Rangefinder magazine has announced its annual list of top wedding photography newcomers, now in its fourth year, highlighting the work of 30 photographers to watch. See some of their work and learn more about the list. Read more
Articles: Digital Photography Review (dpreview.com)
[ By Steph in Art & Street Art & Graffiti. ]
Spanish street artist Pejac both praises and criticizes elements of various Asian cultures in a new series of outdoor paintings making use of iconic traditional imagery and symbols. Human figures are represented as mere silhouettes, allowing reproductions of The Great Wave off Kanagawa or three-dimensional elements like bonsai trees to take center stage in each work.
The works may say just as much about how a foreign artist perceives the culture of cities like Tokyo, Seoul and Hong Kong as they do about the places themselves. Pejac makes use of some of the most common symbols that outsiders associate with Asian cultures and traditions, like a Chinese dragon beside a heart-shaped scorch mark.
A piece entitled ‘Seppuki’ in Tokyo depicts what looks like the silhouette of a samurai doubled over as if mortally wounded, impaled by a cherry tree branch instead of a sword. “I couldn’t help but make this sort of tribute as a manner of thank you to the Japanese culture for the inspiration that drove me to create in the first place.”
A three-dimensional installation of shark fins sticking out of the pavement in Tokyo is a tad harsher in its appraisal, with human bite marks taken from each one. Pejac makes use of “classic anime aesthetics” to calla attention to the environmental impact of shark fin soup, which is popular in Japan.
Unlike some other prominent artists working with more seamless urban camouflage in strange or offbeat settings, this work in NYC by Trina Merry allows for …
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White wall frames cracked red bricks shaped like rust-colored autumn leaves, all trailing down to a black silhouette of a painter and his bucket – but …
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Simple black-outlined, white-filled, faux-three-dimensional shapes that render urban happenstance into something with a humorous sense of mathematical order.
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[ By Steph in Art & Street Art & Graffiti. ]
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[ By Steph in Architecture & Cities & Urbanism. ]
Nearly all of our most majestic architecture reflects pinnacles of achievement for our species, and one architect aims to call attention to yet another way in which we are ‘spectacular:’ our unmatched ability to produce incredible amounts of waste. ‘Monument to Civilization‘ is a vertical landfill tower that offers both a serious solution for urban waste management and a commentary on our unsustainable habits.
The third place winner in eVolo’s 2012 Skyscraper Competition, ‘Monument to Civilization’ is not just a sobering daily reminder of how wasteful we can be, and the pressing need for new solutions. It’s also a power plant, harvesting methane gas from all that rotting trash and using it to help keep the city running.
Lin Yu-Ta envisions a narrow tower reaching high into the sky. Noting that we often “build towers for towers’ sake,” the Taiwanese designer puts some meaning behind the spectacle: the 1,318-meter (4,324-foot) height of this tower proposal represents the space that would be needed to store just a single year worth of trash from New York City alone.
“The ever-growing Monument may evoke the citizens’ introspection and somewhat leads to the entire city’s waste-decreasing and better recycling. Perhaps all metropolitan cities would inverse the worldwide competition from being the tallest to the shortest.”
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[ By Steph in Architecture & Cities & Urbanism. ]
Nearly all of our most majestic architecture reflects pinnacles of achievement for our species, and one architect aims to call attention to yet another way in which we are ‘spectacular:’ our unmatched ability to produce incredible amounts of waste. ‘Monument to Civilization‘ is a vertical landfill tower that offers both a serious solution for urban waste management and a commentary on our unsustainable habits.
The third place winner in eVolo’s 2012 Skyscraper Competition, ‘Monument to Civilization’ is not just a sobering daily reminder of how wasteful we can be, and the pressing need for new solutions. It’s also a power plant, harvesting methane gas from all that rotting trash and using it to help keep the city running.
Lin Yu-Ta envisions a narrow tower reaching high into the sky. Noting that we often “build towers for towers’ sake,” the Taiwanese designer puts some meaning behind the spectacle: the 1,318-meter (4,324-foot) height of this tower proposal represents the space that would be needed to store just a single year worth of trash from New York City alone.
“The ever-growing Monument may evoke the citizens’ introspection and somewhat leads to the entire city’s waste-decreasing and better recycling. Perhaps all metropolitan cities would inverse the worldwide competition from being the tallest to the shortest.”
Instead of burying our legacy under the Earth’s surface, these structures showcase the impact of the millions of tons of trash major cities produce on an annual basis.
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Recipe: an abandoned office tower without occupants while people all around sleeping on the streets. Result: 45 floors now inhabited by over 3000 people.
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[ By Steph in Architecture & Cities & Urbanism. ]
[ WebUrbanist | Archives | Galleries | Privacy | TOS ]
[ By Steph in Architecture & Cities & Urbanism. ]
Nearly all of our most majestic architecture reflects pinnacles of achievement for our species, and one architect aims to call attention to yet another way in which we are ‘spectacular:’ our unmatched ability to produce incredible amounts of waste. ‘Monument to Civilization‘ is a vertical landfill tower that offers both a serious solution for urban waste management and a commentary on our unsustainable habits.
The third place winner in eVolo’s 2012 Skyscraper Competition, ‘Monument to Civilization’ is not just a sobering daily reminder of how wasteful we can be, and the pressing need for new solutions. It’s also a power plant, harvesting methane gas from all that rotting trash and using it to help keep the city running.
Lin Yu-Ta envisions a narrow tower reaching high into the sky. Noting that we often “build towers for towers’ sake,” the Taiwanese designer puts some meaning behind the spectacle: the 1,318-meter (4,324-foot) height of this tower proposal represents the space that would be needed to store just a single year worth of trash from New York City alone.
“The ever-growing Monument may evoke the citizens’ introspection and somewhat leads to the entire city’s waste-decreasing and better recycling. Perhaps all metropolitan cities would inverse the worldwide competition from being the tallest to the shortest.”
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