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Posts Tagged ‘Introduces’

Let’s Enhance 2.0 introduces new AI-powered algorithms for upscaling your photos

09 May

Upscaling photos isn’t ideal under any circumstances, but when there’s no other solution to making your images higher-resolution, you want to make sure you’re using the right tool. Let’s Enhance, an online-based upscaling tool, has released a 2.0 update that’s effectively built from the ground up with improved algorithms, new enhancement modes and presets for common image types.

Let’s Enhance 2.0 has been restructured with a new UI that puts its entire settings panel in one box for a simplified interface. The updated web app offers upscaling in increments of 2x, 4x, 8x, 16x and a custom setting for more precise scaling. Under its algorithm tab, Let’s Enhance 2.0 offers five dedicated AI-powered algorithms: Auto, Photo, Illustration, Photo 2.0 (beta) and Photo 2.0 Faces (beta). The Photo 2.0 Faces (beta) algorithm uses Let’s Enhance’s proprietary face reconstruction AI to automatically recognize faces in images and prioritize clarity when upscaling.

Also new are six presets, which will automatically apply pre-determined variables to an image based on the specific preset option you choose. The presets include options for photo prints, real estate images e-commerce images and more.

Let’s Enhance 2.0 lets you upscale five images for free (limited to 15MP) before needing to purchase either a subscription or pay as you go credits (where resolution isn’t limited). Below is a price breakdown of the various plans:

To find out more information and to try out Let’s Enhance 2.0 for yourself, head on over to the Let’s Enhance 2.0 website.

Articles: Digital Photography Review (dpreview.com)

 
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Camera strap manufacturer Lucky introduces new quick release system

25 Apr

Australian accessories manufacturer Lucky has announced a new line of camera straps that feature new alloy clips that allow the strap to be taken off in a matter of seconds. A hoop of webbing is passed through a sprung clip and hooks on to the new clip and a safety latch is activated to ensure the clip doesn’t open by accident.

The company says the idea was to produce a quick release system that doesn’t need any attachments that have to be left on the camera when the strap isn’t in use. Users can then fit the camera into underwater housing for example without having to remove attachments from the camera’s lugs to make it fit.

Lucky has manufactured the webbing on the straps from a non-woven material called Dyneema that is claimed to be very strong and which makes the Lucky straps cut resistant. The company says the webbing isn’t cut-proof but demonstrates in a video that it can withstand rough treatment from a pair of scissors with only minor damage.

The straps are designed to be worn across the body and feature leather shoulder grips which can be personalized or there’s a choice of cotton. As well as regular and long length straps the company has introduced a wrist strap that uses the same quick-release system and webbing.

It’s worth noting the quick-release system bears a striking resemblance to that found on Peak Design’s Clutch hand strap, which also uses a carabiner-style quick-release system for attaching and detaching the strap from the camera.

The straps with the new quick-release system cost up to AUS $ 140/US $ 91, while the wrist straps are AUS $ 95/US $ 62.

For more information see the Lucky Straps website

Articles: Digital Photography Review (dpreview.com)

 
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DxO PhotoLab 3.2 introduces improved local adjustment tools, new camera support and more

19 Mar

DxO PhotoLab 3 has been updated to version 3.2. The free update includes numerous improvements plus raw file support for five new cameras. Long known for its local adjustment tools, DxO PhotoLab 3.2 introduces new Duplicate and Rename features in the Local Adjustments Palette. The Repair Tool, used to remove distracting elements from your image, has a new display mode for better visibility. DxO PhotoLab 3.2 includes new multi-image keywords, plus Windows users now have access to renaming functionality.

Regarding improved local adjustment mask management, with the new Duplicate and Rename features, users can reproduce masks from image to image. Once applied to a new image, the mask can then be adapted as needed for each image. To aid in easy identification of individual masks you have created, DxO PhotoLab 3.2 adds the ability to rename your masks. You can also quickly move each mask with a single click when using the brush tool.

DxO PhotoLab 3.2 introduces new Duplicate and Rename functionality for local adjustment masks. Image credit: DxO

The simplified Repair Tool display mode interface has been redesigned to allow the user to see more of the background when removing objects. This means that it will be easier to make accurate and realistic looking repairs to your images. The area being retouched is now outlined with a thin line, as can be seen in the screenshot below.

The Repair tool in DxO PhotoLab 3.2 has a simplified repair tool user interface. This introduces a new thin white outline surrounding the area being retouched. Image credit: DxO

In prior versions of DxO PhotoLab 3, users could add and delete individual keywords. In PhotoLab 3.2, users can now differentiate between keywords that are tagged to multiple images. As mentioned earlier, Windows users can also now rename keywords.

