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Posts Tagged ‘Happens’

Video: This is what happens when you make a bullet-time rig out of 15 Raspberry Pi cameras

17 Oct

Canadian photographer Eric Paré has built a bullet-time rig using 15 Raspberry Pi cameras synchronised to record pictures at exactly the same moment from different angles. The cameras then create a series of images that show the subject, usually someone jumping in the air it seems, from multiple viewpoints. These images can then be put together as a video to show the person frozen in mid-air as the camera appears to pan around them. The technique, made popular by the fight scenes in the movie The Matrix, requires that the cameras used are all pointing at exactly the same spot and that the shutters are tripped either at the same moment or in sequence.

Eric usually uses a collection of EOS DSLRs for his bullet-time videos but thought it would be interesting to use the tiny Raspberry Pi cameras as the lenses can be placed much closer together to create smoother motion in the final video. To do this he mounted 15 cameras on an aluminium rail and synchronised them using a single dashboard that could also control the settings of each camera.

Problems arose due to the wide angle lens of the Raspberry Pi camera and because the cameras are mounted on their PCB using a gum glue that doesn’t hold them in a specific position. This meant that while the boards were all facing the right way the cameras were not, and the footage produced was jerky. Eric solved this issue by remounting all the camera units directly to the boards using a thin adhesive.

Each camera in the rig was connected to the laptop via an Ethernet cable to a switch and Eric triggered the set-up using a Bluetooth presenter controller. He says he didn’t need to make any custom electronics for the rig when shooting with continuous lighting, but he did make a new control board to fit in the rig when he wanted to use flash.

For this experiment Eric used the Pi 3B+ with version 2 of the Raspberry Pi camera module. He says the same set-up would also work with the newer High Quality Pi camera with its 12MP sensor and interchangeable C-Mount lens system.

See Eric’s website for more of his work.

Articles: Digital Photography Review (dpreview.com)

 
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Coronavirus: Whatever happens next, COVID-19 is already having an effect on the photo industry

03 Mar

Coronaviruses are a large family of viruses that cause illnesses ranging from the common cold to severe acute respiratory illnesses such as Middle East Respiratory Syndrome (MERS-CoV) and Severe Acute Respiratory Syndrome (SARS-CoV).

In December 2019, doctors in Wuhan, China, started to identify cases of what looked like a new form of coronavirus, called SARS-CoV-2. The disease caused by SARS-CoV-2 has since been given the official name COVID-19. Local quarantines were put into place, but you know what happened next: COVID-19 has spread across the globe, with more than 87,000 confirmed cases as of Monday March 2nd, 2020.

So why is a new illness – which has killed far fewer people than normal strains of flu in an average year – being taken so seriously?

‘An economic pandemic’

The medical risks of COVID-19 are still being assessed, and are beyond the scope of this article, but inevitably, much of COVID-19’s impact so far has been economic.

The economic impact is here, and it’s very real. Recent record falls in stock markets all over the world are a clear indicator of what one analyst called an ‘economic pandemic’,1 which reflects a growing worry that markets could be badly hit by the consequences of what is now a global problem.

Last month, as a result of COVID-19, Chinese manufacturing fell to a record low

But first, to China – because China is important. In 2018, China accounted for about 16% of the global economy, and about 28% of global manufacturing output. And last month, as a result of a loss of output caused by COVID-19, Chinese manufacturing fell to a record low.2

A disruption to iPhone production in China was enough for Apple to issue warnings about revenue this quarter.

‘Chinese manufacturing’ encompasses everything from cars to smartphones, not to mention the myriad of tiny components that end up inside virtually all consumer electronic devices. So when factories in China shut down, that creates a problem. Around five million jobs in China rely on Apple device manufacturing alone, and the company has already warned that it will miss revenue goals as a result of the outbreak.3 It is estimated that up to 760 million people in China are currently subject to some kind of travel restriction. For context, that’s more than double the entire population of the USA.

Effect of disruption in China on consumer digital imaging industry

It makes sense that a major drop in production of iPhones would affect Apple’s bottom line. The company’s Zhengdou facility is estimated to churn out up to 500,000 of them a day,4 and the company sells about one hundred times that number in a good quarter. That’s a rate of production – not to mention sales – far in excess of any digital camera, but in the photo industry, too, the effect of the COVID-19 outbreak is being felt.

