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26 Types of Photography to Explore (for Inspiration)

26 Aug

The post 26 Types of Photography to Explore (for Inspiration) appeared first on Digital Photography School. It was authored by Megan Kennedy.

26 types of photography to explore (for inspiration)

There are dozens of types of photography, covering a wide range of subjects and themes. Some genres focus on people, others center around the natural environment, others emphasize human-made landscapes, and still others consider cultural objects such as food and products.

Thinking about branching out into a different photographic genre or simply on a hunt for inspiration? Here’s a list of 26 photography types to get your creative juices flowing!

1. Abstract photography

abstract photo of a flower
Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | f/2.2 | 1/200s | ISO 100

Abstract photography is about expressing a visual image through association, isolation, and recontextualization. Also known as experimental photography, abstract photography isn’t bound by standard photographic conventions (although a sound knowledge of composition and technique can help improve your abstract photos!).

By prioritizing abstraction over the figurative or representational renderings of subject matter, an abstract photographer crafts an image that audiences can explore through intuition and impression. And with a focus on aspects such as light, distance, detail, color, texture, line, camera movement, and focus, abstract photographers experiment with ideas about what actually makes an effective image.

2. Aerial photography

Also known as airborne photography, aerial photography involves making photographs while a camera (either held by a photographer or mounted on special equipment) is airborne. Vehicles for aerial photography can include kites, aircraft, parachutes, rockets, and even pigeons (a technique invented in 1907).

The first aerial photos were made by French photographer Gaspard-Félix Tournachon, who took pictures over Paris in a balloon in 1858. However, the resulting photographs are lost to time, and the earliest surviving aerial photograph, made by James Wallace Black and Samuel Archer King, depicts Boston from a balloon in 1860.

Nowadays, drones are a popular tool for aerial photography. And as drones become more efficient, user-friendly, and economical, many photographers are taking the opportunity to capture unique perspectives from the air.

3. Animal photography

From whales to cats to gerbils, animal photography encompasses both domesticated pets and wildlife. Animal photographers strive to convey the spirit of their subject, and preventing harm to animals is paramount.

Because of the varied behavior and size of animals, animal photography can involve a wide range of gear. Lenses include telephotos, wide-angles, zooms, and primes. Equipment such as hides and camera traps, as well as camouflage and Ghillie suits, are sometimes used to photograph wildlife.

For pet photography, standard zoom lenses are a common choice, although prime lenses or a wide zoom such as a 16-35mm are good alternatives.

4. Architectural photography

Architectural photography is the photography of buildings and similar structures. Architectural photographers prioritize a balance between realism, technical accuracy, and pleasing aesthetics. The first permanent photograph (titled View from the Window at Le Gras by Nicéphore Niépce) doubled as the first architectural photograph. From there, early photographers like Henry Fox Talbot made numerous images with architectural subjects.

Attention to compositional tenets like leading lines, perspective, symmetry, and framing are key methods applied in crafting an architectural photograph. Sometimes, aerial photography is combined with architectural photography to present the viewer with a fresh perspective on an architectural subject.

5. Astrophotography

Humans have been looking at the night sky for millennia, and the jump between the first successful photograph of an astronomical object (the Moon in 1840 by John William Draper) to present-day astrophotography is amazing.

astrophotography of the moon
Canon 5D Mark IV | Canon EF 100-400mm f/4.5-5.6L IS II USM | f/5.6 | 1/1600s | ISO 500

Depending on the subject and your desired outcome, there are tools designed to make the process of photographing the heavens easier. For broad night sky photography, a wide-angle lens with a wide aperture and a quality mirrorless or DSLR camera with an interchangeable lens configuration and manual capabilities is ideal (and a full-frame camera will likely perform better in low-light conditions). A remote shutter release or intervalometer will minimize camera shake.

If you plan to photograph fixed renderings of the night sky (as opposed to star trails), a tracker mechanism is highly recommended. A sturdy tripod is a crucial piece of equipment, and a flashlight for light-painting the surrounding environment to create context can be a useful creative tool.

Light pollution indicator app screenshot
Light pollution indicator apps like LPM (above) are available for Android and iOS devices.

Apps that track weather and light pollution or indicate the darkest times of the month can be handy for determining a shoot date in advance.

In terms of photographing the moon, a telephoto lens mounted to a full-frame camera can work well. Again, a mirrorless or DSLR with an interchangeable lens system and manual capabilities is recommended, along with a remote or shutter release cable and a sturdy tripod. Here’s a useful guide for choosing the right settings to capture beautiful lunar astrophotography.

6. Conceptual photography

While the phrase “conceptual photography” derives from the late 1960s Conceptual Art movement, the term has been used retrospectively to describe a genre or approach to photography that prioritizes the illustration of a concept.

Hippolyte Bayard’s Self Portrait as a Drowned Man (1840) was one of the earliest conceptually based photographs. Bayard, apparently provoked by French authorities failing to recognize his discovery of the photographic process as equal to Daguerre’s daguerreotype, faked a self-portrait depicting his own “dead” body with a summary of his demise written on the back of the photograph.

Conceptual photography thrives on the transmission of ideas. Often surreal or hyper-real in their approach, photographers like John Hilliard, Cindy Sherman, and Chema Madoz are well-known figures in the conceptual field. The diversity and scope of conceptual photography has expanded even further with the availability of photo-editing software.

7. Documentary photography

While sometimes confused with one another, documentary photography and photojournalism are two different fields. Documentary photography relates to long-form projects with a discernible storyline threading throughout a series. Photojournalism, on the other hand, focuses more on breaking news stories.

From the poor Depression-era farming communities documented by Dorothea Lange to Diane Arbus’s haunting portraits of marginalized figures, documentary photography shines a light on often underrepresented facets of life. Through their work, a documentary photographer can enhance awareness of a subject or theme and stimulate an emotional response.

8. Event photography

Put simply, an event photographer specializes in photographing events. Whether focused on a corporate occasion, a birthday, a wedding, or a funeral, event photography is as broad as the many occasions that warrant a photographer on site to capture the moment.

As with all types of photography, preparation is the key to a successful event shoot. Events can be held indoors, outdoors, or both, so lighting conditions can be complex and changeable. Packing a good low-light camera body and lens with a wide maximum aperture is useful for situations where flash might not be appropriate. And creating a shot checklist that is agreed upon by both photographer and client is a good way to establish and capture the images a client is after.

That said, depending on the event, you’ll want to keep an eye out for candid moments and little details; that way, you can create a more intimate collection of event images for the client. Also, don’t forget to stock up on memory cards and batteries.

9. Film photography

Nowadays, digital technology is the dominant medium for image making. Nevertheless, there are still many photographers who use film to create beautiful imagery.

Types of photography film flowers

Film photography can slow down the photographic process, encouraging a more mindful creative approach. A limited amount of film frames can also encourage photographers to shoot more conscientiously, and the use of manual settings can test and refresh technical knowledge.

The aesthetic value of film photography is both nostalgic and dimensional, with quirky cameras like the the Diana or Holga range also enabling spontaneous photography that intersects with the whimsy of cheap toy film cameras.

10. Food photography

There are distinct artistic and technical skills that come with every photographic genre, and food photography is no different. Under the camera lens, food can become a tasty still life artwork rather than your average meal.

The first known photograph of food as a subject was a daguerreotype taken in 1845 by Henry Fox Talbot. His photograph depicted a pineapple and some peaches contained in two baskets set atop a plaid tablecloth. Originally, foods were often photographed in an arrangement similar to the way people were accustomed to encountering a meal – the food was laid out on a table and photographed from overhead (mimicking the point of view of the consumer).

Today, meticulous lighting, selective focus, motion, extreme close-ups, overhead or flat lay perspectives, narrow-angle shots, and a shallow depth of field are just some of the carefully applied techniques designed to create a scene that appeals to a viewer’s taste buds. The introduction of contextual props, shooting in or staging a relevant space (like a café or restaurant), and focusing on compositional tenets like line, texture, and color can also help craft an inviting food-related image.

11. Intentional Camera Movement photography

intentional camera movement at night
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/4 | 4s | ISO 400

Intentional Camera Movement (or ICM) is one of the more experimental types of photography. Put simply, ICM involves selecting a slower shutter speed and moving the camera and/or zooming during the exposure. The process creates impressionistic renderings of a scene that are marked by the physicality of the photographer.

Getting started with ICM photography is pretty simple. You’ll need a camera with semi-automatic or manual modes and a good camera strap. Secure the camera strap and set the shutter speed to around 1/15s. Press the shutter and physically move the camera around and/or adjust the lens focal length.

When the exposure finishes, check the LCD screen (if possible), take note of the results, and move on to the next frame, making adjustments to camera settings if necessary. The ICM process is experimental and endlessly varied, so trying many different combinations of gesture, camera settings, and subject matter is all part of the fun.

