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Posts Tagged ‘improved’

Luminar 4.1 update brings improved Sky Replacement, Portrait Enhancer and Erase tools

16 Jan

Skylum has launched version 4.1 of its Luminar image editing and organization software, providing improvements to the AI-powered AI Sky Replacement and Portrait Enhancer tools, as well as the Erase tool.

AI Sky Replacement now lets users add ‘atmospheric haze’ as it is usually seen during daytime, to their images. The company says that in combination with the Sky Temperature and Sky Exposure sliders this allows for a realistic light balance between the replaced sky and the image foreground. This is particularly useful when dealing with strongly saturated replacement skies that don’t match the foreground.

The Erase tool has been upgraded to allow for more precise object removal with complicated backgrounds or complex gradients. The Erase tool now creates softer edges and Skylum says a new algorithm comes up with smarter selections for area replacement.

Portrait Enhancer now works with a wider range of images, also enhancing faces that are smaller in the frame, for example in group shots or environmental portraits.

In addition, the update brings a new Adjustments Amount slider that lets you blend image enhancements with the original image and general performance improvements. More information is available on the Skylum website.

Press Release:

Luminar update brings new AI-centric features and performance improvements

A month after its initial release, Luminar 4 receives update with new and improved tools, performance upgrades and more.

NEW YORK, NY – December 23, 2019 — Today, Skylum announced its first update to Luminar 4, complete with several feature additions and improvements to make workflow easier, and to allow for more control in its machine-learning tools. Released a month after its initial launch, the Luminar 4.1 update includes updates to AI Sky Replacement, the Erase tool, Portrait Enhancer and more.

“Since we released Luminar 4 last month, we could not be more thrilled with what we’re seeing photographers create. With our first feature update to Luminar, we hope that these improvements will expand the possibilities for our users, and create new, exciting opportunities for their image creation workflows,” said Alex Tsepko, CEO of Skylum.

While the new Luminar 4.1 update already packs some new and improved features, photographers can expect to see more updates to Luminar over the coming months, especially for its machine-learning tools.

NEW Atmospheric Haze for AI Sky Replacement

With Luminar 4, Skylum added the world’s first automatic sky replacement technology to its software. AI Sky Replacement gets a feature update in Luminar 4.1, letting photographers naturally add atmospheric haze that is usually seen during the day, to their images.

Coupled with the Sky Temperature and Sky Exposure sliders, it’s now possible to achieve a perfectly balanced, harmonious image in a single tool. It keeps the light balance between the replaced sky and image foreground more realistic, leading to a more “finished” result.

Atmospheric Haze is the perfect addition when dealing with harsh daylight photos with clear blue skies. If you have an oversaturated sky or if the brightness of your sky doesn’t match the foreground, it will add haze to make for a more accurate image.

NEW Erase tool technology

The Erase tool has been upgraded, using an all-new technology for precise object removal. Removing unwanted pixels is easier than ever, even with complicated backgrounds or complex gradients. Edges on the Erase tool are much softer, and the new algorithm means smarter selections for area replacement.

Portrait Enhancer improvements

Introduced with Luminar 4, Portrait Enhancer has also received improvements. The tool can now be used on even more images, including those with smaller faces like groups or environmental portraits.

Adjustments Amount slider

If you ever need to tone down an adjustment slightly, the new Adjustments Amount slider has you covered. It’s the perfect option to help you blend your tools with the original image. Just use the Layers tool to dial back the Adjustments Amount slider.

You’ll find this new control for all image and adjustment layers. Traditional opacity controls remain available. The Adjustments Amount slider works with all tools except for transform options like Lens Correction, Slim Face and Enlarge Eyes.

Additional performance and capability improvements

Luminar 4.1 brings full support for Adobe Photoshop 2020, allowing you to use Luminar 4.1 as a plugin or as a Smart Filter with Smart Objects.

Thanks to Luminar users, several performance improvements have been made, including memory management, user experience and stability, helping to make Luminar better than ever.

How to update

Luminar 4.1 is a free update to current Luminar 4 users. On a Mac, click in the Top Menu Bar and choose Luminar 4 > Check for updates. On Windows, in the Top Menu Bar choose Help > Check for updates.

If you are running Luminar as a plugin with Photoshop, Lightroom Classic or Photoshop Elements, it’s also recommended you rerun the plugin installer.

