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Posts Tagged ‘handling’

Hasselblad launches X1D II 50C with improved handling, faster responses and lower price

22 Jun

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D II 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the Mark II is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6″ rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024×768 pixels with the total number of dots standing at 2.36M compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36M dots to 3.69M (1024×768 vs 1280×960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 24.7Wh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $ 175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D II 50C will be available in July 2019 and will cost $ 5750 (before tax) or €6000/£5400 (inc VAT). For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D II 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE

In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 nm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees.

Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera.

Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive user interface of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad launches X1D ll 50C with improved handling, faster responses and lower price

19 Jun

Hasselblad has released a new version of its X1D medium format digital camera that offers a range of upgraded features and a speedier operating system. With improvements based around user feedback, the X1D ll 50C offers a larger rear screen, a higher resolution EVF, faster startup and reduced lag, as well as a collection of menu and interface changes. Hasselblad says the new camera offers a ‘quicker and more intuitive medium format experience’. Critically though, the new version will cost a good deal less than the original X1D, presumably to bring it closer to the price of the Fujifilm GFX 50R.

Using the same body and pixel-count as the original X1D 50C, the X1D ll 50C is clearly an upgrade rather than a completely new camera, a fact reflected in the naming convention. A new processor appears to have been used that speeds up the operating system so that the time it takes the camera to start up is cut by 46%, shutter lag is cut and the blackout time between frames is reduced.

Users will get an extra 0.4 fps on the maximum drive mode taking the frame rate to 2.7 fps, and the time it takes to preview and scroll through recorded images has been decreased. The new processor allows a 62% better refresh rate in the viewfinder too – it’s now 60 fps – and focus accuracy has been improved.

Hasselblad claims the 3.6″ rear screen is the largest available on a digital medium format camera, and has increased the resolution to 1024×768 dots-per-inch with the total number of dots standing at 2.36 million compared to the 920,000 screen used on the original model. Likewise, the EVF resolution has jumped from 2.36 million dots to 3.69 million (1024×768 vs 1280×960), and the new 0.87x magnification gives users a bigger view.

Hasselblad says the camera’s menu system has been tweaked to make it more logical and to deliver easier access to the functions, while new icons and clearer language make finding what you are looking for more straightforward. The menu can now be displayed and operated in the viewfinder, while a new system for touch AF has been incorporated and the control screen will now display more information, including self-timer and a Balance Scale to indicate exposure adjustments.

JPEG users will be pleased to hear that the X1D ll 50C allows not only full sized JPEG images but that JPEGs can be recorded on their own with no Raw accompaniment. And, the company says the quality of its JPEG files has improved – though we don’t get to know how exactly.

The camera’s 3400 mAh battery can be charged either in an external charging block or in-camera via the USB socket. This also allows the battery to be charged via a powerbank when on the location. Another new feature is that a GPS module is now built into the body instead of being supplied as a hot shoe accessory. This saves the $ 175 that it costs for the hotshoe model used with the original body if one wasn’t supplied with your camera, while freeing up the hot shoe for a flash unit.

The Hasselblad X1D ll 50C will be available in July 2019 and will cost $ 5750/€5000/£4500. For more information see the Hasselblad website.

Phocus Mobile 2 allows Raw download and cabled connection

Hasselblad has also updated its Phocus Mobile iOS app so that now users can not only control the camera and rate images, but additionally download Raw and JPEG files to their iPad Pro and iPad Air (2019) devices. The app can connect to the X1D ll 50C either via Wi-Fi as before or via the camera’s USB-C port, and will now support tethered shooting.
Phocus Mobile 2 is free, and will be available on Apple’s App Store.

Press release

X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE

In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience.

Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. Its large, high resolution 50-megapixel CMOS sensor (43.8 x 32.9 mm) is 1.7 times larger than 35mm full format sensors, packing in huge pixels (5.3 x 5.3 nm) for capturing images with superb tonality. With outstanding colour depth and an impressive dynamic range of 14 stops, which allows for capturing immense details in both shadows and highlights, the photographer is left with plenty of room for adjustment in post-processing. With Hasselblad Natural Colour Solution (HNCS) technology integrated into the camera’s system, exceptional, true-to-life tones are delivered that match what the human eye sees.