12. Landscape photography

Typically, landscape photographers capture natural (or sometimes semi-natural) vistas. Often showing little to no human activity, landscape photography focuses on strongly defined landforms usually illuminated with ambient light. Some of the most beautiful landscape photographs are motivated by a photographer’s appreciation of natural beauty and the need to see it preserved. Renowned landscape photographer Ansel Adams received both a Conservation Service Award and a Presidential Medal of Freedom in recognition of the influence his work had on the preservation of wilderness and the cultivation of environmental consciousness.

Prior planning goes a long way in photography, and landscape photography is no different. Scouting possible locations before shooting (if only through Google Maps) and calculating light and weather conditions with apps are important steps in the landscape photography process.

In terms of equipment, there are many different approaches to landscape photography. Some photographers pack a wide-angle lens, while others rely on a zoom or prime lens configuration. Regardless of which way you go in terms of lenses, a polarizing filter, a sturdy tripod, and a shutter release cable or intervalometer are major assets. A weatherproof camera setup can come in handy, too.

13. Macro photography

macro photography flower close up
Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | f/2 | 1/500s | ISO 100

In the early 1900s, F. Percy Smith started photographing small natural subjects with the use of extension tubes and bellows. The increased distance between the negative and the lens culminated in enlarged renderings of subject matter. Nowadays, macro photography involves the use of specialized equipment to obtain close-up images of small subjects that are hard to discern with the naked eye.

With a wealth of lenses, filters, and extension tube configurations to choose from, macro photography provides a fascinating insight into the vivid details that make up our surroundings. Insects, plant life, small animals, snowflakes, raindrops, and spiderwebs are just a few popular macro photography subjects.

14. Minimalist photography

Types of photography minimalist out-of-focus tree
Canon 5D Mark II | Canon EF 100-400mm f/4.5-5.6L IS II USM | f/5 | 1/200s | ISO 100

Minimalist photography is distinguished by its pared-back simplicity, focusing on the smallest amount of objective content possible. Arising from the minimalist art movement of the 1950s, minimalist photography revels in restrained or reductive techniques, appealing to the viewer through simplicity and the shedding of superfluous information.

Minimalist photographers often operate under the assumption that less is more, directing a viewer’s attention to subject matter with efficiency and a judicious use of space. Well-known proponents of minimalist photography include Michael Kenna, Hiroshi Sugimoto, and Uta Barth.

15. Nature photography

Nature photography, as you might imagine, encompasses many types of photography genres. In general terms, nature photography describes photography undertaken outdoors in the hopes of depicting plants, wildlife, and/or natural landscapes. Macro photography is often included under the nature photography heading.

nature misty forest
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/4 | 1/80s | ISO 250

Trees, landscapes, beaches, insects, stone formations, wildlife…There are hundreds of nature photography subjects, and the selection of equipment for a nature shoot comes down to subject behavior and the desired outcome of an image.

For example, much of landscape photography is done with wide-angle lenses, but a telephoto lens can be critical for capturing wildlife. A macro lens (or a set of extension tubes) is handy for the close-up photography of plants and insects, while a tripod or monopod will be useful for bracing the camera and keeping things steady when a slower shutter speed is required. A camera body that performs well in low-light conditions and features weatherproofing is also ideal. And if you decide to pack all of the above options for one trip, investing in a good backpack is advisable.

There are some environmental concerns involving nature photography. The destruction of a landscape can be caused by the incautious efforts of photographers prioritizing a photograph over the natural environment. Wildlife photography encompasses photographing animals in their natural habitats, but interrupting, staging, or causing harm in an attempt to make a photograph is unethical, with many photo competitions rejecting submissions that negatively impact the well-being of wild fauna. In short, a leave no trace approach is encouraged.

16. Night photography

bokeh at night
Canon 5D Mark IV | Canon EF 24-105mm f/4L IS USM | f/4 | 1/25s | ISO 200

Night photographers specialize in making images when the sun goes down. From the eerily atmospheric street photos of Jessie Tarbox Beals (the first woman night photographer) to the meticulously staged photography of Gregory Crewdson, night photography is dense, beautiful, and sometimes unsettling.

Photographers working at night can use artificial lighting, ambient lighting, or a combination of the two. Astrophotography is conducted at night and uses longer exposures to capture celestial bodies. Light-trail photography captures illuminated subject movement with a slow shutter speed. Cityscapes photographed at night have a distinctly modern appeal, and nocturnal street photography used in conjunction with flash generates an intimate aesthetic.

17. Photojournalism

Photojournalism is the gathering, editing, and presenting of photographic news material. Sometimes conducted in the face of danger, photojournalism has a long history, with many of its proponents advancing the overall course of photography with dedication, creativity, and daring.

According to the code of ethics created by the National Press Photographers Association (NPPA), “It is the individual responsibility of every photojournalist at all times to strive for pictures that report truthfully, honestly, and objectively.” The staging or manipulation of a scene through the direction of the photographer is considered un-photojournalistic or unethical. With the evolving use of modern post-processing techniques, the idea of truthful photojournalism has become an increasingly complicated facet of reportage. In general, a minimal approach to editing is advised, and sticking to simple edits (cropping, contrast adjustments, etc.) is a relatively common photojournalistic guideline.

18. Portrait photography

Portraiture or portrait photography aims to capture the essence of a person or group through photography. The art of portraiture grew with the daguerreotype in the mid-19th century. Reduced sitting times and the relatively low cost of the photographic process saw a general rise in the popularity of early portraiture. Subjects were often positioned against plain backgrounds and illuminated with soft natural lighting. As technology advanced, exposure times shortened further, and the ability to make portraits outside the studio became increasingly common.

Today, there are a range of techniques and approaches to portraiture. The traditional portrait involves a subject (usually in a studio setting), often looking towards the camera. The environmental portrait features a subject situated in a specific environment for context and narrative. A street portrait depicts a subject in a street setting. Conceptual portraiture is shot with an emphasis on ideas based around the sitter, while the self portrait involves a photographer taking a photograph of themselves.

19. Sports photography

Sports photography is a type of photography that covers sporting events. Sometimes considered a branch of photojournalism, sports photographers capture the unfolding drama of a sporting occasion.

Long lenses and camera bodies with high continuous shooting speeds allow for greater reach across the playing field and an increased chance of capturing the perfect shot. However, regular zooms, wide-angle lenses, and prime lenses may also be used during closer encounters, and a sports photographer can have several camera configurations at the ready.

Other important sports photography equipment includes a monopod or tripod. The use of drones and strategically placed cameras triggered by wireless shutter actuators are useful for certain sports activities. And although you never know how a game is going to play out for certain, a good general knowledge of the sporting event always helps to close in on those key moments.

20. Still life photography

Still life is the art of taking photographs of (usually) inanimate subjects. With roots in painting, genres like food photography, object portraiture, flat lay photography, and tabletop photography often coexist under the still life banner. However, there are two main types of still life photography: found still life and created still life.

Found still life photographs feature subjects captured without a photographer’s influence or manipulation. An example of a found still life subject could be an apple fallen from a tree. In contrast, created still life photographs feature objects that the photographer has purposely arranged or manipulated; artificial subjects like vessels (pots, vases, baskets) are often balanced with organic subject matter like flowers, food, vegetables, shells, etc. Well-known masters of still life photography include Olive Cotton, Jan Groover, Sharon Core, and Josef Sudek.

21. Street photography

Street photographers candidly capture life in the public domain, avoiding direct interactions with the subject. And unlike the name suggests, street photography can be done off the beaten track, too – beaches, indoor settings, and rural areas hold just as much potential for street photographers as big cities and crowded streets.

street photography man in the road
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/4 | 1/500s | ISO 500

As for gear, street photographers generally use a smaller camera that’s less visible and therefore less intrusive or intimidating; such cameras are also lighter to carry around during the hours spent roaming the streets.

In addition, a camera may come with a soft or silent shutter mode for surreptitious exposures. Although the versatility of a zoom lens can be useful in some circumstances, the classic prime lens is more subtle, lessening the chance of interference. The nifty fifty or 50mm lens is a popular choice for street photographers.

22. Travel photography

Shaped by magazines like National Geographic, travel photography depicts a broad variety of subject matter. According to the Photographic Society of America, a travel photograph is a photograph “that expresses the feeling of a time and place, portrays a land, its people, or a culture in its natural state, and has no geographical limitations.”

patterns on a wall
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/6.3 | 1/200s | ISO 100

As the accessibility of travel increases, the genre of travel photography has been taken up by photographers at all levels. Dedicated travel photographers once earned wages through magazine assignments, commercial undertakings, and stock photography. Nowadays, professional travel photographers also turn to blogging, teaching, touring, and public speaking to generate income.

23. Typological photography

Typological photography is not defined by a particular area of subject matter, but rather by the process and presentation of a photographic series. Typology in itself is the study of types or the systematic classification of subjects according to their common characteristics. Therefore, typological photography aims to document subjects that are similar in nature or theme, creating a visual body of work to compare, contrast, and appreciate as a whole.

road sealant series
A photographic typology of road sealant.

