Historic « 360Photography

RSS

Posts Tagged ‘Historic’

Historic chemicals producer, Tetenal, has roared back to life with new online shop

17 Sep

After facing imminent closure, Tetenal is back with a vengeance and has relaunched their online shop. This is fantastic news for analog photographers, as Tetenal has been producing critical photochemicals since 1847, making Tetenal the oldest active company in the photo industry.

In January 2019, we reported that Tetenal Europe faced closure. After going into voluntary insolvency protection in 2018, Tetenal Europe GmbH failed to find new investors and was preparing to close its doors. In February 2019, an employee-led management buyout was accepted and Tetenal lived on.

In an announcement at the time, one of the leaders of the employee-led movement, Burkhardt Mueller, said, ‘We respect the heritage and the responsibility for 172 years of photo history that we inherit. Together with the global photo community and commercial partners from the analog photo industry, we will relaunch proven products to ensure reliable sustainable supply for film and photo studios, while developing new business models, products and services.’

A screenshot from Tetenal 1847’s new online store.

Jumping ahead to the current day, the wheels are in motion at the new Tetenal. The company is offering a 5% discount on all purchases from their online store using the discount code ‘tetenalpromo09’. The company offers worldwide shipping.

Tetenal’s relaunch includes new black and white chemistry, including film and photo paper developer, stop, fixer, photo paper tones, stabilizer, wash aids and wetting solutions. If you’re interested in traditional wet plate photography, there’s emulsion available for that as well.

Tetenal is not content to simply keep producing more of the same, however, it is also working on new products. Tetenal has nearly completed the development of Tetenal Developer Tablets. These E6 and C41 developer tablets are dry chemicals you can dissolve in water to make your own solutions at home. This has two major advantages over traditional liquid concentrates. First, tablets have a lower shipping weight and volume. Secondly, liquids can oxidize, which limits shelf life when using chemicals in small batches. Tablets, on the other hand, are easier to store and have a longer shelf life.

Tetenal has nearly finished the development of effervescent tablet forms of E6 and C41 developer. Click to enlarge. Image credit: Tetenal

It is a big deal for Tetenal to survive. While the company is perhaps best known for its film processing chemicals, it is also a producer of source chemicals for many other companies throughout the world. Tetenal also contributes to digital photography by supplying chemicals to companies such as Epson, Eizo and other inkjet and dye sub media distributors. Tetenal’s chemicals are also critical to the motion picture industry.

In an article for PetaPixel, Ludwig Hagelstein wrote an excellent in-depth look at Tetenal since its 19th-century beginnings. It is well worth checking out for those interested in photographic history and analog photography.

Click to enlarge. Image credit: Tetanel

To learn more about Tetenal’s history and its product offerings, head to its website. It’s excellent to see the company continuing to survive and innovate amid challenging market conditions.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Weekly Photography Challenge – Historic Buildings

11 Jul

The post Weekly Photography Challenge – Historic Buildings appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s weekly photography challenge – HISTORIC BUILDINGS!

Go out and take some photos of historic buildings. Do exterior shots, interior shots, and close-ups of details. Get down low and shoot high for extreme angles.

So, if you are lucky enough to be somewhere you can photograph some historic buildings, capture them in any way you like. Alternatively, go through your catalog and find your best historic building photos!

Play with post-processing too – try split-toning, black and white or sepia.

Slot photos together, like I do to see how images work together as a series too.

Take them with your camera or smartphone.

The choice is yours! I look forward to seeing what you share

Check out some of the articles below that give you tips on this week’s challenge.

Tips for photographing HISTORIC BUILDINGS

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

How to Tell Stories with Architecture Photography

6 Helpful Tips for Doing Interior Architecture Photography

Tips for Different Approaches to Architecture Photography

6 Tips to Take Your Architecture Photography to the Next Level

Architecture: Photographing Exterior Details

How to Achieve Great Black and White Photos in Editing

How to Use Color Temperature in Black and White Conversions

How to Create Silky Split Toned Black and White Photos Using Luminosity Masks

Get Low and Aim High – How to Use Low-Angle Photography to Great Effect

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPShistoricBuildings to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Historic Buildings appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Digital Photography School

Comments Off

Posted in Photography

YouTuber uses AI to turn historic 1911 New York trip footage into colorized 4K/60p video

26 Feb

In 1911, Swedish company Svenska Biografteatern captured footage of a trip to New York, resulting in more than eight minutes of video that, in its original form, is quite low resolution with a low frame rate.