To take just one example, after closing completely for a time, Fujifilm’s facility in China re-opened in mid-February but has been operating at reduced capacity since then. This has caused disruption to the production of its popular X-T30 and X-T3 models, and the company cannot confirm when it will be able to ship the new X-T4.

It’s not just Fujifilm. Most consumer digital imaging (DI) companies manufacture some of their products in China, and are now feeling the effects of industrial disruption inside the country.

With the ever-changing situation on the ground […] it has proven difficult for head offices in Japan to get a clear picture of what’s actually going on in China

In private conversations with representatives from several imaging companies (who asked not to be quoted directly) the words I’m hearing most often are all the ‘un’s – ‘unknown’, ‘uncertain’, and perhaps most frequently, ‘unclear’.

Right now, it seems that some, if not all of those camera and lens companies that rely on Chinese factories do not even know for certain how much manufacturing capacity they currently have at their disposal. With the ever-changing situation on the ground, rolling quarantines and restrictions on local travel within the country, it has proven difficult for head offices in Japan to get a clear picture of what’s actually going on in China.

Everyone that I spoke to expressed the same hope: that the long-term impact will be limited, and things will become clearer in the coming weeks. But more than two months after the virus was first reported, it’s obvious that even to those on the inside, a lot is still unknown, much is uncertain, and many things remain unclear.

The X-T4 is Fujifilm’s newest high-end mirrorless ILC. Manufactured in factories in China and Japan, it is due to ship next month, but this may change.

Japanese outsourcing to China

Japanese companies started moving manufacturing to China en masse starting in the late 1980s. The first trigger for this change was the so-called ‘Plaza Accord’ of 1985. The Plaza Accord was an agreement between France, West Germany, Japan, the United States and the United Kingdom to deprecate the US Dollar against the Japanese Yen and the German Deutsche Mark. This had the desired effect of making US exports cheaper, and created a period of growth in Japan known as the ‘Bubble Economy’.

Unfortunately, following government attempts to cool the economy down, the bubble burst and in the 90s Japan entered a protracted period of deflation and economic stagnation, known as the ‘Lost Decade’. A series of subsequent domestic economic crises, culminating in the global financial crash of 2008, led many Japanese companies to move factories to China during this time period, where production costs were lower.

Some camera brands actually don’t have a presence in China at all

By the early 2010s however, China’s economy was starting to grow rapidly and the cost of producing goods in China went up, making outsourced manufacturing less attractive.

This led to Japanese companies adopting what was called a ‘China plus one’ strategy, opening additional factories in Southeast Asia, where production was cheaper. To take Fujifilm again as an example, it has facilities in China and Japan, but in recent years has also opened sites in the Philippines. Similarly, Canon and Nikon also operate factories in Southeast Asia, in addition to China and Japan.

Some camera brands actually don’t have a significant presence in China at all. For example, Olympus’s main manufacturing base these days is in Vietnam.

The problem with global supply chains

You might assume that as a result, these manufacturers should be insulated. However, even companies with facilities all over the world may still be affected by the closure of Chinese factories and the disruption of regular trade between China to Japan. That’s because China is the world’s biggest exporter, and the source of so many ‘intermediate goods’ – component parts or sub-assemblies which go into finished products.5

With an estimated 3 million+ shipping containers currently stuck in China, not going anywhere, a lot of companies who rely on the products and components inside them are bound to be affected.

As I was preparing this article, Canon announced that it is suspending operation at five of its factories in Japan, making SLR cameras, lenses and surveillance equipment, due to a shortage of parts from China. Ricoh has delayed the planned re-opening of some of its Japanese manufacturing lines for the same reason.6

Chances are, most products labeled ‘made in Japan’ still contain plenty of parts and sub-assemblies that weren’t. As Roger Cicala of Lensrentals told me in conversation this weekend, with only a couple of exceptions ‘there really is no “made in…” anywhere, anymore’.

Sigma makes all of its cameras and lenses in Japan, but some of its Japanese suppliers still source components from China. See our recent Sigma factory tour

One of those exceptions is Sigma. As readers of our regular in-depth interviews will know, Sigma is unusual among Japanese DI companies in that it makes all of its products inside Japan. As such, according to CEO Kazuto Yamaki, issues in China are expected to have ‘relatively little impact’ on its business ‘for the time being’. However, some of Sigma’s Japanese suppliers do have factories in China, from which some component parts originate. Mr. Yamaki told me that his team is currently investigating alternative sources for these parts if it becomes necessary, and hopes that the situation will become clearer ‘in one to two weeks’.

