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Posts Tagged ‘Kenko’

An In-Depth Look at Kenko DG Auto Extension Tubes

02 Sep

The post An In-Depth Look at Kenko DG Auto Extension Tubes appeared first on Digital Photography School. It was authored by Megan Kennedy.

Extension tubes are neat little photographic accessories that allow you to create macro-like images without a macro lens. Are you considering getting into macro photography but don’t have the funds for a dedicated macro? Extension tubes could be the way to go.

There are plenty of different makes and models of extension tubes. The variety we’ll be looking at here are by a Japanese company called Kenko, which produces some of the most popular extension accessories available, the DG Auto series.

kenko extension tubes

What are extension tubes?

An extension tube is essentially a hollow spacer that locks between a lens and camera body. An extension tube adjusts the minimum focusing distance (the closest point a subject can be from the camera’s sensor while still being able to focus) by moving the lens further from the camera sensor.

You can stack extension tubes for greater magnification. The thicker the stack of tubes, the closer you’re able to get to a subject and still achieve focus.

comparison extension tubes with a coin

A comparison reveals the different capabilities of the Kenko DG Auto extension tubes. Taken with a Canon 50mm f/1.8 II.

Why use extension tubes?

There are numerous benefits that extension tubes have over a conventional macro lens.

Generally, extension tubes are much cheaper than a dedicated macro lens, making macro photography a lot more accessible.

Another benefit is the lack of additional glass between the lens and the sensor. You won’t have to sweat about the quality of extra glass degrading your image. The lack of glass also means extension tubes are quite durable.

Finally, extension tubes are light and easy to carry. So if you don’t want to lug around heavy lenses, extension tubes can be a great option.

extension tubes on camera

What are the drawbacks of extension tubes?

Extension tubes are suited to lenses with small or medium focal lengths and generally work best with prime lenses.

Extending the amount of space between the sensor and the front lens element results in a reduction of light reaching the sensor. This requires an adjustment in shutter speed, ISO, or aperture to compensate. But when aperture controls the fine depth of field balance in a macro image, your only real options are a longer exposure, more noise, or a combination of both.

Also, because extension tubes increase the magnification of the lens, they magnify any flaws in a lens’s design.

In addition, extension tubes require you to remove your lens from the camera body each time you want to adjust the lens extension. This increases the chance of dust settling on the camera sensor.

While some extension tubes (like the Kenko DG Autos) offer autofocus compatibility, the results are generally mixed. Switching to manual focus is your best bet, and this isn’t entirely a bad thing, but it can slow you down in the field.

flower abstract

Not all macro photography has to be razor-sharp. For a softer effect, try adjusting your focus to just in front of your subject.

How do the Kenko DG Auto extension tubes perform?

Construction

Available for Canon, Sony, and Nikon makes, Kenko DG Auto extension tubes usually come in a set of three: one 12mm tube, one 20mm tube, and one 36mm tube. These can be used individually or in a stack.

extension tubes together

Each tube has a diameter of approximately 62mm with clear alignment markings to show where you should connect the tube to the camera body and lens. Unlike some cheaper plastic varieties of extension tubes, the Kenko DG Autos all have metal mounting mechanisms.

36mm extension tube with grip

The 36mm Kenko DG Auto extension tube has a grip running around the outside of the tube.

Out in the field

For my close-up photography, I’ve been pairing my Kenko DG Auto extension tubes with my trusty Canon 50mm f/1.8 II. Without the added complications and weight of a zoom lens, the setup is simple and easy to assemble. The wide maximum aperture of the 50mm also helps compensate for the reduction in light that reaches the sensor as a consequence of the extension tubes.

One thing I look out for with the Kenko DG Autos: I ensure each tube has clicked firmly into place. While I haven’t had any accidents (thankfully), the mounts can be a bit soft sometimes. The potential amount of switching between extension tubes during a single shoot makes the chance of a misalignment higher, so make sure you fully lock each component.

bottle fly macro photo

A beautiful and rather patient bottle fly. This image required my 12mm, 20mm, and 36mm extension tubes attached.

Kenko DG Autos are designed with all the circuitry and mechanical coupling to maintain autofocus and TTL auto-exposure (provided there is enough light). However, as I mentioned before, the autofocus can still be a bit iffy. Plus, when taking an extreme close-up, there is such a small area of sharpness that any extra control over the focus of your composition is crucial. I still switch to manual focus 90% of the time for that degree of control.