An expanded user manual has also been added, making it easier than ever for users to search and find answers to questions they might have about the software.

Celebrate the holidays with savings on Luminar

For a limited time only, Skylum is offering holiday savings on Luminar 4. Save $ 10 when purchasing Luminar 4, bringing the cost to $ 79 for new users and $ 69 for existing users at skylum.com/holiday-sale-2019.

And for more photography inspiration, check out the Luminar Holiday Bag — a $ 395 value for just $ 129. Included is Luminar 4 plus a 6-months SmugMug Pro Plan (new users only), PDF Expert, a 1-year Viewbug Pro membership, one free Rocky Nook eBook and 20 free prints from Parabo Press.

To get your copy or learn more about Luminar 4, visit skylum.com.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Coolpix P950 mega-zoom gains 4K video, Raw support, improved EVF

07 Jan

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The Nikon Coolpix P950 has arrived, retaining the outrageous 24-2000mm equiv. zoom range of its P900 predecessor, while adding modern refinements like 4K video and a higher-resolution EVF.

In addition to its large zoom range, the P950 offers UHD 4K video capture, 7 fps burst shooting and Wi-Fi + Bluetooth. Raw image capture is a welcome addition for more advanced photographers, and anyone will be able to appreciate its higher-res 2.4M-dot viewfinder. The P950 boasts 5.5 stops of stabilization and an accessory shoe to support Nikon’s DF-M1 dot sight – a useful aid for bird and airplane photography.

The Nikon Coolpix P950 will arrive in February with an MSRP of $ 800.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon Coolpix P950 specifications

Price
MSRP $ 799
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy, composite
Sensor
Max resolution 4608 x 3456
Image ratio w:h 4:3
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type CMOS
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-6400
White balance presets 5
Custom white balance Yes
Image stabilization Optical
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
File format
  • JPEG
  • Raw (NRW)
Optics & Focus
Focal length (equiv.) 24–2000 mm
Optical zoom 83.3×
Maximum aperture F2.8–6.5
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 50 cm (19.69″)
Macro focus range 1 cm (0.39″)
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.2″
Screen dots 921,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 90%
Viewfinder resolution 2,359,000
Photography features
Minimum shutter speed 300 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Moon, Bird-watching, Creative, Movie manual, Backlighting, Beach, Black and White Copy, Close-up, Dusk/Dawn, Easy Panorama , Fireworks Show, Food, Landscape, Museum , Night Landscape, Night Portrait, Party/Indoor, Pet Portrait, Portrait, Scene Auto Selector, Snow, Sports, Sunset
Built-in flash Yes
Flash range 11.50 m (at Auto ISO)
External flash Yes (via hot shoe)
Drive modes
  • Single
  • Pre-shooting cache
  • Multi-shot 16
  • Interval timer
  • Continuous L
  • Continuous H 120
  • Continuous H 60
  • Continuous H
  • Best Shot Selector
Continuous drive 7.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MP4, H.264, AAC
  • 3840 x 2160 @ 25p, MP4, H.264, AAC
  • 1920 x 1080 @ 60p, MP4, H.264, AAC
  • 1920 x 1080 @ 50p, MP4, H.264, AAC
  • 1920 x 1080 @ 30p, MP4, H.264, AAC
  • 1920 x 1080 @ 25p, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes Wi-Fi + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description EN-EL20a lithium-ion battery & USB charger
Battery Life (CIPA) 290
Weight (inc. batteries) 1005 g (2.22 lb / 35.45 oz)
Dimensions 140 x 110 x 150 mm (5.51 x 4.33 x 5.91″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Google details how it’s improved Portrait mode on the Pixel 4

17 Dec

Portrait modes that simulate the shallow depth of field of a large sensor camera and fast lens have been around on smartphones for a long time. The Pixel 2 was the first Google phone to offer the feature. With the Pixel 2 being a single-lens camera the dual-pixel autofocus system was used to estimate the parallax and thus depth. The Pixel 3 still relied on dual-pixels but the system was improved using machine learning.

The Pixel 4 is the first Google phone to use dual-pixel AF and dual-cameras combined for depth estimation.