The hope is that things improve, capacity recovers soon, and existing stockpiles of components will be adequate to avoid disruption

It’s impossible to tell what the long-term effect of continued interruption to Chinese industrial output to the camera industry will be. It’s estimated that if Chinese manufacturing capacity remains significantly reduced for another month, through the first quarter of 2020, Japanese firms (along with those in South Korea) will be hit hard.7

The hope of course is that things improve, capacity recovers soon, and existing stockpiles of components will be adequate to avoid too much disruption in the meantime. Of course there remains the risk that if COVID-19 continues to spread to other countries – particularly in Southeast Asia – we may yet see factory closures elsewhere in the world.

Wherever it happens, an interruption in the supply chain for consumer goods is not the only potential consequence of COVID-19 in the short to medium-term. Another worry (in fact the main worry for some of the representatives I spoke to) is the long-term effect of the outbreak on the global economy, and in the short term on the Chinese economy – and Chinese consumer spending in particular.

What happens when Chinese consumers stop buying cameras?

Manufacturing represents around 30% of China’s total economic output, and as we’ve seen, manufacturing is down. This presents a major risk to the country’s economy, which happens to be very bad news for Japan. In recent years, following a series of reforms, China has become a major consumer of goods and services. The growth of China’s middle class has increased the country’s appetite for high-end consumer and industrial goods from Japan – helped by a relatively weak Yen.8

By 2012 Japan was China’s largest trading partner in terms of exports, and in 2018, 9.2% of imports (by value in US dollars) into China came from Japan. As such, Japan’s economy is particularly vulnerable to events in China.9

Even before the emergence of COVID-19, Japanese firms were already under stress from the effects of US tariffs on China. A representative of Mitsubishi UFJ Financial Group described the US-China trade war last year as “the biggest risk to Japan’s economy” 10, and nine months on, the virus certainly isn’t helping. In January 2020, the total value of Japan’s exports to China dropped sharply, by 36%.

The loss of revenue from sales within China, and from Chinese tourists shopping in camera stores around the world, will be felt hard

China is a major market these days for high-end cameras and lenses. In an industry where growth is scarce, China is one of the few places around the world where manufacturers have seen a significant increase in sales. We know that it’s a particularly important market for Fujifilm’s high-end GFX line for example, and also for Leica (second to the US), but the Chinese market is important to every manufacturer, across the whole industry. The loss of revenue from sales within China, and from Chinese tourists shopping in camera stores around the world, will be felt hard.

According to one senior industry figure I spoke to, the hope among manufacturers is that matters improve by June, which is ‘peak season’ in the Chinese market. Meanwhile, partially as a result of restrictions on travel for Chinese attendees, several major international trade shows have been canceled, including CP+, which was scheduled to take place last week in Yokohama. That’s where I was meant to be right now, but instead I’m at my desk at home in Seattle, writing this article.

The CP+ trade show takes place every spring in Yokohama, Japan. This year, days before it was meant to open, organizers canceled the show citing concerns over public health in the midst of the COVID-19 outbreak.

What next?

So what happens next? Unfortunately, we don’t know. At the very least, it’s reasonable to expect that some planned releases may be delayed, backorders might pile up for some products, and we may see shipping dates slip for others. Hopefully that’ll be the worst of it.

Update: It’s already happening. Several lighting and bag manufacturers with factories in China have alerted customers to expected delays in order fulfillment, and this weekend Peak Design emailed backers of its new travel tripod to warn that shipping is likely to slip to ‘early to mid-April’.

Whatever happens from here on out, everyone I spoke to for this article stressed that right now the situation is being monitored very closely and taken very seriously. Plans are being put in place, and everyone’s first priority is the health and safety of their employees across the world. Roger Cicala told me that Lensrentals, based in Tennessee, is taking steps to get key employees set up to work from home, just in case of a local outbreak. I’m sure that similar plans are being made across the industry, and across the world.

Crises like these serve as a reminder of how small the world is

It’s worth remembering that the camera industry has proven remarkably resilient. None of us will soon forget the horror of the 2011 earthquake and tsunami, for example, which disrupted production in Japan for many months (despite an incredible collective act of self-sacrifice on the part of workers, which saw many damaged factories returned to limited operation within days). If nothing else, crises like these serve as a reminder of how small the world is, how lucky we are when things go right, and how much we rely on our friends and partners all over the globe when they go wrong. We are all in this together.