In DxO PhotoLab 3.2, users can differentiate between keywords that are tagged to multiple images. Image credit: DxO

DxO PhotoLab is well regarded for its excellent and powerful optical corrections, which are customized by the DxO team for different camera and lens combinations. DxO PhotoLab 3.2 introduces support for five new cameras: The Canon EOS-1D X Mark III, Nikon D780, Olympus E-M1 Mark III, Leica D-Lux 7 and Leica Q2. Nearly 770 new optical modules have been added in DxO PhotoLab 3.2, which now includes more than 60 million different camera and lens combinations.

For existing DxO PhotoLab 3 users, the 3.2 update is available free of charge. For new customers, DxO PhotoLab 3.2 is available in Essential and Elite editions. To learn more about which version is best for you, click here to see a breakdown of version differences. With the new 3.2 update, DxO has introduced special pricing for new users. Until March 31, new users can purchase DxO PhotoLab 3.2 Essential for $ 99.99 USD or the Elite edition for $ 149.99. These are savings of $ 30 and $ 50 respectively. For more information or to download a free trial of the software, visit DxO.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm introduces X-T4 with in-body image stabilization and improved battery life

26 Feb

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Fujifilm has announced the long-awaited X-T4, a stills/hybrid that brings a much-desired feature to the X-T range: in-body image stabilization. The IBIS system on the X-T4 can reduce shake by up to six stops on eighteen of the company’s lenses, and up to five stops on the rest. Fujifilm has redesigned the shutter mechanism, which is rated to 300k cycles and is quieter than on the X-T3. The new shutter can support bursts at 15 fps.

While the X-Trans sensor is the same as the X-T3, the autofocus system has received an upgrade, with improved face and eye detection as well as subject tracking. Fujifilm has also added a new Eterna Bleach Bypass Film Simulation mode, support for ‘lossy’ Raw files and additional precision when adjusting tone curves.

The design of the camera has changed in several ways. The LCD is now fully articulating, an AF-On button has been added and the metering switch has been replaced with a stills/video toggle. The grip has been enlarged, the rear control dial protrudes a bit more from the back of the camera and the eyecup is less likely to come off. Settings for stills and videos are now separate, with each mode having their own Q Menu. The X-T4 uses the new NP-W235 battery, which can take 500 shots per charge using the LCD.

On the video front, the camera gains a 240 fps high-speed mode and interface improvements, but the loss of a dedicated headphone socket will not be popular with videophiles: a USB-C dongle must be used. Just like the X-H1, if you want a dongle-less microphone socket, you’ll need to buy the battery grip.

The Fujifilm X-T4 will be available this Spring, in your choice of silver or black. The body-only kit will be priced at $ 1699. When bundled with the 18-55mm F2.8-4 the price is $ 2099, and the 16-80mm F4 kit comes in at $ 2199.

Press release:

INTRODUCING THE FUJIFILM X-T4: CRAFTED FOR THE MODERN IMAGE-MAKER

Valhalla, New York – February 26, 2020 – FUJIFILM North America Corporation is proud to announce the launch of the FUJIFILM X-T4 (hereinafter “X-T4”), a flagship model of the X Series family of mirrorless digital cameras.

The X-T4 is an astounding imaging tool, packing a newly designed IBIS, a quiet new shutter unit, a new vari-angle LCD screen, a new Eterna Bleach Bypass Film Simulation, and a new, large-capacity, battery all into a compact and lightweight camera body. This camera is the perfect tool for today’s image makers and is an ideal multi-functional solution for visual storytellers to use in creating their stories.

More information about the key features of X-T4:

Designed for Quality and Speed

Fujifilm’s state-of-the-art X-Trans CMOS 4 sensor and X-Processor 4 combination sits at this camera’s core, pairing this exceptional, 26.1MP, back-side illuminated sensor with a powerful quad-core CPU to produce images with wide dynamic range and incredible image quality, doing so with lightning-fast processing and precision AF performance, right down to -6EV.

IBIS Puts Stability in the User’s Hands

A huge part of creating great photos or videos is being in the right place at the right time – and that often means making handheld images to get to the heart of the action. X-T4’s five-axis In-Body Image Stabilization (IBIS) provides up to 6.5 stops1 of image stabilization to make sure that, even in the midst of all the excitement, images remain steady and sharp. Combine this with the new four-axis Digital Image Stabilizer, and there’s lots of room to maneuver.

