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Posts Tagged ‘INFERNO’

Atomos Ninja V, Inferno recorders will support 4K 10-bit 422 HDR with Panasonic’s Lumix S1

07 Feb

Atomos has announced its Ninja V and Inferno monitor/recorders will support 4k (3840×2160) 10-bit 422 HDR from the Panasonic Lumix S1 when it starts shipping.

Atomos says recording via HDMI to a Ninja V or Inferno will allow direct recording to Apple ProRes or Avid DNx codecs at up to 4K30 in the HLG HDR format. Using metadata transferred over the HDMI cable, the Atomos recorders can correctly display the HLG signal which provides an instant and accurate HDR image for monitoring purposes.

In Atomos own words, ‘The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.‘

Atomos also addresses Panasonic’s upcoming support for 10-bit 422 HDMI output in V-Log gamma in a future paid firmware update saying the Atomos recorders will be able to record this format and that it’s working hand-in-hand with Panasonic to ensure full support and additional features will be supported when the firmware is launched.

The Atomos Ninja V and Inferno are available from authorized retailers for $ 695 and $ 1,295, respectively.

Press release:

Atomos Ninja V offers 4K 10-bit 422 HDR recording with the Panasonic Lumix S1

February 4th, 2019: Atomos is delighted to announce that as soon as it ships, the new Panasonic LUMIX S1 full-frame mirrorless camera will immediately be able to record 4k (3840×2160) 10-bit 422 HDR footage to the Atomos Ninja V and Inferno monitor/recorders. Recording over HDMI to one of these Atomos recorders will allow recording direct to Apple ProRes or Avid DNx codecs at up to 4kp30 in the HLG HDR format. HDR metadata passed over HDMI from the Panasonic LUMIX S1 to the Ninja V or Inferno allows the HLG signal to be correctly displayed, giving the users an instant and accurate HDR image they can expose and trust. The metadata triggers auto-setup of the Atomos recorders, and the same data is written into the ProRes or DNx file for instant playout to compatible HDR televisions and monitors, or upload to YouTube.

Panasonic will also add 10-bit 422 HDMI output in V-Log gamma via a paid firmware update to the camera in the future. This version of the gamma curve will be the full V-Log, rather than the V-Log L variant found on the GH5 and GH5S. Atomos will record this and are working with Panasonic to fully support the additional options that the upcoming firmware will bring.

The Panasonic LUMIX S1 is the latest in a growing number of large sensor mirrorless cameras to support 4k 10-bit 422 recording via HDMI. The increased image quality brings greater flexibility in post-production for better HDR or SDR images. Stepping up to 10-bit offers greater accuracy with billions of color combinations. This is massively beneficial when utilising computer processing for finishing. Typically, users will see smoother color gradients, eliminating the commonly seen banding in areas with gradual tone change such as blue skies. Recording to an Atomos recorder perfectly preserves this information in the ultimate way possible, combining Panasonic and Atomos technology.

The Panasonic LUMIX S1 has an ergonomic body design that is perfectly partnered with the 5″ Atomos Ninja V HDR monitor/recorder. The Ninja V weighs 360g and sits perfectly on top of the camera. When the two are used together they balance well in the hand, forming an easy to operate camera setup that rivals some traditional cinema cameras.

High bright 1000nit or 1500nit monitoring

Seeing the built-in screen of all mirrorless cameras is difficult in bright conditions. The Ninja V screen has 1000nit of brightness when in SDR mode, allowing it to be used effectively, even when outside. The Ninja Inferno and Shogun Inferno each offer an incredible 1500nit brightness and are well suited to productions where a larger 7” screen is required.

Why external recording makes sense

External recording via HDMI from mirrorless cameras is perfect for users wanting to get the best possible image quality from cameras like the Panasonic LUMIX S1. Until this year users needed to invest in a high-end cinema camera costing ten of thousands of dollars to get a larger than Super35 sized sensor that offered 4K 10-bit 422 recording. Now, with the advent of cameras like the LUMIX S1 combined with the Ninja V, users can have access to just that but at amazing price points – in this case less than $ 2500 US MSRP for the LUMIX S1 body and $ 695 MSRP for the Ninja V.