A note on sources, and thanks

While researching this article I spoke to representatives of several major manufacturers in the consumer digital imaging space, both in Japan and the US. Most preferred not to be quoted directly, in order that they could speak freely. I would like to thank all of them, but especially Kazuto Yamaki of Sigma and Roger Cicala of Lensrentals.


  1. PBS: ‘Why the economic impact of COVID-19 might outlast the outbreak’
  2. BBC News: ‘Chinese manufacturing hits record low amid coronavirus outbreak’
  3. AXIOS: ‘Apple will miss quarterly earnings estimates due to coronavirus’
  4. The New York Times: ‘An iPhone’s Journey, From the Factory Floor to the Retail Store’
  5. Carnegieendowment.com: ‘The Economic Fallout of the Coronavirus in Southeast Asia’
  6. Nikkei.com: ‘Canon suspends production at five Kyushu plants with new Corona’ (in Japanese)
  7. See 5, above
  8. 9., 10., The New York Times: ‘Japan Stumbles as China’s Growth Engine Slows’

Articles: Digital Photography Review (dpreview.com)

 
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PSA: This is what happens when a drone hits the wing of an airplane

10 Oct

The University of Dayton Research Institute (UDRI) has published a video showing the damage caused by a consumer drone when it strikes the wing of a fixed-wing aircraft. The test simulated life-like conditions, the end result mimicking the collision of a quadcopter with the wing of an aircraft at 238MPH / 383kph.

Despite weighing only 952g / 2.1lbs, the drone tore a large hole in the wing, ultimately causing damage to its main spar. UDRI’s group leader for impact physics Kevin Poormon said in a university release that the drone caused “significant damage” to the structure. Both the video and test results were recently presented at the Unmanned Systems Academic Summit.

The test follows decades of bird-strike research involving aircraft, the data necessary in a world where consumer drone numbers have skyrocketed. Talking about the topic, Poormon explained:

Drones are similar in weight to some birds, and so we’ve watched with growing concern as reports of near collisions have increased, and even more so after the collision last year between an Army Blackhawk helicopter and a hobby drone that the operator flew beyond his line of site.

Earlier this year, a video surfaced of a drone pilot operating their UAV directly above a passenger jet as it left McCarran International Airport in Las Vegas. Similar reports of reckless activity have surfaced in recent months, such as an investigation into a possibly drone-related helicopter crash earlier this year and a drone-plane collision in Canada late last year.

Articles: Digital Photography Review (dpreview.com)

 
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The Magic of Creativity Rarely Happens in Your Comfort Zone

17 Sep

You’re not likely to ever excel at anything unless you push past what you normally do and exit your comfort zone. That’s unless you’re the type of person who’s not comfortable unless they are constantly taking risks.

Python in a Pit © Kevin Landwer-Johan - The Magic of Creativity Rarely Happens in Your Comfort Zone

Becoming more creative with photography requires you to seek out new subjects. It means trying different techniques. It demands you tackle the difficult and uncomfortable at times.

Most creatives seek to improve on what they have already achieved. This can mean photographing what they normally photograph different and better. It could mean working in whole other genre of photography altogether. Both approaches are challenging and vulnerable to failures.

How can you step out beyond your comfort zone and experience real magic in creativity?

Flag performance at a street parade - The Magic of Creativity Rarely Happens in Your Comfort Zone

Watch Your Attitude

I believe the biggest struggle many people have in growing creatively is that they can be too hard on themselves. When they try something new they set themselves up to fail because of negative thought patterns. Sound familiar?

Taking a step outside your creative comfort zone with a positive attitude is the most important factor towards your success. Acknowledging to yourself that what you are doing is new and difficult and that your initial result will probably suck, is important. If you are broken hearted at your photos the first time you try a new aspect of photography, you will never grow. You will not find the magic.

You need to press on and make the most of what you find difficult to help you improve.

Karen pipe smoker - The Magic of Creativity Rarely Happens in Your Comfort Zone

Commit to Learn

Studying the new technique or subject you’re challenging yourself with is a positive step towards creative magic. If you launch headlong into something new without knowing much about it you will most likely fail. I know this to be true from far too much personal experience.

