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7 Things Van Gogh Can Teach Us About Photography

14 Jul

The post 7 Things Van Gogh Can Teach Us About Photography appeared first on Digital Photography School. It was authored by Anthony Epes.

van gogh and photography

In keeping myself motivated as a photographer, I love to look for inspiration from all across the creative spectrum. Today I want to share some ideas with you from the painter Van Gogh that I hope will bring some exciting new ideas for your photography.

I love who I am when I am taking photos. It is one of my favourite things, and I would imagine it’s the same for you. 

7 Things Van Gogh Can Teach Us About Photography

To have my camera in my hand, exploring, finding beautiful light, and capturing interesting people I meet along the way, is immensely satisfying and massively fun. 

However, life often gets in the way (who’d have thought it!), and I get distracted and lose my creative energy.

For example, I have too many conversations with my accountant, or I am doing a lot of admin or rushing around doing the tasks that are super important to make my life function but aren’t conducive to creativity.

I have been a photographer for over two decades, and I know that making time for being creative is really good for me. Of course, it’s good for my career as a whole, but more than anything, it makes me happy!

And don’t we always need more things to be happy about? 

These ideas are timeless because they remind us what we love to do, and why – take photos, be creative, and make things.

van gogh and photography

I’ve also included some ideas that are reassuring – offering guidance on some of the common challenges that we all face as creative people. 

So let’s get started!

1. “I am always doing what I cannot do yet, in order to learn how to do it.” Vincent Van Gogh

One thing I regularly hear from people when they arrive on my photography workshops is how they can’t do things. 

It could be: I can’t be creative! Or I can’t shoot on manual, it’s impossible for me! 

To me, this is just a habitual way of thinking that is not based on facts. Just because we can’t do something now, does not mean we will never be able to.

It is therefore an uncomfortable and unfamiliar feeling for us to be faced with things that we don’t understand, and so we really struggle with learning. 

7 Things Van Gogh Can Teach Us About Photography

Photography almost always shows us the things we have struggled in the past to do. Because photography is a unity of skills – the ethereal concept of creativity and the highly technical world of cameras, computers, and post-processing software. 

Many of my students fall into two camps: those who are comfortable with the technical, but not the ‘arty/creative’ side of photography. Or the reverse: very intimidated by tech, gear, etc but very comfortable with the idea of being creative.

If, though, we want to get really confident in photography (and we should because otherwise, why would you be drawn to this medium?), we have to overcome the discomfort and look to learn about these things we struggle with.

Here I can offer some inspiration. It is possible for anyone to learn anything. No one is too far gone, too un-creative or un-technical. It just comes down to belief. Can you believe you can find ways to learn what you need to learn to become comfortable and confident shooting? 

If you say yes, you are halfway there. Saying yes to learning is the first step. 

7 Things Van Gogh Can Teach Us About Photography

“Men often become what they believe themselves to be. If I believe I cannot do something, it makes me incapable of doing it. When I believe I can, I acquire the ability to do it even if I didn’t have it in the beginning.” Mahatma Gandhi

And how about we just decide to be people who are learning new things? Be like Van Gogh and always be doing things we don’t know how to do.

2. “Seek only light and freedom and do not immerse yourself too deeply in the worldly mire.” Vincent Van Gogh

This talks about how much we need to detach ourselves from normal life, and the endless tasks of our lives in order to create. Being creative connects us to the world in a completely different way to how we normally live. 

In ‘normal’ life, we are living on the surface. We are doing a lot, we are being busy, we are jumping from task to task. We are responding. And that’s all totally necessary to take care of our lives. 

But it is not the only way to live. It’s the least enriching, and least satisfying way to live. 

And it’s definitely not the mode to be in when you’re being creative. 

van gogh and photography

When you are out shooting, when you are creating something, it has to come from a different part of you. Because taking photos is the work of the soul, not the mind.

It’s diving deep into yourself and using everything you are, everything that you’ve experienced, known and loved, and bringing that out in your images. 

But real life knocks very loudly and getting yourself into your creative flow state can be challenging. Even I, a professional photographer who shoots all the time, find it hard sometimes to switch off my mind when it starts reminding me about my mundane daily tasks.