Various efforts over the years have attempted to improve the resolution, frame rate, colors and other details with different results, but one of the best edits thus far comes from Denis Shiryaev, who recently shared the edited video on Reddit.

According to the video’s description, as well as a comment left by Shiryaev on Reddit, the project involved four neural networks, including DeOldify. In all, the various neural networks managed to increase the framerate to 60 fps, increase the resolution to 4K, bump up sharpness and even colorize. This is one of multiple videos Shiryaev has upscaled and improved; other examples include a video from the Apollo mission and ‘Arrival of a Train at La Ciotat’ from 1896.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Paris Musées launches online portal with thousands of historic photographs

22 Jan

Eugène Atget (Jean Eugène Auguste Atget, dit) (Libourne, 12–02–1857 – Paris, 04–08–1927), photographer

Paris Musées, the public institution that manages all of the museums in Paris, has launched a new Collections portal that offers the public access to more than 100,000 high-resolution digital reproductions of classic artwork and photography. All of the content offered in the Collections portal is available under a CC0 license.

In addition to high-resolution images of artwork from such notable names as Rembrandt, the online collection also includes a portal with more than 62,000 high-res photo scans showcasing some of the nation’s earliest photography from photographers that include Pierre Emounts ou Emonds, Eugene Atget, Ernest Charles Appert, Hippolyte Blancard and Roger Henrard.

Maison de Balzac, 16th arrondissement, Paris. Eugène Atget (Jean Eugène Auguste Atget, dit) (Libourne, 12–02–1857 – Paris, 04–08–1927), photographer

Because the photos are all under a CC0 license, anyone can download high-resolution copies of the images alongside documents with full details on the photos, including when and where they were taken, which museum they’re located at and the materials and techniques used to produce each print. The institution will also make copyrighted images from its museums available as low-resolution previews.

In its announcement of the new online collection, Paris Musées explains that it receives a large number of requests from students and others who want to view and/or use some of the images from its museum collections. This portal now makes it possible for anyone to quickly locate and download the content.

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Photographer David Burnett on shooting his third impeachment: ‘I felt that historic pang’

16 Nov

It’s not every day that you see someone using a 4 x 5 film camera on TV, and certainly not during the coverage of one of this years’ most-watched events: the opening on Wednesday of the public phase of the house impeachment enquiry into President Donald Trump. But as diplomat William Taylor and State Department official George Kent took their seats, our eye was caught by one figure among the crowd of photographers jostling for a shot, and his camera.

After some quick Twitter research, we identified him as David Burnett, multi award-winning photographer, and veteran of three impeachment hearings. His camera? A custom-made ‘Aero Liberator’. We caught up with David on his drive back to New York after the hearings to learn more about his work, his approach to photography, and that camera.

The following interview has been lightly edited for clarity and flow.

When did you start shooting large format film?

I’ve been shooting with my Speed Graphic for 15, 16 years. I started in 2003-4 doing politics, then I did the Olympics, and some presidential stuff – John Kerry and George Bush. I won a bunch of World Press Photo prizes in 2004-5, ‘Best Sports Story’ with the pictures taken with my Speed Graphic. Along the way I met this guy called John Minnicks, who I happily describe as a mad scientist, who takes a camera and then makes it into something else. John made me this camera, which he calls the ‘Aero Liberator’.

He figured out a way to make it using a Graflex Super D, which is a sweet little camera, and just such a beautiful little thing. So he puts the Aero Ektar lens on it. I’m sort of responsible for the re-birth of that lens in the past 15 years, because for my Speed Graphic, I was getting tired of shooting slow lenses. So I looked around, and I found this F2.5 lens, from a WWII reconnaissance camera.

There must be easier ways of working, as a photojournalist….

