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Posts Tagged ‘industry’

This 2018 ‘ecosystem map’ captures the whole photo industry in one massive infographic

25 Jan

Photolemur, the makers of an AI-powered image editor, have put quite some time and effort into creating a comprehensive “Market Map of the Digital Photo Industry” that includes all sorts of brands, manufacturers, publications and other organizations that are involved in the industry in some shape or form.

“The aim of this initiative is to become the gate to the digital photo industry and to help photographers, new companies, VCs, entrepreneurs, journalists, and bloggers to understand who the major players in the world’s digital photo industry are,” writes Photolemur in the accompanying text. “Note that some companies work in more than one segment so we decided to link them only to their primary segment on the map.”

In the map you’ll find anything from camera and lens manufacturers, to Raw image processors, to providers of online education services, all neatly sorted and categorized. The company says it is planning to update the market map over time, adding more entries to existing categories as well as creating entirely new categories.

On the market map website you can contact Photolemur via an email link if you think they’ve missed out an important player in the industry. If you submit your name and email address, you can also download the map as an Excel file or high-resolution PDF.

Articles: Digital Photography Review (dpreview.com)

 
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Market report provides interesting insights into camera module industry

07 Nov
Graph: Yole Développement

Market research & strategy consulting company Yole Développement has just released its “Camera Module Industry Market and Technology Trends 2017″ report, and the document includes a number of interesting findings and forecasts that photographers, specially those interested in smartphone photography, should pay attention to.

According to the report, the market for cameras in mobile devices is still the main driver of the camera module industry that reached $ 23.4 Billion in 2016 and is projected to reach $ 46.8 Billion by 2022.

The researchers at Yole Développement also found the manufacturers of autofocus and optical image stabilization systems had to adapt to the large production volumes and low cost requirements of the smartphone makers. This has resulted in a restructuring effort and a move of production capacity from Japan and Korea to China and Vietnam. Companies like New Shiko and TDK have been able to benefit the most from these developments.

In the sub-markets for image sensors and lens sets, the quasi-monopolies of Sony and Largan are about to end as the competition is quickly catching up in terms of technology. Module makers, like market leaders LG Innotek, are hugely dependent on customer loyalty as the loss of a large customer could potentially result in a collapse of the company.

The report also finds that the average cost for mobile camera modules has remained relatively constant. However, with high-end AF- and stabilization systems and and active alignment now being much more commonplace, complexity has increased disproportionally. The current total cost of camera module per phone is pretty much proportional to the number of cameras installed—two cameras cost the manufacturers $ 16, three cameras around $ 24, and those implementing four cameras in their devices have to calculate with a cost of more than $ 30 per handset.

Articles: Digital Photography Review (dpreview.com)

 
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7 Travel Photography Tips I’ve Learned from People in the Industry

20 Jul

Like any profession, over the years and countless hours of working and talking to people in the industry, you will pick up tips, advice and even things to avoid. This will ultimately help you improve and possibly make your photography business more profitable. Here are some of the main tips that I have picked up over the years from people in the travel photography industry.

7 Travel Photography Tips I've Learned from People in the Industry - new zealand

#1 – Blue Sells

If you were to line up a whole load of travel magazines next to each other, you will notice that the vast majority of their front covers have something in common, the color blue. Whether it is the sky or water, magazine covers tend to feature photos of gorgeous sunny days rather than moody, dark and atmospheric conditions.

I had always noticed that my “gorgeous sunny weather” shots outsold the photos with other types of conditions. But it wasn’t until the editor of a travel magazine told me the reason that I understood why. They found that historically, issues with beautiful sunny shots on the front cover sold much better than issues with dark and moody conditions. The reason is that most people going about their day aspire for tranquil and beautiful holiday conditions. So, while a stormy landscape photo might look more dramatic and striking, the average holidaymaker doesn’t want to go somewhere and experience a storm.

7 Travel Photography Tips I've Learned from People in the Industry - Scotland

#2 – Avoid “Tourist” Shots

I remember asking a picture editor once for the single biggest piece of advice they could give me and they responded with, “Don’t send me tourist shots.” But what does that mean? After all, if you are in a city and have to photograph the most famous landmark then how do you avoid tourist shots. Once I delved in a little deeper, I realized what he meant was that he didn’t want just another shot of the famous landmark taken at eye level because he could get thousands of them through any stock agency.

