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Slideshow: A bewildered roadrunner at the US—Mexico border took hom the grand prize in this year’s Bird Photographer of the Year competition

02 Sep

Bird Photographer of the Year 2021 winners

Winners of the 2021 Bird Photographer of the Year awards were announced today. Over 22,000 images were submitted from around the globe. Mexican photographer Alejandro Prieto took home the £5,000 grand prize for his image of a roadrunner standing next to the 3,000km-long US–Mexico border.

‘The border wall crosses deserts, mountains, and even mangroves. It is not just desert, and is in fact very biodiverse with more than 1,500 animal and plants species threatened by the wall,’ says Prieto. ‘I have watched many different animals reach the wall before turning around and heading back.’

The Bird Photographer of the Year awards also gives back. The organization donated £8,000 to Birds on the Brink. They fund grass-roots bird conservation projects around the world. All 2021 winners can be viewed on the competition’s main website.

Gold Award Winner and Bird Photographer of the Year: ‘Blocked’ by Alejandro Prieto (Mexico)

About this Image: The 3,000km-long US–Mexico border traverses and straddles some of the continent’s most biologically diverse regions. It is home to uniquely adapted mammals, reptiles, birds and plants, some of which are found nowhere else on the planet. Numerous species will be affected if the US government decides to build a wall along the border with Mexico. Border infrastructure not only physically blocks the movement of wildlife but it also destroys and fragments habitats.

Many desert animals are, to a degree, nomadic wanderers and a wall would sever habitat connectivity and prevent them moving freely from one place to another. In this photograph, a Greater Roadrunner approaches the border wall at Naco, Arizona, with what almost looks like a sense of bewilderment.

Gear and Specs: Nikon D850 with Nikkor 70–200mm f/2.8 lens. Focal length 112mm, 1/320 second, f/14, ISO 200.

Gold Award Winner, Best Portrait: ‘Underwater Portrait’ by Felipe Foncueva (Spain)

About this Image: This underwater image of a Brown Pelican was taken off the Pacific coast of Costa Rica, near the mouth of the T.rcoles River, where there are small fishing villages. Groups of pelicans await the return of fishermen and take advantage of the scraps they throw into the sea.

Looking at this image, I am struck by the similarity between the way the pouch beneath the pelican’s bill functions and the throat of a feeding baleen whale. At first glance you could be forgiven for thinking you are looking at a marine mammal rather than a bird!

Gear and Specs: Canon EOS 5D Mark IV with Canon 8–15mm f/4 Focal length 15mm; 1/10th, f/9, ISO 200.

Silver Award Winner, Best Portrait: ‘Sing Heartily’ by Maofeng Shen (China)

About this Image: June marks the start of the breeding season for Demoiselle Cranes on the vast grasslands of Keshiketeng in Inner Mongolia. It is a blessing to witness the arrival of these beautiful birds, and a privilege to have documented their nesting behaviour. In order to capture wonderful, intimate moments of breeding behaviour without causing disturbance, I did a lot of homework.

I drove more than 800km to the vast prairie of Keshiketeng two days before I planned to photograph and did my groundwork. I got up at 3am on 29 June 2018 and rushed to the location of the breeding cranes. In order not to disturb their peaceful life, I had previously set up my equipment in the long grass and lay down, disguised on the ground.

In the morning light, the figures of the Demoiselle Crane family of four gradually appeared out of the gloom. Just as they were leisurely foraging for food, suddenly the distant sound of shepherds herding sheep could be heard. It seemed as if the sound was enough to inspire the pair of adults to call, as they stood back to back. This evocative sound cut through the silent sky for a brief moment, then everything quietened down again. I enjoyed the company of the crane family for the next four hours.

Gear and Specs: Canon EOS-1D X Mark II with Canon 600mm f/4 lens, 1/640 second, f/6.3, ISO 400.

Bronze Award Winner, Best Portrait: ‘Night Hunter’ by Jonas Classon (Sweden)

About this Image: Poised for attack and staring intently, this Great Grey Owl has fixed its penetrating gaze on a vole in a Swedish forest. On the night of a full moon, I photographed the owl as it raised its deadly taloned foot, with my car headlights adding a little more illumination to the scene. When I looked at the photo afterwards it gave me goosebumps.