The latest Google flagship, the Pixel 4, is the first phone in the Pixel line to feature a dual-cameras. This allows for even better depth estimation by leveraging both the dual-camera and dual-pixel auto-focus system. In addition Google has also improved the appearance of the bokeh, making it more closely match that of a large sensor DSLR or mirrorless camera.

With the dual-pixel autofocus distance between the two focus pixels is very small which makes it difficult to estimate depth further away from the camera. The Pixel 4’s dual-cameras are 13 mm apart, allowing for a larger parallax and making it easier to estimate the depth of objects at a distance.

…dual-pixels provide better depth information in the occluded regions between the arm and torso, while the large baseline dual cameras provide better depth information in the background and on the ground.

Google is also still using the information collected by the dual-pixels, though, as it helps refine depth estimation around the foreground subject. In addition machine learning is used to estimate depth from both and dual cameras. A neural network first processes data from the two separately into an intermediate representation. A final depth map is then computed in a second step.

This image shows depth maps generated from dual-pixel AF, dual-camera and both combined. Dual-pixels provide better depth in the areas visible to only one camera, dual-cameras provide better depth in the background and ground. (Photo: Mike Milne/Google)

In addition to the improved depth estimation spotlights in the background are now rendered with more contrast, making for more natural looking results. This is achieved by blurring the merged raw image produced by the HDR+ processing and applying tone mapping.

Additional depth map samples can be found here, head over to the Google Blog for the full article.

Articles: Digital Photography Review (dpreview.com)

 
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Twitter rolls out Live Photo support on iOS, improved JPEG compression

13 Dec

Twitter has updated its platform with two new useful features for photographers: iOS Live Photos support and better JPEG quality. Both changes are live now.

Live Photos are a type of image that can be captured using an iPhone or iPad; in addition to the image, Live Photos include the 1.5 seconds of action that happened before and after the photo was snapped. In order to make it possible to share these images, Twitter is first converting them into GIFs.

To share a Live Photo, iPhone users must launch the Twitter mobile app and select the image from their Camera Roll. Once the Live Photo is selected, the user can tap the new ‘GIF’ option located in the bottom left corner of the image. This will result in Twitter converting and sharing the Live Photo as a GIF.

Converting Live Photos into GIFs has been the primary method used to share the video versions of these images. Lack of direct support on many platforms has forced many iPhone users to turn to apps like Lively. Twitter’s new support merely removes this time-consuming manual conversion process, enabling iPhone users to rapidly share their Live Photos with followers.

In addition to the new direct Live Photos to GIF conversion feature, Twitter is also now publishing JPEGs with their original encoding, according to company engineer Nolan O’Brien.This eliminates the transcoding and compression that obliterates image quality when viewed in full size. O’Brien notes that the thumbnail version of JPEGs will still be transcoded to cut down on file size and that only the bitmap encoding is preserved, not the metadata. As well, the new encoding preservation is only live for images uploaded using Twitter for Web.

Twitter for Web has supported 4096 x 4096 image uploads since last year, according to O’Brien, who details some upload scenarios in which the platform will still encode images:

Articles: Digital Photography Review (dpreview.com)

 
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Peak Design updates its Everyday line with new and improved bags, slings and totes

25 Nov

Peak Design’s Everyday line of camera bags has received a V2 update that includes new materials and features, inspired directly from customer feedback and improvements in material design.

The list of the overhauled bags includes the Everyday Backpack (20L + 30L), Everyday Messenger (15L), Everyday Sling (5L is now 6L + 10L) and the Everyday Tote 15L. In addition to the redesigned originals, Peak Design has also added a number of new bags: Everyday Totepack (15L), Everyday Backpack Zip (15L + 20L) and the Everyday Sling (3L).

All of the bags feature more robust ‘UltraZips,’ improved fabrics that are 100% recycled and Bluesign approved (except for black), improved MagLatch connections and new cord hook external carry straps. The Everyday lineup is also receiving new colorways: Midnight Navy (navy blue) and Bone (tan).

Everyday Backpack

The Everyday Backpack is Peak Design’s most popular design. Although the V2 update isn’t dramatic, the small improvements that have been made do make for an overall improved experience as our hands-on attests to.

The Everyday Backpack V2 features a slightly refined shape that should help it stand upright on its own when filled with gear and has redesigned straps that should better contour your body. It also receives the new UltraZip design, improved MagLatch connections, new internal zippered pockets and the expansion straps found on most of the other V2 bags.

