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Posts Tagged ‘Historical’

New York City map makes it easy to find historical images of NYC from 1939 to 1941

18 Aug

A newly-launched online mapping system called 1940s NYC makes it simple for anyone to find historical images of the city captured from 1939 to 1941 by the New York City Tax Department in collaboration with the Works Progress Administration. The photography initiative involved capturing images of every home, shop and other buildings in all five boroughs, the result being an incredibly detailed time capsule of the city as it existed decades ago.

These historical photographs were already available to the public, but getting them — particularly ones of specific buildings — was time-consuming. Things got a bit more simple in 2018 when the New York City Municipal Archives finished digitizing the full collection, a process that also involved tagging each image so that it could be more easily found online using the right details.

Despite that improvement, the process of browsing these images was still limited. Users must go to the NYC.gov website’s city map tool and enter the exact address for the building of the photo they want. This makes it difficult to casually browse these historical images, something the new 1940s NYC mapping tool solves.

The new and far more capable mapping tool comes from NYC-based software engineer Julian Boilen, who notes on the website that an automated process was used to place the images on the map and, therefore, there is the potential for some ‘imperfections.’

The mapping tool is exceptionally simple to use. Every black dot on the map represents a photo of that location; users can zoom in on individual streets and neighborhoods, which appear to be overlaid with historic city zoning maps. Users can also enter an address to go right to a particular building. This is quite a bit more robust than the mapping tool offered by the city itself.

Users located in New York City also have the option of clicking a location icon that will pull up their current location on the map, making it easy to see what their neighborhood looked like decades ago. As well, the map provides an ‘Outtakes’ section that is a large gallery of browseable photos. Many of these images feature black dots and NYC.gov watermarks.

In addition to serving as a portal to the 1930s – 1940s NYC images, the mapping tool also includes a link to a similar map that features the same variety of imagery, but one captured in the 1980s.

This dataset features 800,000 photos of buildings, according to the tool, as well as more than 100,000 ‘street segments.’ This mapping tool includes a ‘Stories’ feature that provides a series of images alongside the stories behind them.

These stories include things like pointers on spying interesting elements in the photos, details about whether certain buildings still stand and if they were remodeled, notable events that took place at these locations and similar information.

The website is not affiliated with the New York City Department of Records, which is the agency that owns the historical photos. Anyone can order the high-resolution digitized copies or prints of images they like from the city’s Municipal Archives, otherwise, the public is limited to the watermarked and low-resolution versions made accessible by the NYC Department of Records and Information Services.

Including these images, the NYC Municipal Archives Digital Collections website offers the public access to more than 1.6 million digital items, including photos and videos.

Articles: Digital Photography Review (dpreview.com)

 
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Leica’s historical family tree is up for auction at Christie’s

12 Aug

A piece of Leica history is on auction at Christie’s – or more specifically, 107 pieces of history. The Stammbaum, or family tree, once greeted visitors at the company’s Solms, Germany headquarters and includes models introduced throughout Leica’s history. The collection traces models from rangefinder and SLR product lines all the way back to the U-r Leica, a prototype 35mm camera designed by Oskar Baranack.

The auction is open at Christie’s through September 14, 2016. The family tree’s assessed value is between £350,000 and £450,000 (roughly $ 456,400 – 586,800). If that’s a bit steep for you, there’s a free PDF download showing the camera models included over at apotelyt.com.

Articles: Digital Photography Review (dpreview.com)

 
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Fractal Architecture: 14 Intricate Ceilings of Historical Iran

18 Mar

[ By WebUrbanist in Architecture & Public & Institutional. ]

inlaid iranian ancient architecture

Sharing his findings via Instagram, an architectural photographer in Iran has begun documenting schools, mosques and cultural centers around the country, with a focus on their most mesmerizing feature: the ceilings.

mosque intricate mosaic tile

mosque ceilings iran

mosque tile roof ceiling

mosque in qom

Mehrdad takes viewers on tours of significant cultural complexes, some of which have been standing for close to 1,000 years as part of one of the world’s oldest civilizations.

ceiling painted

star ceiling pattern iran

complex pattern school iran

more architecture iran

Modestly-decorated and architecturally-muted facades often give way to incredible complex mural works, colorfully-patterned reliefs and mosaics that must be meticulously maintained.

architecture complex paterns

architecture iran

mosque architecture stuff

mosque detail architecture

final mosque pic

Buildings pictured here include the Hazrat-Masoumeh mosque in Qom, the Chaharbagh School in Isfahan and the Shah-e-Cheragh mosque in Shiraz.

