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Posts Tagged ‘Godox’

Godox TT685 Thinklite TTL Flash Real-World Review

10 Feb

The post Godox TT685 Thinklite TTL Flash Real-World Review appeared first on Digital Photography School. It was authored by Matt Murray.

godox-tt685-thinklite-flash-review

One of the only things I missed when I moved from Nikon to Fujifilm a few years ago was the quality of speedlights available for X-Series cameras. I never truly appreciated how good the Nikon Creative Lighting System was until I couldn’t use it anymore!

This is no longer a problem though: in the last couple of years, we’ve seen feature-packed speedlights introduced by manufacturers such as Godox.

In this review, I test out the Godox TT685F speedlight flash on my Fujifilm X-Series gear. If you’re not a Fujifilm shooter, keep reading anyway, as Godox makes a version of the TT685 for every camera system.

Image: Many Fujifilm shooters are happy that there’s finally a third-party flash with both TTL and H...

Many Fujifilm shooters are happy that there’s finally a third-party flash with both TTL and HSS (high-speed sync). Fujifilm X-T3 with XF 56mm f1.2 R lens with Godox TT685F on-camera. 1/300s at f/2.2 ISO 200.

Why Godox?

There’s a wide range of third-party flashes available for different camera systems on the market today. Ten years ago, I would only ever buy a flash made by my camera manufacturer and would generally avoid any third-party flash made in China.

How times have changed – the quality and range of features on third-party flashes these days are outstanding, and prices have fallen significantly.

I first heard about Godox flashes through word of mouth in Fujifilm Facebook groups. Godox is based in Shenzen, China, and has been around since 1993. They make photographic lighting products under their own Godox brand, and also under other names such as Flashpoint.

Introducing the Godox TT685

Image: The Godox TT685F

The Godox TT685F

The Godox TT685 is a powerful, feature-packed speedlight at a very attractive price point, around $ 110USD.

It’s available for all major systems. If you’re looking at buying one, make sure you grab the right one for your camera. The last letter in the model number gives it away: TT685F is for Fujiilm, TT685C is for Canon, TT685S is for Sony, TT685O is for Olympus/Panasonic, and TT685N is for Nikon.

What’s in the box

The flash comes attractively packed in a sturdy cardboard box with key details of its specifications. Inside the box, you’ll find the flash, a small black mini stand for attaching the flash to light stands, a black protective case, and an instruction manual in Chinese and English. The manual is also available on the Godox website.

Image: Unboxing the contents of TT5685F

Unboxing the contents of TT5685F

TT685 specs

The specifications of the Godox TT685 are truly impressive. Here’s a summary:

  • Runs on 4 x AA batteries. Each set will give you about 230 flashes.
  • Recycle time varies between 0.1 and 2.6 seconds.
  • It can be used as an on-camera flash, as an on-camera master to trigger other off-camera flashes, and as a slave flash off-camera.
  • The flash head tilts between -7 degrees (slightly backward) to a 90-degree angle.
  • The flash head rotates 360 degrees.
  • Allows high-speed sync up to 1/1800 second.
  • Full TTL (through the lens) mode for Fujifilm X-Series cameras.
  • Manual flash can be adjusted from 1/1 to 1/256 power in third-stop increments.
  • Runs on a 2.4Ghz radio connection – very impressive given more expensive flashes in the market run on optical line-of-sight only.
  • Capable of firmware updates via a USB port.

Build quality

The build quality of the Godox TT685 is very good. It looks and feels a lot like my old Nikon speedlights, especially the slightly larger SB-900. With batteries in, it weighs around 500g, a little on the heavy side on a mirrorless camera, but not too bad.

The TT685 has a familiar dot matrix LCD screen on the back, which displays all the settings and information you’ll need when using the flash. As well as the on/off switch, there’s a middle dial, which is useful in manual mode to dial settings up and down. It also has a number of buttons, including one for changing the flash mode, one for putting the flash into slave mode, and another that lights up red. This serves as both the test flash button and also an indicator that the flash is ready to fire.