The Everyday Backpack 20L and 30L are available today for $ 259.95 and $ 289.95, respectively.

Everyday Backpack Zip:

The Everyday Backpack Zip is what would happen if you took Peak Design’s Travel Backpack, shrunk it, and added a number of features found in its Everyday line. It comes in 15L and 20L versions and features dual-access zips on either side of the bag for easy gear access. It also has a dedicated top-zip for laptop and tablet access as well as side and top grab handles.

The Everyday Backpack Zip 15L and 20L are available today for $ 189.95 and $ 219.95, respectively.

Everyday Messenger

Similar to the Everyday Backpack, the Everyday Messenger features an almost identical design as its first-generation design but improves upon a number of key features. In addition to the new 100% recycled 400D weather-resistant fabric, the Everyday Messenger features an improved MagLatch design, the new UltraZips and a few small aesthetic changes throughout the bag’s design to clean up the seams found throughout.

Below is a feature rundown of the new Everyday Messenger V2:

The Everyday Messenger 15L is available today for $ 219.95.

Everyday Sling

The Everyday Sling lineup has a number of changes from its V1 iterations. First, the 5L sling has been redesigned to add an extra liter of internal storage, now making it a 6L bag. Peak Design has also added a smaller 3L model that takes the features of the large slings and packs it down into an even smaller form factor.

The 3L and 6L bags can convert to was it packs, while the 10L bag offers a luggage carry pass-through for times when you don’t want it wrapped around your shoulder in the airport.

The Everyday Sling 3L, 6L and 10L are available today for $ 79.95, $ 99.95 and $ 149.95, respectively.

Everyday Tote

Much like the Everyday Messenger, the Everyday Tote isn’t much of a change from the previous version. Aside from a cleaner external design, the more robust UltraZips, the 100% recycled fabric and the external cinch straps the Everyday Tote remains largely unchanged.

The Everyday Tote 15L is available today for $ 149.95.

Everyday Totepack

The Everyday Totepack is more or less an Everyday Tote that’s been made a little larger (20L instead of 15L) and adds a set of straps so it can be worn as a backpack.

The Everyday Totepack features dual zip access points on either side of the bag as well as internal FlexFold dividers and stretchy pockets for organizing your gear as you see fit. It features the 100% recycled 400D weatherproof shell and also has two storable carry cinch straps for those times when you need a little more gear.

The Everyday Totepack 20L is available today for $ 179.95.

Articles: Digital Photography Review (dpreview.com)

 
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The new Loupedeck Creative Tool editing console packs improved software integrations

30 Oct

Loupedeck has introduced Loupedeck Creative Tool (CT), the latest product in its line of editing consoles for creatives. The Loupedeck CT is small and nearly square at 160 x 150 x 30mm (6.3 x 5.9 x 1.2in) with a weight of 365g (12.9oz). The new model joins the previously released Loupedeck and Loupedeck+ consoles, offering a design that can ‘work in sync with all editing tools and software.’

The Loupedeck CT is a plug-and-play console with native integrations for a variety of popular software, including Final Cut Pro X, Photoshop, Premiere Pro, and Lightroom Classic. This model also introduces Loupedeck console support for Adobe Illustrator and music production software Ableton Live; later on this year, there will also be support for Autodesk Fusion 360.

The ‘fully adaptable’ Loupedeck CT is made with a high-quality aluminum cover and dials, plus it features LED backlighting, touchscreens, and what Loupedeck says are machine-quality ball bearings. The console packs preset workspaces designed for each software product integration, as well, though users retain the ability to customize the workspaces to meet their own needs.

Loupedeck designed its latest console with portability in mind; joining its small size is a removable USB cable. In addition to its software integrations and various buttons, dials, and touchscreens, the Loupedeck CT features Bluetooth 5 LE connectivity and support for macOS 10.12 or later and Windows 10. Below is a short intro tutorial shared by Loupedeck:

The new model is available to preorder now for $ 549 from Loupedeck and B&H Photo; shipping is expected to start on November 11.

