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Posts Tagged ‘Grade’

Western Digital debuts new G-Drive and G-Speed professional grade SSDs

09 Apr

Western Digital just revealed its new lineup of G-Technology G-DRIVE and G-SPEED external solid state drives at NAB 2018, and as you might expect, they’re built to handle ultra-high resolution video. In fact, WD claims these Thunderbolt 3 drives enable “real-time 4K and 8K workflows” for professionals who need serious speed, capacity, and reliability.

There are three new drives in all: the G-DRIVE Mobile Pro SSD, the G-DRIVE Pro SSD, and the G-SPEED Shuttle SSD.

G-DRIVE Mobile Pro SSD

The G-Drive Mobile Pro SSD aims to be one of the fastest mobile storage solutions you can bring with you in the field. Available in 500GB and 1TB configurations, this Thunderbolt 3 drive boasts read speeds up to 2800MB/s that should let you “edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of media in seven minutes.”

The most portable of today’s announcements, the drive has also been built to be rugged. The derive uses “specially engineered components” for its shock-resistant design, and the aluminum core is meant to prevent overheating.

To learn more about the G-DRIVE Mobile Pro SSD, head over to the G-Technology website. Both 500GB and 1TB capacity drives will be available in the US starting this summer for $ 660 and $ 1,050, respectively.

G-DRIVE Pro SSD

The G-DRIVE Pro SSD, as the name suggests, is the Mobile Pro’s big brother. Like its younger sibling, it features a Thunderbolt 3 connection (actually two of them) and can transfer data at up to 2800MB/s. Thanks to the dual-connection, however, you can daisy chain up to 6 of these bad-boys together and stack them on your desk like Jenga pieces.

Since this is a desktop solution, it’s not built with the same shock-proof design as the Mobile Pro, but the G-DRIVE Pro SSDs do boast enterprise-class solid state drives with an endurance rating of one drive write per day.

These drives will be available to US consumers starting in May, and will come in capacities of 960GB, 1.92TB, 3.84TB, and 7.68TB for $ 1,400, $ 2,100, $ 4,100, and $ 7,600, respectively. Just for fun we did the math: if you daisy chain six of the 7.68TB drives together, you will have spent $ 45,600 for 46.08TB of solid state storage.

You can learn more about the G-DRIVE Pro SSD on the G-Technology website.

G-SPEED Shuttle SSD

Finally, the biggest and baddest of the drives released today (if you can call this a “drive”) is the G-SPEED Shuttle SSD: an enclosure that comes with eight removable SSDs pre-loaded and configured in RAID 5. This is meant for “ultra-demanding” workflows like multi-stream HD, 4K, 8K, VR and VFX backup and editing.

The G-SPEED Shuttle SSD comes with up to 16TB of storage (eight, 2TB drives pre-loaded) and can be configured to run hardware RAID 0, 1, 5, 10, and 50. And, like the G-DRIVE Pro SSD, the G-SPEED features two Thunderbolt 3 connection that max out at 2800MB/s and can be daisy chained with up to five additional devices.

The G-SPEED Shuttle SSD will arrive on store shelves in the US this month, and can be purchased in either 8TB or 16TB configurations for $ 5,100 and $ 7,600, respectively. That means the same $ 45,600 mentioned above will buy you 96TB of solid state storage if you go with the G-SPEED Shuttle.

To learn more or order yours, visit the G-Technology website.

Press Release

Access, Edit and Share Massive 4K and 8K RAW Video from Multi Camera Shoots in Real Time with the Fast and Reliable Western Digital Thunderbolt 3 SSD Solutions

Award-Winning G-Technology® G-DRIVE® and G-SPEED® Families Enable Creative Professionals to Access and Work With Data Quickly

Las Vegas, 2018 NAB SHOW, Apr. 9, 2018 – Western Digital Corporation (NASDAQ: WDC) is meeting the escalating fast-transfer and high-capacity demands of professional content creators by enabling real-time 4K and 8K workflows with three new professional-grade ultra-fast solutions in its powerful G-Technology® G-DRIVE® and G-SPEED® Shuttle product families.