If you’re shooting with film holders, you have created for yourself a major impediment. Nobody did that to you, you did it to yourself. And in a way, you could say to yourself ‘well that was kind of a dumb move, why can’t you just shoot cool digital cameras like everybody else?’ And I’ve got Sony a7s and a9s and I love those cameras. But one frame, having the wherewithal and the guts to slow down and figure out when that one frame is supposed to be shot, that’s the real deal.

WW1 re-enactors at the 2019 Veteran’s Day Parade, New York City.
© 2019 David Burnett/Contact Press Images

So the other day, I walked up and down 5th Avenue during the Veterans Day parade, I shot 18 frames. I’ve been shooting this stuff for 15 years now. You could ask why would you tie one hand behind your back by working like that? When you force yourself to step up to that challenge, and you get a picture – and you don’t always get a picture! I may not have anything from today, in which case my so-called ‘heroic’ actions will have been for naught! But it’s worth a try.

I’ve been doing this a long time, and I love being fired up enough to still want to do something a little different, and a little challenging.

Did you know that you were featured in the live stream from the hearing?

I had no idea that I was on-camera. We’d all just gotten into the room to figure out where we were going to be. I was just standing there with my camera, and I’d brought along my little Sony a6500, which today I was using with an old 1940s Kodak Cine lens, a 50mm F1.6 Anastigmat. It’s very fun! It rekindles the fun, and makes it challenging.

David Burnett at the opening of the house impeachment hearings on Tuesday November 12th, with his custom ‘Aero Liberator’ 4 x 5 film camera. (NBC News)

Your first color assignment was covering Apollo 11, and that was 50 years ago…

I know, that was a long time ago!

What keeps you doing it?

I don’t know if you’ve seen the wonderful movie that Stephen Wilkes did about Jay Maisel? It’s called ‘Jay, Myself’. There’s a wonderful moment in there when Jay says ‘I love photographs, but I really love photographing’. You have to decide which is your dominant personal motivation. And watching the movie I was thinking ‘well, I know which one I would choose – I wonder if I chose the right one?’

There are many times when you don’t get the picture, but the act of being there and trying to get it is not a bad thing.

I love photographing. I’d prefer to be paid for it, but there are times when it’s pretty clear I’m not going to be paid for it and if I want to go shoot something, I’ll go shoot it. There are many times when you don’t get the picture that you want, but the act of being there and trying to get it is not a bad thing. Just be happy to share and discover.

Were you on assignment today?

No, that was just me. I was at the Nixon hearings, and Clinton, and I felt that historic pang.

So this is your third impeachment?

I will be my third, yeah! But it’s not really about politics for me. I’ve been going to the white house for 52 years. The only thing I care about is how I feel when I walk through the North West gate. It’s always special. I’ve been there for Nixon, Johnson, both Bushes – everybody. For me it’s about the institution, and how it still works. That’s the cool thing. That’s really what draws me to politics. Eventually you’ll find yourself in a place where for 200 years people have been doing the same thing.

It’s a great tradition to be able to walk into that place with a camera and try not to get to beat by everyone around you. And that happens a lot! Turns out there are a lot of really great photographers, men and women, that work there.

President Lyndon B. Johnson at a joint session.
© 2019 David Burnett/Contact Press Images

Watching you in the footage today, I’m interested to know about your process.

With this camera, it’s a mirror reflex so you look down into it from overhead. I kind of eyeball it, roughly, then I’m just looking at Ambassador Taylor to see if I can identify a moment which might be more interesting than half a second ago, or half a second from now. A thing like this, where you don’t have long, and then you have to back away, I try to get my focus where I think he’s going to be, but I don’t always shoot right away. You’ve got one shot, and by the time you’re ready for the next one that’s maybe 20 or 30 seconds. I can do it pretty quickly, I’m not bad with it, but there’s a lot to do on those cameras.

The ‘Speed‘ Graphic? I mean – compared to what? Well, compared to what came before it, it was pretty good.

Natalie Coughlin, Olympic Gold Medalist.
© 2019 David Burnett/Contact Press Images

What kind of reaction does the old film equipment get?