Articles: Digital Photography Review (dpreview.com)

 
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DxO PhotoLab 3 brings improved repair tools, local adjustment masks and new camera support

25 Oct

DxO has launched DxO PhotoLab 3, the latest version of the company’s photo editing software. The new version of PhotoLab brings new and improved tools, including an optimized Repair Tool and entirely new Local Adjustments Masks Manager, as well as support for keyword searches in PhotoLibrary and new camera support.

PhotoLab 3 introduces a new color adjustment mode as part of the software’s Hue, Saturation, and Luminance (HSL) Tool, one that is based on the DxO ColorWheel. With the tool, users are able to choose color ranges from eight separate channels, according to the company, as well as replacement colors and more.

Joining the ColorWheel is the new Local Adjustments Masks Manager, which enables users to manage an image’s layered local correction masks. This control includes individually adjusting opacity, reversing selected masks, and more.

Below is a brief rundown of the new features from photographer Robin Whalley:

Beyond that, PhotoLab’s Repair Tool, which allows users to scrub specific elements from an image, has also been ‘optimized’ to include a new Clone Mode and support for manually repositioning the tool’s source area. Both Repair Tool modes include support for opacity adjustment and feathering.

As mentioned, the software’s PhotoLibrary has also been updated to include keyword searches and management. The PhotoLibrary now shows image keywords in the interface, plus there’s the ability to add, rename, and delete keywords, including for multiple images at once. At this time, support for keywords in multi-criteria searches is only available on the macOS version of the software, but DxO says it will bring the same functionality to the Windows version soon.

DxO is offering PhotoLab 3 Essential and Elite Editions for Mac and PC at discounted prices until November 24:

  • DxO PhotoLab 3 Essential Edition: €99.99 / £86.99 / $ 99.99
  • DxO PhotoLab 3 Elite Edition: €149.99 / £129.99 / $ 149.99

DxO PhotoLab 3: The most colourful upgrade yet

DxO, one of the most innovative companies in the photography and image editing industry, is announcing its latest version of DxO PhotoLab, the most advanced photo editing software on the market in terms of image quality. With its completely redesigned HSL colour adjustment feature, optimized Repair Tool, and brand-new Local Adjustments Masks Manager, DxO PhotoLab 3 offers an exceptional level of colorimetry control, making the photographer’s job easier than ever before. Because the DxO PhotoLibrary now supports keyword searches, it offers an even more comprehensive workflow and improved compatibility with other photo editing software programs.

A new approach to adjusting colour

With its innovative and visual approach to colour management, DxO PhotoLab 3’s HSL (Hue, Saturation, and Luminance) Tool offers unparalleled control so you can produce even more natural- looking or creative images. It features a new colour adjustment mode based on a chromatic circle called the DxO ColorWheel. With this tool, you can select a colour range from eight different channels, fine-tune the value, select a replacement colour, and adjust your transitions to your heart’s desire. A new Uniformity setting also lets you adjust colour variations within a specific range. The Saturation and Luminance sliders now operate more independently, which offers more flexibility, especially when converting from colour to black and white and creating partially desaturated images.

“With the DxO ColorWheel, we were looking to create a new approach that could make colour management both flexible and fun. This tool is incredibly user friendly,” says Jean-Marc Alexia, VP Marketing & Product Strategy at DxO.

A Repair Tool that offers even more control

DxO PhotoLab 3 continues to improve its local adjustments options to offer users even more precision. One of these features, the Repair Tool, which acts as a brush that can erase unwanted elements from the image, has been updated. You can now manually reposition the area in the source image that you want to use to reconstruct an area in the image being edited. In addition to Repair Mode, DxO PhotoLab 3 also offers Clone Mode, which lets you directly replace the area you are editing. Feathering and opacity level can also be adjusted in both modes.

New Local Adjustments Masks Manager

DxO PhotoLab 3’s new Local Adjustments palette lets you manage local correction masks that have been layered within a single image. Make them visible, mask them, or adjust their opacity individually. The tool also lets you reverse the selected mask with a single click, adding additional flexibility and saving a significant amount of time.

A more complete workflow through keywords

In addition to the search criteria that are already available in the DxO PhotoLibrary (metadata, shooting parameters, folders, etc.), DxO PhotoLab 3 now offers keyword management and optimizes image organization all the way up to export. The keywords associated with an image can now be displayed in the interface, including when they are imported from other software programs. You can now add, delete, or rename keywords for one or multiple images simultaneously and include them in multi-criteria searches (macOS version only; this feature will be available in the Windows version in the near future). DxO PhotoLab 3 also offers more complete information and metadata display options as well as additional Projects management options.

