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Posts Tagged ‘Intent’

Focus, Compose, and Expose with Intent in Photography

10 Dec

The post Focus, Compose, and Expose with Intent in Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

photograph with intent

Why do you take photographs? What’s your intention each time you press the shutter button? Do you visualize how you want your photo to look before you take it? When you photograph with intent, the pictures you make resonate more with the people who view them.

All of us have a unique worldview. No two people perceive what they see precisely the same way. Learning to express what you see through the lens of your camera requires paying attention to more than what you are looking at. You must also have intent as to how you want your photos to turn out.

Woman on a red couch outdoors for photographing with intent
© Kevin Landwer-Johan. Nikon D800 | Nikon 35mm f/1.4 | 1/125 sec | f/1.8 | ISO 100 | Manual Mode | Pattern Metering

Your camera does not take photos

Just as a musician’s instrument or a painter’s brush creates nothing on its own, your camera does not take photographs.

Instead, the interaction you have with your camera is what creates photos. The quality and creativity of your photographs depends on the level of synergy between photographer and camera. The connection between you and your chosen subject is also significant.

Modern digital cameras are all designed to be as simple as possible to use – especially consumer-level cameras. Scene modes, auto-exposure, autofocus, auto-everything allows unskilled photographers to take snapshots that turn out pretty well.

When I was a kid, our neighbors had a pianola. This was a piano that had a handy mechanism: we could push pedals with our feet and the pianola would play tunes. There were special rolls of paper with holes punched in them that could be loaded into the front of the pianola. As we pedaled, the paper roll would turn. The configuration of the holes determined what tune was played. We were playing music without being musicians.

This is similar to using a camera with its auto-functions turned on. It can be fun, and there will be a certain, but limited, satisfaction as pictures are created. Just as we loved “playing” the pianola, you can take photos with minimal creative input or skill.

To take truly wonderful photos, however, you must interact with your camera and your subject with intent. Relying on camera technology to make it easy to take photos will not make you a great photographer.

woman taking photo
© Kevin Landwer-Johan. Nikon D800 | Nikon 35mm f/1.4 | 1/400 sec | f/2 | ISO 100 | Manual Mode | Spot Metering

Know your camera well

Being familiar with your camera and its controls means you can concentrate more on the art of photography. You’ll no longer be distracted by the technical aspects of the camera.

Learn to control your exposure, focus, white balance, and all the other settings. As you do this, you will grow in confidence and begin to “see” what you are photographing in different ways.

Cameras used in auto-exposure mode tend to make very generically-exposed images. Your camera is programmed to do things in certain ways to produce photos with an even exposure. But the more you take charge of what your camera is doing, the more creative your photography becomes.

Lahu man smoking a bong photograph with intent
© Kevin Landwer-Johan. Nikon D800 | Nikon 105mm f/2.8 | 1/200 sec | f/5.6 | ISO 400 | Manual Mode | Spot Metering

Understand the exposure meter. Use your spot meter to measure the light from different zones in your composition. Experiment with manual exposure settings. Don’t always adhere to what the meter tells you is “correct.” Control where you are focusing and the amount of the image that is sharp.

This may all seem a bit overwhelming if you’re new to photography, or if you’ve been using your camera for years without adjusting the controls. But remember: We could not add any creative expression to the tunes we played with the pianola. Unless you intentionally set your camera’s controls, your photos will lack creativity.

Monk photographing with intent outdoors at a parade
© Kevin Landwer-Johan. Nikon D800 | Nikon 105mm f/2.8 | 1/200 sec | f/2.8 | ISO 400 | Manual Mode | Spot Metering

Visualize your photographs

Think about how you want your photos to look before you take them. Do you want to record a scene exactly as you see it? Or will your frame it in such a way as to exclude some ugly elements?

Make constant choices about what focal length lens you’ll use. How much of what you see will you include in the final shot? The same scene photographed with a 24mm lens will look very different than if you back up and photograph it with a 200mm lens.

How do you want your exposure to look? Will exposing for the highlights or shadows create a more interesting atmosphere? Are there things in the shadow areas you want to hide or reveal? When you have control over your exposure, you have the capability to express yourself in more creative ways.

Woman standing in a field with a cow
© Kevin Landwer-Johan. Nikon D800 | Nikon 105mm f/2.8 | 1/2000 sec | f/3.2 | ISO 200 | Manual Mode| Pattern Metering

Your choice of when you press the shutter release to take the photo can have an important creative influence on the outcome. This is sometimes a matter of a split second, or it can be a matter of waiting for the season to change. Picking the decisive moment when photographing a child playing versus photographing a landscape is very different. But timing is equally relevant to making good pictures.

Are you seeing in color or in black and white? Will your subject look more interesting as a monotone image? Will this alter the feeling of the photo? If you are intentional about color as you’re taking photos, you’ll create more compelling images.

portrait of a novice monk, high contrast black and white
© Kevin Landwer-Johan. Nikon D800 | Manual Mode | Spot Metering

Connect with your subject

As you’re taking photos, think about why you want to photograph your chosen subject. What has drawn you to want to make a picture of this person, thing, or scene?

When you think about the why, you can start to see your subject in new ways. Being aware of what motivates you can have an influence on how you photograph something.

Does your subject mean something personal to you? How can you show this in the photos you take? There are many ways you can choose to control your camera, or where you take your photos from, that will influence the final shot. Being aware of how you compose and expose your subjects will help build a story into your images.