Building upon the award-winning first generation, the X1D II 50C blends form and function with minimalistic, Scandinavian design aesthetics and a smooth handling experience with its ergonomic grip. The new X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

Developing upon the first generation of the X System, the X1D II 50C’s upgraded electronic platform includes a higher resolution 3.6-inch 2.36-million-dot touch display, which is physically the largest LCD display currently available on a digital medium format camera.

Additionally, the X1D II 50C features a higher resolution enhanced OLED electronic viewfinder (EVF) with 3.69-million dots and a high magnification of 0.87x, letting you see the bigger picture. The much higher resolution of the rear display screen (1024×768) gives a more vivid, true to life image viewing experience.

The X1D II 50C’s live view features a faster refresh rate, reduced shutter lag and black out time between frames, an improved continuous capture rate, and a startup time cut almost in half from the first generation. Building upon the highly-intuitive user interface of the previous model, further refinements have been made to the X1D II 50C to improve the camera’s handling experience, including the ability to access the menu system when looking in the EVF, giving greater usability in the sunniest conditions.

Enabling an even more portable medium format workflow, Hasselblad’s post production solutions now include the new Phocus Mobile 2. Connected via USB-C and Wi-Fi, photographers can transfer RAW and full quality JPEG files directly from the X1D II 50C and edit RAW images on their iPad Pro or iPad Air (2019) while out on the field.

PHOCUS MOBILE 2 TAKES IMAGE PROCESSING WORKFLOW TO A NEW PORTABLE LEVEL

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, this application is currently supported on iPad Pro and iPad Air (2019) models, enabling the traveling photographer to have a quicker, more mobile workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their portable device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting and direct camera control.

Articles: Digital Photography Review (dpreview.com)

 
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Godox announces redesigned X2T with Bluetooth and better handling

22 May

Chinese flash manufacturer Godox has released details of an updated trigger that will have a redesigned button layout, a larger display panel and Bluetooth to allow flashes to be controlled from a smartphone.

The Godox X2T has the same hotshoe for shoot-through flash as the X1T, but now has individual buttons for each flash group on the top panel to make selection and adjustment quicker and easier. The control dial has also been moved to the base of the unit, to make it accessible to the photographer’s left hand.

Other new features include a wider display panel with a new and clearer user interface, as well as a quick-lock for the foot instead of the old locking wheel. A scanning setting automatically detects the most secure channel, and Bluetooth support allows users to control and trigger their flash units using the GodoxPhoto app on Android and iOS smartphones and tablets.

As before, the trigger will be compatible with Canon, Nikon, Sony, Fujifilm, Olympus/Panasonic and Pentax cameras and their respective TTL systems. The X2T uses 2.4GH for a wireless control range of up to 100m, and can operate across 32 channels with 99 wireless ID settings. It has a USB socket for firmware updates and is powered by two AA batteries.

The company has yet to reveal pricing or when it intends to begin shipping, but you can find more information on the Godox website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica tweaks handling of its new M10 with firmware 1.3.4.0

16 Feb

Leica has introduced new firmware for its latest M series digital rangefinder that aims to improve a number of aspects of the camera’s handling and operation. Firmware version 1.3.4.0 is said to reduce the duration of the black-out time between frames when using the M10 in Live View mode so the camera is ready to shoot again more quickly.

The new firmware also makes scrolling through the menu system quicker as users can now press the Menu button again to shift from page to page. The Favourites Menu has been expanded by one item to allow up to 15 oft-used features to sit there, and this menu will now divided into two pages when more than seven items are consigned to it.

Photographers making use of the optional Visoflex EVF can now have the camera automatically preview just-captured images there instead of only on the rear screen, and the battery and SD card status bars are now color-coded – from green to yellow to red – to give users an idea of remaining capacity.