Hilla and Bernd Becher, who made extensive photographic studies of industrial buildings and structures, forged a highly influential style of typological photography. As artists working in collaboration, the married pair recorded and then categorized the formal qualities of their subjects into a neat grid layout. They also maintained a consistent approach in photographing their subjects, relying on a foundation of uniformity to articulate the similarities and differences of each subject alone and as part of a whole. Today, much of modern typological photography revolves around this visual cohesion.

24. Underwater photography

The world below the water’s surface can be as fascinating as it is alien. Underwater photography is the use of specialized photography equipment to document the expanse of an aquatic landscape and its inhabitants (hopefully without drowning your camera equipment in the process!).

The first underwater photograph was believed to have been made by Englishman William Thompson in 1856. Thompson built a metal box housing for a camera to capture the marine landscape of Weymouth Bay in Dorset, England. The shutter was activated by pulling a string on the surface. Much later, in 1960, Jacques Cousteau’s Calypso was invented – the first amphibious 35mm film camera. Today, waterproof housings with control knobs and buttons are industry standard, with some including connectors for external flash units. Rugged compact cameras can also be used in shallow water without housings.

25. Urbex Photography

urbex photography
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | f/6.3 | 1/80s | ISO 100

Urbexing (short for urban exploring) is the exploration of human-made structures usually found in a state of abandonment or ruin. Popular urbexing sites include abandoned houses, neglected industrial sites and offices, and dilapidated schools or churches. Many urbex explorers abide by the philosophy “take nothing but pictures, leave nothing but footprints.”

Incorporating photography into an urbexing expedition, many urbexers maintain websites or a social media presence to document their findings.

26. Weather photography

Although weather photography can encompass any kind of meteorological phenomenon, the term has become synonymous with photographing lightning, storms, sunsets, and other dramatic weather events.

Photographers have braved the elements to photograph weather phenomena for over a hundred years. In 1884, a photographer from Kanas named A.A. Adams captured a single image of a cyclone twisting just 14 miles away from where he’d set up his box camera. Today, basic weather photography gear usually encompasses a lightning or remote camera trigger, a sturdy tripod, and a camera with manual and/or Bulb settings. Like landscape photography, wide-angle lenses are useful for capturing large vistas of scenery and weather activity. ND filters and an intervalometer are nice to have, too.

Monitoring meteorological activity and finding locations well before a shoot is a good idea. When dynamic weather activity unfolds, scrambling for a last-minute scenic spot is less than ideal. Above all else, safety and common sense are paramount – shoot storms from a distance, keep up to date with weather notifications and warnings, stay away from metal poles, trees, and open areas, have good weatherproof clothing, and invest in rain protection for your camera.

Types of photography: final words

There are so many different photographic genres that it’s difficult to cover them all in a single article. Nevertheless, a solid knowledge of different types of photography opens the door to new photographic opportunities.

If you’re tiring of landscape photography, why not take up astrophotography? Do you have experience in sports photography? Why not branch out into pet photography? The possibilities are endless, and with a good knowledge of photographic genres, new opportunities are always available!

Now over to you:

Do you have a favorite photographic genre? Do you plan to take up any of the genres discussed in this article? Share your thoughts in the comments below!

The post 26 Types of Photography to Explore (for Inspiration) appeared first on Digital Photography School. It was authored by Megan Kennedy.


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11 Food Photography Ideas (for Easy Inspiration)

07 May

The post 11 Food Photography Ideas (for Easy Inspiration) appeared first on Digital Photography School. It was authored by Ana Mireles.

11 food photography ideas for easy inspiration

Are you looking for food photography ideas to get inspired? You’ve come to the right place.

Professional high-end jobs in food photography often have a producer, an art director, a home economist, and a food stylist – or a subset of these. But if you’re just starting out, or you use food photography for your blog, you have to take care of everything on your own.

These food photography ideas are meant to help – and cover lots of key information, from picking the props to editing the photos. So keep on reading!

1. Use non-reflective props whenever possible

One of the most difficult technical challenges in food photography is dealing with reflections. Usually, plates, glasses, and cutlery are made with reflective materials that can be very tricky to photograph. That’s why I advise you to work with matte props if possible.

food photography ideas non-reflective mug vs reflective mug
Canon 70D | 31mm | f/2.8 | 1/8s | ISO 100

Consider the two cups above. To make a good picture with the shiny, ceramic cup, I would’ve spent a lot of time and effort managing the reflections in-camera – and I would’ve probably finished the job in post-processing. But with the matte cup, I had no issues; the downside is that it’s not always easy to find non-reflective props.

Salt-glazed ceramic or terracotta are good choices for plates and bowls depending on the look you want to achieve. As for cutlery, find tarnished silver or wooden utensils. But it needs to make sense with the mood of the photo.

Finally, you can try a matte finishing spray for bottles and glasses. There are some professional options, but you can also experiment with deodorant and hair spray.

2. Practice every chance you get

food photography ideas bread lined up
Olympus OM-D E-M10 Mark III | M.Zuiko 14-42mm f/3.5-5.6 | f/3.5 | 1/20s | ISO 2000

Practice makes perfect, so you should be practicing your food photography as much as possible.

Going out to eat is a great way to practice because it will give you a different setting as well as challenging lighting. Plus, practice photos are also great for your social media; you can post food photos on sites like Instagram to build your brand and grow your business.

You won’t have much control when shooting in a restaurant, especially if you’re using your phone – but that’s a challenge that will help you improve.

And you can do some things, such as:

  • Choose the right camera angle
  • Arrange the elements on the table in a pleasing way
  • Carefully exercise composition guidelines

Actually, if you enjoy it and you become good at it, photographing restaurant food for social media can be your area of specialization. Many restaurants are currently hiring professional photographers to populate their own social media channels.

3. Pay attention to composition

golden spiral food bowl composition
Xiaomi Redmi Note 8 | Native camera app | f/1.8 | 1/35s | ISO 250

Food photography composition refers to the positioning of elements (food, bowls, cutlery, etc.) within the frame. It’s an essential food photography factor because it will define how the viewer perceives the entire scene.

There are many compositional guidelines you can use to make your food photography stand out. Keep in mind that these guidelines aren’t universal; while a “rule” may fit one image, it might not be right for the next one. It all depends on the elements in your scene and what you’re trying to communicate.

For example, straight lines and a square composition convey stability, while diagonal lines and triangle compositions make for a dynamic image.

Most cameras have a grid with the rule of thirds, which is a basic composition guideline that suggests you position key elements a third of the way into the frame. However, many camera apps offer a wider selection of grids, such as the golden ratio – so experimenting with your smartphone can be a good way to train your eye.

Keep in mind that you can always improve the composition in post-processing using the Crop tool. In fact, Lightroom and Photoshop offer composition grids to guide your crops.

4. Learn to use – and prioritize – the camera settings

hand sprinkling seasoning onto food
Canon 70D | 55mm | f/5.6 | 1/200s | ISO 800

There are three settings to consider when you expose your image: the lens opening through which light travels (aperture), how long the light comes in for (shutter speed), and the extent to which the light is amplified by your camera (ISO). But you must be careful because each of these camera settings comes with other effects that can ruin a photo.

So what should you use to adjust the exposure?

Widening or narrowing the aperture will determine how much of your image is in focus. This is known as the depth of field. So if you have a still subject and you’re using a tripod, first adjust the aperture to achieve the desired depth of field. Leave the ISO at 100, then slow down your shutter speed to properly expose the photograph.

Now, with a slow shutter speed, all moving objects appear blurred. If you want to freeze motion, you have to keep a fast shutter speed. So for food photography scenes with movement, you should prioritize the shutter speed. Then set the aperture based on depth of field concerns. Finally, adjust the ISO.

Note: The higher the ISO, the more noise you’ll have in your photo; the lower the ISO, the smoother and sharper the result (all else being equal). So you should always use the lowest possible ISO.

5. Choose the right angle

food photography ideas two different angles of a jar with seeds
Canon 70D | 55mm | f/5.6 | 1/6s | ISO 100

Your choice of camera angle can make or break a photograph. There are three main camera angles in food photography:

  • The top angle. Most commonly known as flat lay, this is a trendy style on Instagram. To create a top-angle shot, you should have the sensor parallel to the subject’s plane. (For top-angle inspiration, search Instagram for the hashtags #flatlayphotography or #flatlaystyle.)
  • 45 degrees. Position your camera at a 45-degree angle from the flat table or surface on which the food lies. This angle mimics the way you normally see food.
  • On a level. For this angle, you must drop the camera down to the subject’s level (your lens will often sit just above the table).

6. Choose the right light

food photography ideas strawberry in dramatic light
Canon 70D | 55mm | f/2.8 | 1/60s | ISO 100

The type of light and lighting setup you use will determine the mood and ambience of your food photography.