Taking time to study a little more, step by step, you can become an expert. When I first worked in a photography studio with subjects, lights, props, and backgrounds I could manipulate it was all new to me. I had come from working as a newspaper photographer where I often had no control over these things. I didn’t know what to do.

Initially, I wasted a lot of Polaroids, (instant photos which were used to preview the setup, now we chimp our LCD screens).

Then, I found a gem of a book in the local library, (yes, this was when the internet was still a baby.) Light Science and Magic was a superb teacher. This book taught me so much of how to control the lighting. I am also a big fan of Irving Penn and love his still life arrangements. I have always learned a lot by studying the work of high achieving photographers.

Studio photos of food and cocktails - comfort zone

Creating Photos for Someone Else

The main difference between amateur and professional photographers is not that pros take better photos and earn a living doing so. The most significant difference is that professional photographers must consistently produce photos that fit a brief and please someone else, not just themselves.

Photographing what you are passionate about is meaningful for enjoyment and creative growth. Photographing something you have no interest in is often a huge challenge.

When I first started work at the newspaper I learned very quickly that I was well out of my comfort zone. I was having to not only talk to strangers but to go back to my picture editor with publishable photos of those strangers. I was painfully shy and it was so difficult, but I wanted to keep my job, so I took on the challenge.

Later came other challenges like photographing sports events and other action photo situations I had no experience with. The opportunity to attend top international matches was a good incentive. I learned because I had to and I came to love it.

one day cricket action- comfort zone

Role-Play Being a Pro

You don’t need to get a job working for a newspaper. These photography jobs are few and far between nowadays. You can role play effectively and imagine you are a pro.

Set yourself assignments and treat them as though you are working for a newspaper or magazine. Better still, have someone else task you assignments of their choosing. This way you will begin to photograph subjects and in situations, you may never have chosen.

You will discover that you love some of these assignments as you are being stretched beyond what you normally do. As you are outside your comfort zone you will have to think and behave differently.

Set deadlines. Approach this exercise realistically. If someone else has set your assignment, have them review your photographs with you and make a selection.

By role-playing like this, you may have the advantage of rephotographing the same subject if you can see room for improvement. This is a luxury I did not often have when working at the newspapers.

Forest Waterfall - comfort zone

Photographing What is Familiar

I am not advocating only photographing new and different things with techniques you’ve never used. Making great photos of what you love can be equally challenging.

Taking pictures of what you love over a long period of time your photos may begin to lack flair. This is common. If you are truly passionate about what you are photographing you need to press yourself to remain creative.

We are often at the local markets in Chiang Mai taking photo workshops. I told myself after we’d been going there for about a year that I need to come away with at least one new portrait each time. Not of the same people who I knew and were easy to photograph, but of different people in different locations at the market.

I’d passed this guy many times and felt a little intimidated by his tough looking exterior. One winter’s morning he was standing in the sun outside his flower shop watching the world go by. The light was fabulous and he had on a cool beanie. I had to ask him. Turns out he was happy to pose for me. I took him a print of this photo next time we were there and now he often gives my wife or our customer’s flowers when we are passing.

Street portrait of a Thai man - comfort zone

Photographing People

I have become pretty comfortable photographing people, but still, find it challenging. Like with the tough looking flower seller, initial contact and relating to a stranger is not easy for most people. If you step out and ask often the results can be most rewarding.

Photographing people you know can pose other problems. My friends got engaged recently and asked my wife and me to do a photo session for them. My challenge was pressure I put on myself to excel. I wanted to bless them with photos that made the event special.

Working with my wife is always enjoyable. We work well together. I found I could capture different moments, especially when their attention was on her. My expectations and desire to do well for my friends was my biggest challenge. My fear of failing was my biggest hindrance.

Once I relaxed and enjoyed myself as much as they were I was able to take some photos that they told us later were their favorite image of themselves they’ve ever had. This is feedback every portrait photographer loves to hear.

Thai woman and white man in the street - comfort zone

Two New Personal Photography Challenges

My wife and I recently moved to a new home in the countryside. I have never been particularly interested in landscape photography, but now I need to be.

We are running a homestay and need to show off the wonderful environment so people will want to come and stay here. This means I must make the best landscape photos I can. It’s good to be working with a subject that I have not cared for much and to have a reason to be taking these types of photos.

My second challenge is to use my phone for more photography. I am comfortable with my camera, thank you. I have had little interest in using my phone except to take the occasional snapshot. Currently, I think I am using my phone more than I am using my camera.