Working with large 4K and 8K RAW video means massive file sizes and is undoubtedly one of the largest pain points for content editors. With new cameras capable of capturing over 400 MB/s of RAW data, there is an opportunity for content professionals to create incredibly high-resolution footage and ever-more immersive viewer experiences. It is not uncommon for a production crew to be on-location for two or three months recording three to four terabytes per day of footage from multiple cameras. With this expansion of data capture, comes a potential bottleneck in maintaining a real-time workflow on location – until now.

“Saving time means getting more done, which means booking more jobs over the course of a year,” said Scott Vouri, Vice President of Strategy and Business Development, Western Digital. “Creative professionals need to know that their drives will keep up with the growing demands of their workflows. To capitalize on these opportunities, the right tools are crucial. When working in the field, production teams need a fast solution that can handle demanding workflows of 4K and 8K content with the ability to quickly collect that valuable footage and be able to edit on the spot. With the power of Thunderbolt 3*, and transfer rates up to 2800MB/s**, the the new G-Technology Pro SSDs offer an ultra-fast, super-reliable solution for any creative project team.”

G-DRIVE Mobile Pro SSD

With storage running at 2800MB/s, the G-DRIVE mobile Pro SSD (Up to 1TB of capacity) lets you edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of media in seven minutes or less (for capacities 1TB or larger) wherever you are. A durable, shock-resistant design uses specially engineered components to endure traveling, while a single Thunderbolt™ 3 port lets you instantly edit footage on the go with incredible speed without the need for wall power. An aluminum core prevents overheating and maintains a consistent high performance, and with a trusted 5-year limited warranty, you get durable, fast solutions. The G-DRIVE mobile Pro SSD solution with Thunderbolt 3 is available in the U.S. Summer of 2018 in capacities of 500GB ($ 659.95) and 1TB ($ 1,049.95) USD.

G-DRIVE Pro SSD

Equipped with scorching fast transfer rates of up to 2800MB/s, the G-DRIVE Pro SSD solution (up to 7.68TB of capacity) with Thunderbolt 3 technology enables a filmmaker to edit multi-stream 8K footage at full frame rate, quickly render projects and experience them at full resolution, and transfer as much as a terabyte of content in seven minutes or less (for capacities 1TB or larger). Dual Thunderbolt 3 ports are ready to daisy-chain up to five additional devices, while a stackable, rugged aluminum enclosure offers a durable way to help keep your workplace tidy. Combined with Enterprise-class solid state drives, an endurance rating of one drive write per day (DW/D) endurance rating, and a trusted 5-year limited warranty, the G-DRIVE Pro SSD delivers reliable, high-performance desktop storage you can rely on. The G-DRIVE Pro SSD solution with Thunderbolt 3 is available in the U.S. May of 2018 in capacities of 960GB1 ($ 1,399.95), 1.92TB ($ 2,099.95), 3.84TB ($ 4,099.95) and 7.68TB ($ 7,599.95) USD.

G-SPEED Shuttle SSD

With up to 16TB of SSD capacity, the G-SPEED Shuttle SSD with Thunderbolt 3 is optimized to support multi-stream HD, 4K, 8K, VR and VFX workflows. Equipped with transfer rates up to 2800MB/s, hardware RAID 0, 1, 5, 10, 50, and eight removable SSDs pre-loaded and configured in RAID 5, it is built for ultra-demanding production workflows. The G-SPEED Shuttle SSD is available in the U.S. this month in capacities of 8TB ($ 5,099.95) and 16TB ($ 7,599.95).


*Backward compatible with Thunderbolt 2 using Thunderbolt 3 to Thunderbolt 2 adapter

**Based on read speed. As used for transfer rate, megabyte per second (MB/s) = one million bytes per second. Performance will vary depending on your hardware and software components and configurations.

1As used for storage capacity, one terabyte (TB) = one trillion bytes. Total accessible capacity varies depending on operating environment.

Articles: Digital Photography Review (dpreview.com)

 
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Detu launches F4 Plus professional grade 360-degree 8K VR cam

19 Oct

Chinese manufacturer Detu has launched the F4 Plus: a professional grade 8K panoramic VR camera that can capture 360° stills, videos and broadcast livestream footage at a whopping 8K resolution. In other words, at 7680 x 3840 pixels.

