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ASUS Zephyrus G14 (2021) Review: The M1 MacBook Pro killer

29 Aug
The ASUS Zephyrus G14 is a new breed of powerful, portable laptop made possible by the latest AMD Ryzen CPUs.

All product photography by DL Cade.

When it comes to lightweight laptops for creatives, Apple pretty much cornered the market with the release of the M1 MacBook Air and M1 MacBook Pro. The price-to-performance of these laptops is better than anything we’ve seen from Cupertino in a long time, and the Apple Silicon M1 punches well above its weight given its ‘entry-level’ designation.

But what if you’re not a Mac fan? What if 16GB of unified memory isn’t enough? And what if you want more graphics power than the maxed out 8-core GPU variant of the Apple Silicon M1 can deliver? Is there a PC out there that offers all of these things without sacrificing the portability and efficiency of laptops like the MacBook Air and MacBook Pro?

There is, and that PC is the ASUS Zephyrus G14: a small, lightweight ‘gaming laptop’ that features a powerful-but-efficient AMD Ryzen 9 5900HS, 32GB of RAM, a WQHD/2K display with 100% DCI-P3 coverage and an NVIDIA RTX 3060 GPU with 6GB of VRAM. All of it packed inside of a 14-inch laptop chassis that’s only a tiny bit thicker, and no larger, than your typical 13-inch MacBook Pro.



Key specifications:

The 2021 ASUS Zephyrus G14 that we’re testing is the more expensive of the two main variants available in the US. Both options come with the same AMD Ryzen 9 5900HS processor and NVIDIA RTX 3060 GPU (60W, 80W boost), but our model is equipped with 32GB of RAM and a WQHD display that claims 100% coverage of the DCI-P3 color gamut, while the more affordable model comes with only 16GB of RAM and a Full HD display that can only manage 100% of sRGB.

Zephyrus G14 – FHD Zephyrus G14 – QHD
CPU AMD Ryzen 9 5900HS AMD Ryzen 9 5900HS
GPU

NVIDIA RTX 3060

6GB VRAM

NVIDIA RTX 3060

6GB VRAM

RAM 16GB DDR4-3200MHz 32GB DDR4-3200MHz
Storage

1TB NVMe M.2 SSD

PCIe 3.0

1TB NVMe M.2 SSD

PCIe 3.0

Display

14-inch 144Hz FHD

100% sRGB

14-inch 120Hz WQHD

100% DCI-P3

Price $ 1,450 $ 2,000

Note that the RAM in the Full HD version is user-upgradable, but for creatives, we would still recommend the more expensive option simply because of the color-accurate display. The extra pixels aren’t totally necessary at this screen size, but we’ve found that many high-refresh-rate displays used in gaming laptops slightly under-perform their spec sheet when it comes to gamut coverage, so it’s always good to have some cushion above and beyond 100% sRGB.

If you’re going to be doing creative work, the extra $ 550 for the top-tier model is worth the additional RAM, resolution and color accuracy.


Design, build and usability

For photo and video editors, the ASUS Zephyrus G14’s WQHD display delivers up to 100% coverage of the DCI-P3 color gamut.

The Zephyrus G14’s design is gamer-y, but not over the top. There’s no ostentatious RGB accents or glowing logos, and while the overall shape of the laptop features a few sharp angles, there isn’t even an RGB backlight on the keyboard – just a standard white light. The chassis is available in a ‘Moonlight White’ or ‘Eclipse Gray’ and, when closed, the only hint that this is an ASUS computer comes from the Republic of Gamers (ROG) logo stamped on a pearlescent metal plate that’s embedded in the lid.

Speaking of the lid, the most ostentatious and unique design element of the ASUS G14 is the so-called ‘AniMe Matrix’ lighting effect that covers a little more than half of the laptop’s lid on a diagonal.

The Zephyrus G14’s design is gamer-y, but not over the top.

Made up of mini-LEDs hidden behind a matrix of little dots, the matrix can be customized in ASUS’ Armoury Crate software to show any number of preset animations, display a static image, or loop through a custom set of images or GIFs that you upload yourself. For this review, I obviously couldn’t resist popping the DPR logo onto the back.

The so-called ‘AniMe Matrix’ on the G14’s lid can be customized to display a customized image or animation.

Unfortunately, that little bit of showing off is about all it’s good for. After taking the picture above, I turned it off and kept it off to avoid any additional battery drain, and the only purpose the little dots served from that point onward was the collection of dust and other particles that are practically impossible to remove once they’ve become embedded.

It is, in my opinion, the only thing on this laptop that is 100% gimmick and 0% function, and I kind of wish ASUS had left it off. Even the cheaper model, which won’t allow you to customize the AniMe Matrix, still comes with these little holes, they’re just set to display a static ‘holographic’ effect.

Moving back to the front of the computer, both the keyboard and trackpad qualify as good-but-not-great in my book. The keyboard features a little bit more travel and ‘mush’ than I’m used to from most low-profile laptop keyboards these days, but your preferences may vary, while the trackpad is sufficiently smooth and responsive, but a little bit undersized.

The Zephyrus G14’s trackpad is smooth and responsive, but smaller than most competitors.

Compare this to the massive glass-topped trackpads favored by Apple, Microsoft, Dell and Razer, and you’ll see what I mean. By pushing the keyboard down to make room for the audio controls, ROG button and power button/fingerprint reader, the trackpad has been squeezed to just 2.5 inches tall and 4.5 inches wide.

It’s precise, with a nice springboard click that’s usable from about halfway down the trackpad, but I wish it were a little bit taller.