When you bring out a camera like that, people tend to give you a second of hesitation, before they say ‘no’. It puts you in a slightly different place as a photographer, as a journalist and an artist. Compared to if you were showing up with the usual three or four digital cameras and all that stuff. ‘OK, this is a little different’. And it’s much appreciated, by me. As long as you don’t drop it, or do something stupid, it definitely gives you a little bit of an edge.

I was the only guy at the Olympics to get a letter saying ‘he’s authorized to carry a tripod’.

It’s hilarious – I used to carry my Speed Graphic around at the Olympics. I was the only guy at the last three Olympics to get a letter from the Olympics chief saying ‘he’s authorized to carry a tripod’. It’s been great, I made a few really good pictures, and maybe you could have made the same picture with a digital camera, but when you see all the flaws that can happen [with large format film] it has more of an honesty about it. There are 100 things that could go wrong, and any one of them can really screw you up.

If it turns out that you didn’t get any shots from today, how would you feel?

Well, I looked at my digital pictures already, and honestly, I’m going to look at the papers tonight and tomorrow and see who made a great picture. There was some real talent in that room. I mean real talent. Doug Mills, Damon Winter – those guys, it’s hard to do better than either of them. Scott Applewhite from AP was there, there were some really good people in the room.

So if I don’t get anything, I won’t feel like a total schmo but I’ll be a little disappointed. But I made a couple of good pictures at the veterans parade on Monday and that kicked me in the ass to decide to go give it a try.

How long before you’ll know?

Well it’s Wednesday night now, so maybe Friday afternoon if I’m lucky. I’ll let you know!

Visit David Burnett’s website to see more of his work

Learn more about the Aero Liberator by John Minnicks

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Unboxing Buildings: Dull Modern Facades Removed to Reveal Historic Decor

24 Oct

[ By WebUrbanist in Architecture & Offices & Commercial. ]

Modernist architects rejected brick, stone and iron ornament in favor of clean metal and brutalist concrete, and in some extreme cases went so far as to cover up old facades with more contemporary cladding. But what was originally an act of erasure can also turn into an unintentional act of preservation, as in the case of this structure built in the 1920s but clad over in the 1960s.

This drab building in San Antonio, Texas was at best unremarkable and at worst a bit of an eyesore. White stripes and vertical strips of red worked with rows of glass to create something simple, Modern and a bit dull. It was also somewhat misleading: many of those apparent windows were covering up walls, not openings. All of this became clear as the surface started to be stripped away and old structure restored.

Echoing a similar trend in recent decades of stripping back paint to reveal wooden details in homes, developers and cities have started to realize the potential value in hidden landmark architecture. The Schoenfield Building in Cleveland, for instance (depicted above), was a beautiful structure built of brick but for a time covered in a less glamorous coat. Its underlying facade has since been uncovered.

In the case of the Odean theater, it is hard to imagine what ever possessed someone to cover the elaborate facade of the original (upper left) with its decorative details and beautiful windows with an array of vertical metal strips (upper right). Fortunately, though the name has changed, the architecture has since been restored (bottom).

The decision is not always so clear-cut, however. Architectural Observer followed the restoration of a structure in Hays, Kansas where “there was a push to ‘restore’ and ‘revitalize’ the immediate downtown area. The master plan called for the removal of this particular facade.”

“Much history was lost in the redevelopment process; should this facade be counted among the losses? Or do you feel that the two early 20th-century facades (both needing restoration) which were revealed are the stronger asset?” It is a question that often faces preservationists, especially in places like Europe where long histories can result in many iterative additions and changes over time. In this case, the facade was removed but saved. To see more examples like these and discussion about historic preservation, check out this thread on reddit.

[ By WebUrbanist in Architecture & Offices & Commercial. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]

WebUrbanist

Comments Off

Posted in Creativity

Preserving Architectural Gems: 8 Beijing Hutong Plug-Ins Update Historic Shells

19 Oct

[ By SA Rogers in Architecture & Houses & Residential. ]

Passing through historic Beijing neighborhoods, seeing only the preserved street-facing facade, you’d never know that surprisingly modern structures contrast with aging surfaces within the courtyards just out of sight. Instead of just demolishing the ‘hutong’ courtyard houses found only in this Chinese city, architects are adapting them to modern life, slotting houses, hostels, museums, tea houses, cinemas and more under the existing roofs.