In addition, by moving recording to an external Atomos recorder like the Ninja V, mirrorless cameras are freed of many of their key video limitations. Record time limits are lifted and easy-to-edit Apple ProRes or Avid DNx codecs recorded, instead of harder to edit H.264 or H.265. When recording video with the Panasonic LUMIX S1 and Ninja V you can shoot to the new generation of Atomos AtomX SSDmini drives or Atomos Master Caddy II drives. These are developed with leading brands and offer high speed and high reliability in a compact metal chassis at a highly affordable cost per GB.

The Atomos Ninja V, Ninja Inferno and Shogun Inferno are available now from all Atomos approved resellers. To see a full range of AtomX accessories visit: https://www.atomos.com/accessories

Articles: Digital Photography Review (dpreview.com)

 
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Free AtomOS update adds ProRes RAW support to Atomos Shogun Inferno and Sumo19

10 Apr
Photo: Atomos

Apple made a big splash in the video industry last week when it debuted ProRes RAW: a new video codec that seeks to combine the flexibility and editing latitude of RAW video with the performance and space benefits of a compressed ProRes file. And now, thanks to a free firmware update from Atomos, owners of the Shogun Inferno and Sumo19 monitor/recorders can immediately begin shooting in the new and improved format.

Simply download and install the AtomOS 9 firmware at this link, and your Shogun Inferno and Sumo19 will be able to record ProRes RAW and ProRes RAW HQ using any of the nine supported cinema cameras from Panasonic, Sony and Canon. As of this writing, that makes the Shogun Inferno and Sumo19 the first and only monitor/recorders to offer ProRes RAW.

If you’re still a bit confused as to what ProRes RAW is, and how it differs from standard ProRes, Atomos breaks down the benefits of the new format on its website. The company also produced the following ProRes RAW sample footage using the Atomos Shogun Inferno and three different cinema cameras: the Panasonic EVA1, Canon C300mkII and Sony FS5.

Press Release

ProRes RAW available today for Atomos recorders

Melbourne, Australia – 9 April 2018 – ProRes RAW is available today for Atomos recorders, delivering a powerful new RAW workflow when combined with Final Cut Pro 10.4.1. Simply install the free AtomOS 9 upgrade on the Atomos Shogun Inferno or Sumo19 monitor/recorders, connect to one of the nine supported cinema cameras, and begin recording in ProRes RAW and ProRes RAW HQ.

Users can immediately enjoy the benefits of the amazing new RAW end-to-end workflow that combines the incredible performance of ProRes with the flexibility of RAW. Atomos devices are the only monitor recorders to offer ProRes RAW, with pristine recording direct from the sensor output of Panasonic, Sony and Canon cinema cameras.

The response to ProRes RAW from the creative community has been incredible:

“The hills are alive with the sound of ProRes RAW, and Atomos has heard it….Apple has a new format, and it’s everybody’s darling. The malleable nature of RAW and the beauty and (and necessity of) ProRes are together at long last, and Atomos has you covered.” – Cinema5D

“This announcement is a big deal. ProRes has been an industry standard codec since its inception back in 2007, now 11 years later Apple is looking to position ProRes again as the go-to codec.” – Newsshooter

“Apple has unveiled a new video recording codec called ProRes RAW, a move that instantly makes the high-quality format more mainstream…Atomos’ Shogun Inferno and Sumo 19 recorders, meanwhile, will be the first to offer RAW recording for cameras from Panasonic, Sony, Canon and others.” – Engadget

Come and see for yourself how Atomos is unlocking creativity at the NAB show, booth C9425 and at the 17th Annual Las Vegas SuperMeet on Tuesday 10th of April. There will be product demos, as well as the opportunity to get hands on with the gear and workflow with both companies.