Gear and Specs: Canon EOS-1D X Mark II with Canon 200–400mm f/4 lens. Focal length 300mm, 1/160 second, f/4, ISO 3200.

Silver Award Winner, Birds in the Environment: ‘Claiming the Forest Floor’ by Joshua Galicki (United States)

About this Image: This image shows a male Ovenbird singing on top of a fallen log. The bird is staking its claim to a breeding territory shortly after arriving from a lengthy migration to the northeast United States from wintering grounds in Central America. Ovenbirds are quite small – 15cm or so in length – and unlike most other New World warblers, prefer to forage on the forest floor among the leaf litter. I have observed and studied North American songbirds for years and care deeply for all of my subjects.

This shot was taken with a non- intrusive remote set-up to capture the expanse of the Ovenbird’s environment. The camera and lens were camouflaged next to the bird’s favourite singing log and the shutter was remotely triggered. No bait or tape lure were used for this shot, nor was any stress placed on the bird. As a result, this is an image of an Ovenbird behaving naturally.

Gear and Specs: Canon EOS-1D X Mark III with Canon 24–70mm f/4 lens. Focal length 24mm, 1/500 second, f/8, ISO 6,400.

Bronze Award Winner, Birds in the Environment: ‘Yellow-billed Oxpecker with Cape Buffalo’ by Barbara Fleming (United States)

About this Image: Yellow-billed Oxpeckers chatter constantly as they fly in and out of a Cape Buffalo herd, landing wherever they can to rest and feed. They spend almost their entire lives around large mammals, to the point where even courtship and mating take place in their company. Oxpeckers feed on ticks and other insects, although they also have a predilection for the mammal blood.

In this image both oxpecker and buffalo were in motion, moving in different directions and at different distances from the lens. This added to the challenge of capturing this symbiotic pair, but enhanced the satisfaction at achieving my goal. The image was darkened in post-processing.

Gear and Specs: Nikon D4S with Nikkor 500mm f/4 lens and 1.4x teleconverter. Focal length 700mm, 1/1,600 second, f/8, ISO 1,600.

Gold Award Winner, Attention to Detail: ‘Disappearing’ by Rafael Armada (Spain)

About this Image: Reflections are one of the details I like most in nature because light undergoes incredible transformations when it interacts with water. In a way, it is nature playing with us, with our forms and with the forms that we see. In this photograph, the same water that creates the reflection strikes with force to destroy it, in a sense to overthrow the King. The King is still standing; he knows his reign is not over… not yet. But it will end the day that water no longer creates reflections in the sand.

Gear and Specs: Canon EOS-1D X Mark II with Canon EF 100–400mm f/4.5–5.6 II lens. Focal length 100mm, 1/30 second, f/14, ISO 100.

Silver Award Winner, Attention to Detail: ‘Growing Up’ by Raymond Hennessy (United States)

About this Image: Great Northern Divers (known as Common Loons in North America) and their chicks take to the water soon after the chicks hatch. The size difference between adult and youngster is evident in this image and shows just how much growing is left for this tiny chick: it is dwarfed by the large bill of the adult next to it. I took this photo as the pair floated incredibly close to my kayak in the soft afternoon light.

Gear and Specs: Nikon D4S with Nikkor 500mm f/4 lens. Focal length 500mm, 1/640 second, f/4, ISO 400.

Gold Award Winner, Bird Behavior: ‘Floral Bathtub’ by Mousam Ray (India)

About this Image: This image was taken at North Bengal Agricultural University in Cooch Behar, West Bengal. To set the scene, here in India autumn days (when the photo was taken) are typically hot and humid – sporadic rains interspersed with sweltering heat – while the nights are cold. I was keen to capture images of Crimson Sunbirds drinking nectar from banana flowers. Typically, these flowers point towards the ground, but in some ornamental species they point skywards and some of their outer petals open up like cups, holding water from rain or dew.

Late one evening, a female Crimson Sunbird suddenly arrived and started sipping nectar. Her thirst quenched, she then started bathing in the water stored in this banana flower petal. It’s quite common to find birds refreshing themselves in the evening, visiting puddles and pools, dipping their heads and wetting their wings and body. However, it was a unique experience to see this sunbird immersing herself upside down in water contained in an ornamental flower petal, like a lady in a bathtub. Her relaxed and indulgent manner, lit by the glow of sunset, was truly a sight to behold.