Bicycle on a road in the rice field - comfort zone

I am using the panorama mode frequently.

I ride my bicycle in the surrounding region each morning. But I don’t like carrying a camera when I ride so I am using my phone to photograph the local landscape.

Part of my motivation to take up the challenge of photographing with my phone is that this is how most photos are being made in the world now. I need to know more about it so I can teach it. The best way for me to learn is to just do it.

The limitations I have with using my phone are a big challenge. I must innovate and be creative to capture the photos I want. Now I am also beginning to use my phone to photograph more than only landscapes. As the challenges continue I hope my creativity continues to grow.

Thai rice landscape - comfort zone

Be encouraged, find something new that’s not easy for you. You will only reap the rewards if you step outside of your comfort zone and try. Tell me in the comments below how you are getting on with your challenge, I’d love to know.

The post The Magic of Creativity Rarely Happens in Your Comfort Zone appeared first on Digital Photography School.


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Here’s what happens when you attach a 70-200mm F4 to a Game Boy Camera

05 Jun
Why? The better question: Why not?

There’s an unlikely vintage camera enjoying something of a resurgence these days: 1998’s 0.5MP Game Boy Camera. Attached to a game cartridge, Game Boy Camera brought digital photography to the youth 2 bits at a time. Lately, its legacy has continued to evolve as clever DIYers repurpose it for astrophotography and motorsports photography, and have even trained neural networks to convert the camera’s low-res monochrome images into photorealistic color.

Clearly, it was time for somebody to step up and work out how to attach EF lenses to the thing. And that’s just what Bastiaan Ekeler did. He’s a designer and self-proclaimed tinkerer, and feeling inspired by recent projects reviving the Game Boy Camera, saw an opportunity for a little fun. His 3D-printed adapter fits to a partially disassembled camera, and with a 1.4x teleconverter and 70-200mm F4 attached, produces an impressive 3026.8mm equivalent view.

With all of the parts in place he took a stroll on the beach to put the rig to use, and even managed a few photos of the full moon despite contending with a dim screen and a 1 fps refresh rate in low light.

Long Beach Bar “Bug” Lighthouse. (Canon 70-200 f4 + Canon 1.4x extender). Photo by Bastiaan Ekeler.
A Seagull at Norman E. Klipp Marine Park (Canon 70-200 f4 + Canon 1.4x extender). Photo by Bastiaan Ekeler.
The full moon on 2018-05-30 in Greenport, NY. (Canon 70-200 f4 + Canon 1.4x extender). Photo by Bastiaan Ekeler.

Head to Ekeler’s website for a full-write up of the project and more sample images. You can also follow him on Twitter and Instagram.

Articles: Digital Photography Review (dpreview.com)

 
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This is what happens when a ‘weather sealed’ camera takes a dip in salt water

09 Nov

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It shouldn’t need saying, but weather resistant, weather sealed and environmentally sealed do not mean waterproof. A cursory glance at your warranty should make this clear: no matter how good a reputation your brand has, if it isn’t covered by the warranty, you’re in ‘at your own risk’ territory.

Roger Cicala’s latest blog post over at Lens Rentals shows the damage that can occur when a nominally weather sealed camera gets wet—both the damage and the detective work made clearer by the fact that this particular camera took a dip in salt water. Cicala follows the path of the corrosion throughout the camera and explains why an encounter with seawater may render your camera not just non-functioning, but completely irreparable.

As is so often the case with Cicala’s ‘big picture’ blog posts, don’t get too hung up on the specific model he’s dissecting. As he points out in the comments, he’s written off some of every brand from salt-water damage.

Check out some of the pictures from this particularly painful teardown at the top, and then click the big blue button below to see the full post on Lens Rentals.

Teardown of a corroded camera

As an aside, this is the main of reasons we can’t test manufacturer claims in this area. Partly, of course, it’s because we have to return all the cameras to the manufacturers; but another aspect is that, like lens copy variation, camera failure is probabilistic: you’d need to test lots of cameras to know whether the model you’re testing is flawed or if you were just unlucky with your sample.

Cicala gets the kind of insight that the rest of us simply can’t get—he gets to see a much larger data set based on what the company rents and what it then has to repair—but even he doesn’t claim to have a solid answer to which brand is best. Just something to bear in mind the next time you’re thinking of sharing that ‘extreme torture test’ video of your brand’s flagship.