So what I do when I am finding it hard to connect to my inner creative spirit, the inspiration I seek when I am out shooting is finding other ways to stoke my creativity. 

That either involves going out into nature, searching for beautiful light or looking at other artists and what they have created.

7 Things Van Gogh Can Teach Us About Photography

I also love to read about what my favourite artists have said about making things, because it helps inspire me and helps me leap into a state of wanting to go out and create beautiful photos. 

When Van Gogh said “The only time I feel alive is when I’m painting,” feels mostly very true to me.

We are rarely totally living in the moment, totally alive to everything that is around us, connecting to the world that we see.

Totally normal of course, we all do it. But I also think it’s important to carve out time to have those moments of deep fulfillment, of connection, deep beauty, and joy. This is what photography brings into my life. The chance to slow down, to see and be present for what life is. 

3. “If you hear a voice within you say ‘you cannot paint,’ then by all means paint, and that voice will be silenced.” Vincent Van Gogh 

Photography is an inner game. 

Taking good photos has nothing to do with your current skills or your ability to nail sharpness or your exposure. It’s everything to do with what you believe about yourself and what you believe is possible for you.

7 Things Van Gogh Can Teach Us About Photography

If you start with this idea of not being able to do something,  you won’t be able to do it. You have to overcome that mind of yours that loves to remind you of your inadequacies.

But it is also to say that all people who create, have fear. You are not alone when your mind tells you you’re not much of a photographer, or you might as well as give up because your photos are boring.

Your job is to ignore whatever rubbish your mind is saying about your photography, as Van Gogh says, and silence your mind by doing

Creativity comes from such a magical and mysterious place– you can’t just find it anywhere. You can’t quantify it or set an exam for it. The fact that there is often no way to quantify if your photos are any good can create some anxiety.

The way to overcome this is to just get started. Just go out and shoot. Don’t worry if it’s going to come out well or not. Don’t pre-analyze what you may or may not achieve or what you are or are not.

7 Things Van Gogh Can Teach Us About Photography

The mind is clearly an incredible organ, but it’s not always on your side. It can dissuade you from doing things you love before you’ve even got started, so regardless of the outcome, go out and shoot and love the experience. 

4. “Be clearly aware of the stars and infinity on high. Then life seems almost enchanted after all.” Vincent Van Gogh

It’s really easy to get so familiar with our world that we stop seeing what is beautiful and awe-inspiring in the world around us. It’s normal to see your everyday environment and not be inspired by what’s there. Our eyes get dulled to the familiar world around us. 

That’s often why we travel or go to new places, to see new things. 

But here is a big change we can make right here and now in our photography. When we are prepared to really find the magical and beautiful in life, wherever we are; when we can learn to be impressed and excited about what is, we will see more and more opportunities for photos. 

We don’t need to travel or find new things to be inspired to shoot, we just need to connect with what is enchanting in this crazy, wild, and incredible world. 

7 Things Van Gogh Can Teach Us About Photography

5. “Painting is a faith, and it imposes the duty to disregard public opinion.” Vincent Van Gogh

In many ways, I think learning photography now is harder than in the past. And that’s not because there are so many photographers, or because of smartphones, etc. Instead, it’s because of the amount of information out there, and the multitude of opinions. 

The internet has given us so much incredible access to information and to communities and groups where we can share our photos. But often, instead of it being an empowering experience, it can become disheartening. You can get into the habit of judging your photos on how many ‘likes’ they receive.

When you post your photos online, you can get a whole raft of opinion back that is often useless for your photography. 

People who aren’t necessarily any more experienced than you will share their random thoughts. (And I can guarantee there are very few professional photographers hanging out online doing constructive criticism on photos.) It’s also so easy to get dissuaded by what other people say about your images. 

van gogh and photography

To make something unique and interesting, and to shoot with creative freedom, you need to be very careful about where you get feedback and who is giving it. You need to give most of your time creating images. Then find people you really trust – whose photography you admire – and seek feedback from them.