Instead, he wanted to see a photo that demonstrated an experience, feeling or mood. This was a few years back and more and more I have been asked by picture editors and stock agencies I work with to try to show these “experiences” in the photos. So rather than taking a photo of the landmark, it might be worth photographing a couple enjoying an ice cream in its shadow. The key is to look beyond the obvious shot and look for a moment or composition that can convey an emotion.

7 Travel Photography Tips I've Learned from People in the Industry Turkey

#3 – Give Them People

Often the easiest way to capture unique photos that don’t look like tourist shots is to include people. But including people in your photos can also convey a sense of scale, portray an emotion or a feeling and often tell a much more intriguing story. One of the best bits of advice I was given was that including people can also help you capture different types of shots from the same location. That, in turn, means you can maximize your stock shots from a single location.

For example, take any scene in front of you. If you capture that scene with a couple admiring the view holding hands it tells a completely different story than capturing the scene with someone running or cycling. So you suddenly go from one photograph per location to three. Move slightly around the scene and capture a few different scenarios and you can suddenly end up with a whole load of different stories from practically the same spot. As any stock photographer will tell you, it’s a numbers game and the more photos you have the better your chances of selling some.

 7 Travel Photography Tips I've Learned from People in the Industry Turkey

Taken from the same location as the photo above but a completely different message.

#4 – Check Every Photo, Every Time

Photography is a competitive industry. You are often competing with pretty much everyone with a camera to try and get work or make sales. The last thing you want to happen is to have a photo that has been chosen by a client come back to you because it isn’t focused properly or you haven’t removed the dust particles. Not only is it embarrassing, but it can also hurt your chances of working with that client further down the line.

So don’t try and cut corners. You worked hard to capture the photo so do it justice and make sure it looks its best when it’s going in front of someone else. Check every inch of the photos you intend to send out to clients. View them at 100% in post-production and make any corrections or edit as necessary. Be professional in your approach from start to the finish.

7 Travel Photography Tips I've Learned from People in the Industry

#5 – Face the Opposite Way

It doesn’t matter where you are in the world, there will usually be a spot marked “sunset viewpoint” or similar where everyone will go to capture their photos. Often this is because that particular spot offers the best view. But sometimes it is because it is the easiest and most convenient place for lots of people to get to or stand.

One bit of advice that has been floating around for many years and has been said by numerous photographers, is that when you get to one such location, face the other way. Go against the crowd and photograph what is behind everyone. Clearly this advice shouldn’t be taken literally as sometimes photographing the other way wouldn’t give a good photo. The point is to look beyond the first and most obvious location and viewpoint.

If you are prepared to do your research beforehand and are willing to put more of an effort in than the average tourist, you will undoubtedly end up with better photos.

7 Travel Photography Tips I've Learned from People in the Industry

#6 – Step Closer

The world famous war photographer, Robert Capa said, “If your pictures aren’t good enough, you aren’t close enough.”. This is something that most amateur photographers struggle with for travel photography and photographing people. It often means having to get close to your subject and they then might notice you.

The truth is that usually, the worst that can happen is that the person you want to photograph will just say no. But getting closer means having to be right in the middle of the action and that you also have to engage with that person and build a connection, if even briefly. This, in turn, will transfer into your photographs and give you a much better and more intimate photo than if you were standing 300 yards away with a telephoto lens.

7 Travel Photography Tips I've Learned from People in the Industry - Italy

#7 0 Don’t Be Shy

One of the biggest things that you may realize as a photographer is how accommodating and intrigued most people are about your profession. I have not kept a tally of the number of conversations I’ve had with total strangers all based around photography, but it’s been a lot. One thing I learned is that sometimes when you have a camera on your shoulder it can work to your advantage (and sometimes it can work against you) as people may help you capture the photo that you want to take.

But you have to be willing to ask. If you don’t ask you will not get. For example, one of the best places to take photographs of a city is from your hotel room. I’ve lost count of the number of times that I have been upgraded to a room with a better view by simply asking and explaining the reason for it. This extends to if you want to photograph people, places, and so on. Don’t be shy, just ask. The worst that could happen is being told no.

7 Travel Photography Tips I've Learned from People in the Industry Thailand

I took this photo of the Bangkok skyline from my hotel room.

Conclusion

Over the years you will pick up your own tips and advice that you have been given or have derived from your own experiences. In the meantime, hopefully, the ones above can be as helpful to you as they have been for me.

