Fix’ B&W monobath and Cs41 ‘Color Simplified 2-bath kit are available for purchase on CineStill’s website.

Articles: Digital Photography Review (dpreview.com)

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Canon offers new developer kits for EOS bodies and PowerShot SX70 HS

05 Jan

Canon users who want to develop applications for their camera will be able to do so with new expanded SDK and API kits just announced by the company. The release updates the existing EOS Digital SDK (Software Development Kit) and introduces a new Camera Control API (Application Programming Interface) that is compatible with the new PowerShot SX70 HS bridge camera.

The kits allow users to develop their own methods for triggering and controlling some settings of compatible cameras, and in the case of the SX70 HS for controlling the powered zoom lens. As the new Camera Control API ‘features an agnostic operating system’ it can be operated from almost any platform, so will be compatible with a wide range of control devices from smartphones to desk top computers. The current ED SDK is only compatible with Windows and Mac environments.

The new version of the ED SDK, that adds the SX70 HS to the list of compatible cameras, is available now on the Canon Developers Website, while the Camera Control API will be released in March.

Press release:

Canon Europe Announces New SDK and API Package for Developers and Integrators

Power your enterprising vision with Canon PowerShot SX70 HS,
the first product supported in 2019

Canon Europe, a world leader in digital imaging solutions, announces the release of its new camera API package, offering a range of resources to developers. The combined EOS Digital software development kit (SDK) and all-new Camera Control API (CCAPI) create unique opportunities for developers and software engineers to take advantage of select Canon cameras and lenses, launching with the PowerShot SX70 HS.

Many developers have already benefited from Canon SDKs, enabling them to integrate Canon cameras and lenses in their solutions and control them remotely, wired via USB. Such applications include photo booths, robotic / automated units, event photography and recording, mass portrait / passport and photogrammetry systems.

The EDSDK benefits will allow users to control Canon cameras remotely from a Mac or PC and use the same code across all compatible Canon cameras. To take advantage of multi-platform support on select models[1] for fast development, the new CCAPI features an agnostic operating system, allowing wireless usage in any environment, such as Windows, Mac, Android, iOS or Linux.

Key EDSDK/CCAPI functions include:

Detecting, connecting/disconnecting the camera
Checking and changing camera settings, including time
Remote shooting
Downloading/erasing images, formatting cards

“We are delighted to be expanding our EOS Digital SDK to the PowerShot series[2] and provide a tool that enables control of the camera and its power zoom remotely”, said Yuko Tanaka, ITCG Product Marketing Director. “In addition, the new Camera Control API is based on Internet Protocol, making it compatible with all operating systems”.

The PowerShot SX70 HS is Canon latest premium bridge camera, that delivers a truly portable and versatile shooting experience. The camera features a powerful 65x optical fixed lens zoom, equivalent to a 21–1365mm focal length. It also has DSLR-style looks and handling, a 7.5cm Vari-Angle LCD screen, 20.3 Megapixel sensor and 4K Ultra High Definition video. The PowerShot SX70 HS is an ideal all-in-one camera, capable of handling all types of shooting scenario, without the need to carry multiple lenses.

Camera API Package Availability
The camera API package is a release driven by business users’ feedback and is part of Canon’s commitment to deliver convenient solutions to developers and integrators. The EOS Digital SDK is available for immediate download at www.didp.canon-europa.com.

The Camera Control API will be available from March 2019 via the Canon developer’s website.

For more information on the Canon PowerShot SX70 HS, please visit:
https://www.canon-europe.com/cameras/powershot-sx70-hs/

Articles: Digital Photography Review (dpreview.com)

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Tiffen launches line of filter kits for DJI Mavic, Inspire drones

23 Oct

Tiffen Filters has announced a new collection of drone-specific filter kits for DJI’s latest offerings.