New camera support

DxO PhotoLab 3 continues to add new cameras to the list of equipment it supports. It recently added the Canon G5 X Mark II and G7 X Mark III, the Nikon P1000, the Panasonic Lumix DC- G90/G95/G99/G91, the Lumix DC FZ1000 II and Lumix TZ95/ZS80, the Ricoh GR III, and the Sony A7R IV and RX100 VII. More than 3,000 optical modules have also been added to the database, which now includes over 50,000 different camera/lens combinations. The software’s de-noising capabilities for RAW photos taken with certain Canon and Olympus cameras has been improved as well.

Price & availability

The ESSENTIAL and ELITE editions of DxO PhotoLab 3 (PC and Mac) are now available for download on DxO’s website for the following launch prices until November 24, 2019:

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DxO PhotoLab 3 ESSENTIAL Edition: DxO PhotoLab 3 ELITE Edition:

DxO PhotoLab 3 ESSENTIAL Edition: DxO PhotoLab 3 ELITE Edition:

DxO PhotoLab 3 ESSENTIAL Edition: DxO PhotoLab 3 ELITE Edition:

€99.99 instead of €129 €149.99 instead of €199

£86.99 instead of £112 £129.99 instead of £169

$ 99.99 instead of $ 129 $ 149.99 instead of $ 199

You do not need a subscription to use DxO PhotoLab 3. You can install the program on two computers with the DxO PhotoLab 3 ESSENTIAL Edition or on three computers with the DxO PhotoLab 3 ELITE Edition. Photographers with a license for DxO OpticsPro or DxO PhotoLab 2 can purchase an upgrade license for DxO PhotoLab 3 by signing into their customer account on www.dxo.com. A fully-functional, one-month trial version of DxO PhotoLab 3 is available on the DxO website.

Articles: Digital Photography Review (dpreview.com)

 
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Tether Tools Air Direct is a new and improved way to wirelessly connect your camera to your computer, mobile device

25 Oct

Tether Tools has introduced a new device that enables users to create a wireless connection between their camera and theirfavoritee tethering software, and which avoids the use of hot folders and middleman applications for camera controls.

The new Air Direct allows a much wider range of camera models and brands to be used than the company’s current Air Case, and enables tethering software applications to operate as if the camera were connected with a cable.

The idea is that those using software applications such as Capture One Pro can use the software’s tethering functions as normal, with the system sending live previews to the software and the software controlling the camera’s operation. While the Tether Tools Air Case was a Nikon/Canon-only device, the new Air Direct will work with Fujifilm, Olympus, Panasonic and Sony cameras as well — so long as they are compatible with the software in use. Canon and Nikon owners will also be able to tether via smartphones and tablets using the existing Air Remote App.

The new device uses twin antennas to send and receive data to and from the camera via 2.4GHz and 5GHz 802.11AC Wi-Fi networks, which Tether Tools claims, along with a USB-C cable, allows a transfer connection 5x faster than before. Air Direct has a range of 200ft/60m and can send both Raw and JPEG files to PC and Mac computers simultaneously. Battery or DC powered, the Air Direct doesn’t drain camera power and can be run using an external battery pack via the USB-C connection.

The Tether Tools Air Direct will cost £358.80/$ 329.99. For more information see the Tether Tools website.

Press release:

Tether Tools Air Direct

Shoot further, faster, from anywhere, to any tethering software of choice.

Air Direct wirelessly transfers RAW and JPG images to Capture One, SmartShooter, Lightroom and others, as if you were shooting with a cable. Connect DSLR, Medium Format and Mirrorless cameras direct to any supported tethering software.