Do you have any other bits of advice that you have been given? Please share below.

The post 7 Travel Photography Tips I’ve Learned from People in the Industry by Kav Dadfar appeared first on Digital Photography School.


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The Human Footprint: Aerial Photos Show How Industry Changes the Land

06 May

[ By SA Rogers in Art & Photography & Video. ]

The toll exacted from the earth for human progress is rarely more dramatically visible than from overhead, looking down onto the mines, oil fields, salt flats, recycling yards and other artificial landscapes we’ve created to maintain a population that has exploded since the 1950s. Photographer Edward Burtynsky, who has been flying all over the world capturing aerial images of these scenes since long before the arrival of Google Earth, now sees human activity as expanding “like a rogue species… stretching the boundaries and limits of what we can do in nature.”

How have we changed the shape of the Earth since the dawn of the industrial age? The human population on Earth has expanded by nearly a billion every decade, and in our constant quest for lives of comfort and plenty, we ravenously consume natural resources and radically alter the landscapes we depend on for our own survival. Burtynsky has produced a series of photo collections in 11 categories like water, oil, mines, ship breaking, tailings and quarries to show that our appetites have put our own future in jeopardy.

Accepting his 2005 TED Prize for his stunning work, Burtynsky said he hopes that these images will help persuade millions of people around the world to join a global conversation on sustainability.

“These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire – a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times.”

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[ By SA Rogers in Art & Photography & Video. ]

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Google teams with IMAX to create next-gen VR rigs for the film industry

21 May

At its I/O developer conference this week, Google announced a new partnership with IMAX to develop next-gen VR camera rigs for use in the film industry. These camera rigs will be different than Google’s previously unveiled GoPro VR rig, but will likewise utilize the company’s Jump virtual reality platform for post-processing. The cameras are being created in part with tech from Chinese company Yi Technology. Likewise, IMAX has announced plans to open VR experience spaces in six locations across the US.

The companies haven’t revealed any details about the planned cameras at this time, except that they will feature Jump integration. The announcement comes at a time when competing high-end VR cameras have made public debuts, including the 4K-capable $ 2500 Sphericam 2 and Nokia’s $ 60,000 OZO camera.

Via: Yahoo

Articles: Digital Photography Review (dpreview.com)

 
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Top 6 Interview Tips For Making It In The Photography Industry

08 Sep

Photography Industry Leaders Share Their 6 Top Interview Tips For Getting Ahead

Top 6 Interview Tips To Advance In The Photography Industry

Hey there FashionPhotographyBlog.com readers. Our friends from the Dots are back once again to share great tips from photography industry leaders who attended their portfolio masterclass in London, UK. The Dots is a community of creative professionals, designed to connect creatives with collaborators, companies and commercial opportunities. They believe in collectively building a stronger, more profitable and diverse creative sector, similar to us here at FPBlog. We are super excited to have them here with us again on our website.

 

Just in case you may not be aware, The Dots hosted a Photography Portfolio Masterclass at Spring Studios to give talented emerging photographers the chance to have their work reviewed by some of the UK’s most prominent picture editors and photographic agents. It was also an opportunity for these budding photographers to ask questions and engage in dialogue with these photography representatives, who would be otherwise out of reach. 

 

With such a wealth of collective experience in the room, they all must have heard all sorts of answers photographers give in interviews when they come to meet them. This is why the team at The Dots took each of them aside to ask them for their best interview tips they could give to photographers to get ahead in the hugely competitive photography industry. Here’s what the photography industry representatives revealed:

 

6 Interviews Tips For Photographers Who Want To Move Up In The Industry

 

  1. Research

 

It may seem obvious to some, but our industry leaders’ main interview tip was to make sure you do your research.

 

Jamie Klingler (Publishing Manager, Shortlist/Stylist Magazine) made it very clear that “if you walk in and you don’t know what my job is, you don’t know where I’ve worked before, you haven’t seen any of the shoots I’ve produced before – you’re not gonna have an ‘in’ with me, you’re not gonna be showing me your professionalism.”

 

David Birkitt (Owner & Managing Director, DMB Represents) noted that you should “have a really good reason as to why you’re coming to see me, be aware of what I do. Be aware of something you can add to what I’ve got, not replicate what I’ve got. Have a goal, have a reason for why you want to come, and have at least one thing that you wanna learn.”