Gear and Specs: Nikon D500 with Nikkor 300mm f/4 and 1.4x teleconverter. Focal length 420mm, 1/4,000 second, f/7.1, ISO 1,600.

Silver Award Winner, Bird Behavior: ‘The Face of Death’ by Massimiliano Apollo (Italy)

About this Image: After many years of frequenting these rice fields in northern Italy, I finally managed to capture what is for me the perfect shot! In late summer, prior to migrating south, the region’s Purple Herons try to feed as much as possible and take advantage of the abundance of prey present in the rice fields.

I had long dreamt of a shot like this, one that would allow me to see the expressions of the two subjects – predator and prey. I can also say with some satisfaction that this shot is completely wild and no form of baiting was employed – just a lot of patience, perseverance and, why not, a little luck!

Gear and Specs: Sony A9 II with Canon 600mm f/4 lens and 1.4x teleconverter. Focal length 840mm, 1/2,000 second, f/6.3, ISO 3200.

Bronze Award Winner, Bird Behavior: ‘Entangled’ by Julie Halliday (Falkland Islands)

About this Image: In the past, the Imperial Shag went by the name of King Cormorant. This subantarctic and Antarctic species breeds in dense colonies, and on the Falkland Islands it favours gentle cliff-top slopes, often mixing with Southern Rockhopper Penguins and Black-browed Albatrosses.

Imperial Shags use various displays to reinforce pair-bonds, ranging from head-wagging, gargling and kinking their necks, to making throat-clicking noises and nibbling or biting the tips of the bill. This pair allowed a close approach, and as one came in to land, they went through a ritual courtship greeting.

Gear and Specs: Canon EOS 5D Mark III with Canon 70–200mm f/2.8 II lens and 2x teleconverter. Focal length 400mm; 1/1,600 second; f/5.6; ISO 250.

Gold Award Winner, Birds in Flight: ‘Thirsty’ by Tzahi Finkelstein (Israel)

About this Image: Common Swifts live their lives on the wing and are a challenge to capture in flight. With a diet of flying insects, they need to drink from time to time, and even that behavior is performed on the wing. I had had this image – of a swift skimming over water – in my mind for a long time.

I finally found a suitable place to attempt it, and to get the photo I had to sit in water wearing a wetsuit, shrouded by a portable hide, every day for three weeks. Eventually, I got this photo on the final day – the day after the birds had all gone.

Gear and Specs: Nikon D500 with Nikkor 300mm f/4 PF lens. Focal length 300mm, 1/4,000 second, f/7.1, ISO 1,800.

Silver Award Winner, Birds in Flight: ‘The Art of Motion’ by Nicolas Reusens (Spain)

About this Image: This image is one of my favorite shots from my last trip to Ecuador. Using a complicated set-up, I was able to trigger two sets of flashes during a single exposure, using a shutter speed of 1/25 second. I then tried to introduce a sense of movement into the image by adding continuous lighting to the scene. After three days of photographic attempts to get a single picture with an intense atmosphere, this is what I achieved. I hope it was worth it!

Gear and Specs: Canon R6 with Laowa 100mm f/2.8 Macro lens. Focal length 100mm, 1/25 second, f/13, ISO 200.

Bronze Award Winner, Birds in Flight: ‘First Come, First Served’ by Hannes Lochner (South Africa)

About this Image: This image captures the moment when two Southern Yellow-billed Hornbills chase after the same insect in a mid-air competition. In hornbill society, there appears to be no such thing as a fair fight, and the slower of the two birds played dirty by grabbing the tail feathers of the other. In spite of this cheating, the attempt failed, so maybe there is some justice after all in the world of hornbills!

Gear and Specs: Nikon D850 with Nikkor 70–200mm f/2.8 lens. Focal length 120mm, 1/5,000 second, f/4, ISO 200.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron 28-200mm Wins Grand Gold Prize at Digital Camera Grand-Prix 2021

02 Nov

The post Tamron 28-200mm Wins Grand Gold Prize at Digital Camera Grand-Prix 2021 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Tamron 28-200mm Grand Prix prize

Tamron’s 28-200mm f/2.8-5.6 Di III RXD superzoom has been awarded the Grand Gold Prize in the Interchangeable Lens/Mirrorless category at the Digital Camera Grand-Prix 2021. Tamron has also taken a Gold Prize for its 70-180mm f/2.8 Di III VXD telephoto zoom in the Third Party/Mirrorless category.