In terms of ports, the Zephyrus G14 comes equipped with an HDMI, two USB Type-C ports, two USB Type-A ports, a headphone jack and standard barrel connector for power. One of those USB Type-C ports can also carry a DisplayPort 1.4 signal and charge your device if you leave the included 180W power brick at home, and both can transfer data at USB 3.1 Gen 2 speeds (10Gbps), but neither supports Thunderbolt’s faster 40Gbps transfer rate because of the AMD processor.

The trackpad is precise, with a nice springboard click that’s usable from about halfway down the trackpad, but I wish it were a little bit taller.

In terms of ports, the Zephyrus G14 comes equipped with an HDMI, two USB Type-C ports, two USB Type-A ports, a headphone jack and standard barrel connector for power.

Thunderbolt is an Intel creation, and until it fully merges with the CPU-agnostic USB 4.0 standard and AMD releases Ryzen 6000 sometime in 2022, you won’t find any AMD Ryzen laptops that also feature Thunderbolt support.

Everything so far makes this a good gaming PC but not particularly special for photo and video work. That’s where the display comes in.

Following a trend we’ve seen from other gaming laptops, ASUS offers the Zephyrus G14 (and the bigger G15) with a couple of different display options. There’s an ultra-fast 144Hz Full HD display that can only hit 100% sRGB or a slightly slower 120Hz WQHD option that is ‘Pantone validated’ and claims 100% coverage of DCI-P3.

In my testing, it didn’t quite live up to that claim, managing only 95.3% coverage of DCI-P3 and 80.0% of AdobeRGB, but it did so at a respectable Delta E 2000 of less than 2. Other reviewers have profiled this display at up to 98% DCI-P3, but to my knowledge, nobody has seen it hit the advertised 100%.

In other words: the display is accurate enough for proper photo and video editing on the go, but I would not rely on it as my only screen. When it’s time for serious color grading, use the USB-C/DisplayPort to connect a larger, color-accurate 4K monitor, especially if you’re planning to print your work.

Finally, there are two more things left to mention – one positive and one negative.

The positive is battery life, which is excellent. AMD’s Zen 3 processors are already very power efficient, and ASUS is taking full advantage of that fact by putting a large 76Wh battery inside of the G14. For normal writing, research, and video consumption in ‘Silent’ mode, I could easily get 8+ hours of use out of this laptop. In ‘Performance’ mode while doing serious photo or video editing on battery, that drops to about 2 hours, but that’s to be expected given the NVIDIA 3060 GPU is pulling 60W all on its own.

The Zephyrus G14’s QHD display is color-accurate enough for proper photo and video editing on the go, but I would not rely on it as my only screen.

The negative is the total lack of webcam on this computer. While the Zephyrus G14 does have a built-in microphone array embedded in the top bezel, it does not have a webcam. None at all. Not even the crappy 720p option that’s included in most laptops today.

With so many photo and video professionals communicating with their clients over Zoom as much (if not more) than in-person, this is a huge miss. I suppose the idea is that gamers who stream will use a nicer camera anyway, and those who don’t won’t care about a webcam, but it’s a glaring omission that has the potential to really annoy you day-in and day-out.

Tehre is no webcam on the ASUS Zephyrus G14 – a frustrating omission given the increased popularity of video conferencing.

Overall, I quite like the design and build quality of the Zephyrus G14. Sure, I tend to prefer the rigid CNC-milled aluminum unibody designs favored by companies like Razer and Apple, but I never felt like I was dealing with a flimsy laptop and the design aesthetic is clean enough to use for both business and fun… assuming you turn off the AniMe Matrix.

For creative professionals, you can go in knowing that the I/O is solid, the trackpad is good (if a little bit small), and the screen is sufficiently color accurate so that you can get your work done on the go. If you can live without Thunderbolt and a webcam, the G14 checks just about every other ‘ultra-portable’ box, without sacrificing performance.

Speaking of which…

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Performance benchmarks

Despite its small size, the Zephyrus G14 is one of the fastest photo and video editing laptops on the market.

What really makes the ASUS Zephyrus G14 special is just how powerful it is given its size and weight. This is down to the magic of the AMD Ryzen processor inside, which is built on AMD’s Zen 3 architecture and practically sips wattage compared to most of Intel’s chips.

This is why ASUS chose AMD for this 14-inch laptop, why Razer chose AMD for their 14-inch Blade, and why we expect to see Ryzen PCs and M1 Macs practically take over the ‘powerful-but-portable’ category for at least the next year or two. Intel’s latest 11th-geneneration H-series laptop CPUs are more efficient than 10th-gen, but they still soak up a lot more wattage to generate those results.

For this round of performance benchmarks, we tested the M1 Mac mini, an Intel-based 13-inch MacBook Pro, the AMD Ryzen-based Razer Blade 14 and the ASUS Zephyrus G14. Full specs below:

Zephyrus G14 13-inch MBP M1 Mac mini Blade 14
CPU AMD Ryzen 9 5900HS Intel Core i7-1068NG7 Apple Silicon M1 8-core AMD Ryzen 9 5900HX
GPU

NVIDIA RTX 3060

6GB VRAM

Intel Iris Plus Graphics

Apple Silicon M1 8-core

NVIDIA RTX 3070

8GB VRAM

RAM

32GB DDR4

3200MHz

32GB LPDDR4X

3733MHz

16GB Unified Memory

16GB DDR4

3200MHz

Storage 1TB NVMe M.2 PCIe 3.0 SSD 4TB NVMe SSD 2TB NVMe SSD 1TB NVMe M.2 PCIe 3.0 SSD
Display

14-inch 120Hz WQHD IPS LCD

100% DCI-P3

13-inch Retina Display

100% Display P3

N/A

14-inch 165Hz QHD IPS LCD

100% DCI-P3

Price

$ 2,000 $ 3,600 $ 1,700 $ 2,200
Price w/ 1TB of Storage $ 2,000 $ 2,600 $ 1,300 $ 2,200

Unfortunately we did not have an M1 MacBook Pro on hand to do a side-by-side comparison, but the internals of the M1 Mac mini and the internals of the M1 MacBook Pro are identical, so the results should be interchangeable. As usual, we tested Adobe Lightroom Classic, Adobe Photoshop, Adobe Premiere Pro, and Capture One 21 using the suite of tests described here.