Articles: Digital Photography Review (dpreview.com)

 
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This is what happens when your camera’s frame rate matches a bird’s wing flap

19 Jul

Here’s a neat trick you might not have realized is possible. If your camera’s frame rate matches the flapping rate of a bird’s wings, you can create a video where it seems like the bird is floating ‘magically’ on frozen wings.

The video above is going viral today after YouTuber Ginger Beard shared it on his nascent channel. As he explains on Reddit, the video was captured with a Hikvision DS-2CD2342WD-I security camera set to “max resolution” at 2688×1520 and 20 frames per second. Apparently, the bird’s wings were also set to 20fps, because this ‘magic’ video is what popped out the other side.

And if you like this, check out this similar video shared on the DPReview forums a few months ago. In that one, the camera’s frame rate is perfectly synced to a helicopter’s rotor.

Articles: Digital Photography Review (dpreview.com)

 
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Attach a 1000 Watt LED panel to a drone and magic happens

20 Oct

Drone photography has become hugely popular in the past few years and people are finding new, creative ways to utilize drones. Photographer Daniel Riley attached a 1000 Watt LED light panel to his Freefly Alta-8 Drone and filmed the entire process. The results have us impressed – take a look for yourself.

Articles: Digital Photography Review (dpreview.com)

 
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Leica T Unboxing! (you won’t believe what happens at the end…)

14 Jun

silverbox.jpg

With the T (Typ 701) Leica debuted a brand new mirrorless lens mount. Built around a 16MP APS-C CMOS sensor, the T has an ISO range of 100-12500 and offers 5fps continuous shooting and Full HD movie recording with stereo sound. We’ve been waiting for a Leica T to arrive in the dpreview office since it was announced back in April, and today our wish finally came true. To mark the grand occasion (and to immortalize the characteristically lavish packaging) we’ve created an unboxing slideshow. Click through to feast your eyes. And yes – since you ask, it is a slow news day.

News: Digital Photography Review (dpreview.com)

 
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The Hardest Part: What Happens Before Clicking The Shutter

11 Nov

It’s late afternoon and I’m headed to a location that should have interesting subject material to photograph. Did I leave enough time to get there? Is the weather going to cooperate? Is the light going to be right? Will I even make it in time to set up before the light hits? More importantly and most unnerving in the back of my mind the biggest question hits, “Will I even be able to find something worthy of photographing?” This important question isn’t about physically finding something, it has to do with mentally being able to see something worthy of photographing and showing to others.

The hardest part of photography happens before the shutter even clicks. It’s easy to fret over logistical concerns, but my biggest source of anxiety is not being able to mentally picture a photo worth taking and showing. Consider this stage fright for an audience of one, the twilight zone of a photographer’s universe.

Over time I’ve tackled insecurities about technical concerns, but without fail this one powerful question always creeps into my mind on every shoot. The “art of seeing” is about experience, practice, breaking habits, but most importantly clarity of mind. Whether out in the field or in a studio it is the same, idle time fuels doubtful thoughts. As soon as I step foot into the environment I am photographing this anxiety inducing question is quickly drowned out.  Why? Because what I photograph and “see” is a reflection of my passion. What I love to photograph I know inside and out. Even if I didn’t have a camera in hand my natural curiosity and mind’s eye would fill my brain with ideas when immersed in an environment I love. The best trick I learned when in an environment I may not love, but need to get the shot is to extrapolate ideas and techniques I’ve applied in “loved” environments in new environments.

Whether you’re new to photography or if you’re a seasoned professional I am 100% certain you’ve had this doubtful question creep into your mind. While it goes unspoken because we’re either too proud or insecure, we’re all in the same boat and subject to the same self doubt. Just be sure if fuels you, rather than consumes you.

Recommended & Related Reading

  • One of Photography’s Great Paradoxes
  • Pro Tip: Always Check the Views Behind You
  • Nature, Creativity and Seeing Plus
  • Two Quotes of Note On The Topic of “Art of Seeing”
Bonus Quote of Inspiration

Clarity of mind means clarity of passion, too; this is why a great and clear mind loves ardently and sees distinctly what it loves.

Blaise Pascal

French mathematician, physicist (1623 – 1662)

 

Copyright Jim M. Goldstein, All Rights Reserved

The Hardest Part: What Happens Before Clicking The Shutter

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