Steady, Reliable Performance

For any serious image maker, having a tool that can be relied upon to perform flawlessly whenever it is required is extremely important. For this reason, X-T4 features a newly developed mechanical shutter that is the fastest and most robust in the history of the X Series. Not only can it make 26.1 Megapixel images at 15 frames per second, but it is also rated for 300,000 actuations. Combined with its larger capacity battery that is capable of up to 600 frames per charge2, X-T4 has the power and the durability to give users the peace of mind that they’ll never miss the perfect opportunity.

Find the Best Angle for the Story

When chasing the perfect image, versatility is key. The 1.62 million pixel vari-angle touchscreen LCD featured on X-T4 can be adjusted to make it visible from a wide range of positions. This not only provides a high-quality monitor to frame with, but also provides quick and simple controls when they’re needed most. On the flip side, there are times when it’s necessary to minimize the light and distractions that a screen can create. That’s why X-T4’s LCD has been designed to easily fold away so it is completely hidden from view, leaving the updated 3.69 million pixel/100fps electronic viewfinder to focus on the moment at hand.

When a Story Needs Movement

The modern image maker is blurring the lines between photography and videography, and X-T4 has been designed to celebrate this new generation of hybrid creativity. With the simple flick of a switch, movie mode is activated, meaning X-T4 is capable of recording both professional-level DCI 4K/60p and Full HD/240p super slow-motion video. It is also possible to record F-Log footage in 10-bit color, straight to the card. What’s more, the innovative AF-C subject tracking works in low-light conditions down to -6EV and the camera’s use of a new, high capacity battery lets content creators push their creative limits.

Powerful Image Manipulation Made Easy

For over 86 years, FUJIFILM Corporation has produced photographic films that have been used by some of the world’s best-known moviemakers to create some of the world’s most successful movies. This legendary reputation in color science is celebrated with the company’s hugely popular selection of film simulation modes, which digitize some of the industry’s most iconic films and puts them right at hand. X-T4 introduces ETERNA Bleach Bypass, the newest addition to the much-loved collection of Film Simulation modes available in the X Series product line, which creates a beautiful de- saturated, high-contrast look that image-makers will find irresistible.

X-T4 will be available in both black and silver and is expected to be available for sale in Spring 2020 at a manufacturer’s suggested retail price of $ 1,699.95 USD and $ 2,199.99 CAD.

Fujifilm X-T4 specifications

Price
MSRP $ 1699 (body only), $ 2099 (w/18-55mm lens), $ 2199 (w/16-80mm lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6240 x 4160
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 26 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type BSI-CMOS
Processor X-Processor 4
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 160-12800 (expands to 80-51200)
Boosted ISO (minimum) 80
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Image stabilization notes Some lenses limited to 5 stops of correction
CIPA image stabilization rating 6.5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,620,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.125× (0.75× 35mm equiv.)
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous (L/H)
  • Bracketing
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264, H.265
Modes
  • 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM
  • 1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC card slots (UHS-II supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via smartphone or wired remote)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-W235 lithium-ion battery & charger
Battery Life (CIPA) 500
Weight (inc. batteries) 607 g (1.34 lb / 21.41 oz)
Dimensions 135 x 93 x 84 mm (5.31 x 3.66 x 3.31)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Moment introduces 67mm filter mount that works with any phone

20 Feb

Moment, known for creating camera gear and accessories for creative professionals, today released a 67mm filter set and mount. The company states that users can now mount a filter to any phone, even without a case. The 67mm mount was designed so a filter could be placed over a triple-lens camera system like, for example, the iPhone 11 Pro offers.

Designers at Moment also took additional measures by machining a speaker grill into the mount. It will allow creators to use the audio from their phone’s rear-facing microphone during filming, something the company says isn’t available on competing mobile filter solutions. The mount also works on laptop cameras.

The 67mm Variable Neutral Density (ND) Filter is a 2–5 stop or 6–9 stop. They are made with Schott B270 Pro Cinema Glass and are designed to control exposure while eliminating color fringing and cross polarization.

67mm Variable ND Filters are $ 149.99 each. Purchasing both in a bundle costs $ 279.99, which saves the buyer $ 20. The 67mm Filter Mount is currently marked down to $ 23.99 from $ 29.99. The filters are available today while the mount is expected to ship between April 21st – 28th.