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Ribbon of Light: Replacing LA’s Most Iconic Historical Bridge

16 Mar

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

bridge from above

Quite possibly the most filmed and photographed bridge in the world, the Sixth Street Viaduct, spanning the Los Angeles River, is a challenging icon to replace, but the Ribbon of Light aims to try.

sixth street viaduct original

The famous Art-Deco viaduct in question, built in 1932, has been featured in dozens of films, television shows, music videos and video games, including Grease, Gone in 60 Seconds, Terminators 2 and 3, Madonna’s ‘Borderline’ video and episodes of Lost and 24.

Some sequences show most recognizable part (directly over the LA river) being driven across, but many are shot from the river below. Unfortunately for fans, its was deemed seismically unstable thanks to compromised concrete supports, despite its historic landmark status with the city.

sixth street viaduct replacement

Architect Michael Maltzan, responsible for its replacement, has made his design an epic ode to its iconic curves, reprising and repeating them across a much longer portion of the new structure.

bridge at night

The new structure features arched trusses to be illuminated at night, suspended over a series of parks and paths being developed below and alongside it. A series of staircases and ramps will allow pedestrians and bikers to move up, down and across it as well.

new viaduct and park

The architects are clearly cognizant of the landmark they are replacing, and, in a way, are preserving its visibility through these repetitive forms, which actually extend much further out on either side than the original arches.

under bridge park

From the architects: “The project foresees a multi-modal future for the city, one that accommodates cars, incorporates significant new bicycle connections, and also increases connectivity for pedestrians to access the viaduct, not only at its endpoints, but along the entirety of the viaduct, linking the bridge, the Los Angeles River, and future urban landscapes in a more meaningful relationship.”

la river ribbon bridge

“These pairs of repeated concrete arches and cable-supported roadway deck are simultaneously elegant and efficient. The design approach unifies and optimizes the architecture of the viaduct through repetition, creating a unique configuration through the repeated use of arches, roadway and pier forms: an iconic structure.”

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Classic Modern Mix: 13 Striking Additions to Historical Houses

15 Dec

[ By Steph in Architecture & Houses & Residential. ]

additions octopi

Stretching out of the original structures like alien growths, these modern additions don’t even bother trying to blend in with their traditional architectural settings – but somehow, it works. The mashup of old and new keeps the historic character of the original structures intact while updating them for use by 21st-century residents, expanding the available space in unexpected ways.

Sculptural Extension to 1930s Miami Bungalow
additions miami 1

additions miami house 2

This three-story extension certainly isn’t trying to blend in with the modest 1930s Miami bungalow that can be seen peeking out from behind it. Sun Path House by Studio Christian Wassman sits upon a spiraling concrete structure containing a kitchen, which connects to the original house.

Greenery-Clad Vertical Extension
additions sandwich house 1

additions sandwich house 2

This concept by Zawelski Architecture Group literally raises the roof of an aging brick house with a sandwich of elements that hide a terrace inside the top story. The original structure houses the living spaces, the middle envelope contains private spaces like bedrooms and bathrooms, and a fence of ivy conceals a perfectly private backyard.

High Contrast at Bord-du-Lac
additions bord du lac 1

extensions bord du lac 2

A 200-year-old stone house in Canada gets a striking metal-clad addition in this project by Henri Cleinge. The stark transition between old and new is meant to express the passage of time, the new volume representing the modern-day family and the old representing their ancestors.

Hankai House: Modern Volume Protects 300-Year-Old Japanese Home
additions hankai

additions hankai 2

additions hankai 3

A new wooden building wraps protectively around a 300-year-old wooden gate house in Japan, extending its space while leaving the original structure virtually untouched other than sections that were beyond repair. The new structure provides extra earthquake resistance, and though it’s clearly contemporary, its burnt cedar walls pay tribute to the architectural vernacular of the town.

Cosgriff House: Sleek in the Suburbs
additions cosgriff 1

Christopher Polly Architect_Cosgriff House

Christopher Polly Architect_Cosgriff House

A striking new extension provides three new levels of living spaces without dwarfing the standard suburban Australian home it’s attached to. Architect Christopher Polly followed the form and contours of the house, inserting a large new living area beneath it.