All tests were run a minimum of three times in a row, with the laptops plugged in, fully charged, and set to their maximum Turbo/Performance settings.

Lightroom Classic

Import and preview generation in Lightroom Classic is based entirely on CPU performance, RAM amount and RAM speed. Each of these machines has a different combination of these factors, and the ASUS Zephyrus G14 and M1 Mac mini end up trading blows at the top of the import table thanks to the stellar performance of their respective CPUs and the Mac’s fast unified memory architecture.

Despite having an ever-so-slightly more powerful CPU than the ASUS, the Razer Blade 14 falls to last place because of its 16GB RAM limitation, while the Intel-based MacBook Pro sits somewhere in the middle of the pack.

Canon EOS R6 Import Nikon Z7 II Import Sony a7R IV Import Fuji GFX 100 Import
ASUS G14 1:38 2:59 3:30 7:35
Blade 14 2:07 4:16 4:58 12:30
M1 Mac mini 1:44 2:54 3:03 8:51
MacBook Pro 2:22 3:42 4:02 10:12

It’s a similar story when we try exporting heavily edited 100% JPEGs, but now that there are more pixels to move around, the ASUS G14 wins every single category.

As resolution increases and file sizes get larger, the Blade 14 and M1 Mac mini fall way behind the rest of the pack, held back by the maximum 16GB of RAM available to them. By the time we get to the 100MP Fuji GFX 100 files, the ASUS G14 is more than 15 minutes faster than both the M1 Mac mini and the Blade 14, but only about 3 minutes faster than the two-year-old MacBook Pro.

These results show you just how RAM dependent Lightroom Classic exporting really is. The more RAM, and the faster your RAM, the better your performance… even if you’re running an older processor and no discrete GPU:

Canon EOS R6 Export Nikon Z7 II Export Sony a7R IV Export Fuji GFX 100 Export
ASUS G14 3:58 8:55 11:41 23:40
Blade 14 5:30 14:40 20:46 40:02
M1 Mac mini 4:06 9:21 15:04 38:44
MacBook Pro 5:55 12:01 15:35 26:46

Capture One 21

Capture One 21 is a whole different animal. As we showed in our recent head-to-head comparison between Capture One and Lightroom Classic, C1 is less dependent on RAM speed and better optimized to take advantage of powerful GPUs through hardware acceleration.

At import, CPU performance is still the most important factor, and the ASUS G14, Blade 14, and M1 Mac mini are within spitting distance of each other, while the MacBook Pro and its weaker 10th-gen Intel processor falls further and further behind as file sizes increase.

Canon EOS R6 Import Nikon Z7 II Import Sony a7R IV Import Fuji GFX 100 Import
ASUS G14 00:40 00:59 1:12 1:50
Blade 14 00:40 00:59 1:14 1:50
M1 Mac mini 00:45 00:53 1:00 1:22
MacBook Pro 00:47 1:42 2:12 3:12

At export, the Zephyrus G14 uses its combination of a fast CPU, fast GPU, and 32GB of RAM to (once again) sweep every single category. None of the other computers could keep up.

The Razer Blade 14 only fell a little bit behind the ASUS, but by the time we get to the largest files the M1 Mac mini is more than 10 minutes slower than the Zephyrus G14, and the Intel-based MacBook Pro was another 10 minutes slower than that – a full 20 minutes and 45 seconds slower than the ASUS G14.

If you own an Intel-based 13-inch MacBook Pro (as I do) this is not a pretty graph.

Canon EOS R6 Export Nikon Z7 II Export Sony a7R IV Export Fuji GFX 100 Export
ASUS G14 1:35 3:12 3:50 6:53
Blade 14 1:48 3:47 4:47 7:46
M1 Mac mini 2:53 7:02 8:49 17:20
MacBook Pro 4:57 12:50 16:18 27:38

Photoshop

When we ran the Pugetbench benchmark for Photoshop, the ASUS G14 came incredibly close to beating the impressive overall score put up by the M1 Mac mini, and did manage to beat the Mac in both the GPU and Filter categories.

However, this result requires a bit of context.

Presumably due to their ultra-fast unified memory, M1 Macs are able to merge panoramas much faster than any PC we’ve tested (at least in Photoshop), but the high overall score is disproportionately affected by that one factor. It’s like an Olympian winning the decathlon by coming in the middle of the pack in 9 events, and then pole vaulting twice as high as anybody else.

In most of the individual tasks that the benchmark performs, the ASUS G14 is as fast or faster than the Mac, which is reflected in the high General, GPU, and Filter score. I only really loses the ‘overall’ battle because of its lower PhotoMerge score.