Articles: Digital Photography Review (dpreview.com)

 
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PolarPro introduces ultra-lightweight filter systems with active creators in mind

13 Nov

Today, California-based filter manufacturer, PolarPro, known for their premium ND and polarizing filters for cameras, as well as drones, announced the launch of two toolless, ultra-lightweight filter systems – one matte box, Basecamp, and one landscape filter system called Summit – designed to catapult professional creatives to the next skill level.

BaseCamp Ultra-lightweight Matte Box System

A base camp is a pillar of safety, as you head out into the unknown. It’s a haven to take shelter intermittently as battle the elements and push your limits to capture the best possible footage. Camera gear is getting heavier, especially lenses as higher quality optics are implemented. PolarPro designed BaseCamp, the lightest matte box system possible at 438 grams, to alleviate the burden heavier cameras put on operators and gimbals.

Built on the foundation of PolarPro’s Quartzline series, the toolless Variable Neutral Density configuration allows photographers and filmmakers to adapt to any lighting change instantly without having to swap out filters. Its modular design, constructed out of aluminum and carbon fibers, features a removable flag and hood that allows users to customize it to suit their production requirements.

Summit Landscape Filter System

Summit is a new range filter system aimed at photographers. It allows for toolless filter swapping and, like the BaseCamp system, has been designed with a large grip handle to minimize the risk of fingerprints on the filters. Summit filters screw onto the end of your lens and were constructed, with lightweight aluminum, in a fully light-sealed system to prevent light leakage.

PolarPro is offering $ 100 off the first 300 people who purchase their Summit Landscape Kit, the BaseCamp VND Kit, and their Cores. The BaseCamp VND Kit retails for $ 799, its Core is $ 399, Rectangular Filters are $ 299 each, while Rails Kits come out to $ 119.99 each. The Summit Landscape Kit will cost you $ 699, its Core $ 299.99, both Gradient and Neutral Density Filters $ 249.99 each, and a Circular Polarizer for either the Matte Box or Filter System costs $ 150. All can be purchased on PolarPro’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Hoya introduces Starscape light pollution filter for astrophotography

05 Nov

Japanese filter and accessory manufacturer Hoya has introduced its new light pollution cut filter, Starscape. The filter is designed specifically for nighttime photography, enabling photographers to capture star-filled night skies in areas where light pollution could limit visibility.

The Starscape filter is designed to reduce the glare produced by the mercury and sodium vapor lights commonly found in cities. According to Hoya, its filter cuts the greenish and yellow hues that may result from artificial light pollution, ultimately offering what the company describes as ‘natural color reproduction.’ It’s unclear how well it can handle light pollution from LEDs, however.

Hoya will offer the Starscape 1.5 ND filter in 49mm to 82mm sizes; it features a low-profile aluminum frame and 0.5-stop exposure reduction. Pricing and availability information hasn’t been revealed at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Ilford Photo updates its Multigrade darkroom paper, introduces Ortho Plus film in smaller formats

26 Oct

Black and white film specialist Ilford Photo has announced the development of a new version of its resin-coated Multigrade black and white darkroom printing paper, and said that its existing orthochromatic emulsion will be available in 135 and 120 formats. The company plans to introduce Ilford Multigrade V RC Deluxe as stocks of the current version sell out, and Ilford Ortho Plus should go on sale at the end of November.

The new paper is said to offer deeper blacks and ‘improved’ spacing between the mid-tones, along with a slightly warmer base tint in the paper. Ilford says too that contrast is more consistent across the tonal range which will make printing more predictable.

A sample photo on Ilford Ortho Plus

Ilford has made an orthochromatic emulsion for some time, but it has only been available on sheet formats in the recent past. Cut sheets of 5x4in have been the smallest widely available size, so introducing it for 35mm and 120 medium format cameras will make the film accessible to a much wider audience. Ilford Ortho Plus is designed for copy work, but its color sensitivity also makes it suited to creative uses. Rated at ISO 80 in natural light and ISO 40 in tungsten conditions, the film is only sensitive to green and blue light, and thus darkens anything red in the scene.

It emphases blood stains in forensic work, but can also create interesting effects in portraiture as it darkens freckles and brings out skin texture. The film is very fine-grained and can produce punchy contrast and high resolution in flat copy work. Sensitivity drops off at around 570nm, so it can be processed ‘by eye’ under red safe-light conditions without the risk of fogging. It is suitable for processing with all of Ilford’s main-stream chemicals.

The company has also created a new film processor’s starter kit that includes a Paterson dev tank, two spirals, film clips, measuring cylinders, thermometer and pre-measured chemicals to fit the tank.

For more information see the Ilford Photo website.