Image: The red button on the bottom left shows the TT685 is ready to fire.

The red button on the bottom left shows the TT685 is ready to fire.

Near the flash head, there’s the standard catch light panel and wide-angle diffuser panel.

Image: Catchlight panel (top) and wide-angle diffuser panel (over flash head)

Catchlight panel (top) and wide-angle diffuser panel (over flash head)

Ease of use

Setting the Godox TT685 up is easy. Pop the batteries in and attach it to your camera by sliding it on the hot shoe with the dot matrix panel facing you. Rotate the circular lock ring on the base of the flash until it locks up. You’re ready to go!

It’s easy to move the flash up and down from an upright position to facing your subject head-on, but I found it a lot more difficult to rotate the flash 360 degrees. It’s not hard to do; it was just a bit stiff and felt like it wasn’t meant to rotate at first. I had to check that it did rotate in the camera manual as I didn’t want to break it.

Using the flash in all modes is pretty easy. It turns off after 90 seconds of idle use, but pressing your camera shutter halfway or pressing any of the buttons on the flash wakes it up.

Image: It was quite dark here, but I’m really happy with the way this image came out. Fujifilm X-T3...

It was quite dark here, but I’m really happy with the way this image came out. Fujifilm X-T3 with XF 56mm f1.2 R lens with Godox TT685F on-camera. 1/600s at f/4 ISO 200.

Three modes

The Godox TT685 has three modes: TTL, Manual and Multi. You can easily cycle through these by pressing the mode button on the flash.

Having a third-party flash that supports TTL on Fujifilm is wonderful; many other third party speedlights in the past did not.

TTL stands for “through the lens.” This is a way that the flash can work with the camera to determine the best flash output for any given scene and, therefore, the best exposure.

Image: The TT685F mounted on the Fujifilm X-T3.

The TT685F mounted on the Fujifilm X-T3.

You can adjust this with the flash exposure compensation feature. This is similar to how you may shoot in full auto mode or aperture priority mode in your camera (allowing it to make exposure decisions) but then adding exposure compensation to suit the scene.

The TT685 range of speedlights also supports high-speed sync (HSS) up to 1/8000s, which is the fastest mechanical shutter speed on many X-Series cameras, including the X-T3.

HSS can be very useful in bright conditions outside, especially if you want to shoot shallow depth of field. Many flashes don’t support HSS, so their sync speed is typically only 1/200 or 1/250 second, which can be limiting.

In TTL mode, you can also select second curtain sync, where the flash fires at the end during longer exposures instead of at the start. This can be useful in night scenes to expose traffic trails or lights in the background while the flash lights up your subject in the foreground right at the end.

Image: The Godox TT685F was fired by the X1T-F wireless trigger for some off-camera flash. It was po...

The Godox TT685F was fired by the X1T-F wireless trigger for some off-camera flash. It was positioned on a lighting stand, firing backward into an umbrella with a softbox attached. Fujifilm X-T3, XF 56mm f1.2 R lens, 1/120s, f/4, ISO 200.

In manual flash mode, you are selecting how powerful the flash fires, from 1/1 full power to 1/128 power. You can use the dial to move up and down in 1/3 stop increments. This mode is very useful when you want more precise control over your lighting. It was also the way flashes were used for years before TTL.

You can also use stroboscopic flash in Multi mode. Use it to illuminate a moving subject against a dark background: each time the flash fires in rapid succession, the subject is shown moving across the frame.

Although I didn’t test this feature of the TT685, I’m looking forward to trying it out one day.

Using the flash in slave mode for off-camera flash

Off-camera flash (OCF) is something that beginning to intermediate photographers often want to learn. The good news is that it’s never been so easy.

Image: The TT685 in slave mode- note the color of the LCD panel has changed to orange.