Tea House by Archstudio

In a truly stunning adaptation, Archstudio has completed a tea house and cafe within an existing hutong house, enclosing it from above with new roofs while leaving atriums open for bamboo and other greenery. The intervention connects the site’s five existing structures with a glazed corridor following the path of the original courtyard, forming three tea houses with their own unique views.

Twisting Courtyard by Archstudio

A river of glossy grey bricks streams through the courtyard of a Siheyuan house in the Paizihutong area of Beijing, upgrading the historic architecture with spaces that meet modern requirements of living. Archstudio‘s stunning pathway arches over the new volumes and even continues right into the dining room as part of the floor.

Mini Hostel Inside Hutong by ZAO / standardarchitecture

The firm ZAO / standard architecture inserted a small hostel inside a renovated Beijing hutong, exploring the potential of small-scale accommodations that slot right into the city’s existing architecture instead of displacing it. The glazed facades of volumes made of board-formed concrete project into the courtyard, facing each other (in some cases, with views of toilets, much to the horror of many Westerners looking at these images.) “The result is an architectural operation that brings back the courtyard as generator of the program, as it activates the building by creating a direct relationship with its urban context.”

Lai Yard House by Minggu Design

Tucked away behind weathered brick facades near the ancient city wall of Beijing, this courtyard home was crumbling. Minggu Design protects and preserves the original Chinese architecture while enhancing and adapting it for the 21st century, inserting volumes made of wood and glass to complement the surroundings without overpowering them. They used the new volumes to intentionally block and filter light to the original interior, creating a tranquil cave-like feel.

Next Page – Click Below to Read More:
Preserving Architectural Gems 8 Beijing Hutong Plug Ins Update Historic Shells

[ By SA Rogers in Architecture & Houses & Residential. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]

WebUrbanist

Comments Off

Posted in Creativity

Meyer Optik launches modern version of historic Lydith 30mm F3.5

09 Jun

German optical manufacturer Meyer-Optik-Gorlitz has launched a Kickstarter campaign to help it reintroduce its Lydith 30mm F3.5 lens. The original lens was launched in 1964 and the forthcoming version will remain true to the basic design of five elements in five groups, but the new company will be updating a number of its features.

Meyer will use Schott glass, modern coatings and a 12-bladed iris instead of the 10 of the original lens. The modern Meyer Optik trades on the interesting ‘bubble’ bokeh of its Trioplan lenses and has gone to some lengths to ensure bokeh is equally exciting to the eye in its modern relaunched lenses.

The original Lydith from 1964

The Lydith will offer a closest focusing distance of just 16cm/8in, which is approximately half that of the 1964 lens, and although the company hasn’t said specifically it is likely that it will have a click-less aperture ring as well.

The standard price of this manual focus lens on the Kickstarter page is $ 749, though some early bird offers were left at the time of writing. The earliest shipping date is December 2017, with the main batch going out in February 2018.

For more information about the company see the Meyer-Optik-Gorlitz website or the Lydith 30mm F3.5 Kickstarter page.

Manufacturer’s newsletter

Meet our new lens – create magic

Dear Meyer-Optik-Görlitz friend,

We are very excited and proud to introduce you to the next in our oustanding line of art lenses – the Lydith 30mm f3.5

One of the widest lenses in the Meyer-Optik lineup, the Lydith will impress you with its versatility at all distances. Exceptional sharpness, contrast and colour fidelity and it’s wonderful ability to create images with that indefinable magic is how this lens can best be described. It is a lens that will allow you to creatively capture those “magic moments”.

Designed in the late 1950s and introduced in 1964, the modern version of the Lydith will be updated with high-perfomance lens coatings and a short minimum focusing distance of 8 inches (16 cm). Like all of Meyer-Optik’s lenses, the Lydith will be fully manual, 100 percent handmade in Germany.

We think you are going to fall in love with the way it renders colors, its exceptional sharpness and, of course, it’s signature creamy bokeh not only in the background but also in the front.