Press release

NEW PRODUCTS ANNOUNCED PRODUCTS INCLUDING 5TH GENERATION ILFORD MULTIGRADE RC PAPER & ILFORD ORTHO FILM IN 135 AND 120 FORMATS

We are delighted to announce a number of exciting new products added to our range.

ILFORD MULTIGRADE RC DELUXE

ILFORD announced the world’s first variable contrast MULTIGRADE paper in 1940 and in 2019, as we celebrate our 140th anniversary, we are pleased to announce the 5th generation of our best-selling MULTIGRADE RC Papers.

MULTIGRADE IV RC papers (4th generation) were launched 25 years ago and have been hugely successful becoming the ‘go to’ black & white RC papers for discerning students, amateurs and professional darkroom users all over the world.

“Improving them was not going to be easy but we wanted to bring the manufacturing in line with the latest emulsion making technology used in our other RC and fibre papers and so we have redesigned the emulsion from the ground up. This project has been in development for 8 years and we are extremely pleased and excited with the final product.” Giles Branthwaite, Sales & Marketing Director.

These new papers have a slightly warmer base tint than their predecessor as well as better, deeper blacks, improved mid-grade spacing for easier printing and more consistent contrast throughout the tonal range.

Check your preferred stockist for availability and pricing of the new papers. MULTIGRADE IV RC papers will continue to be available while stocks last.

ILFORD ORTHO PLUS

We are expanding the world’s biggest selection of black & white films with the addition of ILFORD ORTHO PLUS in 135 and 120 formats. As the name suggests this is an orthochromatic black and white film (all other ILFORD and Kentmere films are panchromatic) rated at ISO 80 in natural light and ISO 40 in Tungsten.

“Our Ortho film was designed as a technical, high-resolution copy film for negatives and has been available in sheet format for some time. We know photographers want choice and love to try new films and so we have now coated our Ortho emulsion onto an acetate base for 35mm cassettes and 120 rolls. We believe ORTHO PLUS offers superb photographic potential thanks to its fine grain and sharpness and some of the results we have seen are stunning.” Giles Branthwaite, Sales & Marketing Director.

The blue and green sensitivity of this emulsion enables the film to be handled in deep red safelight conditions making processing and inspection easier. Its lack of red sensitivity also means that reds and oranges are rendered darker than panchromatic films.

ILFORD ORTHO PLUS will be available from early November. Check your preferred stockist for pricing.

ILFORD & Paterson FILM PROCESSING STARTER KIT

Building on the launch of the ILFORD Simplicity range of film processing chemicals in 2018, we have worked in collaboration with Paterson, a specialist manufacturer of some of the world’s most popular darkroom products, to create a starter kit containing all you need to process your first two rolls of film. You just need a light tight space and some film!

“ILFORD Simplicity chemicals are pre-measured for simple, convenient use and while they can easily be used in most tanks their volumes work perfectly with the Paterson 2-reel Universal Film Development Tank as they hold 600ml of diluted chemicals. Working closely with Paterson we have now created a kit that offers film photographers a convenient and affordable way to start processing their own films.” Giles Branthwaite, Sales & Marketing Director.

The kit contains: 1 x ILFORD 35mm Film Cassette Opener, 1 x ILFORD Simplicity Film Starter Pack (containing developer, stop bath, fixer and wetting agent), 1 x Paterson Universal Film Tank, 2 x Paterson Super System 4 Reels, 3 x Paterson 600ml Graduates, 1 x Paterson Thermometer, 1 x Paterson Stirrer, 2 x Paterson set of 2 film clips.

ILFORD & Paterson FILM PROCESSING STARTER KIT will be available from early November. Check your preferred stockist for pricing.

Articles: Digital Photography Review (dpreview.com)

 
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Utah Senator introduces Drone Integration and Zoning Act of 2019

22 Oct

Republican Utah Senator Mike Lee was heavily involved in the unsuccessful Drone Federalism Act of 2017, a bill sponsored by California Senator Dianne Feinstein that sought to restrict drone usage by giving local government and property owners jurisdiction over National Airspace. Now he’s back with a new bill, the Drone Integration and Zoning Act, that will allow cities, states, and Native American tribes to set their own rules on low-flying drones, effectively overriding regulations set by the Federal Aviation Administration (FAA).

In a statement regarding the new bill, Sen. Lee said:

‘The FAA cannot feasibly or efficiently oversee millions of drones in every locality throughout the country […] The reason that the states have sovereign police powers to protect the property of their citizens is because issues of land use, privacy, trespass, and law enforcement make sense at the state and local level. The best way to ensure public safety and allow this innovative industry to thrive is to empower the people closest to the ground to make local decisions in real time and that is exactly what the Drone Integration and Zoning Act does.’