Do you prefer to do dark, moody shots or light and ethereal ones? Do you like to use artificial light or daylight? Should the light come from the side, the back, or the front?

There isn’t a hard rule that says what’s right or wrong. Make lighting choices based on what you want the image to communicate.

7. Take some macro shots

macro popcorn piece on kernels
Canon 70D | 200mm | f/5.6 | 1/6s | ISO 100

Macro photography produces magnified food close-ups, and it can be a simple way to add some variety to your food photography.

To achieve macro magnifications, I recommend a macro lens or extension tubes, though you can do near-macro photography with a telephoto lens.

You might capture macro images of a small ingredient, or you can highlight a detail from a bigger dish. It’s a creative approach that can enhance common subjects. Here are a few tips to get you started with macro food photography:

  • Always use a tripod. At macro magnifications, even the smallest movement can change the focus and composition. A tripod will lock in your focus and keep the composition consistent.
  • Use the rear LCD and focus manually. In macro photography, the depth of field is very shallow. If you want to nail the focus every time, you should forget about the viewfinder and work with the LCD screen of your camera. Then you can zoom in and manually adjust the focus.
  • Use the self-timer or a remote release. This will avoid any camera shake from pressing the shutter button.

8. Food is culture, so step out of the studio

food photography ideas food market spices
Canon 50D | 35mm | f/4.5 | 1/25s | ISO 400

As Penny De Los Santos, a former National Geographic, award-winning photographer, says: “A food photographer is a visual food anthropologist. It’s not just about food on a plate; [it’s also about] the moments, the connections, the scenes, the places, the stories.”

Most people think of food photography as a prepped-in-the-studio job or as quick smartphone photos at a restaurant. But photographing a harvest or a food market allows for other types of food photography (that blend with genres such as travel photography and documentary).

So to enrich your food photography experience and to expand your creativity, give this a try!

9. Develop your personal style

artichokes in a basket
Canon 70D | 40mm | f/8 | 2 sec | ISO 100

Food photography is a vast field with many different approaches. What type of food photography do you want to do? Lifestyle photography? Still life? Product shots?

Another way to think about this is to start with the type of subject you want to shoot. You can choose between raw materials or cooked dishes. In any case, the decisions you make will determine your personal style and aesthetic.

Don’t worry, though; you don’t have to decide everything at first. Once you’ve made a few basic choices, your style will develop as you go. Then you can reflect on it, make conscious decisions, and perfect it with time.

But remember that your editing process will influence your style, so pay attention to it, too.

10. Retouch your photos

grapes with and without post-processing
Canon 70D | 45mm | f/7.1 | 1/5s | ISO 200

If you’re not working with a home economist or a food stylist, you might not have the perfect-looking dish or ingredient every time.

That’s where your retouching skills come into play. In Photoshop, you can perfect the edge of a rough cookie, color the border of a not-yet-ripe fruit, or reposition the cherry on top of a cupcake. You can also get rid of any unwanted reflections.

11. Use presets

food photography ideas grapes in Lightroom

Using presets and actions is a great way to speed up your editing and develop a consistent workflow. You can make your own presets, or you can get them from other professionals. There are many options on the market either for free or for sale.

Food photography ideas: conclusion

Well, that’s it:

11 food photography ideas to get your creative juices flowing. So have some food photography fun!

Now over to you:

Which of these food photo ideas is your favorite? Do you have any food photography shots you’re proud of? Share your thoughts (and photos) in the comments below!

The post 11 Food Photography Ideas (for Easy Inspiration) appeared first on Digital Photography School. It was authored by Ana Mireles.


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15 Ways to Find Photography Inspiration in 2021

20 Jan

The post 15 Ways to Find Photography Inspiration in 2021 appeared first on Digital Photography School. It was authored by Megan Kennedy.

ways to find photography inspiration

Photography inspiration is easy to lose.

Fortunately, there are plenty of ways to ignite your creativity and get you excited about shooting again!

In this article, you’ll discover 15 ways to feed your photographic inspiration.

Let’s dive right in.

1. Make a list

Photography inspiration can manifest in mysterious ways. And while it may seem removed from the photographic process, list-making can actually help inspire new creative photography ideas.

Try compiling a list of photography goals to work through, or make a list of subjects to photograph. These lists can be as detailed as needed, so grab a pen and paper and brainstorm your next move.

flower abstract
Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | 1/6400s | f/1.8 | ISO 100

2. Get some exercise

Researchers have found that mood and creativity can be improved by physical exercise.

So if you’re in the midst of a creative lull, lace up your shoes and head out the door for a quick walk around the block – you could even bring your camera!

3. Try a new medium

photography inspiration pastels
Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | 1/80s | f/4.0 | ISO 100

Trying a new artistic medium can often provide surprising artistic perspectives that feed into photographic inspiration.

Activities like drawing or painting can open you up to fresh compositional insights that inspire intriguing creative possibilities.

4. Keep a journal

Maintaining a written journal is a great way to get down your important photographic processes on paper.

Journaling encourages introspection, which will help you nail down the effective aspects of your photography (and which you can reflect on later).

Ultimately, keeping a journal can give you a clear sense of creative direction, inspiring new photography ideas and approaches.

5. Make time for photography

It’s easy to get wrapped up in the day-to-day. But actively setting aside dedicated photography time feeds photographic inspiration and facilitates creative growth.

Regularly making time for photography will help exercise your creative muscles – even if it’s only an hour a week.

6. Try new equipment

photography inspiration extension tubes flowers
Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | 1/250s | f/2.8 | ISO 100

Trying new equipment can broaden photographic possibilities considerably.

Simple and cost-effective accessories like extension tubes, prisms, and filters are economical ways to inspire new methods of photography.

7. Make a mood board or a visual diary

Mood boards and visual diaries are used by artists to keep creative information in one place. By creating an accessible source of inspiration, artists can more easily expand on their own processes and ideas.

Traditionally, visual diaries were kept on paper. Today, websites like Pinterest and Tumblr allow you to maintain a visual diary or mood board online.

No matter which method you use, mood boards and visual diaries are a tried-and-true source of valuable photographic inspiration.

8. Catch up on art history

Art has a rich and varied history dating back millennia. Familiarizing yourself with art history contextualizes, informs, and expands creative output.

In fact, a good knowledge of art history can help you identify the subjects and approaches that have inspired creatives over the centuries, which you can then use in your own photography!

9. Revisit old photographs

black and white deer
Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | 1/160s | f/5.0 | ISO 100

The depths of a photographic library can be a great source of inspiration. When sifting through old photographs, opportunities to revisit past subjects and locations may reveal themselves, inspiring new photography ideas.

Looking through old photographs can also reveal consistent errors to fix in future photoshoots. And it can draw attention to how far you’ve developed over a period of time, encouraging a positive sense of creative growth.

10. Check out art establishments

Art establishments, such as galleries, are full of inspirational material.

And since the beginning of the COVID-19 pandemic, plenty of galleries have added online tours and online events that allow you to experience art from the comfort of your own home.

11. Read photography books and magazines

photographer index
Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | 1/1000s | f/2.5 | ISO 100

These days, most visual art material comes from a digital screen. But reading photography books and magazines can inspire a greater appreciation for printed photography, which can feed new creative possibilities.

12. Find photography inspiration by learning from past mistakes

From forgetting gear to technical or practical mishaps, photography, like any art form, is full of easy mistakes.

But when mistakes happen, don’t get discouraged. Instead, make a note of what went wrong – and be inspired to do better next time.

13. Reach out to fellow photographers

Photography often seems like a single-person endeavor, but reaching out to other creatives is an important way to generate and share inspiration.

From Instagram to in-person photography meetups, there are plenty of ways to connect with fellow creatives; ultimately, you can encourage growth and creativity in yourself and other photographers.

14. Photograph a favorite subject

aircraft photography
Canon 5D Mark II | Canon EF 100-400mm f/4.5-5.6L IS II USM | 1/400s | f/16 | ISO 100

Photographing a favorite subject can help you remember the reason you took up photography in the first place.

While it isn’t always easy, prioritizing a session of photography simply for the sake of reconnecting with a favorite subject is an effective way to boost photography inspiration.

15. Challenge yourself

Photographing challenging subjects supports creative growth. Sure, photographing tricky subject matter can be intimidating. But getting outside your comfort zone is a surefire way to generate photography inspiration.

If you like landscape photography, give portraiture a try. Or if you’re into abstract photography, why not focus on wildlife for a change?

In short, take the opportunity to branch out. This will broaden your photographic experience and help you develop a more versatile approach to capturing images.

Ways to find photography inspiration: Conclusion

From photographing a favorite subject to maintaining a journal, there are many simple ways to get out of a creative rut.

And while it’s true that photography inspiration can be elusive, making these changes to your creative habits is a great way to build your skills and develop new approaches!

Do you have any additional tips for finding photographic inspiration? Share them in the comments below!