As with all close-up photography, I use a tripod in a lot of cases to reduce camera shake. In addition, because of the reduction in light reaching the sensor, I often have to compensate with a longer exposure – which makes the tripod a valuable piece of equipment to have on hand.

Price

The Kenko DG Auto set is markedly cheaper than offerings from Canon. While a Canon EF 25 II extension tube is about $ 150 USD on Amazon, the Kenko DG Auto set (the 12mm, 20mm, and 36mm) is priced at just over $ 100 USD. Given that the tubes contain no glass, they have no optical difference and are very similar in construction. The largest difference between the two brands online is the release levers. The Canon tube release lever is reportedly smoother to that of the levers on the Kenko tubes.

gerbera flower macro

A flower head photographed with a 36mm Kenko DG Auto extension tube

Conclusion

Extension tubes have made macro photography much more accessible. If you’re interested in macro photography, it may well be worth investing in the set offered by Kenko. For their price and utility, the Kenko DG Auto extension tubes are a definite staple in my photography kit.

kenko-extension-tubes

The post An In-Depth Look at Kenko DG Auto Extension Tubes appeared first on Digital Photography School. It was authored by Megan Kennedy.


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Kenko launches new premium Teleplus HD Pro converters

28 Jan

Optics and accessories manufacturer Kenko has announced a new pair of teleconverters. The new models, which are a part of Kenko’s Teleplus HD Pro series, are a 1.4x and 2x converter designed for Nikon F and Canon EF full frame cameras and lenses.

Kenko says the optical construction of the converters has been redesigned and the converters now contain more elements and improved coatings to reduce internal reflections.

Contacts on the converters support communication between the camera and the mounted lens so EXIF data can take into account the effect of the converters when the focal length and aperture values are recorded.

Available now, the Kenko Teleplus HD Pro converters will cost $ 249/£219 (1.4x) and $ 299/£269 (2x). For more information see the Kenko website.

Press release

NEW – Kenko TELEPLUS HD Pro Teleconverters

Intro 2020 announces details and availability of the new Kenko TELEPLUS HD pro series of teleconverters.

The TELEPLUS HD pro series replaces the previous TELEPLUS PRO300 series, with redesigned optics and multi-layer coatings, to match contemporary high-resolution DSLR cameras and lenses. The HD pro series joins the existing, new-generation TELEPLUS HD line up (1.4x and 2x types) as a superior series in terms of optical design and coating quality.

TELEPLUS HD pro 1.4x DGX
(available in Nikon F and Canon EF mounts)

TELEPLUS HD pro 2x DGX
(available in Nikon F and Canon EF mounts)

Optical Improvements
Optical construction has been redesigned by implementing additional optical elements and improved multi- layer, anti-reflection coatings to maintain the original performance of new-generation DSLR cameras and lenses.

Communication with the Camera
HD pro teleconverters are equipped with all electrical contacts to support communication between the camera and the lens. The focal length and aperture values are recorded in EXIF data and converted to the actual shooting values with the teleconverter attached.

High-end External Finish
The external design has been re-finished in a black leather tone to perfectly match with the latest lenses and DSLR cameras.

Compact Size
With approx. 2 cm in height for the 1.4x type and 4cm for the 2x type these small, compact and convenient to carry tele converters will extend the focal length of the lens providing the photographer a great chance to shoot even more impressive images.

Suggested Retail Pricing from £219 to £269. Available Now

Imported and distributed in the UK & Ireland by Intro 2020 Ltd. For full details please visit www.intro2020.co.uk

Articles: Digital Photography Review (dpreview.com)

 
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Beastgrip expands into UK and Japanese markets, announces plans for high quality lenses from Kenko Tokina

13 Apr

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US mobile phone rig and lens mount manufacturer Beastgrip has started distribution of its Beastgrip Pro smartphone grip in the UK and Japan, and announced it is working on new ‘high quality’ lenses with Kenko Tokina. The Beastgrip Pro is an adaptable smartphone housing that uses adjustable clamps and a sliding lens mount assembly to fit conversion lenses over the camera of any model – Beastgrip claims.

The system uses a 37mm threaded lens mount that accepts conversion lenses from Beastgrip’s own collection as well as those from independent manufacturers. The company also offers what is calls a DOF (depth-of-field) adapter that allows Canon EF-mount lenses to be used on the rig in front of the smartphone lens to achieve a shallow depth of field.