That’s how you can learn to grow and get better as a photographer. 

6. “It is looking at things for a long time that ripens you and gives you a deeper meaning.” Vincent Van Gogh

Photography often becomes viewed as a series of technical tasks that need to be learned. To learn the way of the camera is to unlock all the gifts of photography. 

For me that couldn’t be further from the truth. 

The camera is merely the tool to execute your vision. That’s not to say the tool doesn’t have lots of cool and exciting features. I mean, I love tech, and I love what it can do. However, all of that gear is not going to get you great shots if you don’t know how to see, use your imagination, and bring feeling to your photos. 

7 Things Van Gogh Can Teach Us About Photography

The key to accessing amazing photos all around you is to start to really learn to see.

You might say – but of course, I can see what’s around me! But you would be wrong. There is so much visual information around us, that our brain blocks out most of what is there. What we end up seeing is a mere fraction (less than one percent) of what is going on around us.

What is even more surreal is that because of how our brains like to make our lives as easy and simple as possible and to create habits in how we think and do things, we often see the same things over and over. We don’t notice the different things in our environment.

If you think about a street you’ve maybe walked down hundreds of times and all of sudden you have the urge to look up to the tops of the buildings. And it’s like – wow, I don’t remember seeing that.

This happens all the time with everything in our world.

7 Things Van Gogh Can Teach Us About Photography

Therefore, it is a good job as a photographer, to learn to open our awareness. Learn to see beyond what our brains feed us. Learn to look for a long time, and pay attention to what is around us. 

This helps to develop our patience too. Developing patience in looking for shots is a great skill to nurture as a photographer. I find people are usually too quick to move on from a scene or a subject.

When we are patient and take that extra time working on a scene or subject, we often find more qualities of the subject are revealed. More ideas spring to mind too. Perhaps things in the moment change; like the light or things moving around the subject, thus, changing the possibilities of the photo.

Learn to really look at the world and it will open up so many incredible facets to your photography. 

7 Things Van Gogh Can Teach Us About Photography

7. “If you truly love nature, you will find beauty everywhere.” Vincent Van Gogh

Completely. 

I don’t just mean nature in a traditional sense – the beautiful flowers, people, or landscapes. It’s when we bring the idea of beauty into our photography that we see that we can capture what is beautiful to us, in any guise. 

For me, it’s often the interplay of cities and nature. The smash of orange fruit on the tarmac. The gorgeous colors of the sunrise above a housing complex.  Or the dramatic, metallic grey of a sky before a storm. 

I would actually expand this idea to say there is beauty in all things, you just need to develop your ability to see and find it all around you. 

Conclusion

I hope you found these ideas from Van Gogh useful for your photography. I would love to know what you thought, and if any of these ideas felt like they inspired or taught you something valuable. Please let me know in the comments below. Thanks for reading!

The post 7 Things Van Gogh Can Teach Us About Photography appeared first on Digital Photography School. It was authored by Anthony Epes.


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Oil-Painted Van Gogh Film Features 12 Paintings Per Second

02 Mar

[ By WebUrbanist in Art & Drawing & Digital. ]

loving1

It took over 100 artists to paint this full-length movie, the first of its kind: a work where every frame was hand-painted, then combined into an epic animation about, in the style and using the techniques of Van Gogh (oil and canvas).

This first trailer of Loving Vincent shows the brushstroke style anyone familiar with the artist’s world will immediately recognize. The movie is about Vincent’s life, death and works, an honest look at what was anything but a carefree existence. His own work also shows up throughout, 120 of his masterpieces in total, smoothly transitioned into the frames as the narrative unfolds around them.

loving2

loving3

A great deal of care went not only into the planning process, but also the execution so that each frame is both original and unique but transfers seamlessly to the next, despite the number of painters involved.

filmmaking loving vincent

Produced by Oscar-winning studios BreakThru Films and Trademark Films, production is still in progress in Gdansk, Poland, but this sneak peaks suggest it will be well worth the prices of admission (h/t Colossal).

loving vincent painters

loving vincent frame

More from the filmmakers: “Loving Vincent is an investigation delving into the life and controversial death of Vincent Van Gogh, one of the world’s most beloved painters, told by his paintings and by the characters that inhabit them. The intrigue unfolds through interviews with the characters closest to Vincent and through dramatic reconstructions of the events leading up to his death. Every frame in the Loving Vincent movie is an oil painting on canvas, using the very same technique in which Vincent himself painted.”