Grand Prix prize 70-180mm lens

The Digital Camera Grand-Prix honors the best cameras and lenses of the year; all gear debuted during the 2020 fiscal period is eligible, and winners are selected by photographic authorities.

In past years, awardees have included the Sony a7R IV (for Camera of the Year, 2020), the Nikkor Z 58mm f/0.95 S Noct (given Editors Award, 2020), and the Sony FE 24mm f/1.4 GM (for Lens of the Year, 2019).

But while Tamron has frequently received prestigious Digital Camera Grand-Prix prizes – in fact, the company has been awarded in each of the last six years – the new 28-200mm f/2.8-5.6 perhaps stands alone, thanks to its breathtaking combination of focal length range, compactness, and image quality.

In fact, the Tamron 28-200mm f/2.8-5.6 is the ultimate superzoom. It’s built for Sony full-frame cameras, and Tamron has ensured that it can stand up to the rigors of Sony’s mirrorless lineup; the 28-200mm is effortlessly sharp on high-resolution bodies such as the a7R IV, from 28mm to 200mm, at all apertures.

In other words:

You can capture stunningly sharp landscapes at 28mm, before zooming in for some nice sharp portraits in the 50mm to 150mm range, before capturing a sharp telephoto street shot or two at 200mm.

This is unprecedented for superzooms, which are equally well-known for their overall usefulness and frequent image quality issues. You can either have flexibility or sharpness, but not both, or so lens manufacturers seem to think – yet Tamron has proved that it’s possible to keep it all: sharpness, focal length flexibility, plus solid build quality, autofocus speed, and more.

I haven’t even mentioned the 28-200mm’s maximum aperture, which varies from f/2.8 to f/5.6 across the focal length range. The f/2.8 maximum aperture at the wide end of the range further increases the lens’s versatility. For night shooters – especially astrophotographers, who require clean images at relatively fast shutter speeds – an f/2.8 aperture is a must, and the 28-200mm can provide it.

The 28-200mm f/2.8-5.6 is offered for a very reasonable price:

$ 729 USD, which is cheaper than many native Sony lenses, and brings an incredible bang for your buck when you consider what you’re getting.

So if you’re interested in a lens that can do pretty much anything, from landscapes to street photography to portrait photography and more, check out the Tamron 28-200mm f/2.8-5.6 Di III RXD.

(Also, take a look at our review of the incredible Tamron 70-180mm f/2.8 lens for Sony.)

Now over to you:

What do you think about the 28-200mm f/2.8-5.6? Are you impressed by Tamron’s innovation? Are there any competitors that you like better? Share your thoughts in the comments!

The post Tamron 28-200mm Wins Grand Gold Prize at Digital Camera Grand-Prix 2021 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Video: Three types of photographers, illustrated by the ‘The Grand Tour’ trio

28 Feb

During an episode in season three of The Grand Tour, hosts Jeremy Clarkson, Richard Hammond and James May take a moment to sit down and discuss the photography equipment they plan to bring to photograph wildlife in Columbia.

The exchange from the trio is right on course with what you’d expect from Jeremy, Richard and James, if you know them from their Top Gear days; the guys poke fun at three different kinds of photographers and the gear they bring along for photoshoots in a way only they can.

Richard opts for the full suite of Canon prime lenses and camera bodies, complete with strobes, filters, a ThinkTank photo belt and BlackRapid camera strap to carry it all. Jeremy, on the other hand, keeps it simple with what appears to be a Canon 5DS R attached to an EF 600mm f/4L IS II. James eschews the weight and debate by further streamlining his gear with a single Canon PowerShot G9 X Mark II.

All in all, the two-minute segment makes for a few good laughs.

Articles: Digital Photography Review (dpreview.com)

 
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Grand Canyon time lapse records rare cloud inversion

30 Dec

In search of some tranquility on this last Friday before 2018? Well, Skyglow project collaborators Gavin Heffernan (of Sun Chaser Pictures) and Harun Mehmedinovic have just the video for you. They captured remarkable time-lapse footage of a cloud inversion in Arizona’s Grand Canyon. This event occurs when an upper layer of warm air traps the cold air in the canyon, and the canyon fills with rolling fog and clouds for a spectacular sight.