Overall General GPU Filter PhotoMerge
ASUS G14 973.6 99.0 97.3 86.9 115.0
Blade 14 835.6 85.6 88.8 67.3 111.9
M1 Mac mini 1017.8 99.4 81.2 82.9 144.2
MacBook Pro 597.7 65.4 32.6 52.8 62.6

Premiere Pro

Our final tests involve Adobe Premiere Pro. Unlike most other Adobe CC apps, Premiere is well optimized to take advantage of the NVIDIA GPUs in both the Razer Blade 14 and the ASUS Zephyrus G14 through ‘CUDA’ hardware acceleration. It’s also able to take advantage of ‘Metal’ hardware acceleration on the M1 Mac mini.

This fact alone puts these three computers in a league of their own, and leaves my poor little Intel-based MacBook Pro trailing way behind the rest of the pack in every video encoding task we tried.

The Zephyrus G14 steals the show here, putting up the fastest times in all but one category despite stiff competition from both the Razer Blade 14 and M1 Mac mini. Using our Sony a1 test video, the G14 rendered and exported the full Premier Pro project 1 to 2 minutes faster than either the Blade or the Mac mini, and a whopping 18 to 20 minutes faster than the MacBook Pro.

This result, more than any others, shows the potential of GPU hardware acceleration. Properly implemented, it can produce massive performance gains.

Render All Export Master File Export H.264 Export H.265/HEVC Warp Stabilize
ASUS G14 6:40 00:15 6:06 5:59 2:33
Blade 14 8:50 00:41 8:12 8:06 3:13
M1 Mac mini 7:32 00:18 7:30 7:19 2:13
MacBook Pro 25:53 00:37 26:12 25:09 2:36

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Takeaways

Normally, this is the part of the review where I would list a few interesting takeaways based on the strengths and weaknesses that I noticed while running our benchmarks. But the ASUS does so well across the board that I don’t really have much to say other than: wow.

The ASUS Zephyrus G14 is an extremely capable photo and video editing machine – far more capable than you would guess given its small size. Thanks in large part to the power-efficient AMD CPU, ASUS has created a little monster that packs more punch than any other ‘ultra-portable’ PC laptop on the market, including the similarly specced Razer Blade 14 and, presumably, the M1 MacBook Pro (based on our M1 Mac mini results).

ASUS has created a little monster that packs more punch than any other ‘ultra-portable’ PC laptop on the market.

From a performance standpoint, ASUS basically didn’t have to cut any corners; as a result, we get a $ 2,000 14-inch laptop that easily outperforms $ 3,000+ Intel-based PCs from less than a year ago and gives the Apple Silicon M1 some honest to goodness competition in this size and price bracket.

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Conclusion

What We Like What We Don’t Like
  • Exceptional performance
  • Color-accurate WQHD display
  • Small and portable
  • Good variety of ports
  • Great battery life
  • Affordable
  • No Thunderbolt Support
  • No SD card slot
  • No webcam
  • Small trackpad
  • The AniMe Matrix is a neat-but-useless gimmick

It’s hard to find fault with the 2021 ASUS Zephyrus G14. It already offers most of what ‘creators’ are hoping to see from the rumored 14-inch MacBook Pro: it’s a small, portable, efficient laptop that delivers professional-grade performance in creative applications, including GPU accelerated tasks.

All of this for an extremely reasonable price and without some of the Apple-specific downsides that we’ve gotten used to: the lack of user-upgradable storage, the lack of ports, and occasional compatibility issues (especially with ARM-based M1 Macs).

The 2021 ASUS Zephyrus G14 a small, portable, efficient laptop that delivers professional-grade performance in creative applications.

The only real downside for creatives is the lack of Thunderbolt support – a must for some specialized equipment – and the computer’s focus on certain gaming-specific specs and design elements. Personally, I’d rather have a more power-efficient WQHD display that’s limited to 60Hz or a more affordable Full HD option that covers 100% DCI-P3, and the ‘AniMe Matrix’ feature is nothing more than a party trick that sucks up battery if you forget to turn it off.

Sure, this little gaming laptop can’t match the top-shelf build quality and clean design of brands like Apple, Razer, Microsoft, and even Dell – which is basically the only reason I can’t give the computer a full 5 stars – but if you’re looking for the ultimate ultra-portable PC laptop with the fewest trade-offs and the best performance, the ASUS Zephyrus G14 is the way to go.

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Articles: Digital Photography Review (dpreview.com)

 
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LG’s G8X ThinQ Dual Screen might just be a killer feature ahead of its time

17 Nov

The LG G8X ThinQ is the South Korean brand’s latest high-end smartphone and was launched at IFA in September. It’s powered by Qualcomm’s Snapdragon 855 top-of-the-line chipset and features a 6.4-inch AMOLED display with FullHD+ resolution, 6GB RAM and an under-display fingerprint reader.

On the camera side of things the new model relies on similar hardware as previous LG devices but has to make do without the dedicated tele lens that could be found on the G8 ThinQ. The X-model’s dual-camera setup combines a primary camera using a 12MP 1/2.55″ sensor and F1.8 27mm equivalent lens with an ultra-wide camera that offers a 13MP resolution, F2.4 aperture and 16mm equivalent field of view. The primary camera also features OIS and PDAF.

The device’s standout feature is an attachable dual-screen case, though. It allows you to double the overall screen size and resolution, similar to other recent dual-screen devices, such as the Huawei Mate X or Samsung Galaxy Fold.

We’ve had the chance to use the LG G8X ThinQ with Dual-Screen accessory for a few weeks now. Read on to find out what the Dual Screen has to offer for mobile photographers.