Key Features:

  • Wireless camera control and transfer from your software. No compromises. Capture One, Lightroom, Smart Shooter, DarkRoom & many other tethering software programs.
  • USB-C technology for lightning fast transfer.
  • 802.11AC Wi-Fi connection. Internet access not required.
  • Two-way communication from computer to camera, camera to computer.
  • Transfer Raw and JPEG to Mac and PC simultaneously.
  • One to One camera connection for secure communication.
  • 5X faster transfer speed and range up to 200 feet (60m).
  • Compatible with Canon, Fuji, Nikon, Sony, Olympus, Panasonic LUMIX, Phase One, Hasselblad, Leica models with USB tether. Not designed for non-supported camera models.
  • Mobile users enjoy all the benefits of the Air Remote App on iOS and Android devices.
  • Powered by easy access LP-E6 battery or DC input. Air Direct utilizes its own power source and will not drain the camera’s battery. For longer shoots, use large external USB batteries or AC wall power via the supplied DC cable. Air Direct offers the flexibility to hot swap power without ever shutting down. Power and shoot simultaneously.

Computer

The Air Direct Utility or ADU allows for Wireless PTP communication between camera and tethering software on MacOS or Windows. Supported cameras: www.TetherTools.com/Air-Direct

Tethering software of your choice such as Capture One, Smart Shooter 4 or Lightroom and many others can be used with Air Direct. (Required for MAC and PC)

Mobile

Air Direct is compatible with iOS and Android devices for Canon and Nikon cameras via Air Remote Mobile App. (Logo/Icon)

Air Remote App features creative zone control, live view, bracketing, time-lapse, focus stacking, bulb time, movie mode and more.

Connection Setup

The Air Direct offers two ways to wirelessly tether your camera.

Connect the Air Direct to your PC or Mac via the Air Direct Utility (ADU) and use tethering software of your choice, OR

Connect the Air Direct to your mobile device (phone or tablet) and tether with the Air Remote App.*

*Note: Connecting the Air Direct to your mobile device phone or tablet) is compatible with Canon and Nikon cameras only
at this time.

Product Specifications:

  • USB Protocol: USB-C
  • Wi-Fi: 802.11AC
  • Bandwidth: 2.4 and 5GHz
  • Range:?up to 200 feet (60m)
  • Battery Life:?3-5 hours*
  • Size:?1.5″ x 3.6″ x 2.7″ (39mm x 92mm x 68.6mm)?
  • Weight: 6oz (170g)

*Results may vary based on phone, tablet, or computer used.

Articles: Digital Photography Review (dpreview.com)

 
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Google Pixel 4 adds telephoto lens, improved portrait mode and HDR in live view

15 Oct

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Google officially unveiled the Pixel 4 today, with the addition of a telephoto camera headlining the camera updates. Other improvements include an enhanced live view experience showing the approximated effects of HDR in real time, added controls for adjusting exposure and tone mapping prior to image capture, and an updated portrait mode with better depth mapping thanks to the additional rear camera.

The Pixel 4 and Pixel 4 XL offer 5.7″ and 6.3″ OLED displays respectively, each with a 90Hz variable refresh rate that Google calls ‘Smooth Display.’ Gone is the fingerprint sensor on the rear of the device, replaced by face unlock. Also new is a technology called Soli, comprising a radar chip that detects hand motions. Called Motion Sense, this feature makes it possible to skip songs and silence calls with a wave of your hand.

As is the case with high-profile phone launches, along with the main specifications the camera updates are also the center of attention (in fact, Annie Leibovitz made an appearance). In addition to the new F2.4, optically stabilized telephoto camera (about 48mm equiv.), Google has introduced improved Super Resolution Zoom for up to 8x digital zoom. In fact, the telephoto camera uses a hybrid of optical and digital zoom at its default zoom setting to achieve approximately 2x zoom.

The process of taking photos has been improved on the Pixel 4 as well. On previous models, the results of Google’s impressive HDR rendering could only be seen after capture – now, machine learning is used to approximate the effect in real-time for a much more ‘what you see is what you get’ experience.

Google Pixel 4 official sample images

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Additional exposure controls are also available during image capture. Two new sliders give users direct control of overall scene brightness and rendering of shadows, as compared to the single exposure slider offered by the Pixel 3. Google also says the Pixel 4’s camera is more responsive and stable compared to the Pixel 3, thanks to 6GB of RAM at its disposal.

Portrait mode should see significant improvements as well. The mode now uses information from the telephoto camera as well as split pixels to judge subject distance, creating a better depth map than was previously possible only using split pixels. Portrait mode’s range has also been extended, making it possible to capture large objects as well as human subjects from farther back than was possible on the Pixel 3.