Turn down the lights and experience a few minutes of peaceful clouds that are reminiscent of ocean waves – and don’t forget to turn up your headphones for the full effect.

Via: Laughing Squid

Articles: Digital Photography Review (dpreview.com)

 
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Grand Slammed: Closed & Abandoned Denny’s Restaurants

04 Sep

[ By Steve in Abandoned Places & Architecture. ]

Denny’s has been a powerhouse of fast-casual family dining for over 60 years with over 1,600 restaurants but even Denny’s has to close some time.

More than just a slogan, Denny’s famous “we never close” policy was put to the test in 1988 when all but six stores closed for Christmas. Several restaurants were unprepared by the corporate-wide closing: some had lost their keys while others – rumor has it – were built without lockable doors.

Contrast that open-door policy with the fate of closed and/or abandoned Denny’s restaurants and diners like this one in Dayton, Ohio, snapped by Flickr member vistavision in the fall of 2010. Stores like this one will never open again, at least not under the classic Denny’s hexagonal sign.

Shoreline Scar

The above abandoned Denny’s was snapped by Flickr member Curtis Cronn in early February of 2015. Looks like the crew charged with removing visual references to expired businesses, crashed airliners and so on neglected to erase the labelscar lingering on the Shoreline, Washington restaurant’s sun-blasted exterior wall. Guys, you had ONE job.

Laurel Turpitude

Denny’s wasn’t always “Denny’s”… the chain opened in 1953 with a single store in Lakewood, California named Danny’s Donuts. In 1959, the growing company changed its name to avoid any conflict with Coffee Dan’s, a Los Angeles-based chain of coffee shops. Known since 1961 as just plain “Denny’s”, the company expanded exponentially… by 1980 there were over 1,000 restaurants and diners spread across all 50 U.S. states.

The store above, located just off Route 73 in Mount Laurel, New Jersey dates from the 1970s, back when the corporate color scheme was heavily into pinks and oranges… no doubt a hangover from the psychedelic Sixties. Will the succeeding Chinese restaurant carry on that lurid theme? Flickr member John (JSF0864) captured this still-sharp-looking abandoned Denny’s in June of 2011.

Sign In Stranger

Now here’s something unusual: all that’s left of this former Denny’s restaurant in Lorain, Ohio is its main sign – the building was demolished in early 2011. What’s more, the sign (displaying Deny’s “new” logo instituted in 2001) appears to be in excellent condition having escaped the attentions of the de-branding crew. Maybe they forgot to bring a ladder. Kudos to Flickr member Nicholas Eckhart, who captured this rather bleak scene in December of 2014.

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Olympus cleans up at Camera Grand Prix 2017

21 May

The Japanese Camera Journal Press Club has awarded Olympus three out of its four annual prizes after voting by photographic magazine editors and readers. The Olympus OM-D E-M1 ll came away with both the Camera of the Year award and the Readers award, while the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO won Lens of the Year.

The club, which was established in 1963, has ten member magazines and websites that each test and review camera equipment. The members come together with affiliated magazines to determine the best products released during the period between April and March each year. This year the OM-D E-M 1 ll attracted attention for its high speed AF system and frame rates that exceed those achievable by even top-end DSLR cameras.

Olympus didn’t wipe the board entirely though, as the Editor’s Award went to the Nikon D500 for its professional AF system and modest price, and the Fujifilm GFX 50S for its resolution and handling as well as for popularizing medium-format again.

For more information and to read why each of the products was awarded see the Camera Journal Press Club of Japan website.

Camera GP Japan information

Camera Grand Prix 2017 / CJPC

Camera Grand Prix is held by Camera Journal Press Club (CJPC, Japan), a group of representatives from magazines or websites specializing in photos and cameras. CJPC, established in September 1963, has 10 members from the media as of April 2017. The selection committee, organized under the auspices of CJPC’s Camera Grand Prix Executive Committee, deliberates and selects the best products to give the four awards from among those introduced into the market during the previous fiscal year (from April 1 to March 31).