The Dual Screen accessory

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The G8X ThinQ’s dual-screen solution is different from other dual-screen devices in that the secondary screen can be removed when not needed. This means you have a very visible border between the two displays, but you can also leave the secondary display at home when not needed – which is a good thing as it adds quite a bit of bulk and weight.

The secondary display is embedded into a case that the G8X can be inserted in, and connects to via its USB-C port. This means you need an accessory dongle for connecting a USB-cable when the Dual Screen is attached. This is not a major issue but, like any small accessory item, the dongle is quite easily lost if you’re not careful. The G8X is capable of wireless charging as well, though.

There’s no need to open the case to check the time or to see if you have any new notifications

The Dual Screen case does not have its own battery and instead draws power from the phone’s. LG claims the Dual Screen increases power consumption, depending on use, by between 20 and 30 percent, which is line with our experience.

The secondary display itself is the same P-OLED type, size and resolution as the primary one and we also found the color rendering to be identical. The hinges of the case allow for 360-degree movement, and at the front there’s a 2.1″ monochrome OLED cover display that shows app notifications as well as time and date. This means there’s no need to open the case to check the time or to see if you have any new notifications.

The rear portion of the case comes with a cutout, allowing you to use the phone’s camera while it’s in the case.

Dual-Screen controls

Once the Dual Screen is connected a control button appears on the right edge of the main display. A tap opens up the controls which let you swap the content of the two screens or turn the secondary display off.

The Dual Screen has its own app drawer and you can place app shortcuts and widgets on it in exactly the same way as the main display. In the Dual Screen settings you can adjust brightness of the secondary display (or set it to be the same as the main screen), turn off the cover display and Dual Screen control button, and set an app to open when the Dual Screen is turned on among other options.

Multi-tasking

Multi-tasking is the Dual Screen’s main purpose. For example, you can watch a video on one display while writing and sending a message on the other, or use Google Maps for navigation at a holiday destination while browsing a travel app.

In terms of use for imaging purposes, the options are (still) slightly limited. You could have the camera or an image editing app on one screen while browsing Instagram or another image sharing app on the other, but overall workflow efficiency gains are fairly small. At this point the Dual Screen is mostly about convenience: you can continue your Whatsapp-chat while preparing an Instagram-upload or editing an image.

Mirror Mode in the Camera app

App support for the Dual Screen is currently still quite limited but fortunately the LG Camera is one of the few apps that makes use of the secondary screen. With the Dual Screen attached you can turn on Mirror Mode. As the name suggests, it mirrors the camera’s preview image on the secondary display.

Combined with the ability to angle the latter any way you like, this feature can be really handy when shooting overhead or at low height, just like a tilting display on a regular camera. You can also use the secondary screen like a waist-level viewfinder which is particularly helpful for holding the device in a stable fashion when recording video.

It’s worth noting though that the mirrored display only comes with a shutter/video button. For all other controls you’ll still have to go back to the main screen. You can however swap the display content using the Dual Screen controls.

Wide Mode

Wide-view expands an app across both screens, offering an overall display size of 12.8 inches. This can be great for reading websites, viewing images and watching video but in many cases, especially when consuming multi-media content, the 15mm combined bezel between the two screens somewhat limits the experience.

The fact that the feature currently only works with websites viewed in the Chrome browser is another downside. Still, Wide Mode can be useful for viewing websites in desktop mode or on those occasions when additional real estate increases usability, for example when viewing and navigating a map.

Extended View

In Extended View mode an app is divided into two screens. Unfortunately this feature is currently only supported by two apps – the LG Gallery and the Naver Whale browser – but LG says it is expecting support to be expanded to additional apps in the future.

In the Gallery app you can tap on the Dual Screen button to expand the view. This allows you to browse thumbnails on one screen and open the full image on the other. You can zoom into the full image as well as share or delete it in this viewing mode. However, if you want to add a memo or edit, you’ll have to go back to the main screen, so the Dual Screen’s added value is somewhat limited in this instance.

LG’s Naver Whale is a web browser and allows you to view websites in Wide Mode, just like Chrome. However, it also lets you open links on the secondary screen by double-tapping them. This can be useful when browsing shopping websites for example, when you don’t have to jump back and forth between your list of search results and product pages. You simply keep the list open on one screen and open product pages on the other.

In a similar manner, when browsing Instagram or equivalent sites you can keep a user’s profile page open on the main screen and open individual posts on the secondary display. All this has to happen in the browser, though.

Virtual Game Pad and Keyboard

This Dual Screen use case is arguably the one that LG has implemented best so far. The Dual Screen can be used to display a virtual gaming pad. Android recognizes the app as connected bluetooth hardware which makes it compatible with any game that supports this kind of hardware. The pad is also customizable.

We’re no gamers but after a few trial runs on Asphalt 9 it’s fair to say the pad works quite well. A hardware pad is arguably a better option, but this virtual implementation isn’t far off.

The LG keyboard offers a very similar function. You can display a soft-keyboard on the main screen while having the app you are writing in, for example Gmail or Instagram, open on the secondary screen. The keys are larger than they’d be on a usual split-screen style keyboard and allow for more comfortable typing. We would not recommend it for writing your next novel but shorter pieces of text are absolutely manageable in this setup.

Conclusion

LG is a smartphone manufacturer who does not shy away from risky development decisions. Some years ago the company introduced a modular system with its G5 model which was very innovative but ultimately proved commercially unsuccessful. It was also among the first to introduce ultra-wide angle cameras to smartphone photography which today are pretty much ubiquitous.