The TT685 in slave mode- note the color of the LCD panel has changed to orange.

Putting a flash in slave mode used to be a nightmare.

I remember being on a Nikon training course in London in 2006 with my brand new D200 camera and SB800 speedlight. At the first break, the trainer asked if we had any general Nikon questions. Before he could finish the sentence, three or four people asked if he could teach us how to set our speedlight up in slave mode!

Image: The Godox TT685 in slave mode shown with my Fujifilm X-T3 with the XT1-F wireless trigger att...

The Godox TT685 in slave mode shown with my Fujifilm X-T3 with the XT1-F wireless trigger attached.

We all wanted to trigger our flashes off-camera by the built-in pop-up flash, but the interface of the flash and user manual left us all scratching our heads. As he explained the process, we wrote detailed notes so we wouldn’t forget. It was a question I was then asked by a number of photographers over the next couple of years, as it was not easy to work out.

What a contrast we have to the Godox speedlights!

To trigger the TT685 off-camera, you’ll need to use another Godox flash or the Godox X1T wireless trigger.

Image: My son illuminated by natural light, backlit by the Godox TT685F in manual mode (1/64 power)...

My son illuminated by natural light, backlit by the Godox TT685F in manual mode (1/64 power) mounted on a lighting stand. Fujifilm X-T3 with XF 50-140mm f2.8 R LM OIS WR lens. 1/150s at f/4 ISO 200.

The X1T is a small, light, wireless trigger made from plastic that sits on the hotshoe of your camera, triggering Godox flashes set up in slave mode. Like the flashes, there’s a different version for each camera system, denoted by a letter at the end of each model.

It’s so easy to use the X1T-F wireless transmitter. The first time I ever tried it with a smaller Godox flash, the TT350F, I spent about one minute reading the manual, and within another 30 seconds, I had the flash set up in slave mode. Voila!

The wireless trigger is excellent – you can fire Godox flashes from up to 100 meters away, which is quite amazing. In my test, I fired it from 50 meters away with no problems.

Image: In this shot, I’m about 50 meters away from my son with my Fujifilm X-T3 and the XF50-140mm f...

In this shot, I’m about 50 meters away from my son with my Fujifilm X-T3 and the XF50-140mm f2.8 R LM OIS WR lens (zoomed all the way in). The flash fired with no problems!

Usability

Using the flash for basic on-camera/off-camera TTL and manual mode firing is all pretty straightforward. You can easily cycle between modes, vary the intensity of the flash in manual mode, change groups and channels without having to work too much out.

For some of the more advanced functionality of the flash, you’ll definitely need to read the manual. I’ve played around with it by randomly pressing some of the other buttons, and I got lost a couple of times.

Quality

I’m very happy with the quality of the images I’ve taken with the Godox TT685. It certainly feels like it could compete with the best flashes on the market quite comfortably. I’m not sure it has the best recycle time on the market, but other features, such as its use of wireless technology, make up for it.

Value for money

Around $ 110 USD, the TT685 is excellent value for money. The range of features you get with this speedlight, notably high-speed sync, the ability to use it as an off-camera flash, and the fact it runs on a wireless signal, are all winners in my book.

Alternatives

Godox makes a range of flashes to suit different needs and budgets. Two alternatives to the TT685 are the TT350 and the V860II.

The TT350 is a smaller, lighter flash that runs on two AA batteries. This was the first Godox flash I bought, and at first, I was impressed by the small size and good price point. However, over time, it proved not to be as powerful as bigger flashes, and the recycle times between flashes seemed quite poor.

Image: In this shot, I used the Fujifilm X100F with the Godox X1T-F wireless trigger to fire an off-...

In this shot, I used the Fujifilm X100F with the Godox X1T-F wireless trigger to fire an off-camera Godox TT350F speedlight.