Articles: Digital Photography Review (dpreview.com)

 
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Free Atomos Shogun Inferno update will let you capture 5.7K RAW on the Panasonic EVA1

04 Apr
Credit: Atomos

Atomos’ Shogun Inferno and Sumo19 external HDR monitor/recorders are about to get a free upgrade that will really delight owners of the popular Super 35 Panasonic AU-EVA1 cinema camera. The update—full details incoming at NAB 2018—will allow EVA1 owners to capture 5.7K Raw video direct from the sensor at up to 30fps using the recorders’ 6G SDI connections.

If you pull that down to 4K resolution, you can record Raw video at up to 60fps in CDNG Raw, as well as straight to Apple ProRes or Avid DNxHR formats. If you drop the resolution further to 2K, you can record slow-motion Raw video at 240fps. According to Atomos, “the resulting frames are super clean, detailed and capable of withstanding heavy grading.”

Credit: Atomos

For those of us not into video, it’s worth noting why this is a big deal.

The Panasonic EVA1 is a camera that a lot of DSLR/mirrorless users consider when they get serious about video. Support for 5.7K Raw on a ~$ 7-8K cinema camera of this quality is pretty compelling. It’s a logical next step for people who want to go beyond DSLR/mirrorless video.

We won’t dive into the Shogun Inferno or Sumo19’s other features here, but you can learn more on the Atomos website. And if you already own one of these recorders, keep an eye out—this free AtomOS update will be released at NAB 2018 later this month.

Press Release

Atomos Shogun Inferno and Sumo19 unlock the Panasonic AU-EVA1 5.7K RAW output

Melbourne, Australia – 02 April 2018 – Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year.

Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.

Users will soon be able to capture stunning 5.7K RAW imagery direct from the sensor at up to 30 fps over the 6G SDI connections and record it to reliable, affordable SSD media. Full details will be revealed by Atomos at the NAB 2018 show this month.

In 4K resolution you can record up to 60fps from the RAW output in production ready Apple ProRes, Avid DNxHR,or CDNG RAW up to 2Kp120 or 4Kp30. The resulting frames are super clean, detailed and capable of withstanding heavy grading.

The Shogun Inferno also supercharges the EVA1’s slow motion performance. It can record the RAW output at up to 240fps in 2k/HD, direct to Apple ProRes or Avid DNxHR. Perfect for sports, wildlife and a wide range of other uses.

All these features will come in an AtomOS upgrade for the Shogun Inferno and Sumo19 to be released at NAB April 2018. This will be offered for free as part of our continuing commitment to our users.

“Panasonic and Atomos have combined to deliver an astonishing set of features for end-to-end RAW production – 5.7K, 4kDCIp24-60, 2KDCIp240 in 10-bit V-Log recorded on our Shogun Inferno or Sumo 19. This is the best RAW solution for the price point on the market today,” said Atomos CEO Jeromy Young.

Of course, recording is only half of the equation, accurate monitoring is also essential. Luckily, the Shogun Inferno also offers state-of-the-art monitoring for both HDR and SDR recording with its 7” 1500nit high brightness panel with the Sumo19 at 19” and 1200nits.

Take the guesswork out of exposure in HDR or Log with Atomos’ unique AtomHDR system which shows a massive 10+ stops of dynamic range on either screen. The display is colour accurate and can be calibrated over time using a X-rite i1Display Pro probe. Benefit from AtomoOS’ full range of monitoring tools like waveform, vectorscope, false colour, audio level meters and pixel-to-pixel magnification.

Users can also load and store LUTs directly into Shogun and Sumo for complete creative control, production to post. With HDMI or SDI users can output their footage in 4K PQ (HDR 10) or HLG HDR direct to a compatible television or monitor for instant preview using our AtomHDR engine – great for on-set use or client review.

When used with the EVA1 no other external monitor recorder will give users the extensive range of options available from the Shogun Inferno and Sumo19. It remains the most versatile, flexible and cost-effective solution for high end external monitoring and recording on the market today.