The Dual Screen follows in this tradition but at the current stage it’s still too soon to say if it will go the way of the G5 modules or become a success like the ultra-wide camera. It’s fair to say that for the latter to happen more apps will probably need to support the secondary screen.

The most useful feature for photographers is Mirror Mode in the camera app which helps when shooting at awkward angles

Right now it provides the most obvious benefits to those users who like to multi-task, letting you work in two apps at the same time. The ability to consume content across two screens or separate app controls from the main screen are great but unfortunately only work with a very limited number of apps. Currently, the most useful feature for photographers is Mirror Mode in the camera app which helps when shooting at awkward angles.

For everybody else, and especially those who write a lot on their smartphones, the virtual keyboard on its own might be an argument to purchase a G8X ThinQ with Dual Screen. If that doesn’t quite convince you yet it’s probably a good idea to wait and see if the Dual Screen will get more support from app developers.

Articles: Digital Photography Review (dpreview.com)

 
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Video pits the GoPro Hero6 against the ‘GoPro Killer’ Sony RX0

27 Dec

A new video from YouTuber and former host of DigitalRevTV Kaiman Wong compares the Sony RX0 and the GoPro Hero6, putting Sony’s miniature camera up against GoPro’s latest flagship action cam.

Many are hailing the 1-inch sensor Sony RX0 as a “GoPro killer,” and despite the fact that it isn’t even explicitly marked as an action camera, both the RX0 and the Hero6 are capable of shooting in similarly challenging environments. Each camera ultimately brings its own features to the table, raising the question Kai’s video attempts to answer: which one is better?

Articles: Digital Photography Review (dpreview.com)

 
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5 Tips for Killer Macro Backgrounds

20 Dec

You’ve got a perfect macro subject, the perfect angle, and the perfect composition. You’ve checked your focus, and it’s spot on. Your finger hovers over the shutter button. One quick press, and you’ll have the shot. It’s all there before you…right?

Maybe not. There’s one more thing that I’d urge you to check before you shoot – and that is the background.

Macro backgrounds coneflower 1

See, while subject, lighting, and setup matter a great deal in macro photography, the background matters too, far more than people often realize. This is quite understandable; it’s the background. As long as you’ve got the perfect subject, why worry?

But when it comes to macro photography, the background can make or break a shot. You’re often working with a limited compositional palette, of sorts. Lines, colors, shapes; macro photography simplifies things, which is not to say that it makes photography easier. Instead, it magnifies each element, making attention to detail all the more important.

Fortunately, getting good backgrounds is not that difficult. As you start to become conscious of backgrounds and of their importance, your eye will develop. But to jump-start your technique, here are five tips that will dramatically improve your macro images right away.

1. Simplicity is key

I said I’d give you five tips, but this one right here is the big one. This is the starting point that should drive all other background considerations.

When I say simplicity, I’m not necessarily advocating a static, uniform, black or white background (although that can work well). What I mean is that you don’t want clutter. You don’t want a background full of distracting shapes and lines that draw the eye away from the main subject.

For instance, one of my favorite types of backgrounds is just a single color. Nothing fancy, but nothing distracting, either. If you’re shooting in a natural area, maybe you can position yourself so that your subject has some trees behind it. Then you can capture a nice, green wash for your background.

Macro backgrounds pink cosmos 2

The background here is a simple green, which allows the colorful subject to pop.

And if it’s autumn, even better. The golds of the changing leaves make for some beautiful hues.

Macro backgrounds daisy 3

Once I found this flower, I shifted my position to include distant trees, which were exhibiting some lovely fall colors.

The key consideration here is that the background isn’t distracting. Aim for the background to complement the subject without overpowering it. In general, you’ll be safe with a uniform wash (but it’s also possible to go with something a little more complex, as you will see in tips four and five below).

2. Achieve good subject-background separation

When it comes to macro photography, sufficient separation between the subject and the background is crucial. That is, you’re going to want to find a subject that is a significant distance away from whatever sits behind it. When you focus on your subject in the foreground, distant background elements will generally become a pleasing blur, creating the solid wash that I discussed above.

So what exactly is a significant distance? In general, this is going to depend on a couple of things.

Macro backgrounds blackeyedsusan 9

First, camera to subject distance. The closer your camera is to the subject, the closer the background can be to the subject. If your camera is just five inches from a flower, then you’ll probably be okay with a background that’s only 10 inches behind that flower. However, if your camera is five feet from the flower, then you’re going to need perhaps ten feet of distance between the flower and background.

Second, depth of field is a factor. Briefly, depth of field refers to the amount of the subject that is sharp and in focus, which is altered by widening and narrowing the lens’s aperture.

The shallower your depth of field (achieved by using a wide aperture, generally in the f/1.8-5.6 range), the closer your subject can be to the background, while still allowing for a nice uniform wash. But when you’re using a narrow aperture (e.g., f/8-32), you’ll need to be a lot more careful. Without a large distance between your background and subject, you’ll find that whatever exists in your background (leaves, stems, trees, etc.) will remain well defined, and will, therefore, distract from the subject.

Macro backgrounds cosmos 4

This flower was a few feet in front of the background. The large distance, plus the shallow depth of field at f/2.8, allowed for the background leaves, drenched in evening sunlight, to blur in a pleasing manner.

3. Shoot toward a cloudy sky

This one is easy to pull off, and can result in some really pleasing images. All it takes is a willingness to get low to the ground so that you can place the sky behind your subject. If you take the picture as you normally would, exposing for the main subject, then you’ll find that the background will be rendered as a pleasing, uniform white.