Image data is captured using four 200° fisheye lenses coupled to 12MP Sony IMX117 1/2.3″ CMOS sensors. For livestreaming, the camera be connected to a computer via Ethernet cable, and wireless livestreaming to YouTube, Facebook and other 360° enabled platforms is possible via 2.4G and 5G dual frequency Wi-Fi.

The images recorded by the individual cameras are stitched together in-camera and Detu says its optical flow algorithm is suitable for dynamic stitching in case you’re capturing scenes with a lot of motion.

The camera comes with a copper and aluminum frame and an air duct cooling system for efficient heat dissipation during livestreaming. The 4800mAh lithium-ion removable battery allows for up to 120 minutes of continuous shooting and a microSD slot supports cards up to a capacity of 128GB. Audio is recorded via two built-in microphones. Finally, the camera can be controlled, and footage edited and shared, via dedicated iOS and Android apps.

The F4 Plus camera’s professional target clientele is reflected in its hefty $ 2,600 price, but the camera promises to deliver a lot of bang for that buck. For more information or if you’d like to see sample images captured with the F4 Plus, head over to the Detu website.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon fills in the blanks on professional grade D5 DSLR

06 Jan

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Nikon has formally announced its D5 professional DSLR, a 20.8MP full frame capable of shooting at up to 12fps with AF and 14fps without. The camera features an all-new autofocus module with 153 points, 99 of which are cross-type, sensitive to both horizontal and vertical detail. The RGB metering sensor has also been doubled in resolution: up from a 91,000-pixel to a 180,000-pixel sensor. This should ensure more accurate metering and better precision in object tracking with continuous AF. It’s also Nikon’s first DSLR to be capable of 4K video capture and its first high-end camera to include a touchscreen. 

The D5 is based around a new processor, which Nikon is referring to as EXPEED 5. It will offer a conventional ISO range stretching from 100 to 102,400, with low settings down to ISO 50 and extended high ISOs of up to 3,280,000. According to Nikon, the higher ISOs benefit from improved light transmission of the color filter array to get more light to the sensor. A 3.2″ 2.36K dot XGA LCD with touchscreen functionality is included. Unfortunately, it doesn’t offer direct access to AF point selection with your thumb in OVF shooting like the D500 or D5500.

The upgrade to the AF system is significant: combined with Nikon’s industry leading object tracking (‘3D tracking’), we’d expect phenomenal ability of this camera to follow your subject and keep it in focus no matter where it moves to within the frame. Whether you’re shooting sports, weddings, or candid portraiture, the higher density of points should provide higher precision in tracking your subjects with pinpoint accuracy, an area in which Nikon already leads the industry. More cross-type points means better AF performance in tough lighting situations with challenging subjects, such as in low light or backlit scenarios. Freelance sports photographer Matthias Hangst is already claiming that ‘the D5 has the best AF system. Tracking of erratic moves is brilliant.’ 

Freelance sports photographer Matthias Hangst claims that AF object tracking performance of the D5 is brilliant, able to track erratically moving subjects in even challenging light, such as the backlit scenario pictured here.

The AF module also includes its own dedicated processor, presumably to deal with the vast information coming from the 153 AF points and 180K-pixel RGB metering sensor for tracking. Combining this AF prowess with minimal mirror blackout times during continuous bursts should translate to enhanced ability to follow moving subjects at high frame rates – which Nikon correctly emphasizes is difficult to do with mirrorless cameras. 

Low light sensitivity of the AF points have also been improved: the central point is sensitive down to -4 EV, with all other points sensitive to -3 EV. These ratings would suggest the D5 is the leader in low light focus ability at this time. Nikon hasn’t made any claims yet about increased focus precision with faster lenses (a la Canon), though. 

Nikon is emphasizing the 4K video capabilities of this camera, and while it includes options such as flat picture profile, Nikon has given no details yet of whether the camera has support tools such as focus peaking or zebra highlight warnings. 4K is recorded using the H.264 codec, but no bitrate information is provided as of yet. Historically, Nikon cameras have had low bitrates in video, yielding somewhat hard-to-grade footage.

We’ll be publishing more detailed analysis of the D5 and the co-announced D500 soon, and for more information, see the press release below.