The filters kits are available for the the DJI Mavic 2 Zoom, DJI Mavic 2 Pro, DJI Mavic Air, and DJI Inspire 2 drones, adding to the filters Tiffen already offers for the Phantom series. Tiffen says the filters have “a multilayer and hydrophobic coating” that’s waterproof, resistant to scratches, and “guarantee[s]” ultra-low reflection rates.

“Drone operators will have the opportunity to capture in flight content like never before,” says Tiffen in its press release. “When used in conjunction with the award winning filter technology engineered by Tiffen, the high quality performance of the DJI 4K camera system is taken to the next level, broadening the horizons for content creation.”

The pricing of the filter kits is a bit confusing, so below is a collection of charts detailing the kits available for each drone:

Mavic Air
3 Filter Kit — $ 49.95	6 Filter Kit — $ 99.95
ND4	ND4 — ND4/PL
ND8	ND8 — ND8/PL
ND16	ND16 — ND16/PL

Mavic 2 Zoom
3 Filter Kit — $ 79.95	6 Filter Kit — $ 149.95
ND4	ND4 — ND4/PL
ND8	ND8 — ND8/PL
ND16	ND16 — ND16/PL

Mavic Pro
3 Filter Kit — $ 99.95	6 Filter Kit — $ 179.95
ND4	ND4 — ND4/PL
ND8	ND8 — ND8/PL
ND16	ND16 — ND16/PL

Inspire 2
3 Filter Kit — $ 99.95	6 Filter Kit — $ 199.95
ND4	ND4 — ND4/PL
ND8	ND8 — ND8/PL
ND16	ND16 — ND16/PL

The filters are listed on Tiffen’s website as “coming soon.” Each filter kit will come with a ten-year warranty, meaning these will likely outlast the life of your drone. To find out more, head on over to Tiffen’s Aerial Collection page.

Articles: Digital Photography Review (dpreview.com)

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Fotopro Mogo flexible monopod kits are designed for various photography needs

31 Mar

Photo gear company Fotopro has launched a crowdfunding campaign for a series of photography kits centered around Mogo, a flexible monopod based on the Fotopro UFO. Mogo features flexible legs that can be wrapped around a rail or post, used on uneven surfaces and more. The monopod has a universal screw-head and removable mount for use with mobile devices, action, mirrorless and any other type of camera.

“Our aim in delivering Mogo with additional gear was to ensure each gear kit was mobile, lightweight and easy to put together and apart for anyone,” Fotopro explains on Indiegogo, where the campaign is live.

The company is offering a total of four kits (detailed below), each designed for a different usage scenario. The Mogo monopod itself has an 800g / 1.7lbs maximum capacity, can be used underwater and features a metallic wire core covered by a rubber skin. Fotopro expects to ship the kits to Indiegogo backers starting in June; the prices listed below are discounts from the planned eventual MSRPs.

Mogo Starter Kit ($ 39):

– Mogo Monopod
– Bluetooth Remote Trigger
– Small Metal Tripod Stand
– Smartphone Clamp (x2)
– GoPro Screw

Mogo Tablet Kit ($ 49):

– Mogo Monopod
– Bluetooth Remote Trigger
– Metal Tripod Stand
– Smartphone Clamp (x2)
– Large Tablet Clamp
– GoPro Screw

Mogo Mobility Kit ($ 59):

– Mogo Monopod
– Bluetooth Remote Trigger
– UGO2 Flexible Tripod
– Smart Metal Tripod
– Smartphone Clamp (x2)
– GoPro Screw

Influence Kit ($ 99):

– Mogo Monopod
– Bluetooth Remote Trigger
– Smartphone Clamp (x2)
– Large Tablet Clamp
– Sliding Metal Bar
– Metal Tripod Stand
– Mic Clamp
– Mic Dampender
– LED Light
– GoPro Screw

Via: Indiegogo

Articles: Digital Photography Review (dpreview.com)

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Billingham introduces the tiny ‘72’ for premium compacts and small mirrorless kits

07 Oct

Premium British bag manufacturer Billingham has launched a new small shoulder bag called the Billingham 72, aimed at users of fixed lens premium cameras and those with small mirrorless bodies. The Billingham 72 features a new padding design that puts a double layer of high-density foam all around the body of the bag in a continuous form that leaves no spaces between the sides and the base.