Don’t miss out – visit our Kickstarter now and be one of the first in the world to own the modern version of this classic lens.

Best regards,

Dr. Stefan Immes and the Meyer-Optik Team

Articles: Digital Photography Review (dpreview.com)

Comments Off

Posted in Uncategorized

Free Castles & Villas: Italy is Giving Away Over 100 Historic Properties

19 May

[ By WebUrbanist in Boutique & Art Hotels & Travel. ]

Anyone who has dreamed of retiring from the rat race to run a grand estate hotel, rural farmhouse bed and breakfast, quaint inn or remote monastery spa could see their wish come true in this unprecedented giveaway from the Italian government.

As part of its Strategic Tourist Plan, Italy is offering up 103 historic sites to those with the will and means to renovate them back into use for tourism purposes. And this is just the initial offering: 200 more are slated to be given away over the coming years.

The State Property Agency and Ministry of Cultural Heritage are leading the project, aiming to draw visitors to beautiful areas with currently disused architecture. In some cases, a lot of work is needed, but that’s the nature of centuries-old structures.

State employee Roberto Reggi says “The project will promote and support the development of the slow tourism sector. The goal is for private and public buildings which are no longer used to be transformed into facilities for pilgrims, hikers, tourists, and cyclists.”

The country has previously auctioned off historic properties, including dozens of lighthouses, with similar goals in mind, but this time they are making it all free, banking on the long-term prospects of the renovations to raise funds for local businesses and the national economy (via Inhabitat).

[ By WebUrbanist in Boutique & Art Hotels & Travel. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]

WebUrbanist

Comments Off

Posted in Creativity

Transparent Intentions: 13 Glass Additions to Historic Architecture

24 Apr

[ By SA Rogers in Architecture & Houses & Residential. ]

Transparent additions to historic architecture physically expand the space while making the subtlest possible changes to the building exteriors, allowing you to see the original structures right through the glazed walls. Augmenting 500-year-old farmhouses, Victorian row houses in London and some of Paris’ most iconic-looking apartment buildings, these modern glass extensions aim to blend in with the sky, offering transitions to gardens and bringing natural light into formerly dark interiors.

17th Century Manor Update by Jonathan Tuckey Design

Invisible from the street, this ‘ghostly’ addition to the 17th century Yew Street House in London by Jonathon Tuckey Design lets you see right through its walls to the original stone structure, disrupting its beautiful form as little as possible while adding a gorgeous light-filled dining space.

Farmer’s Cottage in Croatia by Proarh

Zagreb-based architecture firm Proarh renovated a dilapidated traditional Zagorje cottage in Croatia into a modern family home, retaining the external frame while replacing the existing porch with a transparent glass view facing a view of the mountains.

19th Century Parisian Photography Studio to Rooftop Apartments

This glass addition to a 19th century photography studio in Paris by Vincent Parreira Atelier is conceived as an ‘inhabited observatory’ perched atop a Haussmannian building in the city’s Opéra-Madeleine district.

Straatweg Extension by BBVH Architecten

An original masonry structure in Rotterdam, built in the 1930s, gets some much-needed natural light thanks to a two-story, all-glass wing added by BBVH Architecten, which features a transparent roof, facade and upper-level floor with an operable garage-style door leading out to the garden.

‘Salle Labrouste’ Former French National Library

A major overhaul to the French National Library by Bruno Gaudin and Virginie Bregal updated it for the 21st century while retaining its dazzling beauty, adding a glass gallery that serves as a rooftop promenade to link two sides of the structure’s quadrangle.

360Photography

Posts Tagged ‘Historic’

Historic chemicals producer, Tetenal, has roared back to life with new online shop

Weekly Photography Challenge – Historic Buildings

Tips for photographing HISTORIC BUILDINGS

Share in the dPS Facebook Group

YouTuber uses AI to turn historic 1911 New York trip footage into colorized 4K/60p video

Paris Musées launches online portal with thousands of historic photographs

Photographer David Burnett on shooting his third impeachment: ‘I felt that historic pang’

When did you start shooting large format film?

There must be easier ways of working, as a photojournalist….

Did you know that you were featured in the live stream from the hearing?