Jump to:

  • Press release
  • Specs

Press Release:

In Addition to the D5, Nikon Releases Imaging Accessories Including Powerful New SB-5000 Speedlight and WT-6A Wireless Transmitter

LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced the latest in the acclaimed series of flagship FX-format professional DSLR cameras, the Nikon D5. Far surpassing mere evolution, the D5 boasts a myriad of powerful new imaging innovations, including a Nikon-developed 20.8-megapixel CMOS sensor, an all-new 153-point AF system, 4K UHD video capture and EXPEED 5 image processing to give photographers the best balance of performance, precision and low-light ability. Nikon has also announced additional products, including the WT-6A Wireless Transmitter and the exciting new SB-5000 Speedlight, Nikon’s first radio frequency (RF) controlled flash.

“The D5 doesn’t simply get the shot that others might miss– it helps get the shot that others just simply cannot,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “With these new products, it becomes evident that photographers who choose Nikon cameras and NIKKOR lenses are equipped with an unrivaled system to surpass even the most demanding imaging expectations.”

The Nikon D5 once again redefines what a DSLR is capable of capturing, and is engineered with the ideal balance of resolution, low-light ability, system speed and processing power. The resulting camera body is truly worthy of the flagship moniker, giving professional photographers and multimedia content creators an indispensable tool to make their creative vision a reality with superior image quality. The D5 introduces many technological firsts for Nikon and offers many new features that share a common goal: to get the shot, no matter what.

New Features Include:

  • Astounding Low-Light Performance – The Nikon D5 offers an unprecedented native ISO range, from 100 to 102,400, reinforcing the D-series reputation as the leader of low-light image capture. A veritable new world of shooting opportunities awaits, as advancements in noise reduction and processing help capture low-noise images with fantastic fidelity that were previously impossible. The D5 tames the shadows, whether shooting a newlywed couple’s candle-lit first dance or sports with minimal lighting. The D5 also realizes unprecedented image quality in the high-sensitivity range between ISO 3200 and 12800 — the range favored by sports photographers. In addition, the D5 affords the ability to use higher shutter speeds with minimal illumination, letting photographers capture stunning images that are sharper, clearer and more colorful than ever before. As an added benefit, the next generation autofocus system performs in near darkness, acquiring focus in as little as EV-4 illumination. For extreme low-light ability, the ISO range is expandable from 50 (Lo-1) to a staggering ISO 3,280,000 (Hi-5), offering near-night vision capability that’s well beyond the visibility of the human eye. This extreme sensitivity is a benefit to photojournalists as well as for surveillance and security applications, letting users get shots others cannot see without a flash. This vast ISO range is also available to those capturing 4K UHD video, opening up new possibilities for multimedia and spot-news capture.
  • Exhilarating Image Quality – The Nikon D5 delivers on the promise of stunning image quality with the adoption of a new, Nikon-developed 20.8-megapixel FX-format CMOS sensor. The camera is designed to achieve the optimized balance between the large full-frame sensor size, resolution and the new EXPEED 5 image processing engine. Users can be confident that images will have enhanced sharpness and clarity, faithful skin tones and the unequaled dynamic range that Nikon pros have come to love. EXPEED 5 also helps to enhance noise reduction, letting photographers take full advantage of the D5’s immense ISO range. When paired with legendary NIKKOR optics, the D5 is truly a tool to help photographers capture the sharpest images possible with astounding clarity and radiant colors.
  • Powerful Performance – Nikon’s EXPEED 5 engine also serves to dramatically enhance camera performance, delivering low noise, high-speed image processing and offers the additional processing power needed for 4K UHD video. For professional sports and wildlife photographers, the D5 is capable of capturing images at 12 frames-per-second (fps) with full AE and AF, helping to ensure that the decisive moment is caught in crystal clarity and absolute sharpness. Users can also shoot at up to 14 fps with fixed focus and exposure and the mirror locked up, ideal for remote capture. Because the action won’t take a break, the extended buffer lets users shoot for up to 200 frames of 14-bit lossless RAW/NEF files + JPG fine*. The new processor is also 25% more efficient with up to 3780 shots per charge.
  • Fast Acquisition, with Precision – An exciting addition to the D5 is an all-new AF system with Nikon’s first dedicated AF processor. The Multi-CAM 20K AF sensor module offers superior AF performance with 153 AF points, including 99 cross-type sensors – triple the AF points from Nikon’s previous flagship, the D4S. Of these 153 points, 55 AF points/35 cross-type points are selectable by photographers to quickly and easily frame any shot. The system is configurable in 153, 72 and 25-point coverage when used with Continuous AF, allowing for stellar AF tracking performance of even the most rapidly moving subjects throughout the frame. Fifteen of the AF points are also functional up to f/8, further aiding those who require extreme telephoto capabilities, including wildlife photographers. This all-new AF system is coupled with a new 180K pixel RGB metering system and Advanced Scene Recognition System, helping to achieve optimally balanced exposures and accurate white balance in even the most challenging light. 
  • Rugged Reliability and Unsurpassed Usability – Downtime is never an option, so professionals need a camera that is going to be reliable and augment a demanding workflow. The Nikon D5 delivers with rugged construction and robust weather sealing, coupled with a familiar yet enhanced Nikon interface. A new 3.2” 2359K dot XGA LCD adds touchscreen functionality, allowing the user to easily pinch, zoom, swipe and scrub in playback, and also enter text faster than ever before. Being the champion of low-light, it is only natural that additional buttons and dials illuminate for enhanced visibility, while two additional Function buttons have been added for increased customization. The camera also features a Quick Release Mode setting for rapid access to release mode settings. Additionally, a new shutter and mirror sequencing mechanism nearly eliminates blackout time and mirror slap for bright, consistent views during high-speed shooting– realizing truly confident tracking of fast, erratically moving subjects that were previously difficult to achieve. The D5’s shutter itself is tested to 400K actuations for maximum durability. When paired with the WR-R10 wireless remote controller (transceiver) and WR-A10 Wireless Remote Adapter, the D5 is also able to interface with Nikon’s newest Speedlight, the RF controlled SB-5000, for new possibilities in lighting control. **
  • Rapid and Flexible Workflow – Further enhancing speed, the D5 is able to utilize the superior read and write speed of XQD memory cards, which are up to 35% faster than CF cards. To appeal to a wide variety of photographers, the D5 will be available in two versions; with either dual XQD card slots or with dual CF card capability. For maximum efficiency the camera is also capable of shooting smaller RAW Size S or M file types (12-bit, uncompressed), for greater flexibility when transferring batches of files from the field, while retaining image integrity. Photographers can also use the built in 1000 Base-T 400MBps Ethernet connection for image transfer, with speeds up to 1.5x faster than D4S.
  • Multimedia Powerhouse with 4K/UHD Video – The Nikon D5 is the first Nikon DSLR capable of capturing 4K UHD video (3840×2160 at 30p), letting users create stunning ultra-high definition video with beautiful clarity and color. Multimedia content creators can also use the D5 to create 4K time-lapse videos in-camera using the Time-lapse Movie function, and can create 8-megapixel still images from frame grabs. A great addition to any production environment, the D5 includes all of the most popular pro-level features of the Nikon D810, including Full HD 1080p video at a variety of frame rates, uncompressed HDMI out, simultaneous live view and headphone/microphone connections. Additionally, the D5 adds a feature to smooth exposure transitions using the Auto ISO function as well as exposure compensation to create natural-looking exposure transitions in video.

New Radio Controlled SB-5000 Speedlight: Lighting with No Limits

The Nikon D5 is optimized to work with the newest flagship Speedlight, the SB-5000, illuminating new possibilities in creative lighting. A first for Nikon, the flash operates via radio frequency and will operate without a direct line of sight for a range of up to approx. 98 feet (30 meters). This new-found flexibility lets photographers place lights in different rooms, around corners and work seamlessly in bright ambient light with maximum efficiency. When paired with the WR-R10 and the D5 or the D500, this Speedlight can control up to six groups (A-F) or 18 Speedlights for truly advanced wireless lighting. It is also possible to perform Advanced Wireless Lighting using either radio-controlled (up to three groups) and/or optical-controlled units (up to three groups) by simply attaching a conventional, optical-control Nikon Speedlight or the SU-800 Commander (as a master or commander unit) and a WR-R10 (as a commander) onto the D5.

The new smaller SB-5000 Speedlight also has a radically new design that includes its own internal cooling system, which prevents overheating of the flash panel from consecutive firings. As a result, the SB-5000 can fire consecutively for longer than conventional models, without flash cool-down time between bursts, and can fire up to 120 continuous shots at 5 second intervals. Controls have also been streamlined and refined, with the addition of an “i” button for access to frequently used settings. The design also integrates versatile bounce ability, with the flash head capable of tilting down to -7° or up to 90°, and rotate horizontally 180° to the left and right. 