Traditional Billingham canvas or FibreNyte finishes are available, both of which are weather, water and heat resistant for the entire life of the bag. All fittings are made from leather and brass, and a quick release catch allows easy access to the cover whether the bag is over the shoulder or attached to your belt.

The bag is available in a choice of five color combinations that will go on sale in the UK tomorrow for £100. Sales in the USA are expected to begin after Christmas.

For more information visit the Billingham website.

Press Release

Small and perfectly formed. Billingham announces the ‘72’

High quality, lightweight, compact bag with dense foam padding offers outstanding protection for fixed prime lens and small system cameras

Designed for owners of fixed prime lens cameras and the growing range of small mirrorless and compact systems, Billingham has today announced the Billingham 72. The new, high quality, lightweight bag will be available to view and order for the first time at the Digital Splash 17 exhibition in Liverpool, 7-8 October.

The Billingham 72 will come in five colour combinations and will cost £100 inc. VAT:

Sage FibreNyte & Chocolate Leather
Khaki Canvas & Tan Leather
Burgundy Canvas & Chocolate Leather
Black Canvas & Tan Leather
Black FibreNyte & Black Leather

At 150 x 130 x 190mm (WxDxH), the Billingham 72 is the ideal size for premium fixed lens cameras such as the Leica Q, Fujifilm X100 range or Sony DSC-RX1R series, and many small mirrorless system cameras with one standard lens, such as the Fujifilm X-T2, Olympus OMD E-M series, Leica M rangefinders or Canon EOS M kits. The bag itself, with shoulder sling attached, weighs just 0.46kg.

Made in England at the Billingham factory, the 72 offers extensive protection thanks to a newly-designed arrangement of structured, highly dense foam in a continuous double layer around the whole body of the bag. This special fortified padding safeguards the entire camera and lens, keeping all edges and corners fully protected.

Heavier camera bodies with small lenses fit perfectly into the Billingham 72 interior with the grip facing upwards. A padded inner lid over the main compartment completely covers the top end of the camera, but allows the photographer quick access to their equipment when required. Ideal for travelling, or when working in large crowds, the equipment is shielded on all sides from any knocks or bumps.

With an outer body constructed of either Billingham canvas or FibreNyte, the Billingham 72 offers the ultimate in water resistance and provides full defence against inclement weather conditions. Both materials are hard-wearing yet lightweight and never require reproofing, remaining moisture- and heat-resistant for their entire life. FibreNyte is an extra-rugged material that is colour-fast, and delivers exceptional durability and protection against wear and tear.

The bag’s Quick Release System comprises a strong leather tab and brass ClogBall, enabling fast opening with one hand to retrieve the camera, while securing the equipment in transit. Each model is reinforced with the finest top-grain leather, and all fittings are made from solid brass.

For maximum versatility, the Billingham 72 comes with a comfortable, detachable shoulder sling made of extra strong, shuttle-woven spun polyester, which is long enough to be worn across the body. It also incorporates a wide belt loop for those who prefer to keep their camera a little closer.

A precisely-formed removable foam base and a vertical padded divider attached with Velcro® are included with the Billingham 72, enabling the photographer to configure the bag and adjust it to fit their individual requirements. A small pocket on the front provides storage for a spare battery, lens cap or memory cards.

As with all Billingham bags, the 72 is manufactured with extreme precision, meeting meticulous technical standards. Once it has passed Billingham’s strict quality controls, each bag is adorned with a laser-engraved woven label containing an individual 10-digit barcoded serial number as part of the company’s Unique Identifier (UI) system, allowing the bag to be registered, identified and tracked throughout its life.