If you are attending the NAB Show then be sure to come and check out the EVA1 and Atomos RAW capabilities live at Booth C9425.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos introduces Ninja Inferno off-camera recorder

24 Mar

Atomos has launched the Ninja Inferno, the latest in its line of off-camera recorders for video shooters. The Ninja Inferno has almost the exact same feature set as the company’s top of the line Shogun Inferno, including 4K/60p recording, a 1500 nit display with 10-bit color, and the ability to record direct to ProRes or DNxHR formats. It also includes the company’s Atom HDR technology, which matches the Log curves from major camera manufacturers to the Ninja’s display in order to show the full Log signal on the HDR screen, meaning that cinematographers can see vibrant, true to life colors while recording in Log.

The major difference between the Ninja Inferno and its big brother, the Shogun Inferno, is that Atomos has removed a few features that, while important to shooters using high end video equipment, often go unused by DSLR or mirrorless filmmakers. These include SDI plugs, Genlock and Raw recording capability. The result is that Atomos is able to make the Ninja Inferno available at a very aggressive price point of $ 995, compared to $ 1995 for the Shogun version.

The Atomos Ninja Inferno mounted on the new Panasonic GH5. Together, these make a compelling combination for a budget filmmaker.

Of particular interest, Atomos is promoting the Ninja Inferno as the ‘ultimate accessory’ for the new Panasonic GH5, and there’s a reasonable case to be made for this. It’s a good match for the GH5’s 10-bit signal and Log video, but more importantly it supports 4K/60p 4:2:2 recording, one of the GH5’s more prominent features. Also, since the GH5 doesn’t include SDI ports or shoot Raw video, users are unlikely to miss those features on the Ninja Inferno, while benefiting from the much lower price.

We’ve had a pre-production copy of the Ninja Inferno for a few days and have been giving it a workout, so stay tuned for our hands-on report.

Press Release:

HDR 4Kp60 Ninja Inferno Shipping now in conjunction with GH5 for $ 995

Prices slashed across the 4K HDR line up

Melbourne, Australia – 23rd March 2017: Today, Atomos brings the power of 4Kp60 10-bit ProRes recording and HDR monitoring to the GH5 for an amazingly low price of just $ 995.

“Our message to video Pro’s is to Go HDR 4Kp60 Today showcased by the GH5 and Ninja Inferno combo”, said Jeromy Young CEO and co-founder of Atomos. “For less than $ 3k it’s an unbeatable total package especially when considering having 4K HDR content ready for clients, Netflix and YouTube is a must”.

Atomos has always led the way advancing the quality, affordability and simplicity of filmmaking by adding professional features to popular Japanese cameras. Atomos are again first to launch a portable HDR 4Kp60 10-bit 422 monitor recorder. Timed with the release of the powerful Panasonic GH5 and a $ 995 price point Ninja Inferno empowers the masses.

Just as the original Atomos Ninja broke open DSLR filmmaking by giving the Canon 5DMKIII professional Apple ProRes recording & the original Atomos Shogun pioneered 4K with the Sony a7s and Panasonic GH4, the Ninja Inferno now arms the Panasonic GH5, the hottest camera of 2017, with HDR Apple Pro-Res 10-bit 4:2:2 4Kp60 over HDMI 2.0 – a feat not possible internally on the GH5. This marks another incredible Atomos breakthrough – professional 10-bit color resolution, 4:2:2 color accuracy, high frame rate 4K 60p video resolution & all with the incredible brightness range that HDR delivers in PQ or HLG.

Apart from being an obvious companion for the new GH5, the Ninja Inferno is the world’s first HDMI monitor-recorder to accept 4K DCI signals from cameras like the Panasonic GH4 / DVX200 / HCX1000 / UX180 / HCX1, Sony FS7 / Z100 and the JVC LS300. Support for the 4096 DCI standard unlocks cinema recording from these 4K video & mirrorless DSLRs.