 

Our golden rule for interviews: Do your homework!

 

  1. Have a point of view

 

(Robin Derrick, Executive Creative Director, Spring Studios) illuminates why perfectly – “when people ask me how to become a fashion photographer – which is mostly what I commission. What they should remember is the word ‘Fashion’ is as big as the word ‘Photographer’ in that phrase, and it’s very important for a fashion photographer to have a point of view on fashion […] most people can take a picture; I think really learning about fashion and having a point of view on that is normally what improves the work.”

 

Holly Hay (Photographic Editor, AnOther Magazine & Another Man) reinforced this notion, stating that she also looks for “someone who has something to say, someone who has an opinion on the world and on fashion and on style.”

 

  1. Make sure your style fits.

 

If your work is more ‘classic’ than ‘edgy’ then there’s no point in applying for a job at places such as Dazed or Vice as that’s not the kind of work they’re looking for, it’s “a waste of time for everybody, a waste of time for the photographer and for ourselves” Dalia Nassimi (Deputy Picture Editor, WIRED).

 

Your time is precious; make sure you’re not wasting it!

 

  1. Be passionate.

 

Jamie Klingler needs to see passion from a photographer in an interview – “it’s not an easy job, we’re not in this because we want to work 9-5, we’re in this because we want more. So you have to show me that you want to give more and you want to collaborate more.”

 

Dalia Nassimi points out that, “in magazines – you’re not in it for money you’re in it for the experience, for the exposure. You’re going to get access to a really interesting person or access to a really interesting company. That’s what we’re giving you – go run with it, because in ad world you don’t get that.”

 

So, in your interview, be passionate about the project and let them know how much you want the opportunity to work with them.

 

  1. Be on time

 

Again it may seem obvious, but punctuality is crucial in an interview. It’s the very first impression you give to the interviewer and you don’t want it to be a bad one, as Jamie Klingler stresses, “if I think you’re late for an interview you’re gonna be late for my shoot and I just don’t deal with lateness […] I’ve never hired anyone that was late for an interview.”

 

And Finally…

 

  1. Be persistent

 

After so many emails sent with no response, it can feel like you may never get your big break.

 

But Holly Hay’s advice for breaking into the industry is to “have persistence – don’t feel like you’re chasing people. Everyone is so busy they won’t feel hounded […] it’s all about timing – hitting someone’s inbox at the right time. So persistence and be brave, and stay true to why you originally started taking pictures.”

 

What did you think about these photographer’s interview tips? Hopefully, next time you are sitting at the desk of a photography magazine editor or creative director to pitch an idea or show them your portfolio, you will now be better prepared. If you have any interview tips for getting ahead in the industry that you want to share, that hasn’t been mentioned in this post, or you want to leave a comment about the ones listed above please feel free to write them in the comment section below. 

 

 

To find out  more about The Dots’ next Photography Portfolio Masterclasses here: https://the-dots.co.uk/about/portfolio-masterclasses

 

You can also check out The Dots’ Vimeo channel for video interviews, tips & highlights from the Photography Portfolio Masterclass here:  https://vimeo.com/album/3444505

 

 

 

IMAGE SOURCE: 

Feature image & images 1: courtesy of Jack Woodhouse


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3 Tips For Getting Ahead In The Photography Industry

06 Sep

Photography Industry Leaders Share Their Top 3 Tips For Getting Ahead In The IndustryTop 3 Tips For Getting Ahead In The Photography Industry

Hey there FashionPhotographyBlog.com readers. Our friends from the Dots return to join us on our site to share great tips they have uncovered from their recent masterclass in London, UK. The Dots is a community of creative professionals, designed to connect creatives with collaborators, companies and commercial opportunities. They are just as passionate about collectively building a stronger, more profitable and diverse creative sector as we are and we are very excited to have them featured here again.

 

For those of you who may not know, The Dots hosted a Photography Portfolio Masterclass at the incredible Spring Studios to give talented emerging Photographers the chance to have their work reviewed by some of the UK’s most prominent Picture Editors and Photographic Agents.

 

With such a wealth of experience in the room, The Dots team took the opportunity to ask a few questions on how to get ahead in the hugely competitive Photography industry. Here’s what the industry representatives had to say:

 

Getting Ahead In The Industry – 3 Top Tips

 

  1. Be original

 

Photography industry leaders are primarily on the hunt for originality and a unique perspective because, “in the end if you’re presenting a book that looks like someone else, you better be a cheaper version of them, because there’s no reason to hire you just to be a copycat” (Robin Derrick, Executive Creative Director, Spring Studios).