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Classic Modern Mix 13 Striking Additions To Historical Houses

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Fox Talbot’s historical Mousetrap camera leaves UK for first time, heads to Tokyo

16 Sep

One of the first cameras to make a permanent photographic image has left the UK for the first time to be part of an exhibition hosted by the Japan Camera Museum in Tokyo. The so-called Mousetrap camera, used by William Henry Fox Talbot in his early experiments in creating the negative process in the 1830s, is the centre-piece of an exhibition entitled Kingdom of Elegance, Mahogany and Brass which shows off early cameras from the UK’s photographic industry. Sponsored by The British Embassy, the exhibition displays cameras owned by the Royal Photographic Society, the National Media Museum of the UK and a private collector called Kobayashi Yas.

Articles: Digital Photography Review (dpreview.com)

 
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Wall is Over: Art Students Whitewash Historical Street Murals

03 Dec

[ By WebUrbanist in Art & Street Art & Graffiti. ]

wall is ocver

In an audacious and contentious move, a group of young artists took it upon themselves to paint over the famous John Lennon Wall in Prague, replacing decades of layered mural work, drawings and tags with the message: “Wall is Over”. While the surface in question has particularly significant meaning for the local population, it has also long been a global symbol of resistance against governmental oppression – its clearing has thus become a border-crossing controversy.

whitewashed john lennon wall

Calling themselves Prague Service, the arts collective in question wanted to create a blank slate for future writers, reworking the wall that got its name after the assassination of its namesake. The piece was also intended to work as a combination  tribute to Lennon, referencing the song Happy Xmas (War is Over), and celebration of the 25th anniversary of the Velvet Revolution in what was then Czechoslovakia. Of their work, they write: “Twenty-five years ago, one big totalitarian wall fell … Students of art schools are expressing their commemoration of (1989) and opening room for new messages of the current generation.”

wall john lennon prague

According to Hyperallergic (with details from the French Associated Press): “It didn’t take long for others to take advantage of the free space and begin filling the Lennon Wall with tags again. However, the wall’s owner, the Order of Malta, was not so quick to dismiss the incident, and is pursuing legal action against the artists.”

3d installation art head

While the intentions behind this buffing of history may have been good, there may be unintended references as well to an era of Communist domination in which free expression was limited and street art was also painted over for political reasons. Images above and below via Rick Chan, Matushy, Steven Feather, Eregoion,  Brandon Schauer and Brian Beggerly.

wall street art tribute

More on the history of the John Lennon Wall: “In 1988, the wall was a source of irritation for the communist regime of Gustáv Husák. Young Czechs would write grievances on the wall and in a report of the time this led to a clash between hundreds of students and security police on the nearby Charles Bridge. The movement these students followed was described ironically as “Lennonism” and Czech authorities described these people variously as alcoholics, mentally deranged, sociopathic, and agents of Western capitalism.”

wall is over rework

In fairness to the students who edited it, the wall will not be over for long – its surface will continue to be reinvented over time: “The wall continuously undergoes change and the original portrait of Lennon is long lost under layers of new paint. Even when the wall was repainted by some authorities, on the second day it was again full of poems and flowers. Today, the wall represents a symbol of global ideals such as love and peace.”

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20 Tips for Photographing Historical Reenactments and Festivals

22 Sep

No matter what the season, people love to congregate in special places to celebrate or commemorate special events. Here are some tips that may help you take maximum advantage of the opportunities that festivals and historical reenactments present.

firing the canon

#1 Research the event before you go

Do some homework before you attend the event, to get an idea of the subject of the celebration, and something of its history. For example, if you are attending a battle reenactment, a little research before you arrive may give you an inside advantage as to how the battle may unfold in front of you. Even local street festivals exist for a celebration, so know what you can expect to experience, such as special displays, parades, entertainers, and fireworks.

#2 Know the rules of the event

For instance, some events may not allow you to bring coolers or large backpacks into a crowded venue, which could include your camera bag. Prepare accordingly to abide by the rules.

#3 Acquire a schedule of events and map of the venue before arriving

You’ll know ahead of time when to arrive and which locations you would like to shoot first.

#4 Develop a shot list

Preparing a shot list is a good way to help you to get all the images that you intend to capture. It is so easy to get caught up in a single attraction, then, when day is done, realize that you missed a lot of other shooting opportunities. So give yourself a game plan for the day, remembering that schedules can be flexible.

#5 Arrive early and stay late

The early bird gets the worm or the best parking place. Of course we know the best light of the day is during the early morning and pre-sunset, so arrive early and stay late to take advantage of it. Also, at many events the crowds don’t arrive until midday, and many who arrive early may also leave early.

Sunrise at the Ohio River Sternwheel Festival gives a colorful view of the event before the crowds arrive.

Sunrise at the Ohio River Sternwheel Festival gives a colorful view of the event before the crowds arrive.