Harry Billingham, director at M. Billingham & Co, said, “The idea for the Billingham 72 was conceived by our newly formed in-house design team, following extensive research into the market. They identified a need for a secure but lightweight bag to protect smaller systems or fixed lens cameras, particularly those with heavier bodies, that also gives photographers immediate access to their equipment. It makes a perfect addition to our range, providing owners of small premium cameras with a smart, reliable and robust way of protecting their valuable kit from the elements and daily wear and tear.”

The Billingham 72 comes with a 5 year manufacturer’s guarantee.

A collection of leather accessories is available for all Billingham bags, including fine leather luggage tallies and shoulder pads, to complement the colour and style of each model.
More information on the Billingham range can be found at www.billingham.co.uk.

Billingham 72 technical specifications:

External dimensions: 150 x 130 x 190mm (WxDxH)
Internal dimensions: 110 x 90 x 140mm (WxDxH)
Capacity: 1.38 litres
Weight: 0.33 kgs (without shoulder sling) / 0.46 kgs (with shoulder sling)
Sling: Adjustable between 99cm and 172cm in length
Front pocket: 110 x nominal x 120mm (WxDxH)

Availability

The Billingham 72 is available to order now from Billingham stockists in the UK.

Articles: Digital Photography Review (dpreview.com)

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Major Updates to Strobist Lighting Kits

23 Aug

Strobist lighting kits are the modern day version of the basic speedlight-based setup I carried on my daily newspaper assigments for the better part of 20 years.

Over the past ten years, the recommended kit has gone through several evolutions. But recently there have been significant updates to several of the components (and a cool addition) making the kit better now than at any other time. I thought the updates merited a shoutout.

The kits are built around the idea of strong value with thoughtfully chosen components, many with unique features. All components carry best-in-class warranties, and can be expected to give you good service for years. If I was talking to myself as a 20-year-old, I’d advise me to get this before even buying a second lens.

The lighting kits come in several variations: Single with flash, single without flash, two-light version (two of everthing; but one remote) and add-a flash (one of everything, no remote).

Current components are as follows, with updates/additions noted:

Flash: LP180

The LumoPro LP180 is basically a bullet-proof (not literally, but relatively) manual flash that comes with the stuff you need, without the bells and whistles that you don’t.

Notable features include four-way sync, 1/1 – 1/128 manual power, variable slave, selectable ready tone, smart thermal protection, power equal to or greater than OEM flagship flashes, 1/4″x20 side mount and built-in gel clips. (It also includes a gel kit that covers the most commonly used CC and theatrical colors.)

Build quality of the LP180 borders on ridiculous. (One was famously destroyed in the field by a leopard. It was replaced.)

Warranty: twice as long as OEM flagships.

Price: one-third of OEM flagships.

Remote: Phottix Ares Original Model

A legit remote trigger for not much more than the cost of a sync cord. Features include: AA-powered (no weird batteries to find) 8 channels, hot-shoe based mount and excellent reliability. Backed by a two-year warranty.

I have been teaching with (and using) these remotes for several years now. They are solid.

Stand: LP605S

Recently updated; best in class. The LP605S is the classic, 5-section compact stand — except beefier build, and with a couple of unique added features.

One, it comes with folding ground spikes that will add to stability when used outside. Un-sandbagged umbrellas are always a risk in wind. But you can at least spike this stand and use bare flashes outdoors in a stiff breeze.

Two, the LP605S come predrilled for a strap, and includes the strap. This is somethng I DIY’d for many years, and the idea has now found its way to what was already the best compact stand on the market.

Umbrella: LumoPro 3-in-1 Double Fold

Recently swapped; best in class. Functionally similar to my older Westcotts, but with better build quality, more durability and added features.

The LP version gives you the choice of the best umbrella surface for any given job. It converts from white shoot-thru, to white reflective (black-backed) and silver reflective.

Unlike most double-folds, LP 3-in-1 umbrellas do not feel like fragile little flowers right out of the box. They are more substantial, and have lasted far longer than other models in daily use.

They also come with a slip case the does not make it feel like your umbrella is trying to squeeze into skinny jeans every time you try to case it.

Swivel: LP679-v2

360Photography

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