 

The V860II is practically identical, except it runs on a rechargeable lithium ION battery, allowing faster recycle times. I chose the TT685 due to the cheaper cost, but also because I prefer using multiple sets of rechargeable AA batteries.

Conclusion

The Godox TT685 is a must-have piece of kit for photographers wishing to use a flash on-camera or experiment with off-camera flash. It has an excellent range of features, good build quality, and has a competitive price point.

Usability is good too, only with more complex operations will you need to read the user manual. Turning the TT685 into a slave for off-camera use is straightforward and done with a press of a button.

Image: The TT685F mounted on a lighting stand.

The TT685F mounted on a lighting stand.

Using wireless technology, Godox flashes all talk to each other seamlessly, and you can trigger flashes in slave mode up to 100 meters away. This is vastly superior to much more expensive speedlights that rely on line-of-sight transmission.

If you’ve never used a flash or a speedlight in your photography, there’s probably never been a better time to throw yourself in the deep end. I highly recommend the Godox TT685F.

Have you tried out the Godox TT685F flash? If so, share with us your thoughts in the comments.

The post Godox TT685 Thinklite TTL Flash Real-World Review appeared first on Digital Photography School. It was authored by Matt Murray.


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Hot-Shoe Go-To: The Godox TT600

06 Feb

How best to put this?

The Godox TT600 is, objectively, a screaming bargain. It is a full-sized manual-only speedlight with power comparable to OEM speedlights that cost over eight(!) times as much.

It features a reliable, built-in transceiver, a suite of different remote triggers and is part of a ridiculously comprehensive lineup of lighting gear.

I honestly don't know how they can possibly sell them for under $ 70 and still make a profit. Read more »
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Has Wescott Out-Godoxed Godox with the Westcott FJ400 Strobe?

02 Oct

The post Has Wescott Out-Godoxed Godox with the Westcott FJ400 Strobe? appeared first on Digital Photography School. It was authored by Carl Spring.

The FJ400 flash and trigger

Wait? How Much? Did Westcott just outdo Godox?

Westcott has just announced the FJ400 Strobe, which on first glance is not that exciting. Then you see the price, only $ 569! That is $ 80 cheaper than the ultra-popular Godox AD400. That’s before you get to the universal trigger system. Has Wescott done the impossible? Has Westcott out Godoxed Godox?

Specs

Let’s get this stuff out of the way. If you want the headline numbers, here they are:

FJ400 Strobe

  • 400 watt-second AC/DC strobe
  • 9 F-stop range in 0.1 and 1.0 increments
  • Mains power adapter included
  • 0.9 recycle time at full power
  • 480+ full-power flashes per strobe
  • 0.05 second recycle time at the lowest power setting
  • 20 watt LED modeling lamp (Daylight balanced)
  • High-Speed Sync up to 1/8000th second, TTL and rear curtain sync
  • Bowens Mount
  • Series of gels (full CTO, has CTO, window green and diffusion) included. These attach by magnets
  • Color Screen

X2-M trigger

  • Universal wireless radio trigger for FJ400 strobe
  • Compatible with many Canon, Nikon, Sony (with adapter), Fuji, Panasonic Lumix and Olympus cameras (more are being tested by Westcott)
  • Integrated long-lasting lithium-ion battery
  • Up to 200,000 flashes per charge cycle
  • Wireless communication range of up to 985 feet (300m)
  • Bluetooth compatible with free mobile app
  • USB Type-C to USB-A cord for quick charging and firmware updates
  • 6 groups and 16 wireless channels
  • Color LCD screen

This is a serious specification list that clearly shows that Westcott is after potential Godox users. 

The Flash

westcott-fj400-strobe-Wescott FJ400 flash with bag and filters

The headline specs on this are huge. Not only is the flash cheaper than the Godox AD400, but it has a larger battery allowing for more flashes (480 for the Westcott vs. 390 for the Godox). This is at the expense of size, with the Westcott being slightly larger than the Godox. I would personally happily trade the size (and accompanying weight) difference for the extra flashes. 