#6 Bring a compass

Upon arriving it is very important to get your bearings, which may require taking a compass reading. This becomes very important when looking to for the best lighting and vantage point from which to shoot.

#7 Meet the people involved with event logistics

Interaction with the event coordinators, staff, participants or re-enactors of an event can be very beneficial to you when it comes to getting inside information, and perhaps some behind-the-scenes shots. In some cases getting to know the right person might land you a unique vantage point, not accessible to the public. Offering to send photos to them can also be great way to get access to some great images. (Don’t forget to get contact information.)

#8 Be prepared

Always bring a spare camera battery. There is nothing worse than missing a great shot because your battery went dead. Spare memory cards are a must also, because you could be shooting thousands of photos each day and you want to have enough memory with you to hold all your images. For shooting in the middle of the day, in the harshest lighting conditions with deep shadows, consider using your pop-up flash to provide fill light for close-ups and portraits.

#9 Prepare for weather

Be prepared by checking the weather forecast ahead of time. You may find yourself standing for long periods of time in the direct sunlight, so sun screen is a must. Also bring plenty of water to stay hydrated. A wide brim hat can also be useful to keep the sun out of your eyes. Your equipment also may need protection from weather elements, especially moisture related.

#10 Be aware of the wind direction

Wind direction can be very important if you are photographing an event where there will be weapons (e.g. canons) fired. If your shooting location is downwind from the action, all you may get in your image is a lot of smoke. In some cases this could add some very interesting effects but, it is best to be aware of this ahead of time.

#11 Play nice with re-enactors and other photographers

Sometimes photographing these events can mean shooting in very crowded locations with everyone wanting to get that same great shot. Be courteous to your fellow photographers, interact with the people around you and work to help everyone have a great experience. Offer suggestions that might be helpful to those who are obviously less experienced. Also, remember festival workers are providing a service to you and in many cases it might be for very little or no pay, so be considerate of them.

#12 Choose an appropriate lens

A good walk-around lens, like a 28-300mm or 18-200mm zoom, is a desirable choice for these types of events and will allow you to use the same lens all day. However, if such an item is not in your arsenal, narrow your options down to just a couple of lenses, like a wide angle and a 200mm or 300mm telephoto.  If you choose to use multiple lenses, remember there can be lots of dust in the air at outdoor festivals, so you need to be careful while changing them not to get dust in your camera, which will find its way onto your sensor. If you must change lenses it would be a good idea to try to find a dust-free area, (your car would be a good spot, if parked nearby).

#13 Shoot with a higher ISO if necessary

Raising your ISO will allow the shutter speed to stop the action and aperture to maximize your depth of field. However, in some instances a narrow depth of field may be useful to make your subject stand out from the background.

#14 Watch your background

When you are shooting at a reenactment event, the last thing you want in an otherwise perfect image is a car or other object that will seem historically out of place in the background. In some cases you can remove these objects in post-production, but it is best to avoid them, and look for a different vantage point that allows you to exclude them.

DSC_9671-Edit-2

#15 Look for details

Be observant to discover details that may make your shots stand out from all the other photographers shooting at the same location. Look for expressions on the faces of participants and spectators, as well as interactions between them.

Two officers standing at the fence discussing battle strategy.

Two officers standing at the fence discussing battle strategy.

Look for detail

This image captured from ground level, features a unique detailed view of reenactment maneuvers.

#16 Think safety

Remember to keep in mind where you are, when you are looking through your lens for an extended period of time. It is easy to lose track of just how close to the action you might have become.

#17 Tell a story

You’ve heard it said that picture is worth a thousand words, so look for images that tell a story. It doesn’t make much difference how well the photo is composed, that your exposure is correct and image is in sharp focus, if the shot doesn’t communicate the event experience to the viewer.

Lady in era dress watching and waiting, tells a story

Lady in period dress, watching and waiting, tells a story.

#18 Attend more than one day

If possible, returning for a second day can allow you to get some really great images. After attending the first day, it becomes easier to anticipate the action (especially in the case of a reenactment event), pick up other happenings missed the first day, or re-shoot favorite subjects with alternate lighting and camera settings.

#19 Capture images that may interest the event organizers

Often times festivals or events are looking for images to use for next year’s promotional material. Depending on the event’s budget, some might even offer to pay for desirable images, while others may not be able to offer more than a byline (it’s still very cool to see your images published). Many events hold a photo contest that pays prize money and features the winning image in promotional material. You should give such an opportunity your best shot.

Shoot images that might interest event organizers, such as this image from the Ohio River Sternwheel Festival held in Marietta, Ohio.