Camera Grand Prix “Camera of the Year” is granted to a still camera recognized as the best of all released during the period. “Lens of the Year” is awarded to the best lens launched in the Japanese market, while “Readers Award” is determined by general camera users’ vote on a dedicated website. (The voting period in 2017 was from March 18 to April 9.) In addition, CJPC members give “Editors Award” to a camera or another form of photography-related product, excluding the one awarded “Camera of the Year”, in consideration for the product’s popularity, topicality, and innovativeness.

Camera of The Year
The award went to the OLYMPUS OM-D E-M1 Mark II
(production company : Olympus Corporation.)

Lens of The Year
The award went to the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
(production company : Olympus Corporation.)

Readers Award
The Readers Award went to the OM-D E-M1 Mark II (production company : Olympus Corporation.). The award was stablished in 2008, in celebration of the 25th anniversary of the Camera Grand Prix. The winner is selected by general readers’ votes.

Editors Award
As the result of a conference of C.J.P.C. members, the D500 (production company : Nikon Corporation,) and the GFX 50S(production company : Fujifilm Corporation.) were selected for Editors Award.

Articles: Digital Photography Review (dpreview.com)

 
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The filmmakers who took a stroll on Yellowstone’s Grand Prismatic are facing jail time

08 Nov

Three of the four Canadian filmmakers who were caught roaming onto Yellowstone’s Grand Prismatic hot spring have pled not guilty to charges of foot travel in a thermal area and disorderly conduct. Hamish McNab Campbell Cross was the only member of the group representing clothing brand High on Life to plead guilty to his charges. He’ll pay a fine of $ 8000 and accepts a five year unsupervised probation.

The remaining three have received court-appointed lawyers and may face a bench trial if they do not accept plea deals. The Jackson Hole News and Guide reports that the group’s previous attorney, who removed himself from the case due to a conflict of interest, mentioned that the US Attorney is considering jail time.

The Grand Prismatic incident is just one of quite a few recent cases park vandalism. Stiffer penalties for offenders may help reduce incidences of vandalism, but is an $ 8000 fine enough? Do the filmmakers pleading not guilty deserve jail time? Tell us what you think in the comments.

Related: Opinion: Park vandals need to be stopped

Articles: Digital Photography Review (dpreview.com)

 
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Cannabis to Grand Pianos: 14 Radical Modern Retail Designs

26 Jan

[ By Steph in Design & Fixtures & Interiors. ]

retail steinway 2

Whether selling recreational marijuana or grand pianos that cost almost as much as a house, this eclectic mix of retail stores really sets off their products with eye-popping interior design schemes featuring unusual architectural elements. Some of the shops might even be at risk of outshining what they sell with modern sculptural displays, dramatic hanging staircases and faux truck facades.

Stunning Steinway Piano Showroom

retail steinway 1

retail steinway 3

The stainless wires on the facade of the flagship Asian Steinway & Sons showroom mimics those inside the luxury pianos on display, only slightly obscuring them and the people who test them out within the beautifully illuminated space. Designed by SALT, the shop’s main room mimics the living rooms of European manors.

Clear as Day: Crisp White at Optimist Eyewear Store

retail eyewear

retail eyewear 2

retail eyewear 3

A perfectly clean, crisp white terrace that looks almost like a pristine glass cube from the street is tucked into a dingy alleyway in Greece as part of optical shop c_29 / optimist. The airy space by 314 Architecture Studio modernizes the classic Greek aesthetic, with the products tucked into prismatic sculptural furniture.

Hawaiian Theme for Pineapple Express Cannabis Store
retail pineapple express

retail pineapple express 2

A creative firm called McBride company is anticipating the day when the sale of both medical and recreational marijuana becomes legal nationwide, and has designed a concept for a national chain of cannabis retails stores called Pineapple Express. “The industry needs to provide a sales experience that reflects the evolving perception of marijuana,” says CEO Pat McBride. “The store design and atmosphere we created offers consumers a space that incorporates all the elements of great retail design, but addresses the unique display and service challenges faced by the cannabis retail industry. Our goal was to make this a true retail experience, meaning customers should feel completely comfortable and entertained, while also safe and secure. Some elements of cannabis shops today have the opposite effect, especially when the focal point is a long consultation counter where customers must wait to be helped.”