 

Matt Davey (Co-Founder & Director, Probation London) told us that he looks for “ originality – an ability to express ideas in their work and create something other than just a pretty picture.”

 

  1. Have a ‘Can-Do’ attitude

 

Never underestimate the importance of having an upbeat and ‘go-getting’ character. If someone thinks you’re going to respond to a difficult brief with enthusiasm, they’re more likely going to want to work with you.

 

Dalia Nassimi (Deputy Picture Editor, WIRED) told us “If they have that easy going, very can-do personality and are up for a bit of an adventure you get real magic.”

 

Similarly, the main thing Jamie Klingler (Publishing Manager, Shortlist/Stylist Magazine) looks for in a photographer is “someone that will do anything and that are part of my team on the day. These are the people who I wanna work with again and again and I wanna have a drink with, and who I’ll hire a million times over.”

 

  1. Be personable

 

You’re going to have to work with lots of people throughout a shoot and if you’re unpleasant to be around, chances are noone is going to want to work with you again. “You need to be personable, you need to get on with people, you need to be able to chat and work around an idea.” (Steve Peck, Picture Editor, WIRED Magazine).

 

It may not seem that important, but as Nicola Kavanagh (Editor in Chief, Glass Magazine) points out, if it’s a toss up between two photographers, “and they both have a really strong portfolio, I’m gonna go with the one that’s easier to get along with, because everyone likes a nice, easy life!”

 

So it seems that being nice really can help you finish first, hurrah!

 

 

To find out  more about The Dots’ next Photography Portfolio Masterclasses here: https://the-dots.co.uk/about/portfolio-masterclasses

 

You can also check out The Dots’ Vimeo channel for video interviews, tips & highlights from the Photography Portfolio Masterclass here:  https://vimeo.com/album/3444505

 

Finally, if you have any tips for getting ahead in the industry that you want to share, that hasn’t been mentioned in this post, feel free to share them in the comment section below. 

 


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14 March, 2014 – Why The Industry is in The Dumper

15 Mar


Date Courtesy CIPA
Graphic Courtesy Lensvid

A funny thing happened on the way to the future – the entire camera industry got blindsided. Camera and lens sales suck, have sucked for a while, and likely will continue to suck for some time to come. The question is – why?


You can win an all-expenses paid photographic expedition to Antarctica, along with air fare from anywhere in the world. The value of this prize is $ 15,000.

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iStockPhoto Founder Re-Creates Two-Tier Stock Industry

14 Apr

stocksy

When Bruce Livingstone launched iStockPhoto thirteen years ago, he split the stock industry. For the first time, enthusiasts — people with no connections to the photography industry, no professional training and no experience of creating for a market — could upload their photographs and make money from their talent. The result was a revolution. While established professionals were able to continue selling through Corbis and Getty (although against greater competition), engineers like Sean Locke, one of iStockPhoto’s first contributors, were able to quit their day jobs, buy a consumer DSLR and make livings, sometimes good livings, as microstock photographers. Other enthusiasts with careers they didn’t want to leave have been able to make a bit of extra cash shooting and uploading at the weekends.

That revolution has been grinding to a halt. Multiple platforms have followed iStockPhoto but the sale of the site to Getty in 2006 for $ 50 million allowed it to outgrow its copycats, become the biggest microstock site on the Web — and slash commissions until they were as low as 15 percent. Yuri Arcurs, arguably the world’s most successful microstock photographer, quit iStockPhoto last year to focus on direct sales, claiming that the prices and commissions were now too low to cover the costs of production. In March, iStockPhoto expelled Sean Locke after he pointed out on his blog that the company was giving away its photographers’ images to users of Google Docs.

Now though, a new revolution may be under way, and once again Bruce Livingstone is at the center.

bruce-livingstone

Profit-Sharing for Photographers

Stocksy, Livingstone’s latest enterprise, is a new stock site that takes a completely different approach to delivering images from photographers to buyers. Like many sites, photographers will receive 50 percent of the sales price of their photos but they’ll also receive 100 percent of the price of extended licenses and a share of the profits the company generates.