Macro backgrounds highkey 5

I got down to a level with this subject so that it was positioned just above the horizon, and I could capture clouds as the background.

4. Shoot into the sun

Often, macro photographers like to position the sun behind them, so that the light is coming over their shoulders and falling on the front of the subject. While this can be a great strategy, sometimes switching things up can result in creative effects.

One of the most interesting techniques is to wait until the sun is low on the horizon. Then position the subject between yourself and the sun, get down low, and expose for the main subject. Don’t aim to get the sun in your shot. Instead, try to capture some of that golden light that sits just beside the sun.

Macro backgrounds sunflower 6

I took this image while lying on my front lawn, as the sun sank below the horizon. These colors are essentially straight-out-of-camera.

It’s critical that you do this in the late evening. Any earlier and the sun will be too bright. You won’t get those rich, golden colors, and it will be tough to expose for the main subject.

I’d also urge you to be careful; do not look at the sun through your camera viewfinder. This will be damaging to your eyes. Instead, capture the image while using your camera’s Live View function.

5. Use the surrounding color

While a uniform wash often works quite well as a background, you may want to give your shots something extra. A little bit of pop. That’s where vibrant colors can come in handy.

For now, I’m not necessarily suggesting that you match colors like clothes, nor am I suggesting you use color theory. There’s no need to be that particular, not when you’re starting out. Instead, just try to look for colorful spots in the background, and compose the shot so that the main subject has a bit of color behind it.

Macro backgrounds fairytale 7

For this image, I angled my camera so that a few yellow flowers in the background contrasted with the reds of the subject.

When you’re out in the field, you may not see an abundance of options, but pause and glance around. Try looking through the viewfinder while shifting your camera angle. It may turn out that certain areas become startlingly beautiful once they’re out of focus.

One of my favorite techniques when shooting flowers is to adjust my composition so that a second bloom is a bit behind the first, while shooting with a shallow depth of field. Rendered as an out-of-focus patch of color, this background bloom complements the main subject.

Macro backgrounds yellow 8

Here I positioned myself so that a second flower, a little behind the first, was rendered nicely out of focus.

In conclusion

Macro photography requires careful attention to your background, but don’t let that hold you back. By achieving good separation between the subject and the background, by shooting toward the sky, the setting sun, or including vibrant colors, and by—above all—concentrating on simplicity, you’ll be well on your way to getting fantastic macro images.

If you have any tips that I didn’t mention here, I’d love to hear them in the comments!

 

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How to Plan and Take Killer Sunset Photos on Your Next Vacation

31 Oct

Who doesn’t love a good sunset photo? There’s something about that colorful, ethereal time of day that strikes a cord with just about every person. But as appealing and ordinary as sunsets are, the ability to capture that magical time of day as a photo can be surprisingly difficult.

Sunset Photos

Photo by Martin Genev

Yes, gear and camera settings are important. However, the ability to be in the right place at the right time of day is arguably the most important factor to photographing a sunset. Below, I’ll highlight several tips for planning

Yes, gear and camera settings are important. However, the ability to be in the right place at the right time of day is arguably the most important factor to photographing a sunset. Below, I’ll highlight several tips for planning

Find the best sunset location

How to Plan and Take Killer Sunset Photos on Your Next Vacation

If you’re visiting a new town and searching for an ideal sunset spot, your best bet is to do some online searches. Do a Google image search for “[location] sunset” and see what pops up. Better yet, visit stock image sites and enter similar search queries.

In most cases, you’ll see sunset photos taken from one or two popular locations. It might take some digging to find out exactly where those spots are, but once you have the answer, you’ll know where to shoot.

What time is the sunset?

A simple Google search will tell you exactly when sunset happens in the location of your choice. Keep in mind, however, that the hour or so before sunset is the ideal time of day for most photographers, so you’ll want to show up at your chosen sunset location closer to Golden Hour.

To really hone in the ideal times of day to shoot in a new location, the PhotoPills app is a handy tool. It’s packed full of information that can help you plan and execute outdoor photo shoots.

PhotoPills Sunset Planner - How to Plan and Take Killer Sunset Photos on Your Next Vacation

Image courtesy of PhotoPills

Camera settings for sunset photos

Your ideal camera settings for shooting a sunset depend on a variety of factors, but generally speaking, these are some rules to go by.

Shoot in RAW

When it comes to shooting the sunset, one of the biggest challenges is making sure your camera captures the same warmth and vibrancy that your eyes are seeing. You can typically make White Balance and Picture Style tweaks in camera (more on those below). But just in case, it’s also a good idea to shoot in RAW to give you greater creative control when you post-process the image.

Set White Balance

Leaving your camera White Balance set to Auto might suffice. However, if the color cast of your image is looking too cool or slightly off, try setting your White Balance to Daylight or Cloudy to warm up your shot.

Shoot in Aperture Priority

What shooting mode you should use is certainly debatable, but Aperture Priority will give you greater control over the depth of field. Shooting with a small aperture (f-step of f/16 or higher) will give you a large depth of field. This is ideal if you want more of your scene in focus.

How to Plan and Take Killer Sunset Photos on Your Next Vacation

Keep ISO Low

To avoid excessive noise in your image, maintain the lowest possible ISO for the amount of light you have available. If it happens to be a cloudy sunset or you’re shooting a scene with lots of shadows, you might have to increase your ISO unless you use a tripod.

Composition tips for unique sunset photos

After you’ve got your ideal sunset spot secured, it’s time to start thinking about what kind of sunset image you want to capture.