New WT-6A Wireless Transmitter

Nikon has also announced the WT-6A Wireless Transmitter for use with the D5. An ideal solution for professional image transfer, the WT-6A can transfer with speeds of up to 130 mbps wirelessly and supports the fast IEEE802.11ac standard. The connectivity distance has been extended to approximately 656 ft. and can be used to transfer images to an FTP server or to a computer. When in HTTP mode, the unit can be used to operate camera controls, begin Live View shooting or start/stop HD video recording.

Price and Availability:

The Nikon D5 DSLR will be available in March for a suggested retail price (SRP) of $ 6,499.95***. The Nikon SB-5000 AF Speedlight will be available in March for the SRP of $ 599.95. The WT-6A Wireless Transmitter will also be available in March, with the SRP of $ 749.95. For more information on these new Nikon products, please visit www.nikonusa.com.

About Nikon

Nikon, At the Heart of the Image™. Nikon Inc. is a world leader in digital imaging, precision optics and photo imaging technology; globally recognized for setting new standards in product design and performance for an award-winning array of equipment that enables users to tell their stories through amazing photos and videos. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the Nikon 1 compact interchangeable lens camera system. Nikon Corporation, the parent company of Nikon Inc., recently announced the production of 95 million NIKKOR lenses in 2015, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook, Google+, Twitter, YouTube, Instagram, Vimeo and Flickr.

 *When using approved XQD cards.
 **Wireless Remote Controller WR-R10 and WR Adapter WR-A10 (both available separately) required. WR-R10 firmware must be updated to enable support for radio-controlled Advanced Wireless Lighting (see Nikon’s website).
 ***SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.


Nikon D5 specifications

Price
MSRP $ 6499
Body type
Body type Large SLR
Body material Magnesium alloy
Sensor
Max resolution 5588 x 3712
Image ratio w:h 1:1, 5:4, 4:3, 3:2
Effective pixels 21 megapixels
Sensor photo detectors 21 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type CMOS
Processor EXPEED 5
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-102400 (expandable to 50-3280000)
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG (Exif v2.3)
  • Raw (NEF, 12 or 14 bit, lossless compressed, compressed, uncompressed)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp No
Number of focus points 153
Lens mount Nikon F
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (tunnel)
Viewfinder coverage 100%
Viewfinder magnification 0.72×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Single-frame
  • Continuous low
  • Continuous high
  • Mirror-up
Built-in flash No
External flash Yes (via hot shoe and flash sync port)
Flash X sync speed 1/250 sec
Drive modes
  • Single-frame
  • Continuous low
  • Continuous high
  • Mirror-up
  • Quiet shutter
  • Self-timer
Continuous drive 14.0 fps
Self-timer Yes (2, 5, 10, 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 2/3 EV, 1 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Resolutions 3840 x 2160 (30p/25p/24p), 1920 x 1080 (60p/50p/30p/25p/24p), 1280 x 720 (60p/50p)
Format MPEG-4, H.264
Videography notes 1.5X crop mode with DX lenses
Microphone Stereo
Speaker Mono
Storage
Storage types Dual CompactFlash or dual XQD
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Optional
Wireless notes Requires WT-5A or WT-6A
Remote control Yes (wired, wireless, smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL18a lithium-ion battery & charger
Weight (inc. batteries) 1415 g (3.12 lb / 49.91 oz)
Dimensions 160 x 459 x 92 mm (6.3 x 18.07 x 3.62)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Optional
GPS notes GP-1A

Articles: Digital Photography Review (dpreview.com)

 
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Making the grade: Firmware brings log gamma to GH4 and new Panasonic GH4R gets unlimited recording

02 Sep

Panasonic has announced the Lumix DMC-GH4R, a variant of the GH4 that offers a Log gamma curve and unlimited 4K video recording. There will also be a paid-for firmware update adding the V-Log L Photo Style to the GH4 – a super-flat tone curve designed to capture the maximum dynamic range for greater flexibility while color grading. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Turn Your Phone into a Pro Grade Cam with 30x Zoom

13 Oct

You have a fondness for mash-ups: Girl Talk, golden doodles, waffle tacos!