Basically, if passed, it would give home owners, local businesses, and counties full control over the first 200 feet of airspace above their designated property lines. Above 200 feet, FAA rules would apply. The FAA is not in favor of being overruled by local governments as these new ordinances would create even more confusion amongst drone operators. In a statement to Axios, DJI’s Director of U.S. legislative affairs, Mark Aitken, said the bill would ‘spur state and local governments across the country to impose harsh and conflicting taxes and fees on professional and recreational drone flights, throttling an industry still in its infancy.’

Currently, 34 out of 50 U.S. states, including California, are legally allowed to enforce their own regulations and restrictions on drone use at a county level. One state where this isn’t allowed is Michigan and a group of people, including the Michigan Coalition of Drone Operators, is fighting back. Back in December, a Genesee County sheriff arrested and detained Jason Harrison for flying in a park. The flight was legal, despite them attempting to rewrite legislation on drone use to fit their preferences – something that is in violation of Michigan State Law – Public Act 436 of 2016.

A follow-up trial is scheduled for November 8th in Flint, Michigan. If the judge rules in Harrison’s favor, it will hopefully set a precedent for how National Airspace is dictated across the U.S. While the Drone Integration and Zoning Act of 2019 will likely not gain much traction with Congress, it’s still worth writing your Senator to explain how patchwork drone laws will only cause chaos and confusion amongst operators and lawmakers, alike.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon introduces the Z50, a DX-format mirrorless camera for Z-mount

13 Oct

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Nikon has announced the first DX-format camera to use the Z-mount: the Z50. The Z50 features a 21MP BSI CMOS APS-C sensor (similar to what’s on the D500) with on-sensor phase detection. Unlike the Z6 and Z7, the Z50 does not have in-body image stabilization.

Despite being a smaller and lighter camera than the Z6/Z7, the Z50 doesn’t feel cheap, and is weather-sealed to some degree. It has a downward-tilting 3.2″ touchscreen display, 2.36M-dot OLED EVF and pop-up flash. Its single SD card slot supports high-speed UHS-II media while its Micro USB port allows for in-camera battery charging. The Z50 uses the new EN-EL25 battery, with an estimated battery life of around 300 shots per charge.

The Z50 is capable of shooting bursts at 11 fps with continuous AF. It can capture UHD 4K video at 24p and 30p, and a 120 fps option is available if you drop the resolution to Full HD. While the Z50 has a mic input, it lacks a headphone socket.

The Z50 with its 16-50mm F3.5-6.3 VR kit lens

Along with the Z50 come two new kit lenses. First is the collapsible Nikkor Z DX 16-50mm F3.5-6.3 VR, which offers up to 4.5 stops of image stabilization and has a built-in control ring. For longer reach, there’s the Nikkor Z DX 50-250mm F4.5-6.3 VR, which offers 5 stops of shake reduction and also has a control ring.

The Z50 will be available in November for $ 859 body-only, $ 999 with the 16-50mm lens and $ 1349 with the 16-50mm and 50-250mm lenses. Both kit lenses will be available separately, with the 16-50 priced at $ 299 and the 50-250 at $ 349.

See all of our Nikon Z50 content


Press Release

A BIGGER MOUNT TO SHARE THE BOLDEST IDEAS: IT’S EASY TO TAKE CREATIVITY FURTHER WITH THE LIGHTWEIGHT NIKON Z 50 MIRRORLESS CAMERA

MELVILLE, NY (October 10, 2019 at 12:01 A.M. EDT) Today, Nikon Inc. announced the next Z series mirrorless camera, the DX-format Nikon Z 50, along with two new companion NIKKOR Z lenses, the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR. The new Nikon Z 50 takes full advantage of Nikon’s larger Z mount, providing creators of all types with the most innovative optical system for superior image and video quality. The compact and lightweight Nikon Z 50 was made for unique individuals seeking a camera that has the speed, portability and style to keep pace and share their creative storytelling and imagination, especially when paired with the new ultra-compact 16-50mm zoom and the slim 50-250mm telephoto zoom lenses.

“The new Nikon Z 50 is a small yet capable camera that brings the best of the Nikon Z series to all kinds of creators to discover, share and engage,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z DX lenses expands the Nikon Z series to provide new creative tools for those looking to take their photo and video passions to new heights.”