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Starry Night: Glow-in-the-Dark Bike Path Inspired by Van Gogh

14 Nov

[ By WebUrbanist in Technology & Vehicles & Mods. ]

night cycling visibility green

Opening last night in Nuenen, Holland, this illuminated cycling surface is free to the public, storing sunlight during the day to create stellar patterns to guide riders after dark. First of its kind on the planet, the swirling shapes of this path are recognizably inspired by one of Vincent van Gogh’s most famous paintings.

night path now open

night cycling path glowing

Developed by Dutch artist and innovator Daan Roosegaarde in conjunction with infrastructure specialists from Heijmans, this pathway is a potential prototype for future cycling paths using smart paint technologies as well as an extension of an ongoing series of glow-in-the-dark highway projects and other urban improvement proposals in the works around the world.

night path standing view

night cycling rider shot

Part practical lighting scheme and part installation art project, the path is located along a stretch of a bicycling route passing through Noord Brabant, the region from which van Gogh originated, which in turn connects various notable sites from his personal life and work. Its creator explains: “I wanted to create a place that people will experience in a special way, the technical combined with experience – that’s what techno-poetry means to me.”

night cycling image large

night path holland biking

night biking path lights

The semi-abstract pixelated swirls are a high-tech reference to Starry Night, painted in 1889 and depicting an idealized view from the east-facing window of the painter’s asylum room at Saint-Rémy-de-Provence (now part of the permanent collection of the Museum of Modern Art in New York City).

night cycling aerial view

starry night inspired path

night cycling path image

night path cyclist picture

Studio Roosegaarde is known for “tactile high-tech environments in which viewer and space become one. This connection, established between ideology and technology, results in what Roosegaarde calls ‘techno-poetry’. His often interactive work connects people with art and people with people.”

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Animating Van Gogh: World’s First Fully-Painted Feature Film

24 Feb

[ By WebUrbanist in Art & Photography & Video. ]

animated-film-comes-alive

It is a fantastic endeavor and nearly finished – a movie made up of 56,800 stop-motion paintings, all presented in the style and told by the characters of the tale’s protagonist: Vincent van Gogh.

animated-van-gogh-film

The first full-length feature of its kind, Loving Vincent uses van Gogh’s own techniques to explore the life and death of the artist, “through his paintings and by the characters that inhabit them.”

van gosh painting studio

As its creators explain, “the intrigue unfolds through interviews with the characters closest to Vincent and through dramatic reconstructions of the events leading up to his death.”

van gogh character still

This production by Breakthru Films features 120 of the artist’s paintings and draws its plot from 800 letters, using them to flesh out a deeper picture of this often-misunderstood painter whose work goes well beyond his most famous Starry Night and Mona Lisa.

van gogh movie trailer

In van Gogh’s own words: “Well, the truth is, we cannot speak other than by our paintings” – these industrious filmmakers are taking him at his word, and animating his images and subjects to tell his story.

van gogh loving vincent

Breakthru was founded by Oscar award-winning animator Hugh Welchman. Unfortunately, the project did not raise sufficient funds on Kickstarter, but given how far they have come one can only hope the work does not end in tragedy.

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3 Tips for Creating Outstanding Portraits, Inspired by the work of Dutch Artist Van Gogh

17 Jul

A Guest Post by Oded Wagenstein

Few months ago I visited the Metropolitan Museum of Art in NYC. Upon arriving there, I immediately ran to see the work of the artist who influenced me the most: Vincent Van Gogh; the artist who changed the way we look at color as a tool for telling stories; an artist who had nothing in his pockets but had a never-ending passion for creativity and innovation.

In this post I decided to share some work methods and tips that I have learned from the portraits of this great artist. Methods I TRY, just try, to apply in my work as well.