For more information see the Leica website and the support download section.

Press release

Firmware update now available for the Leica M10

Leica Camera has released a firmware update for the Leica M10, downloadable from the Leica web site from today.

Firmware version 1.3.4.0 adds numerous improvements to the camera’s handling. These include optimised colour-coding of the status bar for SD memory cards and battery level, which now change from green to yellow to red as the battery charge level reduces or the card becomes full.

The ‘Favourites Menu’ has also been revised: up to 15 menu entries can now be created and a second Favourites page opens after adding more than seven entries. Furthermore, with this update, M10 owners have even faster access to the main menu – it can now be opened by pressing the Menu button in the Favourites Menu. The same button can also be used for page-by-page scrolling.

An additional new feature enables the selection of the target display for automatic review on the monitor screen. The menu entry now offers the alternatives ‘Auto’, ‘EVF’ or ‘Display’ as target options, while ‘Edit Favourites’ allows the activation of direct access to ‘M-ISO’ as a Favourites Menu item. The firmware update also brings a further significant reduction in the lag (dark screen) between exposure and display when taking pictures in Live View mode.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces the PXW-FS7 ll with electronic variable ND filter and new handling features

10 Nov

Sony is preparing to release an updated version of its popular PXW-FS7 professional video camera that will feature an electronic variable neutral density filter that automatically compensates for exposure shifts of between two and seven stops. The filter can adjust itself so that apertures and shutter speeds can remain constant even when light intensity changes quite dramatically – thus maintaining the ‘look’ of the video. The new feature also allows aperture changes that alter the depth of field during recording without affecting the exposure of the footage.

The new camera doesn’t replace the existing FS7 as Sony says it will retain both models in the range to give videographers a choice. The new model will cost more than the original, so there will be models to suit different budgets.

Another new feature of the FS7 ll will be a locking collar around the lens throat that allows E-Mount lenses to be fitted directly to the camera without the need to twist them into place. The lens can be offered up to the throat and the collar rotated to lock it into place. This, Sony says, makes changing lenses much quicker as lens support rigs won’t need to be taken off to complete the lens switch.

Sony has altered the shoulder mount and the viewfinder so that they can be adjusted without tools, using wing nuts and finger screws to secure them in place. The monitor arm and the micro holder can now be switched for left-eye viewers, and the number of external assignable buttons has increased from six to ten.

The camera can accept A-mount lenses via an adapter

Like the FS7 the new FS7 ll uses a Super 35mm format sensor and can record 4K and full HD video at a range of frame rates up to 180fps and in a wide range of formats.

At the same time Sony announced the FS7 ll it also announced a new kit lens for the FS7 series and a G-Series 256GB XQD card with a 400Mbps write speed. The new lens is the SELP18110G 18-110mm f/4 power zoom with Optical SteadyShot built-in. Although Sony had said originally that the lens would be suited to be paired with the SEL14TC and SEL20TC teleconverters it has now announced that it will not in fact be compatible.

The Sony PXW-FS7 ll is due to arrive in January 2017, and the company has yet to release pricing information (the current model costs about £8000/$ 8500). For more information visit the Sony Pro website.

Press release:

Sony Expands FS Series with New FS7 II Camcorder

New Model Delivers Advanced Features for creative Documentary and Indie Production with Electronic Variable ND Filter, Lever Lock Type E-mount and Refined Mechanical Design

Sony is expanding its FS Series Super 35mm professional family with the addition of the new FS7 II camcorder. The new model builds on the original FS7’s strengths by adding advanced features including Electronic Variable ND technology, a lever lock type E-mount, and a new mechanical design for faster and easier set-up.

Since its introduction in 2014, the FS7 has become one of the most widely used cameras in a range of production applications, and the original model remains in the Sony line-up. The new FS7 II now gives creative professionals a broader range of creative tools, with new features all based on end user feedback.