When a sudden case of jet-set wanderlust strikes, or if there’s an idea that just has to be shared in 4K video, the Nikon Z 50 is the unobtrusive companion that promises to help deliver content that truly stands out. This is Nikon’s first DX-format mirrorless camera, delivering a more compact lightweight system to those upgrading to mirrorless or discovering the Nikon Z mount system. The new Z 50 offers an ergonomic design, intuitive operability and the steadfast reliability Nikon is known for, but in a slimmer, lightweight and attainable body. Taking advantage of the Nikon Z mount, the Z 50 produces stunning image quality and provides optimal performance for any type of content creation, from still photography to high-quality 4K video.

SMALL ON SIZE, BIG ON FUN: The easy-to-carry, compact and lightweight 14-oz body of the Nikon Z 50 is designed with intuitive controls and an agile yet durable magnesium alloy frame. It’s effortless to carry while vlogging a vacation, hiking the backcountry or exploring a new part of town. Since it’s mirrorless, users can activate the silent shutter function for truly low-profile shooting in sensitive situations.

TELL YOUR STORY, BEAUTIFULLY: A DX-format 20.9-megapixel CMOS sensor delivers superior image quality, sharpness, color and tones to document it all, even in low light. The EXPEED 6 image-processing engine helps to achieve excellent low-light performance and the highest standard sensitivity in its class1 for still-image shooting – ISO 51,200 – so users can capture high-resolution photos in challenging lighting conditions, like concerts or night street photography.

HIGH-SPEED PERFORMANCE: The camera quickly locks focus with a 209-point Hybrid AF System that enables broad coverage of approximately 87% of the frame horizontally and 85% vertically. It’s also the first Nikon DX-format camera to employ Eye-Detection AF, which makes portrait photography simple by recognizing and instantly focusing on a subject’s eyes, even if they are moving. What’s more, with fast 11 fps (with AF/AE) continuous shooting, users can keep up with fleeting moments and never miss a moment of the action.

FLIP-DOWN SELFIE SCREEN: The Nikon Z 50 features an easy to use interface with a 3.2-inch flip-down LCD touchscreen that’s ideal for selfies and vlogging. The LCD features familiar soft keys and icons, while intuitive controls make storytelling simple. Selfie Mode automatically disables all but essential controls while the LCD is flipped down, which makes it easy for the photographer to turn the camera on themselves and capture flattering photos and videos without worry of accidentally changing settings.

EPIC VIDEO FEATURES AND NEW CREATIVE OPTIONS: Sharp, vibrant 4K video is just the beginning – Experience built in 120p slow-motion, time-lapse and interval timer as well as in-camera video trimming and 20 Creative Picture Controls. These Creative Picture Controls and Special Effect modes instantly transform an image or video footage, while Scene Modes automatically adjust settings to optimize performance for beginners. For smooth footage, the camera also incorporates additional built in stabilization while shooting Full HD or 4K video.

SHARE BETTER CONTENT, INSTANTLY: Built-in Wi-Fi® and Bluetooth connectivity along with support for the new SnapBridge2 version 2.6 app allows users to seamlessly share still images and videos with friends, families and followers. In addition to automatically sending gorgeous images to one’s phone, users now also have the ability to easily transfer video to their smart device quickly. The latest version of SnapBridge also supports RAW image transfer and advanced remote capture functions.

THE NIKKOR Z DX 16-50mm f/3.5-6.3 VR & NIKKOR Z DX 50-250mm f/4.5-6.3 VR – NEXT GENERATION DX-FORMAT NIKKOR LENSES

The new NIKKOR Z DX 16-50mm standard zoom and the NIKKOR Z DX 50-250mm telephoto zoom lenses are designed to complement the new Z 50, striking the balance of small size and sharp optics. The NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens is a slim zoom lens that lets users capture a wide variety of scenes, from beautiful landscapes to candid portraits. The compact telephoto NIKKOR Z DX 50-250mm f/4.5-6.3 VR lens allows anyone to go the extra distance and capture far-away subjects, like city skylines or birds in flight. When paired with the new lenses, Dual Detect Optical VR is enabled on the Z 50 to help control the effects of camera shake when shooting.

Both the new NIKKOR Z DX lenses unleash the potential of the Nikon Z mount, using the superior design flexibility made possible by the large-diameter and the 16mm flange focal distance to deliver outstanding optical performance and sharpness in a deceptively compact form factor.