The other really impressive feature is that the Westcott includes a mains cable, allowing you to plug in the Westcott FJ400 Strobe and use it as a standard studio strobe. For the Godox this is an additional extra. 

Lastly, the mount is Bowens (as is Godox), which allows you to use several different modifiers at all different price points. It also has an adapter for the Rapid Box system, meaning you can easily use the excellent Westcott modifiers

The Trigger

westcott-fj400-strobe-Westcott X2-M Trigger

The universal trigger is something that is going to be incredibly useful to many people. I shoot both Canon and Fuji and currently have two triggers that I have to remember each time I shoot. The fact that this system has a universal system is really exciting for those of us who shoot different brands. 

I also like the movement in the trigger. The fact that I can flick it up when setting my lights, then flick it back down to keep a more compact footprint is exciting. The LCD screen size is nice and big meaning it will be easy to change settings. The included Li-Ion battery is good for 200,000 flashes. This is great, but I do like using AA batteries on my triggers. It’s the peace of mind that I can get batteries no matter where I am. 

For those of you who use Sony cameras, you will need to buy an adapter. However, this is only $ 20. 

Isn’t this just a rebadged Jinbei?

It certainly looks like these strobes are based on the Jinbei. It is not totally surprising that the FJ400 Strobe has been based around an existing system. The price point Westcott has brought this unit out at would be incredibly difficult if they had to create the whole system from scratch. 

I am not an expert on electronic engineering, so cannot comment on the exact differences, but I have a hunch that the Westcott FJ400 will be built to a slightly higher specification. How much, however, is to be determined. The filter system included with the Westcott is more practical than those I have seen included with the Jinbei system. 

Also, Westcott has excellent customer service. You get to talk to a real person on the phone and things are US-based.  For many photographers, and especially professionals, great customer service is worth its weight in gold.

When can I get it?

Westcott expects to be shipping the FJ400 Strobe for the end of October. 

If you want to get yourself more excited, you can check out the announcement video below.

So, are you excited by the FJ400? Is it enough to persuade you to look at the switch from Godox? As always, let me know in the comments! 

The post Has Wescott Out-Godoxed Godox with the Westcott FJ400 Strobe? appeared first on Digital Photography School. It was authored by Carl Spring.


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Godox SL60W Review – A Light for Those that Don’t Like Flash

07 Jul

The post Godox SL60W Review – A Light for Those that Don’t Like Flash appeared first on Digital Photography School. It was authored by Sean McCormack.

The SL60W is a monobloc-style LED continuous light from Godox. Godox is probably more well known for its excellent flash systems, which incorporates everything from small Speedlites to 600W battery flashes. We’ll see if they can also match this excellence in continuous light with the Godox SL60W.

About the light

While taking the look of a monobloc, the Godox SL60W is actually smaller than a typical studio flash head. It still weighs in at a hefty 1.6kg. First impressions of this light in the box were that it was a little smaller than I expected and that although it looked plastic, it looked well made.

Removing the light hood revealed the LED itself and the aluminum heatsink. It gave the light an immediate hi-tech look – instantly increasing the perceived build of the lamp. The heatsink, combined with the internal fan, keeps the LED chip cool.

As the LED lamp is a combined controller chip and LED, it means the light has a high CRI, translating to accurate and consistent color in use. Rated at 5600k ±300, this is daylight balanced, which matches your midday light and any flashes you may have.

In the box are a long IEC cable, a Bowens mount reflector and remote control. The remote needs AAA batteries (not included). The remote can be set to 16 channels with 4 groups, the same as the light. This allows for a large number of lights to be controlled remotely. While the remote does appear to allow temperature changes, this light is white light only. You can dim the light from 100-10%. A single pushes give 1% changes while holding down the + or – buttons speeds this up. You can also turn the LED off from the remote, while the light remains powered up.

As well as the remote, you can dim the light from the dial on the back, and power on and off.