For the Ninja Inferno, like its flagship sibling the Shogun Inferno, we have created the ultimate monitor through end-to-end custom engineering of all components. It starts with a 1920×1200 resolution LCD panel and add 10-bit processing in highlights and equivalent 10+ bit resolution in blacks. This is achieved through the patented AtomHDR engine which when combined with our custom Atomos-built backlight allows the power of 1500nits to be utilized for High Bright Rec709 or HDR PQ/HLG at 10+ stops. The full-size HDMI 2.0 connection bypasses the camera’s internal limitations by recording to 4Kp60 4:2:2 10-bit pristine video in grading-friendly Apple ProRes or Avid DNxHR. The Ninja Inferno upgrades mirrorless and DSLR camera audio by including balanced XLR input and 48V Phantom Power, negating the need to purchase separate audio recorders. For on set review, the wide angle 7” calibrated screen, playback controls, playlist and XML tagging make the Ninja Inferno the perfect client or director’s monitor, with playout to the latest HDR PQ/HLG or SDR TV’s. The Ninja Inferno is equally adept in the editing suite as it is in the field with the recorded files dropping directly onto the timeline of all the major NLE editing and grading software with the HDMI input capable of accepting HDR signals to make the Ninja Inferno an unbelievably affordable HDR reference monitor for portable or in studio color grading.

The Ninja Inferno, which is shipping now for MSRP $ 995, is the ultimate camera accessory for the GH5, the popular Sony FS7 or cameras with 4K DCI output & other 4Kp60 / 4Kp30 / HDp60 cameras looking for a future proof monitor-recorder.

HDR now comes free across the Atomos 4K Line-up

Timed with the release of the Ninja Inferno, Atomos have driven down the price of the existing line-up, passing on the volume savings they receive due to the popularity of the entire HDR range. The Shogun Flame and Ninja Flame are now $ 995 and $ 795 respectively (both models ship with mains power supply, recording caddy & travel case. The Shogun Flame also ships with an XLR breakout cable). To complement all models in the line-up, Atomos have developed a tailored Accessory Kit and Power Kit that arm users with everything needed to power, control, dock, charge and safely carry the units at an amazing price. The flagship Shogun Inferno continues to ship as is today.

Product New Price (MSRP ex tax)
Shogun Flame $ 995 ($ 1695 saving of $ 700)
Ninja Inferno $ 995
Ninja Flame $ 795 ($ 1295 saving of $ 500)
Accessory Kit $ 295
Power Kit $ 149

Articles: Digital Photography Review (dpreview.com)

 
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Atomos releases HDR update to Inferno, Flame and Blade recorders

19 Nov

Atomos has announced a new OS update for its Inferno, Flame and Blade series of professional monitor/recorders, with a focus on improving HDR workflows. Atomos’ AtomHDR technology allows users with Log output from their camera to view up to 10.2 stops of dynamic range on the monitor while providing a preview of what graded footage will look like. Atom OS 7.12 adds support for Sony S-Log, FujiFilm Log and Canon C-Log 3 to the list of previously supported Log formats for Panasonic, JVC, Canon, Sony, Red and Arri cameras. The update is available directly from Atomos.

Additionally, Atomos is offering a limited time cash back and trade in program on some of its Flame and Blade products, with total savings of up to $ 500 on the Shogun Flame (normally $ 1695), up to $ 400 on the Ninja Flame (normally $ 1295), and up to $ 100 on the Ninja Blade (normally $ 495). Full details of the program can be found on the Atomos web site, and the promotion ends January 31, 2017.

Press release:

YouTube goes HDR, Atomos HDR upgrade & $ 500 off for content professionals

Melbourne, Australia – 17th November 2016: Timed with the recent announcement by YouTube for HDR delivery, Atomos announces a new OS update to further broaden HDR compatibility and offers a limited time discount to make the HDR upgrade easier this holiday season.