That’s because Stocksy is a photographer’s co-operative, owned and operated by the people who create the photos the site sells. Instead of generating profits for a corporation, Stocksy will distribute its profits to its contributors.

The idea came from photographers themselves, disappointed at the structure the industry had developed.

“Photographers came to visit us at our house in Los Angeles. They all said the same thing. They wanted more. They were disillusioned and frustrated with the state of affairs in the industry — artists were not fairly paid for the work they were creating,” Livingstone explained to us in an email from British Columbia. “We started talking about what would make a better business model, what would give photographers ownership, a decent royalty and a voice in how the business was run. Cooperatives in rural Canada and co-op structures are well developed and quite advanced as they have been around for a long time supporting group farms. The co-op keeps enough cash to operate, but the collective owners get all the money.”

Stocksy currently has 250 members. Most are photographers but some are employees and directors who provide advice. Each year, the co-op will hold an Annual General Meeting at which shareholders will vote on the running of the business. Once the firm is profitable, 90 percent of profits will paid to photographers with 10 percent going to employees, directors and board members.

That revenue-sharing may be unique in the world of photography but it also marks another change in the development of the stock industry. While anyone can upload an image and make it available for sale, following a review of the photo, on a microstock site, Stocksy maintains much of the exclusivity familiar to photographers who have tried to sell through Corbis or Getty. Photographers can apply to sell through Stocksy but the co-op will only invite photographers to join if their images match the co-operative’s aesthetic criteria. Stocksy is looking for photographers who can demonstrate a style and workflow that is consistent and unique, and who produce images that go beyond “too-perfect models pretending to do things, floating in white space or anything that appears to be forced conceptually.”

If that means that the site will have a relatively small collection, that’s fine with Bruce Livingstone.

“Something that’s really important for us is not to compete with any other agency on numbers of images or numbers of photographers,” says Livingstone. “That game is old and already has a winner. The size of the collection creates too much competition for photographers, dilutes earnings and disappoints buyers when presented with tens of thousands of bad results. The bigger the collection the worse the experience for everyone. It becomes unmanageable and inexplicably overwhelming for the consumer…. Each picture found on Stocksy should be inherently useful and special.”

Prices for the images are generally higher than those found on microstock sites, with RF licenses for small images starting at $ 10 and rising to $ 100 for X-Large photos of 2829 x 4242 pixels. Licenses for unlimited print runs or resale products cost even more. Livingstone, though, is confident that buyers will be willing pay a premium not just for the higher quality of the site’s curated collection but because supporting a sustainable model for photographers is the right thing to do.

The Return of the Two-Tier Stock Industry

Despite deliberately avoiding direct competition with iStockPhoto’s giant collection, Stocksy is clearly intended as an alternative to the microstock site that Livingstone created. Asked how he felt regarding the way the site has developed since its sale to Getty, Livingstone responded with a mixture of admiration at the growth Getty was able to create and disappointment at what they did with that growth.

“Getty grew the revenues on iStock exponentially. I couldn’t have done that alone. It’s what happened to iStockphoto after I left that is really at issue. The focus on corporate profits, not on fair pay for photographers is what we believe is problematic.”

If Stocksy succeeds, it will go some way towards solving that problem. But the co-op’s exclusivity means that it can only solve the problem partially. Livingstone recommends that photographers who want to succeed in stock find a niche, specialize and commit to shooting it full-time. Enthusiasts who want to remain part-time will have to stick with sites like iStockPhoto, creating a two-tier stock industry made up of committed professionals working and selling together, and part-timers accepting the small fees delivered by microstock sites.

“If that’s how it plays out,” says Livingstone, “then I think that’s fine.”


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4 August, 2012 – Industry Insights – From Past to Future

05 Aug

Companies are like people, they have personalities. Some are slow and methodical, other aggressive and adventurous. 

During my recent hospitalization I had lots of opportunity to ponder the state of the industry that I have been working in and following for the past several decades. Some observations on a few of the major industry players titled Industry Insights – From Past to Future is now online

   

Sales always slow down in the summer. We wanted to do something to motivate you to spend a bit, here on your favourite web site.

So, we’re doing a give-away. Every order for one of our download videos – tutorials as well as Video Journals, entitles you to a chance to win a new Olympus O-MD E-M5 camera, one of the hottest cameras of the year.

This contest is open to anyone, anywhere in the world. All you need to do is purchase something. Come on. Don’t just sit there – make a purchase and become eligible to win!



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