The post 15 Ways to Find Photography Inspiration in 2021 appeared first on Digital Photography School. It was authored by Megan Kennedy.


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The inspiration behind Canon’s RF 600mm F11 and 800mm F11 super-tele lenses

06 Oct

In July, Canon announced a pair of super-telephoto fixed-aperture lenses for its RF lens mount. The new RF 600mm F11 IS STM and RF 800mm F11 IS STM lenses are distinct among Canon’s modern offerings but are reminiscent in design and philosophy to some of Canon’s R lenses from 1960.

Six decades ago, Canon released the R300mm F4, R400mm F5.6, R600mm F5.6, R800mm F8 and R1000mm F11 super-telephoto lenses. While not fixed aperture lenses like the new RF lenses, the vintage bellows-driven lenses were nonetheless the inspiration for this year’s modern interpretations. In a Japanese-language interview published by DC Watch, Canon’s Chief of Lens Product Planning, Kengo Iezuka, notes that the EOS R system allows him and his team to create new user experiences for modern photographers. This includes breaking down ‘the three barriers of super-telephoto lenses,’ which he states are weight, size and cost. In 1960, Canon worked to overcome these challenges with its R lenses, and Iezuka believes Canon’s RF 600mm F11 and RF 800mm F11 lenses do the same in 2020.

Canon R600mm f/5.6 lens. The lens was first marketed in January 1960. Image credit: Canon, Canon Camera Museum

When Iezuka was a child and wanted to capture wildlife images of a Little Egret, he was unable to due to the expense of super-telephoto lenses. Iezuka says via translation, ‘I knew that there were many people who gave up what they wanted to shoot and the expressions they wanted to shoot because they couldn’t buy a super-telephoto lens and couldn’t carry it because it was big and heavy. With the EOS R system, I think I was finally able to get closer to the dream super-telephoto world. I would like you to enjoy shooting things that you couldn’t shoot before and the expressions you wanted to shoot with this 600mm/800mm F11 lens.’

In elaborating further upon how the Canon EOS R system allows the three barriers of super-telephoto lenses, Iezuka states that Canon’s Dual-Pixel CMOS AF allows for strong autofocus performance even in low light, or when using a lens with a smaller maximum aperture, such as F11. In 1960, the sensitivity of film was stricter, requiring faster apertures in the case of the R400mm F4.5, R600mm F5.6 and R800mm F8. However, today, Canon’s EOS R system allows for much more flexibility when designing new lenses. In fact, the EOS R can even work with F22, allowing Iezuka and his team to utilize an F11 design that can incorporate a 2x teleconverter.

If Canon had pursued an F8 aperture, the lens would have been larger and heavier. An F16 lens would have worked without a teleconverter, but not with a 2x TC attached. It was around this point in the design process when the team first considered making the lens with a fixed aperture. Ultimately, removing the aperture unit allowed for reduction in weight and cost, both critical design goals for Iezuka and the team at Canon.

Iezuka also shared that the RF 600mm and 800mm lenses were not his first attempt to create a lightweight and cost-effective super-telephoto lens. He had previously explored the idea for SLR cameras. ‘I wondered if I could manage to get closer to the world of super-telephoto lenses that exceed 400mm,’ Iezuka said, ‘I considered increasing the F-number as I did this time, but it didn’t work. If you increase the F value, you can only autofocus at the center of the [frame]…so I gave up.’ The new RF lenses offer autofocus coverage of 60% x 40% (W x H) with the recent Canon EOS R5 and R6 full-frame mirrorless cameras.

Iezuka also considered zoom lenses, but this design would increase the weight too much to be able to carry the lens around all day. The RF 600mm lens weighs approximately 2.05lb and the RF 800mm weighs about 2.78lb. In order to maintain a lightweight design and ensure the lenses are affordable, metal parts are kept to a minimum and much of the lens is constructed using resin. In order to utilize a collapsible design, many parts had to be molded, which is unique for Canon’s lenses. The collapsible design came from one of the youngest members of the team, Iezuka says, and was the result of internal competition within the department.

There is much more excellent insight into the design process in the full interview, so be sure to check that out. Click the following links for more information on the Canon RF 600mm F11 IS STM and RF 800mm F11 IS STM lenses.

(Via PetaPixel)

Articles: Digital Photography Review (dpreview.com)

 
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Finding Photography Inspiration in Ordinary Places

30 Mar

The post Finding Photography Inspiration in Ordinary Places appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

Finding Photography Inspiration in Ordinary Places Featured image

Photography is filled with highs and lows. One week you might find yourself overflowing with ideas and see photographic opportunities all around you. The next week, you’re stuck in a vast wasteland where nothing seems to be worthy of your camera. Finding photography inspiration isn’t something that requires exotic travel destinations or even fancy camera gear. Often you can uncover extraordinary picture opportunities in the most ordinary of places.

finding photography inspiration
Nikon D7100, 50mm, f/1.8, 1/2000 second, ISO 400. This mockingbird was sitting in a bush near my office.

Inspiration is a tricky thing. While it can come when you least expect it, I have found that you often have to work for it.

If you’re expecting a brilliant photo opportunity to show up on your doorstep, it probably won’t happen. But if you purposely go out in search of photo opportunities, inspiration is usually close behind.

A quote widely attributed to Thomas Edison says that “Genius is 1 percent inspiration and 99 percent perspiration.

The same applies to photography.

Go on a photo walk. Slowly.

This might sound a bit cliché, but the hustle and hurry of everyday life can be a hindrance to photography. If you’re so busy going to and from work, school, the store, and back, it probably seems like you have no time to take pictures.

When a spare fifteen minutes does come your way, the idea of getting out your camera to take pictures can seem more exhausting than inspiring.

finding photography inspiration
Nikon D750, 50mm, f/8, 1/125 second, ISO 900. Saw this snail on the sidewalk while going from my car to my office. I used a +4 close-up filter which I got online in a four-pack for $ 30.

A local photo walk can be just the ticket to newfound photography ideas and inspiration. It doesn’t have to be expensive, fancy, or exotic. Instead of spending lots of time and money on a bipedal picture-taking excursion, try just going out your front door and walking down the block. But here’s the trick: go slowly.

The pace of my photo walks has changed over time from a steady gait to almost a crawl. Not literally of course, but you have to tell yourself that your goal isn’t to cover a lot of ground or get your steps in for the day. It’s to look for picture opportunities, often where you never thought you would find them.

Everyday locations like the mailbox, the gas station, the park down the road, or even your own kitchen become fertile ground for inspiration to take root if you keep your eyes open and go slowly.

finding photography inspiration
Nikon D7100, f/2.8, 200mm, 1/1500 second, ISO 100. This was literally in my own back yard.

Your daily locations might not seem exotic to you because you see these things every day. A visitor would see familiar objects with fresh eyes, and the trick to taking this approach is to try to emulate that perspective. Just because you see everyday objects as ordinary and unworthy of photographs, doesn’t mean they can’t lead to flashes of inspiration.

The next time you feel stuck in a photographic rut, take a short, slow walk around a familiar setting and try to see it with a fresh set of eyes. You might be surprised at how things can transform from familiar to phenomenal.

And, even everyday objects can be used for finding photography inspiration.

finding photography inspiration
Fuji X100f, 23mm, f/3.6, 1/30 second, ISO 400. This is just a washing machine still spinning after I opened the lid. I was inspired when I saw it whirling, and I really like the photo I was able to get.

Photograph like you just don’t care

One thing that prevents a lot of people from taking more photos is the thought that they might look silly doing it. I’m as guilty of this as anyone, and most times when I am out with my camera, I feel completely awkward and self-conscious. I feel like the whole world is staring at me, pointing and laughing at the weirdo with a camera taking pictures of sticks and leaves and flowers!

In truth, that is almost certainly not the case.

In all likelihood, most people don’t really care about someone minding his or her own business who just happens to be carrying a camera.

When was the last time you stopped and stared indignantly at a passer-by harmlessly taking pictures? If those types of people don’t bother you, then you probably aren’t bothering anyone when you’re the photographer.

finding photography inspiration
Fuji X100f, 23mm, f/16, 1/30 second, ISO 200. This cyclist probably didn’t even notice I was sitting next to the sidewalk.

This kind of advice is easier said than done, but if finding photography inspiration is your goal, then you have to stop worrying about what people think.

Some of my favorite pictures I’ve ever taken were in ordinary places like parks or downtown areas filled with people. And, not once has anyone ever told me I was bothering them.

Make sure you’re not being rude, obnoxious, or intrusive when taking pictures. If you’re just being a nice person and not bothering anyone, you can be almost entirely certain that no one will think twice about your presence. If they do, they probably think you’re some kind of fancy artist who clearly knows a lot about photography!

finding photography inspiration
Nikon D200, 50mm, f/1.8, 1/50 second, ISO 400. I felt incredibly awkward and self-conscious taking pictures in a library. I wasn’t harming anyone, and I ended up with a few photos I really liked. It turned into a fun and inspirational experience!