The HDR wave continues to gather pace with YouTube adding to other content delivery platforms such as Google Chromecast ultra, Sony PS4 Pro, Amazon, Netflix and Vudu in bringing HDR transmission and playback to the growing population of people with HDR compatible TV’s, the leading Christmas gift in 2016. Now the race is on for content developers to create HDR content and with that comes the challenge for creatives to move to a new HDR workflow, in particular to get exposure for HDR in the field accurate. Atomos announces new OS and new promotional pricing to make HDR upgrading easier this holiday season;

  • AtomHDR technology across the Inferno, Flame and Blade Series Pro Monitor/Recorders gives users with a Log output from their camera 10.2 stops of dynamic range, along with our patent pending HDR waveform & HDR slider to make setting exposure for HDR delivery precise, yet simple.
  • •New OS 7.12, which is a free download, broadens Log support to include Sony S-Log, FujiFilm Log and Canon C-Log 3 in addition to previous support for Panasonic, JVC, Canon, Sony, Red and Arri log curves.
  • A limited time cash back and trade-in program which gives up to $ 500 cash back on the AtomHDR range. This brings the price of our HDR, High bright monitor-recorders down to non-HDR, monitor only prices;
    • Shogun Flame MSRP $ 1695, down to $ 1395 w/cash back or $ 1195 w/cash back & Shogun trade-in
    • Ninja Flame MSRP $ 1295, down to $ 1095 w/cash back or $ 895 w/cash back & Shogun trade-in
    • Ninja Blade MSRP $ 495, down to $ 395 w/cash back or $ 320 w/cash back & Ninja2 trade-in
  • The flexibility of both SDR and HDR in the one unit. Expose correctly for HDR in the field but grade the recorded log footage for either HDR or SDR delivery. Those with an eye on HDR for the future but delivering SDR now, will benefit greatly with less noise in their footage by exposing their log footage away from the noisy end of the sensor.

“We are super pumped about YouTube and others move to HDR. They see what we see, HDR is the next big advancement for consumers around the world in imaging” said Jeromy Young, CEO and Co-founder of Atomos, “Now creative filmmakers and photographers alike need AtomHDR in the field to make sure they expose correctly and don’t screw up their shoot before finishing!”

The new pricing & functionality targets a move across to HDR, but the AtomHDR platform does not exclude SDR/Rec709 workflows. It in fact improves it! Exposing Log for HDR = cleaner SDR images ensuring you expose in the cleanest part of the sensor. The 1500 nit high-bright panel also improves SDR workflows making outdoor monitoring a breeze. The Atomos award winning AtomHDR monitors are best in class both now and the future.

For details on the cashback and trade in offers go to: https://www.atomos.com/offers/hdr-upgrade

Shogun Flame and Ninja Flame free OS update can be downloaded from https://www.atomos.com/firmware

Articles: Digital Photography Review (dpreview.com)

 
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3-D special: Avatar review, Tony Hawk and Dante’s Inferno

30 Oct

Game On goes 3D with James Cameron’s Avatar, Johnny argues with Tony Hawk and we drag you to the pits of hell. Follow us on twitter at twitter.com
Video Rating: 4 / 5

www.iwaggle3d.com After a few months of jealous peeking from behind the waggling shoulders of Kinect users, the PS3 community can finally enjoy the latest synesthetic shooter experience from the creator of Rez, with PlayStation Move and (for the lucky ones) in stereoscopic 3D. Wonder how it turned out? Hit play to find out! As usual, the following analysis describes how the PlayStation Move controls work, but does also provide a comparison with those of the original Kinect release. ———- – Subscribe to iWaggle3D www.youtube.com – Follow iWaggle3D on Twitter : twitter.com – Join iWaggle3D on Facebook : www.facebook.com
Video Rating: 4 / 5

 
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Photographer CARLOS ARIAS (INFERNO ’09 campaign)

21 Nov

The amazing promo for INFERNODR.COM was shot in NYC April 2009, here’s a clip of the behind the scenes for you to get a small idea of all hard work we all put into it 🙂 Would love to hear your comments, please email me at: carlosariasphoto@yahoo.com Thank you, CARLOS ARIAS
Video Rating: 4 / 5

From Niconico www.nicovideo.jp
Video Rating: 4 / 5

 
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