Bring the best of two worlds together again with the new QX30 from Sony, a lens that’ll shoot DSLR quality pics and connect to your phone to give you the instant shareability of … well, your phone!

The newest of Sony’s QX family, the QX30 gives you 30x optical zoom (way better than your phone’s pixelly digital zoom) and is an entire camera on its own with a flash, memory card and video capabilities.

Use your phone as a viewfinder whether the lens is clipped onto the phone or detached for more uniquely angled shots.

The lens snaps pics and sends ‘em directly to your phone for instant editing and sharing of all your mashup experiments: roller blade tennis anyone?

Snap Up the QX30 or Its Big Brother QX100


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Posted in Equipment

 

How to color grade DSLR footage! (Editing Tutorial)

22 Dec

Free color-style presets: www.fenchel-janisch.com More Tutorials: youtube.com Facebook: facebook.com Fenchel & Janisch DSLR Tutorial Series: How to color grade DSLR and other HD footage! A basic introduction to color grading in Adobe After Effects. This tutorials features different techniques, tools and plug-ins to get a professional looking film. Download over 50 free Adobe After Effects color grading presets designed by Fenchel & Janisch at: www.fenchel-janisch.com Voice Over Moritz Janisch Copyright 2012 by Fenchel & Janisch Filmproduktion GbR Twitter: twitter.com
Video Rating: 4 / 5

 
 

Ed Sheeran – “Grade 8” Live at SXSW 2012

20 Nov

Ed Sheeran performs his song “Grade 8” live at The Warner Sound captured by Nikon during SXSW 2012. The Warner Sound’s SXSW performances were captured exclusively with Nikon D4 HD-SLRs camera and lenses. Director: Michael Thelin. Produced by MTP, Inc. www.nikonusa.com http facebook.com Order Ed’s album “+”: atlr.ec Follow: twitter.com Like: facebook.com Visit: edsheeran.com Download the free “One Take EP” atlr.ec Subscribe to The Warner Sound: goo.gl The Warner Sound on the Web: youtube.com thewarnersound.com http twitter.com

Nintendo 3DS XL vs 3DS Facebook www.facebook.com Twitter twitter.com Google+ gplus.to In this video I compare the Nintendo 3DS XL vs 3DS to see which is the best. I take a look at gameplay with New Super Mario Bros 3 as well as with DS games like Pokemon Black and White, the new larger 4.9″ 3D display to see which screen is better, Virtual Console Game Boy games, the size and design of the 3DS XL vs 3DS, battery life, stylus, touchscreen along with the software and camera. duncan33303 is a technology based YouTube channel that focuses on a wide variety of smartphones, tablets, game consoles as well as the weekly show D3Live. Video Gear: Nikon D3200 Camera: goo.gl Nikon 50mm 1.8G Lens: goo.gl Nikon 40mm 2.8G Micro Lens: goo.gl MacBook Air 11″ 2012: goo.gl Blue Yeti Microphone: goo.gl Zoom H1 Microphone: goo.gl 2400 Watt Softboxes: goo.gl Manfrotto 701HDV Fluid Video Head: goo.gl Dolica AX620B100 Tripod: goo.gl Audio-Technica ATH-M50 Headphones: goo.gl Corel VideoStudio Pro X5: goo.gl Subscribe! www.youtube.com Merch Store! duncan33303.spreadshirt.com Channel Link www.youtube.com Jailbreaking info stateofjailbreak.com Transcript Hey guys, this is Austin and today I’m here with a comparison between the Nintendo 3DS XL and the original 3DS. The size is obviously a big difference but there’s more to it than that. First of all let’s go over the design. The original 3DS breaks away from all other DS models with a distinctive triple layer design as well as a coating of glossy

 
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Nikon Canon lenses’ true focal range or length on a consumer grade crop sensor DSLR

17 Nov

razzi.me www.facebook.com www.PhotographersOnUTube.com https

 
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8th Grade Art Identity Project

03 Nov

Some cool visual art images:

8th Grade Art Identity Project
visual art
Image by North Shore Country Day School

Digital P_Art_Y #3
visual art
Image by Roxelo Babenco

 
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Posted in Photographs