Keep this in mind: the way that most people photograph a sunset is to whip out their camera at hand, point it directly at the sunset and start snapping away. There’s nothing wrong with capturing the sunset this way, but it doesn’t always make for unique images.

If you’re trying to think outside of the box and get an interesting sunset photo, try some of these tips.

Zoom in

How to Plan and Take Killer Sunset Photos on Your Next Vacation

For most spontaneous sunset photographers, the camera at hand is their point and shoot or cell phone. These cameras are usually equipped with wide-angle lenses. Set yourself apart from the crowd by picking an interesting feature and zooming in.

Shoot away from the sun

Instead of shooting directly into the sun, consider pointing your lens in the opposite direction. The bright and often vibrant colors generated by the sunset can make the scene in the opposite direction equally alluring, without having to compensate for shooting directly into bright light.

Wait for Blue Hour

Every photographer has heard about Golden Hour, that magical time of day just before sunset. Lesser known is Blue Hour, that brief time of day that begins roughly 10 minutes after the sun has set (and before it has risen at dawn).

Blue Hour Photography - How to Plan and Take Killer Sunset Photos on Your Next Vacation

This image was taken just after sunset during Blue Hour.

The sky isn’t as obviously colorful during Blue Hour as it is during sunset or Golden Hour. However, Blue Hour still offers a window of time when it can be best to shoot cityscapes or landscapes with deep blue tones in the sky. You will almost certainly need a tripod to shoot during Blue Hour as it is significantly darker without the sun. But the lesson here is that many more photo opportunities exist even after sunset.

Over to You

Do you have any tips for shooting sunset photos? Share your photos and tips below!

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10 Pro Tips to Design a Killer Mood Board to Present Your Work

28 Jun

When you’re working on a design or photography project for a client, a mood board can be one of the best ways to get your vision across. A mood board is essentially a collage of things that inspired you for this particular project. They can help you really nail down the look and feel of your work, and make sure Continue Reading

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10 Pro Tips to Design a Killer Mood Board to Present Your Work

20 Jun

When you’re working on a design or photography project for a client, a mood board can be one of the best ways to get your vision across. A mood board is essentially a collage of things that inspired you for this particular project. They can help you really nail down the look and feel of your work, and make sure Continue Reading

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5 Killer Reasons Why Photographers Need Social Media

01 Mar

fashion-photography-blog-social-media-for-photographers

Hey there everyone,

 

This is Ed a.k.a Edrenalin, the editor of FashionPhotographyBlog.com, here to bring you insights from the inside.

 

After all of my client’s photography businesses I’ve helped improve, one thing is common across each and everyone one of them, they wanted to have a presence online and they wanted to be on social media. That’s understandable since that’s where all the major businesses across every industry is moving towards. However, when I asked them why they wanted to be on social media and what they wanted social media to do for them, they couldn’t answer the question. At the end of the day, they felt that they needed to be on social media because everyone else told them they had to.

 

So how can you work towards your social media objectives if you don’t know what they are in the first place? Don’t despair though, because if you are thinking similarly in this way, then you are not alone. It is a common misconception amongst photographers and creatives based on the encounters that I’ve come across. I’m going to share with you what I share with them to help clear up the reasons why you should consider incorporating social media in your own marketing strategies for your photography business.

 

Top 5 reasons why photographers need social media today

 

1. Social media accounts proves that there is a real person behind the photography business and that you didn’t just “open shop” yesterday. The accounts establish that the business has history and participates in dialogue and that you are active online.

 

2. Google now is starting to incorporate social signals from your social media accounts as a factor in their SEO algorithms to determine the relevancy and engagement of your website when deciding to show your website on the search results pages. The weight social signals has in this algorithm is unknown and is locked away in the unbreakable vaults of Google however, I can confirm that it is now a factor.

 

3. Your target audience can see social proof based on what others are saying about your photography business in your social media accounts such as in your comments and reviews section.

 

4. Potential business partners and magazine editors, might want to see how engaged are your followers. If they do business with you or publish your work, then you publish the news on your social media accounts, they might want to know how many people following you would actually know about it and get eyeballs to their brand.

 

5. Not everyone will know your website address, before they know about your business. With social media you are able to engage with your target audience in other social networks and hang out where they hang out. Here’s a question, how many people visit your website every day? and now how many people visit Facebook every day? which is the greater number?

 

The concept behind social media marketing is that you are participating in discussions with communities of these larger social networks, “borrow” them from these established networks and introduce them to your photography business.  

 

If there is one thing that you can do to improve your business this year, is to get onto social media for your business to increase the online presence for you.

 

Do you like this article? Want to read more articles like this? Then please SHARE this article on social media. If you have any comments or questions please feel free to put them in the comment section below. 


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Killer 4K? Sony Cyber-shot DSC-RX100 IV first impressions updated with video samples

17 Jul

Our Sony Cyber-shot RX100 IV first impressions continues to grow as we’ve added a variety of video samples to the preview. The RX100 IV is Sony’s latest enthusiast compact, and its 20MP 1″-type stacked CMOS sensor is capable of 4K video and slow-motion clips ranging from 120-960 fps, all with virtually no rolling shutter. We put a number of these modes to the test. Read more

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4 Killer Tips To Nail Your Next Portrait Shoot

10 Oct

If you’re a portrait photographer perhaps you’ve found yourself in the position of carrying bulky, heavy gear around. That’s unnecessary though. With these 4 easy tips you’ll be able to get the best results at your next portrait session without the hassle and the back pain afterwards. These tips also help you save a fair amount of money that you Continue Reading

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