Shoot images that might interest event organizers, such as this image from the Ohio River Sternwheel Festival held in Marietta, Ohio.

#20 Give your photos a vintage effect in post-production

Giving your image a nice sepia tone to match the photos of former eras can be an interesting way to present reenactment or old-time feeling events.  Click on this link to download an American Civil War Lightroom preset. This preset will give you the era’s sepia tone effect, with faded corners and added grain.

DSC_9684_rto

Remember to have fun when you are photographing events and festivals. It is easy to get so involved with getting that perfect shot that you don’t take the time to enjoy the experience. Please share some of your favorite reenactment or festival shots.

The post 20 Tips for Photographing Historical Reenactments and Festivals by Bruce Wunderlich appeared first on Digital Photography School.


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Turn Back the Dial: 13 Retro Historical TV Set Designs

13 Nov

[ By Steph in Technology & Vintage & Retro. ]

Retro Television Main

Early television sets ranged from tiny screens housed in laughably oversized cabinets to stylish midcentury modern designs. Some, like a Russian TV from 1932, don’t even look remotely like the televisions we’re familiar with today. Here are 13 historical TV set designs dating from 1928 through 1991.

Massive Luxury Kuba Komet, 1957-1962

Retro TV sets Kuba Komet

Retro TV Sets Kuba Komet 2

How cool is this midcentury modern TV console? Shaped like a sailboat, it features an upper section that rotates like a sail on a mast so you can tilt the 23-inch screen in the desired direction. The lower cabinet holds additional multi-media features with a pull-out, 4-speed phonograph, a TV tuner and a multi-band radio receiver.

First Publicly Available Russian TV, 1932

Retro Television Russian 1

The first television set that was available to the public in Russia looks exactly like you would expect – basically, as if it were a piece of military equipment.

GE Performance Television, 1978

Retro Television GE Performance

Once upon a time, having a gigantic ugly faux-wood-covered box in your living room was considered a sign of prestige. The GE Performance Television is about as ridiculous as it gets, especially since the picture was terrible owing to the fact that it was essentially just a regular TV tube flipped and back-projected onto that giant screen. GE marketed it as “a super-size TV with a picture three times as big as a 25-inch diagonal console and the ‘chairside convenience’ of random access remote control.”

Zenith CBS Mechanical Color Wheel, 1948

Retro Television Zenith Color Wheel

Before ‘real’ color TVs were available, CBS labs came up with this contraption – essentially a black-and-white television equipped with a spinning mechanical wheel of red, blue and green filters that added color to the picture seen on the screen. CBS was all ready to start selling these things when RCA protested that an all-electronic color system (which they were researching, but had not yet developed) would make more sense. Ultimately, the Zenith design was briefly used as a teaching tool for surgery, but never sold to the public.

Phillips Discoverer Space Helmet TV, 1991

Retro Television Phillips Discoverer Space Helmet

This novelty television didn’t really do anything special – it just  looks cool, modeled after a space helmet with a closing lid. They can still be found on eBay for under $ 100.

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Turn Back The Dial 13 Retro Historical Tv Set Designs

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Edgy Art: Fore-Edge Paintings Hidden in Historical Books

11 Oct

[ By WebUrbanist in Art & Drawing & Digital. ]

book-edge-autumn

Invisible at a glance, artists have long hidden fore-edge artwork in plain sight, resulting in works that are sometimes first spotted decades or even centuries after their creation. What looks like a plain gold-gilt surface on the shelf can unfold to reveal a rich and colorful surprise.

book-edge-art-winter

book-edge-art-spring

book-edge-art-summer

Via Colossal, the above examples come from Colleen Theisen and the Special Collections & University Archives  at the University of Iowa. They are from a series of four books titled after the seasons (Autumn, Winter, Spring and Summer shown sequentially above) published in the 1800s by Robert Mudie.

autumn winter summer spring

The art of disappearing fore-edge painting dates back hundreds of years, but (visible) edge painting on closed books goes back over a thousand years. Sometimes the scenes are made to match content, contexts and characters from within the book. In other cases, they are more broadly relevant, meant to set the stage or tone for the reader.

fore edge art

The fore-edge (found on the opposite side of a book’s spine) can be painted directly on the closed book to create a drawing that is immediately visible. Alternatively, the pages can be splayed out and painted on the front or back  of the edge. In some cases, both sides are painted to create a double fore-edge works that are entirely different depending on which way you splay the sheets. Triple fore-edge variants are also possible, with two patterns or scenes that disappear and a third that is visible when the book is closed.

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