Don’t try to take good photos

This took me a long time to learn, but it’s a lesson that has repeatedly made a big difference for me.

Years ago when I started getting more involved with photography, I thought only great photos were worth taking. I constantly passed up photo opportunities because I didn’t think the results would be worth the effort, and wouldn’t lead to any sort of photography inspiration.

What I learned was that inspiration takes the exact opposite approach! The images I thought were boring, mundane, or just flat-out bad taught me how to improve my photography by leaps and bounds. By examining my bad photos, I was able to understand why they were bad. They helped me learn how to take good photos as a result.

finding photography inspiration
Nikon D200, 50mm, f/2.8, 1/1000 second, ISO 200. This is one of the most boring photos I can recall taking. It’s just not very good. But it taught me a lot about what does make a photo good.

There’s an old saying, Don’t let a perfect plan be the enemy of a good plan. It applies in a variety of situations, particularly photography.

If you’re waiting for inspiration to strike because you are seeking the perfect image, you might be waiting a very very long time. Try the opposite approach instead: take lots of pictures that aren’t great, and see what they can teach you along the way.

Another thing to consider is the sheer enjoyment of the art.

Stop thinking of your images in terms of objective quantification. Learn to value process over product! It’s the repeated practice of process that leads to superior products.

Take pictures because you enjoy it, not because you think the end result is good or bad. Enjoy the journey, take pictures just because you like it, and let that be your source of inspiration.

finding photography inspiration
Nikon D200, 50mm, f/1.8, 1/125 second, ISO 200. I shot this photo years ago just for fun, and I still think about it when I go up and down stairs in tall buildings.

Take a social media hiatus

While social media sites like Instagram can be a boon to photographers, they can also be a curse.

Finding photography inspiration online can seem like a no-brainer: just follow some accounts with brilliant photos and you’ll surely get ideas for your own!

In reality, what often ends up happening is we compare our own photos to others and conclude that we just don’t measure up. All the other pictures look so amazing, so detailed, so colorful, and so full of life! Yours, by contrast, seem dull and lifeless. Worse, your pictures (even ones that you thought were awesome) only got a handful of likes, hearts, or thumbs-up. Meanwhile, someone else’s shot of breakfast cereal got a thousand. It’s just not fair!

finding photography inspiration
Fuji X100f, 23mm, f/16, 30 seconds, ISO 200. I worked hard to get this shot, and it only got 21 likes on Instagram. If I measured my value as a photographer by social media standards, no way would I ever keep going.

Social media can be inspiring, but just as often it can be downright demoralizing.

The solution?

Get rid of social media!

Don’t delete all your accounts, but turn off notifications for photo-sharing sites and move those apps to the neglected depths of your phone screen. Log off social media sites on your computer, and stop measuring your worth by likes and upvotes.

This has consistently been one of the most effective ways of finding photography inspiration for me. Temporarily shutting out social media, removes any temptation to take photos for online accolades and attention. I start to take pictures that are interesting, challenging, or fun. Then I soon find inspiration flooding back.

finding photography inspiration
Nikon D200, 50mm, f/1.8, 1/2500 second, ISO 200. I shot this long before I was sharing photos on social media. It’s nice to return to those halcyon days sometimes.

Conclusion

Finding photography inspiration isn’t always easy, but it can be simpler than you think. It doesn’t have to involve a lot of time, money, travel, or fancy camera gear either.

Inspiration can come in ordinary ways from ordinary places, and lead to some outstanding results.

What about you? What are your favorite ways to get inspired as a photographer? Share your thoughts in the comments below.

The post Finding Photography Inspiration in Ordinary Places appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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Photographic Inspiration or Copying? Where does the line blur?

25 Nov

The post Photographic Inspiration or Copying? Where does the line blur? appeared first on Digital Photography School. It was authored by Charlie Moss.

photographic-inspiration-or-copying

As photographers, we take inspiration from everywhere. Pictures we see on the internet, things our friends say to us over coffee, magazines, galleries and museums, even the advertising we see at the bus stop. All of it gets stored away inside our heads for later, even if we don’t realize it. All this visual information we have consumed throughout our lives becomes a part of the new photographs that we create in some way. It influences us to make certain choices about the way we style or shoot images or the way we post-process them. So if we’re all taking inspiration from the things we see around us, even without realizing, when is it photographic inspiration or copying?

Why is copying seen as such a bad thing in the photographic world? Moreover, is there a clear line between taking photographic inspiration, or is it fuzzy and open to interpretation?

photographic-inspiration-or-copying

Imitation or inspiration?

It’s often said that imitation is the most sincere form of flattery (a nineteenth-century English art collector originally said it). And in many ways, I agree with this.

If you’re imitating a picture by another photographer or you’re imitating their technique, then you must think it’s going to be worth putting in time and effort to learning more about what they do. And that’s where we get the idea that this process is flattery.

But it doesn’t always feel like flattery when you’re on the receiving end of being imitated. Instead, it feels like someone is just copying the hard work that you put in, without any creativity on their part.

Of course, in the commercial world, there can be real financial implications if another photographer copies your work. But perhaps it’s time, in the rest of the photographic world, to worry a little less about copying and to focus more on learning new skills and developing a voice.

photographic-inspiration-or-copying

Turning imitation into inspiration

We’ve all imitated others, I’m sure. Maybe a pose borrowed from one image, the lighting from another, or the setting from somewhere else. It’s so hard to be truly original when it comes to the creation of photographs. We can’t just close ourselves off from the world and stop looking at the imagery that surrounds us.

So how do you move from imitating another artist to using their work as inspiration?

I think that the difference happens when you start to bring your own experience to the images you create. If you allow the work to reflect your own view of the world and the things that have happened to you, then that’s when the originality starts to happen.

Photographic Inspiration or Copying? Where does the line blur?

Is originality of subject as important as originality of voice?

Let’s face it – you’re unlikely to hit upon a genuinely original subject or concept for your next photograph. Most things out there have been photographed thousands of times before.

I’m not sure that having a totally original subject is that important, as long as you’re bringing your own voice to the photograph. If you’re saying things in your way with your viewpoint, then that is something truly original.

Think about many of the celebrity portrait photographers, or the well-known landscape photographers. Those photographers don’t usually have original subjects that have never been photographed before. But what they do have is originality in voice, an ability to find something unique about their subject, and the skills to show that uniqueness to the world.

Finding your voice

It sounds so easy, doesn’t it? “Just find your voice and make your images unique!” I guess you’re sitting there wondering how you find your voice and stop copying? Here’s a few pointers with that in mind.

photographic-inspiration-or-copying

1. Bring your own experiences

Nobody else has led your life and had your experiences. If you bring these elements of you to your image-making, you will automatically be creating something different from everybody else. Nobody else is you, no matter how much they imitate your work.

Of course, your own experiences could also be showing up at the right time and place to create a unique shot.

2. Critique your photos

For every photo that you think is great, write down five ideas that would improve it if you took that photo again. Even the daftest ideas are worth writing down. Put a small print of the image in a notebook and record your thoughts there if you can. Then you can revisit it when you want ideas of new things to try.

3. Keep shooting

Don’t give up. It takes most people a long time to find their unique voice and viewpoint when they’re making images. You have to shoot quite a few photographs before you start discovering what makes your images unique. The longer you shoot, the more likely you are to hit on something that makes your work truly your own.

How bad is copying really?

So, photographic inspiration or copying? In the grand scheme of things, in my opinion, copying isn’t really that big of a deal.

Artists have always copied other artists. Going back hundreds of years, artists have sat in front of the work of another artist and made sketches from what they see. It’s a way of learning and improving your skills, and photographers can (and perhaps even should) consider doing the same – photographically speaking.

Photographic Inspiration or Copying? Where does the line blur?

If copying is being done for practice, learning, and curiosity, it should be encouraged. As long as nobody is claiming the ideas that they’ve copied as their own, then does it really matter?

The difficulty comes when people are using ideas and presenting them as their own, without taking the time to develop them fully and put an individual spin on the work.

So as long as you’re bringing something new to the work you present as being authentically yours, then I don’t think there’s any problem. And even if you are copying to learn technical or creative skills – so what? Does it even matter?

I’d like to know what you think about photographic inspiration or copying. What do you have to do to stop copying and start being inspired by other people’s work? How do you find your voice and make your own photographs unique? Share with us in the comments!

The post Photographic Inspiration or Copying? Where does the line blur? appeared first on Digital Photography School. It was authored by Charlie Moss.


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How I Found Inspiration Using a Telezoom

02 Jun

The post How I Found Inspiration Using a Telezoom appeared first on Digital Photography School. It was authored by Christian Hoiberg.

I’ll admit something to you – something that I haven’t really talked about with too many. Something that might sound strange coming from someone who makes a living from photography…

I’ve had close to zero inspiration for doing landscape photography for several months – despite being out in the field most of the winter season.