The new FS7 II camcorder is designed for long-form shooting and production applications, especially for documentaries and independent filmmaking. Amongst the many enhancements outlined below, the FS7 II can also record in BT2020 colour space, hence making it ideal for today’s 4K broadcast productions.

Electronic Variable ND Technology

The camcorder’s Electronic Variable ND Filter system, combined with its large sensor, delivers greater exposure control, with the option of preset or variable operation modes. Variable ND mode (clear + 2~7 stop range, in seamless transition steps up to 1/128) allows the user to vary the density of the ND filter during shooting and to transition seamlessly between steps. This also ensures an optimum motion delivery by maintaining desired shutter speed.

The camera’s expanded ND operations enables fine exposure adjustment by relegating iris to set depth of field, prevents soft focus caused by diffraction, and prevents colour shift caused by stacking multiple external ND filters.

The camera can compensate for exposure fluctuation caused by iris control while adjusting the depth of field. Users can adjust exposure while keeping the same bokeh in changing shooting or lighting environments.

Preset mode lets users assign three ND settings to the filter turret, useful in selecting the most appropriate filtration range for changing light conditions, for example. Auto ND mode is also available allowing exposure to stay at a fixed level while adjusting the depth of field with iris control.

E-mount (Lever Lock type) for professional shooting

The FS7 II revisited E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in most cases lens support rigs don’t need to be removed, saving time during a production. The new E-Mount has been designed for demanding applications in the professional environment and will fit any existing E-mount lenses in the market and other mount lenses with an adapter. The new FS7 II camcorder also supports Sony ? Mount System, which includes more than 70 lenses.

Mechanical Design Enhancements

Like its counterparts in the FS Series family – the FS7 and FS5 models – the new FS7 II features several design and ergonomic updates for comfortable and functional use in the field. These new features are based customer feedback around the FS7.

The FS7 II “tool-less” mechanical design lets users make on-the-fly changes to the camera’s set-up and operation. For example, no tools are required to adjust the Smart Grip or viewfinder positions.

The detachable viewfinder eyepiece, which comes with a pop-up hood, provides a third stabilizing contact point when shooting handheld. Durable square section rods and lever-clamps on the LCD and camera body provide simple and precise front-to-back VF adjustment while retaining level positioning.

New Sony 18-110mm Sony G lens

Sony also introduced a new E-mount, Super 35mm lens specifically designed for documentary and motion picture production.

The new lens, model E PZ 18-110mm F4 G OSS, covers Super35mm and APS-C sensors. Compact and lightweight — 2.4 lbs (1.1Kg) — with an 18 to 110 focal range (6x zoom) it uses a new fully mechanical/servo zoom switchable system, capable of snap zooms and entirely devoid of lag. The focal range is optimised for Super 35 and APS-C sensors.

The lens is compatible with Sony ? Mount System cameras, including the ?7 series interchangeable-lens cameras and professional Super 35mm 4K camcorders like the FS7 or FS5. Although perfectly suited for still image taking, filmmakers will fully appreciate the lens’ extended creative capabilities for shooting motion images.

The lens benefits Smooth Motion Optics (SMO) design from Sony, which is developed to optimise performance during motion image capture. This lens design eliminates undesirable characteristics and artifacts that do not affect still image taking, but can severely limit a lens’ usefulness for motion shooting, such as:

  • Ramping: F stop gradually diminishes when zooming tight
  • Not holding focus while zooming
  • Breathing (angle of view variation while focusing)
  • Optical axis shift (image moves in the frame while zooming)

*Due to a change in the SELP18110G specifications it is no longer compatible with the SEL14TC and SEL20TC teleconverters.

XQD Cards

The FS7 II supports the XQD memory card format, designed for capturing and transferring high-bandwidth, high resolution files. The newest XQD card from Sony, QD-G256E — with an industry first 256 GB capacity — enables recording time of approximately 45 minutes at 4K 60P and 3.5 hours at 2K 30P. Combined with a read speed of 440MB/s and write speed 400MB/s, users can shoot for longer without needing to change media cards.?