Greenhouse Effect at Mit Mat Mama in Barcelona
retail mit mat

retail mit mat 2

retail mit mat 3

Shoppers feel like they’re walking into a tropical greenhouse as they enter the Mit Mat Mama maternity store in Barcelona by architect Román Izquierdo Bouldstridge. Emphasizing a feeling of freshness, harmony and natural beauty, the store consists of a modular system of wooden ladders stretching up to the ceiling that are used to display plants. The scheme adds visual interest without blocking views of the entire space.

Fiberglass Cave at SND Fashion Store by 3GATTI
retail fiberglass cave

retail fiberglass cave 2

retail fiberglass cave 3

Vertical sheets of white fiberglass hang from the ceiling of SND Fashion Store in Chongqing, China to create an undulating canopy that utterly transforms the entire interior. Shanghai-based studio 3GATTI gets a little catty in their explanation for the design, saying “We used a very thin white translucent fiberglass material because of its fire resistance and the way it reacted to light, thus creating a ceiling landscape that would be a spectacular source of beauty and emptiness; perfect for every fashion victim.”

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Cannabis To Grand Pianos 14 Radical Modern Retail Designs

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Agony & Ivory: 12 Not So Grand Abandoned Pianos

08 Jun

[ By Steve in Art & Street Art & Graffiti. ]

abandoned pianos
88 keys and nothin’ on… except dust, dirt & decay. These 12 abandoned pianos may irk music lovers but cheer those who live life slightly out of tune.

New York Minuet

abandoned piano East River(image via: James and Karla Murray Photography)

OK, so abandoning pianos is a thing now. Take the East River Piano, a now-silent Mason & Hamlin found wallowing (when the tide’s in) and waterlogged on the Manhattan side of the river, under the Brooklyn Bridge. It couldn’t have been easy to lug the 300-lb behemoth down to the riverside but someone (probably with a little help) did just that sometime towards the end of May, 2014.

abandoned piano East River NYC(images via: Canoe.ca/REUTERS/Carlo Allegri)

Photographer Carlos Chiossone told NBC 4 New York he was out for a walk and noticed a photo shoot taking place on and around the piano. “But then they left,” said Chiossone, “and the piano is still there.” Who will remove the #EastRiverPiano and when? The City Parks Department issued a short statement saying the beach is not under their jurisdiction, or in the words of the late Freddy Prinze, “It’s not my job, man.”

Piano Tree Oh

abandoned piano tree Mifflin(image via: WeirdWood)

Artist Jeff Mifflin’s Piano Tree was a so-called “living installation” set in a forested area just off the Disc Golf Course at California State University in Monterey Bay. Mifflin took an old stage piano and after some judicious sawing, made it appear an ancient tree was growing out of the old upright’s heart. The tree continued to grow even after it was unnaturally mated, however, and would be evolving today if a drunken music-hater had not taken his frustrations out on the artwork.

Leaves Behind

abandoned piano leaves(images via: Zariat)

“I encountered an abandoned piano yesterday,” states blogger and photographer Zariat, and “I was charmed by the elegance it maintained while slowly decaying beneath the fallen leaves.” That’s the thing about abandoned pianos: while definitely fish out of water, they seem to maintain a certain degree of dignity regardless of how pitiable and perilous their situation.

Don’t Shoot Me I’m Only The Piano Player

Russian soldier abandoned piano Chechnya(image via: Reddit/red321red321/Imgur)

Why was this Russian soldier playing an abandoned piano? Because it was there! And by “there” we mean Chechnya, sometime in 1994 shortly after the advent of the First Chechen War. It’s not known if the piano was ticking when the soldier began tickling the ivories, nor if the instrument was rigged to explode should the player hit a bum note.

Next Page – Click Below to Read More:
Agony Ivory 12 Not So Grand Abandoned Pianos

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Grand Teton Peak in the Clouds

27 Sep

Grand Teton Peak in the Clouds

It’s time again to explore… after a week of wandering I’ll be back to post again.

Keep close to Nature’s heart… and break clear away, once in awhile, and climb a mountain or spend a week in the woods. Wash your spirit clean.

– John Muir

Copyright Jim M. Goldstein, All Rights Reserved

Grand Teton Peak in the Clouds

The post Grand Teton Peak in the Clouds appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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