There are many reasons why I’ve lacked inspiration, but most of them come back to the urge to creating something different, which I keep asking myself is possible at all. Has it all been done already? Aren’t we all in one way or another influenced by the photographers we admire? For years, my work has focused on wide-angle landscape photography. While I still enjoy it, I’ve become more fascinated with the intimate views offered through the use of a telezoom. This is how my inspiration blossomed again.

Zooming in forces you to slow down

One of the great things about using ultra wide-angle lenses is that it’s relatively easy to get a decent shot. Find a foreground, get close to it, smack on a filter or two and, hello, nice image. It might not be portfolio-worthy right out of the box, but it will certainly impress your friends and family.

Working with a telezoom is quite different, though. Simply zooming in on something isn’t going to create an interesting shot. You need to find that special something hiding within the grand landscape. Also, you’re even more dependent on having the right light and weather conditions.

When I first picked up a telezoom many years ago, the fact that it forced me to slow down was one of the best benefits. It changed my approach to photography and the world in many ways. Prior to that moment, I’d go out photographing but not really do much observing.

That’s different now.

In fact, I often do more observing than photographing.

I quite often return home from outings without the camera leaving my backpack.

It’s not just about being out there taking as many images as possible. It’s about enjoying the time you spend out there. This is something that came back to me again when, late last year, I started playing more with my Fuji 100-400mm again.

Create more unique work

Well, I’m not sure if simply zooming in is going to help create more unique work, but I think that, in many cases, it’s possible to show well-known scenes in an entirely new light. Up until now, “trophy hunting” has typically taken place in wide-angle landscapes. I think this has a lot to do with the fact that the overall landscape doesn’t need to be stunning when working with a telezoom. You can get stunning images anywhere you look.

The type of images captured at a focal length of, for example, 400mm are often what I call “no-name landscapes.” What I mean by this is that it doesn’t matter exactly where you take that shot; it’s simply beautiful, and you can just enjoy the image.

Challenge your creativity

When I’m guiding photography workshops, I often notice that many of the participants tend to stick with one lens, regardless of what we’re photographing and what the weather is like. This is despite the fact that they often have a wide selection of lenses to choose from in their backpack.

Now, I’ve been there, and I’m willing to bet that you’ve been there too. The reason is that we tend to have a favorite lens and quickly forget about all the others. My go-to lens for many years was the Nikon 16-35mm. Looking back at it now, I know that I missed a lot of great shots because I had taught myself to view the world within that focal length.

Conclusion

Mixing it up and taking out the telezoom forces you to break that bad habit and view the world at an unfixed focal length. When I’m standing at a location today, I’m continually analyzing my surroundings looking for both wide-angle and telezoom images.

Maybe I’m just rambling and making no sense. I ultimately believe that any artist is free to do whatever they want with their work. Who am I to tell someone what to do or not to do? The only thing I know for sure is that focusing more on working with a long focal length gave me a much-needed boost of inspiration and has led to me now enjoying working on several new and interesting projects.

Have you been getting into taking photos with a telezoom? We’d love you to share them with the dPS community in the comments section below.

The post How I Found Inspiration Using a Telezoom appeared first on Digital Photography School. It was authored by Christian Hoiberg.


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4 Tips to Get You Out of Your Comfort Zone for Photographic Inspiration

03 Jan

The post 4 Tips to Get You Out of Your Comfort Zone for Photographic Inspiration appeared first on Digital Photography School. It was authored by Ana Mireles.

Are you feeling uninspired? Perhaps you’re stuck in your photography practice and feel like you’ve reached the best of your abilities? Don’t worry, we all feel like that sometimes. In most cases, all you need is to get out of your comfort zone to find new and exciting challenges. Here are some tips to get you out of your comfort zone for photographic inspiration.

1 - 4 Tips to Get You Out of Your Comfort Zone for Photographic Inspiration

1. Change your focal length.

All of us have a preferred focal length either because it’s the only lens we have, or because it’s the fittest for the kind of photography that we do. So the problem is not that you have it, it is that it impacts a lot of your photographic behaviors as well. You might think it’s not a big deal, but it’s vastly different working with a fixed focal length than a zoom lens, or shooting with a wide angle lens than a telephoto lens.

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The focal length you use affects the physical distance you need between you and your subject. With a telephoto lens, you can be further away and still get close detail. A wide-angle lens allows you to fit in a bigger scene even if you are closer to your subject. Making this change means you walk around your subject to get the shot, which helps you find new perspectives and points of view. Sometimes you can’t get closer or further away as you may need, forcing you to reframe and rethink your entire image.

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Another thing that changes when you modify the distance between your camera and subject is the Depth of Field. Depth of Field depends on the Aperture (f/stop). If you take two images with the same aperture but one of them is with a wide-angle lens, and the other is with a telephoto, the latter will have a shallower depth of field. If you’d like to understand this concept in more depth, I recommend you read my article How to Use Still-Life to Understand Focal Lengths. In any case, the results of your images may be different to what you are used to, and this inevitably pushes you out of your comfort zone.

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2. Change the type of photography you do

One of the beauties about photography is how versatile it can be. You can photograph practically anything. I don’t mean that any photographer can do every kind of photography. Each one needs its own set of skills, and that’s why I recommend this exercise.

You can be a wedding photographer, a landscape photographer, or a food photographer – it doesn’t matter. There is always another type of photography you can try. For example, if you’re a portrait photographer, used to dealing with people, go and shoot some architecture photography or any subject you can’t move or control. If you usually do macro or abstract details, go wider and try to compose a scene from urban photography. You’ll be amazed at how changing what you see also changes the way you think. It opens your mind to new possibilities.

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As a photographer, no matter what your specialty, you are working with light. However, it most certainly different working with studio lights doing a still life than natural light while shooting a landscape. One is not better than the other, nor is it easier. They are just different and as a result, require different skills. Studio lighting means learning to set everything from scratch. You create the amount and type of light you want.

However, natural light means learning what time of the day is best, dealing with weather conditions and so on. It also means having the right equipment. I’m not suggesting that you go and spend a lot of money on something you may not use much as there’s always a way to adapt and improvise. This is also part of going out of the comfort zone.

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3. A small change can go a long way

Expanding your creativity can be done by changing a small thing from your photographic routine. Change the time of the day that you go out to shoot, go back to a place you visited in a different season, or walk the opposite way when you go out the door. New conditions or new places spark new ideas.

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4. Change equipment

I already mentioned focal length, but the lens is not the only thing you can change to challenge yourself. Try a different camera. I’m not suggesting that you go out and buy an extra camera. You can try renting for a day or exchange cameras with a friend. You can switch from your camera to your phone and vice-versa. The composition is different when shooting full-frame and crop-sensor. It’s challenging to photograph a maximum amount of photos with a film camera instead of the (almost) limitless and immediate result of digital. However, it doesn’t matter what you use (more or less professional than your regular equipment), what matters is that it’s different.

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Conclusion

There are many ways to push your photography and creativity further. Try some of these tips or come up with some of your own. See where it takes you. One last piece of advice: don’t be afraid of doing bad photos. There is a reason why your comfort zone IS your comfort zone. You’ve mastered it, you like it, and you create great images. Expect that you won’t achieve the same results when you change photographic genres – that’s all the more reason to try it!

The post 4 Tips to Get You Out of Your Comfort Zone for Photographic Inspiration appeared first on Digital Photography School. It was authored by Ana Mireles.


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7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

04 Oct

Staying inspired to create stunning photographs consistently is a tough challenge. In this article, I present seven methods you can use to find inspiration. If you take them on board they will propel you to your goal of making phenomenal photographs.

Most photographs you see in your day are mediocre at best. You will scroll past them rapidly and hardly notice most of them. Other people will do this with your photos on their social media feeds too.

Seeking inspiration from social media is not effective in the long run if you desire to make truly outstanding photographs.

Woman and elephant - 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

“Great things are not accomplished by those who yield to trends and fads and popular opinion.” – Jack Kerouac

1. Read. Read. Read.

Read a lot. Read books about photography by photographers. Read stories of how photographers became successful. People’s stories will teach you many varied ideas you will not read in how-to books or find on Youtube tutorials.

One of my favorite photography books is called, On Being a Photographer by David Hurn and Bill Jay. These authors were longtime friends and both accomplished photographers and teachers. I am inspired by their conversations in this book every time I pick it up.

Chinese temple near Warorot Market in Chiang Mai - 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

Find a few photography blogs to follow. Search for photographers whose work you admire and can relate to who are writing their own blogs. Read everything they write.

Keep reading the diversity of articles here at dPS. When you find a topic or author you appreciate, search back through their archives and read more. Find the author’s website and social media feeds and follow them.