The FS7 II is planned to be available in January 2017. For more information, please visit the product page.

Articles: Digital Photography Review (dpreview.com)

 
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DxO ONE gets 1/20,000sec top shutter speed and better handling via firmware version 1.2

01 Dec

The DxO ONE smartphone companion camera is to benefit from a host of improvements and new features when the company releases new firmware early in December. General handling will be improved with what DxO vaguely describes as ‘instant access to advanced capture parameters and photo information with a simple swipe’ and ‘more control over the entire photo and video capture process’. The DxO ONE will also be compatible with the Apple Watch via a new app designed especially for it, and the DxO ONE will go on sale in Apple Stores. 

New features in firmware version 1.2 include the broadening of the shutter speed range to encompass 30-1/20,000sec, and continuous shooting – though the company doesn’t say at what rate. The video mode will allow manual control of aperture, ISO, white balance and ‘more’. 

DxO says that the changes have been instigated by user feedback from photographers, and that the new firmware will make the device ‘even more powerful’. For more information visit the DxO website.


Press release:

FOR IMMEDIATE RELEASE

Powerful new features added to the DxO ONE connected camera via software update

Version 1.2 available as a free download for existing DxO ONE users early December

PARIS and SAN FRANCISCO—November 24th, 2015—DxO announced today the availability of the first major software update for the award-winning DxO ONE Professional Quality Connected Camera. The DxO ONE app version 1.2 will be available early December via the iTunes App Store, and will introduce new camera controls based on direct feedback from DxO’s rapidly expanding community of photographers. Version 1.2 makes the DxO ONE camera even more powerful, including new ways to view and interact with advanced photo info, and provides more control over the entire photo and video capture process including via a companion Apple Watch app. The DxO ONE connected camera is now also available in select Apple retail stores nationwide, as well as on Apple’s online store.

“Using the camera has become second nature to me—it’s crazy good. I never imagined standing in a pit lane at a major motorsports event and immediately being able to provide a PR rep images of his team’s pit stop literally seconds after the car pulled away,” said John Thawley, whose images have been featured in print for companies such as Ferrari, Jaguar, Lexus, and Maserati. “I’ve been equally impressed with the DxO team and their responsiveness to feedback and suggestions. It’s nice working with a company that is listening, and I can’t wait to see what the DxO ONE team does next.”

The way you interact with the DxO ONE is even better, thanks to new features that let users get instant access to advanced capture parameters and photo information with a simple swipe. Continuous shooting offers users the ability to shoot several photos in a row by simply depressing the shutter button. The manual focus mode now provides one tap access to hyper-focal distance, and the ability to reposition the magnification loupe for critical focusing. At the request of pro photographers, the shutter speed range has been expanded for capturing even faster motion (1/20000) and longer low-light exposures (30s). Users can now capture high quality video with full manual control of aperture, ISO, white balance and more. DxO ONE selfies are now available in every capture setting and mode, including the ability to record high quality video selfies, ready to share with the world. There’s even a new companion app that lets users remotely trigger a DxO ONE camera with their Apple Watch.

The image scientists, engineers, and designers at DxO are committed to refining the connected camera experience. This relentless pursuit of perfection has been aided by the generous outpouring of support and direction provided by DxO ONE photographers, many of whom, like John Thawley, are established and respected members of the professional community. Thanks to this tight feedback loop, DxO ONE owners can expect to receive a regular cadence of exciting new features in the months and years to come.

Pricing and availability

The DxO ONE Professional Quality Connected Camera is available for purchase at dxo.com and photo retailers for a price of £449 (including VAT). Purchase price includes DxO FilmPack Elite, and for a limited time, DxO OpticsPro Elite (a £258 value). 

The DxO ONE iOS app update, and companion Apple Watch app will both be available as free downloads via the iTunes App Store early December. New firmware, also available at the same time, can be easily downloaded via the app and installed on the DxO ONE. 

Articles: Digital Photography Review (dpreview.com)

 
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