Your photos will move from being snapshots to works of art that have depth and convey meaning.

black and white portrait of a woman photograph with intent
© Kevin Landwer-Johan. Nikon D800 | Nikon 85mm f/1.4 | 1/250 sec | f/2.8 | ISO 400 | Manual Mode | Spot Metering

Focus, compose, and expose with intent: conclusion

The more you are aware of what you want your photographs to look like, the more interesting they will be to you and to others.

Photographing with intent takes practice. It may seem somewhat abstract when you first try.

But, like anything creative, the more you apply yourself and practice, the better you will become – and this will show in your photos.

The post Focus, Compose, and Expose with Intent in Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Shooting With Intent

23 Aug
For this image of Lower Falls in Letchworth State Park in New York, I knew I wanted a creamy look to the falls.  They were flowing well so I knew a moderately slow shutter speed would give me what I wanted.  I also knew as I composed it that I wanted the falls framed by some of the gorgeous colors of the fall foliage.  I set my exposure based on two things- I wanted a slow shutter speed and I wanted deep depth of field. EOS 5D Mark III, EF 70-300 f/4-5.6L, ISO 100, f/25, .3".

For this image of Lower Falls in Letchworth State Park in New York, I knew I wanted a creamy look to the falls. They were flowing well so I knew a moderately slow shutter speed would give me what I wanted. I also knew as I composed it that I wanted the falls framed by some of the gorgeous colors of the fall foliage. I set my exposure based on two things- I wanted a slow shutter speed and I wanted deep depth of field. EOS 5D Mark III, EF 70-300 f/4-5.6L, ISO 100, f/25, .3″.

A good friend of mine is passionate about photography, and she recently acquired a reminder of the way she approaches photography.  A tattoo that wraps around her bicep that states simply “Shoot With Intent”. This is one of the biggest lessons a beginning photographer can learn.  It’s very easy to go out with a camera, set it on AUTO, and come back with some nice, perhaps even great images.  Today’s cameras make that fairly easy, even without shooting on full auto. If you’re using aperture priority or shutter priority, just allowing the camera to come up with an correct exposure, you can still great images without considering all aspects of the exposure.  However, without considering all aspects of the exposure and allowing the camera to make decisions for you, you’re not really shooting with intent.

I wanted to capture this image of trees reflected in the Merced, but the water was undulating just enough to cause problems with the reflection. A slower shutter speed helped smooth the ripples and give me a better reflection. EOS 5D Mark III, EF 70-300 f/4-5.6L, ISO 100, f/16, .3".

I wanted to capture this image of trees reflected in the Merced, but the water was undulating just enough to cause problems with the reflection. A slower shutter speed helped smooth the ripples and give me a better reflection. EOS 5D Mark III, EF 70-300 f/4-5.6L, ISO 100, f/16, .3″.

Shooting with intent means you take into consideration all aspects of the image you’re creating.  It starts with the lens you choose to put on your DSLR and carries all the way from subject and composition, to shutter speed, ISO, and aperture, you think through every aspect of the shot, and how those variables will affect the image.  Let’s assume you’ve chosen a lens, a subject, and decided how you want to compose the image, since those are the two most basic aspects of creating an image. You look through the viewfinder, or on the LCD screen, and you decide where things should go in the frame.  That’s about half of the decisions you need to make right there.

Next, you need to consider the three aspects of exposure- aperture, shutter speed, and ISO.  This is a balancing act where you need to prioritize what’s most important to you. Take your aperture. Let’s say you’ve decided you want everything in focus. You’ll want to select a smaller aperture, say, f/11 or even f/16 to provide the greatest depth of field.  But then what about your shutter speed?  If you’re in Aperture Priority mode, the camera will figure that out for you.  But if there’s something moving in the shot- trees blowing in the wind, a waterfall, or waves on the ocean, or even people- is that something you want to just leave to the camera?

You can still be in Aperture Priority  and pay attention to your shutter speed.  Let’s assume you’re shooting a water feature. If you want smooth, misty water, you’ll know you need a slower shutter speed.  But how slow?  That depends on what the water is doing, and on how you want the water to look. That’s where your INTENT comes in.  If you still want some definition in the water, you’ll want a slightly faster shutter speed that allows for that. How fast depends on how fast the water is moving. If you want that milky look to the water, you’ll want a slower shutter speed.  Again, how slow depends on the water’s movement.

The point is, before just allowing the camera to set the shutter speed, or the aperture, or anything else, regardless of what mode you’re in, figure out what it is you really want out of this capture.  Decide what your intent is, and double check what the camera is doing to be sure that your intent is carried through.  And if it isn’t?  Change it.

Make sure your images say what you meant to say. Be sure your intent is clear.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Shooting With Intent


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28 January, 2013 – Beyond Calibration : The Heresy of Artistic Intent

28 Jan

Are you a slave to colour management? If so, why, and if not….?

In a new essay entitled Beyond Calibration : The Heresy of Artistic Intent, contributor Chris Schneiter explores how and why we can become trapped by a mechanistic approach to colour management.

         

"Yes I downloaded the videos. THEY ARE AWESOME!!! I learned so much I think my brain is going to explode.

 

Now I need to get the LR4 video to see how much of Lightroom 4 I don’t know". 

 


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