The rig also features a cold shoe and tripod thread for attaching accessories such as microphones and lights, as well as a number of mounting threads.

While the company offers its own wide, ultra-wide and fisheye conversion lenses the partnership with Kenko Tokina promises some extra interesting lenses. Kenko’s own line of smartphone conversion lenses includes a 7x telephoto lens that would convert most smartphone focal lengths to 196mm – but that’s not to say it would be also produced to fit the Beastgrip Pro.

The system will be distributed by Kenko Tokina in Japan and Intro2020 in the UK. The price of the rig on its own is $ 139.99/£139.99, and kits are available that include wide and fisheye conversion lenses. For more information visit the Beastgrip website.


Press release:

Beastgrip Pro – the world’s first universal lens adapter and camera rig for smartphones

With immediate effect, Intro 2020 has been appointed sole UK distributor of BEASTGRIP PRO.

Beastgrip Pro is the world’s first universal lens adapter and camera rig system for smartphones. It is the ultimate tool for photographers, videographers and the rapidly growing live streaming market.

The Beastgrip Rig features an adjustable lens mount with spring loaded clamps to ensure a secure grip and perfect fit with virtually any smartphone on the market. It is a modular rig system with a removable lens mount assembly and handle that allows the user to modify the Beastgrip Pro to their own personal preference. It comes with industry-standard photography mounts and an ergonomic grip, allowing you to attach all kinds of photography gear and take a better shot.

There are 3 kits in the product range, including 2 with lenses, as follows:

Beastgrip Pro Rig
Universal/adjustable and works with virtually any camera phone on the market. It is simple and convenient to use and works with or without a protective phone case. It features a standard 37mm threaded lens/filter mount and is compatible with wide variety of conversion lenses and filters. It also features a cold shoe mount for attaching LED lights, microphones, and other accessories plus comes with five standard ¼”-20 threaded mounts for attaching to supportive photo/video gear such as tripods, stabilizers, sliders and other accessories.

Beastgrip Pro Rig plus Wide Angle Lens
This set includes a 37mm 0.43x Extreme Wide-Angle lens, which nearly doubles the field-of-view in your photo/video, letting the user see much more in the frame than a standard phone camera. It’s perfect for shooting large scenes like landscapes, concerts, sports, family photos etc.

Beastgrip Pro rig plus Wide Angle and Fish-eye lenses
Includes the Beastgrip 37mm 0.43x Extreme Wide-Angle lens and an ultra wide-angle lens that produces strong visual distortion, i.e. the classic “fisheye” circle, and an immersive 180° field-of-view. It’s perfect for action sports like skateboarding, biking, snowboarding/skis, etc.

SUGGESTED RETAIL PRICES:
•    Beastgrip Pro Rig £139.99 including VAT
•    Beastgrip Pro Rig plus Wide Angle Lens £169.99 including VAT
•    Beastgrip Pro Rig plus Wide Angle & Fisheye Lenses £199.99 including VAT

All units are available immediately.

Articles: Digital Photography Review (dpreview.com)

 
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Kenko updates Teleplus tele-converters to record EXIF data for Canon EOS bodies

16 Jul

Kenko has introduced updated versions of its Teleplus teleconverters for lenses in the Canon EOS EF and EF-S fits with new circuitry that allows EXIF data from the lens in use to be recorded by the body. The Teleplus 2.0x HD DGX and 1.4x HD DGX converters use Hoya glass and offer full autofocusing facilities when matched with lenses with a wide enough maximum aperture. Read more

 

Articles: Digital Photography Review (dpreview.com)

 
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Kenko Tokina enters cine lens market with 16-28mm T3.0 wide zoom

23 Sep

1628cine.png

The ever-increasing video capability of digital SLRs has seen manufacturers such as Canon, Samyang and Zeiss make video-optimised versions of their conventional lenses, and now Kenko Tokina is getting in on the act. The Tokina 16-28mm T3.0 is a manual focus version of the AT-X 16-28mm f/2.8 Pro FX wideangle zoom, with a redesigned barrel that features the usual refinements for video work, including geared focus, zoom and aperture rings, and scales designed to be read from the side of the camera. It’ll be made in Canon EF and Arri PL mounts, with a suggested retail price of ¥580,000 – almost 5 times that of lens it’s based on.

News: Digital Photography Review (dpreview.com)

 
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