3 Things I learned about Portrait Photography from Vincent Van Gogh’s Work

Tip 1: Use Light as a Tool for Telling Stories in Your Portraits:

You can treat “light” in one of the two ways below:

  • Something that just illuminate your subjects. An existing fact, which you cannot control
  • A creative tool. Something to be aware of, as being aware of the lens or the camera you are using

Source of Inspiration

Notice how the light affects the story in this drawing of a Peasant from Nuenen.

Vincent van Gogh Head of a Young Peasant in a Peaked Cap

The choice to create the peasant’s portrait at night (or a dark room) under the pale light of a single bulb, which forms many shadows on his face, strengthens the dark feeling coming from this image- a feeling of a hard working man. You can imagine that creating the portrait of the same guy, in daylight, in an open space, would create a completely different story.

My Interpretation:

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In this image of Apollo-mo, a 61 years old farmer and village shaman from the Akha community in Laos, I tried to create the same “hard working” feel as in the “Peasant from Nuenen”. I chose to capture Apollo indoor (keeping him also very compressed inside the frame) with this dark background and dramatic, single source light coming from his right side, creating very deep shadows on his face. Of course I could photograph Apollo at any other time: Laughing with his family and grandchildren, working under the soft light of the sunset and so on. Yet,I chose to show him as I perceived him – as a hard working man with a difficult life story.That’s exactly what I wanted the viewer to feel.

Tip 2: Harnessing the Power of Complementary Colors

Van Gogh’s use of color was groundbreaking and many books and theses already examined the issue in depth. What I would like to present here is a small fraction of his approach on color: Understanding the power of complementary colors.

You can think of the complementary colors (and this is going to be a very shallow way of putting it) as two colors, sitting side by side, and by doing so, creating a great impact on the viewers.

Color star en svg

Van Gogh often used complementary colors in his works. Green and red, orange and blue, purple and yellow – he’s done it all.

In my work, I try to keep this principle of complementary colors in mind.

Source of inspiration:

Van gogh

My interpretation:
Red and green or orange and blue are working together to create a stronger portrait.

Monk

Tip 3: The Power of the “Off Camera” Gaze

In Most portraits, either photographs or paintings, the person looks straight at the viewer. Van Gogh’s work taught me that sometimes, when a person is looking “off camera”, it can give my image some sort of natural feeling, sometimes melancholic, yet always powerful.

Source of inspiration:

409px Van Gogh 2

The artist made this painting during the last months of his life. And although the situation appears seemingly nice (woman standing in a field) the sadness and hardship is certainly present, mainly due to the off camera gaze.

My interpretation:
So when I want to convey a feeling of hardship or sadness I will try to capture my subject in an unguarded moment, looking off camera.

Woman in field A

This off course can be done only if you get a good relationship with your subject, enabling you to work in a close distance and still be “transparent”.

I will not tell the subject what to do (“now, look off-camera and act sexy”). I will just wait for the right time to click the shutter.

Conclusions

Using light as a creative tool: Try to match the story you want to tell to the light being used. One possibility is to control the light: flash, reflectors, etc. the more simple option is to just choose the right time to shoot. Dramatic story? Choose a time when there is a harsh or dramatic lighting situation. A story about the happy moments in life? Let your light to convey this feeling by working in a soft, full of color light, like in the golden time (before sunset or right after sunrise)

Watch for complementary colors: in order to create powerful portraits.

Think about the subject’s looking direction as a creative tool: Sometimes an off camera gaze can give your story outstanding emotional impact.

The story of Vincent van Gogh Is sour – sweet. On one hand, an artist whose paintings are known by everyone and sold today for millions of dollars. On the other hand, an artist who had a great financial and emotional struggle over his life-time.

Oded Wagenstein is a Travel photographer and writer. He is a regular contributor to the National Geographic Traveler magazine (Israeli Edition) and he is known for his intimate culture portraits. You can join his Portrait & Travel Photography blog and continue to discuss on travel and people photography and get more amazing tips!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

3 Tips for Creating Outstanding Portraits, Inspired by the work of Dutch Artist Van Gogh


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