In addition to achieving incredible image quality, the new NIKKOR Z DX lenses are optimized for video capture when paired with the Z 50, making them must-haves for emerging content creators. Both lenses promise reduced focus breathing, a customizable control ring for smooth control of aperture or exposure compensation, as well as fast and quiet operation. Additionally, the new lenses offer in-lens optical Vibration Reduction (VR) technology to allow for smooth recording, with camera shake compensation equivalent to 4.5 stops3 and 5.0 stops3, respectively.

Beyond these two new lenses, Nikon Z 50 users can enjoy greater variety in imaging expression by mounting any of the current lenses in the NIKKOR Z lineup. A vast selection of traditional F-Mount NIKKOR lenses is also available to shooters via the Mount Adapter FTZ, with many lenses retaining functions such as VR and AF.

Price and Availability

The Nikon Z 50 will be available in November 2019, in several configurations including body-only for a suggested retail price (SRP) of $ 859.95*, a one-lens kit with the NIKKOR Z DX 16-50mm f/3.5-6.3 VR lens for a SRP of $ 999.95* or a two-lens kit with both the NIKKOR Z DX 16-50mm f/3.5-6.3 VR and NIKKOR Z DX 50-250mm f/4.5-6.3 VR lenses for a SRP of $ 1349.95.

For more information on the latest Nikon products, including the new Nikon Z 50, NIKKOR Z DX 16-50mm f/3.5-6.3 VR, NIKKOR Z DX 50-250mm f/4.5-6.3 VR and the full Nikon Z mount system, please visit www.nikonusa.com.

  1. The maximum sensitivity available with movie recording is ISO 25600.
  2. For information regarding smart device compatibility and to download the appropriate app for the Nikon cameras with Wi-Fi capability built-in, NFC capability built-in, and/or Bluetooth capability built-in, please visit nikonsnapbridge.com. Please Note: Nikon cameras having Bluetooth built-in can only be used with a compatible smart device with Bluetooth 4.0 or later (i.e., a smart device that supports Bluetooth Smart Ready/Low Energy).
  3. Measured in accordance with CIPA standards. When a mirrorless camera equipped with an APS-C size image sensor is used. Measured at the maximum telephoto position.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon Z50 specifications

Price
MSRP $ 859 (body), $ 999 (w/16-50mm lens), $ 1349 (w/16-50 and 20-250mm lenses)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 5568 x 3712
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 21 megapixels
Sensor photo detectors 22 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Processor Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 204,800)
Boosted ISO (maximum) 204800
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG (Exif v2.31)
  • Raw (NEF, 12/14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 209
Lens mount Nikon Z
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.02× (0.68× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • "Autumn Colors
  • Beach / Snow
  • Blossom
  • Candlelight
  • Child
  • Close-up
  • Dusk/Dawn
  • Food
  • Landscape
  • Night Landscape
  • Night Portrait
  • Party/Indoor
  • Pet Portrait
  • Portrait
  • Sports
  • Sunset
  • Special Effect Modes
Built-in flash Yes
Flash range 7.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • Low-speed continuous
  • High-speed continuous
  • Self-timer
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC card (UHS-II supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Built-in
Battery description EN-EL25 lithium-ion battery & charger
Battery Life (CIPA) 320
Weight (inc. batteries) 450 g (0.99 lb / 15.87 oz)
Dimensions 127 x 94 x 60 mm (5 x 3.7 x 2.36)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Nikon Nikkor Z DX 16-50mm F3.5-6.3 VR / 50-250mm F4.5-6.3 VR specifications

  Nikon Nikkor Z DX 16-50mm F3.5-6.3 VR Nikon Nikkor Z DX 50-250mm F4.5-6.3 VR
Principal specifications
Lens type Zoom lens
Max Format size APS-C / DX
Focal length 16–50 mm 50–250 mm
Image stabilization Yes
CIPA Image stabilization rating 4.5 stop(s) 5 stop(s)
Lens mount Nikon Z
Aperture
Maximum aperture F3.5–6.3 F4.5–6.3
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 9 16
Groups 7 12
Special elements / coatings 1 ED + 4 aspherical elements, Super Integrating Coating 1 ED element, Super Integrated Coating
Focus
Minimum focus 0.20 m (7.87) 0.50 m (19.69)
Maximum magnification 0.2× 0.23×
Autofocus Yes
Motor type Stepper motor
Full time manual No
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 135 g (0.30 lb) 405 g (0.89 lb)
Diameter 70 mm (2.76) 74 mm (2.91)
Length 32 mm (1.26) 110 mm (4.33)
Sealing No
Colour Black
Zoom method Rotary (extending)
Filter thread 46 mm 62 mm
Hood supplied No
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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