There are not so many photography magazines published nowadays. Read them if you can find some you like. Pick up old copies if you see them in second-hand stores. They often contain well written, carefully edited articles and follow styles and themes. I still have photography magazines that are 20 years old in which I can still find inspiration.

flower on a moss covered wall - 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

2. Seek Out the Masters

Learn from the best. Keep watch for when photography exhibitions are held in your area. Make a point of seeing major photograph exhibitions, even if you have to travel some distance. Take a photographer friend and make a day of it. Having someone else who’s interested will mean you have lots of good conversation about the photos you see.

Buy books. Check books out from your local library. Books of photographer’s life work or long-term projects. Big picture books you can browse through and learn from. Look for what you like, images and styles you want to emulate.

Finding some photography heroes will help keep you looking upwards. Learning how the masters have succeeded will encourage you to new heights in your own photography. I have been incredibly inspired by the work of Irving Penn and many others.

Long neck Kayan mother and daughter -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

3. Do Something New

Commit to learning a new technique. Research on the technique and how it’s best used. Practice it every time you use your camera it. When you have mastered it, learn another.

Do the same for your equipment. If you buy a new flash, reflector, filter or another piece of gear, don’t let yourself buy anything else until you have mastered it.

It’s easy to become uninspired doing things by half. If you have a new piece of kit or have started learning a new technique and not become familiar with it, you will not be able to use it effortlessly. By committing to becoming proficient you will enjoy it more and be more creative than frustrated.

Night Photography In Chiang Mai, Thailand at the Iron Bridge -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

4. Do a Photography Project or Two

Always have at least one on-going photography project you work on regularly. Set goals and make yourself challenges to keep producing better and better images for your project.

Incorporate the other six points in this article to help you stay inspired for your projects. Generating a body of work you will be able to look back over in time can be incredibly motivating. To see how your photography skills and ideas grow over a period of six months, a year, five years or more is a valuable source of inspiration.

Samlor Tricycle Taxis at Warorot Market, Chiang Mai, Thailand -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

5. Find Photographer Friends

Solo indulgence in any form of creative expression can leave you in a vacuum unless you are completely confident and never lack inspiration. I don’t think I know anyone like that. Being a photographer, whether for a living or as a hobby, is often something people do on their own.

Having someone to bounce ideas around with can breed creativity like nothing else I know. It’s not always easy to find people to do this with. If you seek them you will find them. Creatively compatible people often gravitate towards one another. Be open to relating with other photographers.

Have coffee or a beer together:

  • Swap stories.
  • Share ideas.
  • Encourage one another.
  • Ask questions.
  • Help each other.
  • Collaborate on projects.

Two Akha women in a rice field -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

6. Crave Constructive Criticism

Have the photos you are taking critiqued by someone you respect. Find someone that can give you positive input on technique, method, and style. It may take some courage at first but this will help keep you inspired.

Receiving uplifting feedback about what you are doing creatively is important to personal growth. Learning to critique your own work is a valuable exercise to provoke motivation. Taking a step back and having your photos critiqued, by someone else or by doing it yourself, will stimulate fresh photography ideas.

Buddhist monk lighting a candle during a night ceremony in Chiang Mai, Thailand -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

7. Find a Mentor

Someone you can trust and has real experience as a photographer is about the best way to help you stay inspired. A good mentor will incorporate both #5 and #6 as a friend and a critic of your photos. They will do more than that though.

A capable mentor will help guide you through all the points in this article. You will gain so much from their seasoned years of having a camera in their hands and living and breathing photography.

Finding a mentor you can connect with and who you feel comfortable with is important. You need someone who listens to you rather than just shares what they have done.

Woman making Giant Soap Bubbles -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

You can ask local photographers near where you live or seek out someone online who’s photos and opinions you respect and appreciate. Even if they do not offer a mentoring service, just ask. They can only say no.

You may have to pay a mentor for their service, especially if they offer some kind of structured learning program. If you are serious about photography this will likely be the best investment you can make. It will do far more for you than upgrading your camera or buying a new lens.

“Great things are not done by impulse, but a series of small things brought together.” – Vincent Van Gogh

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How to Find Inspiration for Your Photography

08 Jun

Inspiration and influence are important to every creative person. Being motivated to pick up your camera and make fabulous photographs is an essential part of your on-going development. But how to find inspiration for your photography?

It’s easy to get stuck in a rut. Always taking the same subjects, using the same lighting. Sticking with a composition style because you are comfortable with it. This will make you creatively stagnant. But how do you avoid that? Especially if you have enjoyed this method for some time.

wetlands landscape photo - How to Find Inspiration for Your Photography

I don’t often take landscape photos. Now that we are living in a rural environment, landscape photography is my new challenge.

Find motivation in other photographers’ work

Stat motivated by looking at the pictures by photographers whose work you admire. I’m not talking about drawing an emotional charge from the photo of your girlfriend’s lunch she’s posted on Instagram. Find some successful photographers who have good collections of images that you love.

food photography - How to Find Inspiration for Your Photography

If you like to photograph your food, push yourself to get more than snapshots.

Bookmark their website. Buy a real physical book of their work. Follow the photographer on Instagram. Research to find documentaries about the way they work and think. Find out what motivates and inspires them.

If you are not sure where to start, look at your own photos, especially ones you want to improve upon. What style are the images? What are your subjects? Are the images predominantly color or black and white? Search for photographers who like what you do and follow them.

How to Find Inspiration for Your Photography - desert image with one tree

I will continue to photograph the landscape around where I live. To find more ideas and inspiration I will be researching accomplished landscape photographers.

Check the source

To find the best, look at where their work is published. Or check out photographer’s collectives, such as Magnum. Or research which photographers have won major photography competitions, like Pulitzer or the Sony Photography Awards.

These days there are few magazines specializing in picture stories. National Geographic is always good for inspiration in general. Look up some of the historic magazines like Life, Picture Post, and Look. These magazines featured top photographers. The best fashion magazines may be a good place to look to trigger your creativity.

water buffalo - How to Find Inspiration for Your Photography

The internet is also a massive source, but be careful. Anyone can publish their photos online (we all do) and call themselves an expert. Sources of photographs which are not self-published generally are more credible. I think you are more likely to find more experienced, successful photographers will have a body of work you can admire. But do look at Instagram and photo sharing sites like 500px. Seek inspiration from the best you can find in the genres you love the most.

Go to photography exhibitions

Exhibitions of photographs can also be immensely inspirational. Seeing actual photographic prints, framed and hung is such a pleasure. If you have galleries close to where you live, watch for dates they will have photography exhibitions.

When you travel, seek out the galleries showing the work of photographers.

Landscape photo of Thai mountains - How to Find Inspiration for Your Photography

Books

I love photography books. I was bought up visiting libraries. Once I became interested in photography I worked my way through all the relevant books in my local libraries. Unfortunately, there were not that many. The ones which interested me most were the ones showcasing the photos of individual photographers. Books showing their photos and giving a little background on them, rather than the how-to books.

Now I have a collection of books on photography. Most of them are on individual photographers or are collections of photographs. Two of them are catalogs of Magnum exhibitions I have seen. I pick one up from time to time and am always uplifted, encouraged, and inspired to do better.

Tricycle taxi rider in a market in Chiang Mai - How to Find Inspiration for Your Photography

I have been more drawn to street lifestyle photography and influenced by many magazine photo essays.

Pick your faves

Find yourself a selection of photographers whose work you admire and look at them often. Maybe they are more historic and no longer producing pictures. Keep looking back at your favorites and study why you like them so much.

More contemporary photographers will be updating pictures on their websites and Instagram feeds. My Instagram feed photos are from people who have taken a workshop with us and photographers who inspire me.

Natural light outdoor studio portrait of a Karen man - How to Find Inspiration for Your Photography

I have been greatly inspired by the work of Irving Penn. Especially his use of a natural light outdoor studio.

I love the work of Irving Penn and have some of his books. You can find his images on Instagram, even though he passed away in 2009. I never get tired of looking at the way he exposed and composed his images. I’ve never been into fashion photography, but Penn did so much more than what he is most known for and it is the style of his work that has inspired me.

Documentaries on photographers can also provide insight. Seeing how they work and hearing them speak about it can be very motivational.

Photo montage of the Iron Bridge in Chiang Mai at night made in a similar style to Daivd Hocknet joiner photos.

The historic Iron Bridge in Chiang Mai. Photographed from three different positions and compiled into a photo montage.

Shortly after buying my first camera I watched a documentary about David Hockney. He was making one of his photo-montages he called “joiners”. I loved the process and results. Because of this one short video I was inspired and have been creating my own photo collages for over 30 years.

Many photographers are also teaching online. Find one who’s photography and teaching style you like. They will help keep you inspired and educate you at the same time.

Young Thai couple pose for a photo montage in Chiang Mai, Thailand. - How to Find Inspiration for Your Photography

This photo montage was made for an exhibition I had at the Le Meridien Hotel in Chiang Mai, Thailand.

Look at the work of other photographers who inspire you. Your style and your passion will be positively affected.

Remember, Picasso suggested, “Good artists copy. Great artists steal.” Copy what you like. Steal their ideas, and make them your own.

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