While the telephoto camera lends depth information, the standard camera with a 1.5x digital zoom is used for the image itself. Background blur is now applied to the Raw image before tone mapping, with the aim of creating more SLR-like bokeh. The updated Portrait mode should also handle human hair and dog fur better, and Google says that its face detection has been improved and should handle backlit subjects better.

All camera modes will benefit from improved, learning-based white balance – previously used only in Night Sight

An astrophotography mode is added to Night Sight, using longer shutter speeds to capture night skies. Additionally, all camera modes will benefit from improved, learning-based white balance – previously used only in Night Sight. Google has also done some white balance tuning for certain light sources.

Google has reduced the number of front-facing cameras from two back down to one. Citing the popularity of the ultra-wide selfie camera, the Pixel 4’s single front-facing camera offers a focal length that’s a happy medium between the standard and ultra-wide options on the Pixel 3.

Google Pixel 4 pre-orders start today; Pixel 4 starts at $ 799 and Pixel 4 XL starts at $ 899. Both will ship on October 24th. It will be available for all major US carriers for the first time, including AT&T.

Articles: Digital Photography Review (dpreview.com)

 
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Leaked Pixel 4 photos show new and improved astrophotography, portrait and Night Sight modes

03 Oct

The Google Pixel 4 is just around the corner, expected to be announced at the Made by Google Event on October 15. We’ve already seen what the Pixel 4 will look like, thanks to both Google and third-party leakers, but today we’re getting more than a hardware leak. 9to5Google has obtained exclusive images that it claims Google will use to promote the new camera capabilities of its impending device.

9to5Google has kindly given us permission to share the full-resolution images directly from their source and only saved once with a watermark over them. The images, as you’ll see below, are a combination of images captured with the front-facing selfie camera and the rear-facing cameras (rumors point to there being a 12-megapixel main camera and a 16-megapixel telephoto camera). The images appear to include photos shot in multiple camera modes, including the improved Night Sight mode and a new star-shooting mode that’s been rumored for some time now.

First up are a few photos that appear to show off the portrait mode of the front-facing camera onboard the Pixel 4. Interestingly, these photos measure in at 4.5-megapixels, nearly half the resolution of the 8-megapixel onboard the Pixel 3, so we’re not sure whether these are simply resized or from a larger sensor that’s been supersampled, but whatever the case is, they look impressive. The faked bokeh looks both realistic and smooth, while the outline, even around hair, seems to be precise, with only a few notable exceptions (specifically the arm on the white jacket).

Next up are more portrait mode shots with what we presume to be the rear-facing camera on the Pixel 4. These shots measure in at 7-megapixels and were taken with the main camera (the Pixel 4 will feature multiple camera modules). Like the previous shots, the fake bokeh appears to be incredibly accurate, even on difficult subjects, such as a long-haired pet and flyaway hairs.

Moving along, we have three photos (two 9.2-megapixels and one 5.2-megapixels) that appear to be taken with Google’s Night Sight mode. Based on the EXIF data embedded in some of the images, the photos were taken with the main 27mm (35mm equivalent) F1.7 camera onboard the Pixel 4. The actual lighting scenario in the scene isn’t known, but the images appear both bright and vibrant with nice dynamic range, even in the images that have multiple light sources at different color temperatures.

Along the lines of Night Sight, it appears a pair of photos showing off the much-rumored night sky camera mode expected to be onboard the Pixel 4. Based on the EXIF data, these images (the header image of this article and the below image) were also captured with the main camera unit and the GPS data reveals the shots were captured at Pinnacles National Park in Central California along State Route 146. For being captured with a smartphone, the amount of detail captured in the night sky is absolutely incredible. It seems as though stars get lost around the silhouette of the trees in the frames, but the rest of the sky showcases countless stars in the Milky Way.

The remainder of the photos showcase a number of scenes, but it’s not clear what specific camera modes are being used to capture these images. As noted by 9to5Google, it’s been rumored there will be a ‘Motion Mode’ with the Pixel 4, but that’s not yet confirmed, even though a few action-style shots are seen in the following images.

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Plenty still remains to be seen, but with the Made by Google Event less than two weeks away, it won’t be long before we know just what the Pixel 4 is capable of. 9to5Google has also detailed a new ‘Dual Exposure’ mode that’s believed to be avaialble on the Pixel 4.

Articles: Digital Photography Review (dpreview.com)

 
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