The included reflector has a pop-out hole that allows an umbrella shaft to run through, for better on-axis light modification.

Specifications

The Godox SL60W has the following specifications:

  • AC Power Supply: AC 100~240V 50/60Hz
  • Channels: 16
  • Groups: 6 Groups (A-F)
  • Power: 60W
  • Color Temperature: 5600k ± 200K
  • 100% Illuminance (LUX): 4100 (1M)
  • 100% Luminous Flux: 4500
  • Color Rendering Index: >93
  • TLCI (Qa): >95
  • R9: >80
  • Light Brightness Range: 10%-100%
  • Operation Temperature: 10-50ºC
  • Safe Temperature: <70ºC
  • Dimension: 23X24X14cm (without lamp cover)
  • Net Weight: 1.61kg approx

The key things to note are that the light can be used worldwide and has high color accuracy.

Why continuous light?

Despite having years of experience with flash, I get that it takes time to learn. You’re effectively guessing what the light will look like, every time. With continuous light, there is no guessing. You turn it on and modify it as you see fit. Every change you make is there before your eyes. You can immediately see if it’s bright enough, and whether or not moving the light will improve the shot.

The first and foremost thought about using the SL60W is that what you see is quite literally what you get. No guessing or external metering required. Your in-camera meter will give an accurate reading and those on mirrorless with preview simulation on will see the shot in-camera before shooting (same for Live View users with Exposure Simulation on).

You’re reading this article at a photography site, but it’s worth mentioning that this light is perfect for basic lighting applications for video such as YouTube channels. Yes, it has a fan, but the light position behind camera mixed with directional mics should minimize this during recording.

Changing the look

You may be considering this light for food or product photography, so here’s how you can change the look of the light to get a variety of photo options. There are a few ways of getting modifiers onto the light. The most basic is the umbrella slot in the stand mount, coupled with the standard reflector. You can use either bounce or shoot-through umbrellas for this.

Further options open up with the Bowens mount. Any modifier than can fit a studio light with a Bowens  S-type mount will work. As most studio lights have modeling bulbs that heat up inside the modifier, it should work no bother with the SL60W.

Hard light

With just the included reflector you get a crisp hard light. Placing the edge of the light roughly 2-feet from the side of the plate gives you an in-camera reading of 1/400sec ISO200 at f/2.4. (My Fuji has a default ISO of 200).

By bringing in a white foamcore card from the opposite side, it fills in the shadows. While the hard shadows from the reflector are still visible, the bounced light softened the overall look.

Soft light

By placing a shoothru umbrella on the light, you’ll get a softer light, but at the expense of lower power. This is because you tend to lose about two-stops of light when using any kind of diffuser modifier.

I’m using a Westcott double fold with the black back removed. The umbrella edge is also about 6-inches closer to the plate than the reflector, giving you a reading of 1/160 ISO200 at f/2.4. Not quite a full two-stop drop, but close. Notice how much softer the shadows are, even without a bounce card.

 

Adding your card again makes a difference. You could increase the shutter speed to compensate, but this sample hasn’t changed to show the increased light in the scene

Lighting product

With photographing products, it’s similar. Here’s the hard light scene on some colorful products. The high CRI means that you know you have good color accuracy here.

First, the reflector.

Using the white reflector card:

And the umbrella:

Finally, here’s how the umbrella looks with the foamcore card.

 

If you’re shooting for e-commerce, or even like this situation where you need to create product shots for reviews or tutorials, the SL60W makes it remarkably easy.

Here are a few random shots in this vein.

Godox SL60w lighting a product set

I’ve started making camera wrist straps and bracelets, so this light makes it easy to capture shots of my work.

Portraits

Again, the “what you see is what you get” factor is great. Using Fuji’s iOS app, I could pose myself easily for this self-portrait. Here I’ve used a Neewer 26″ Octagonal Softbox. This is now my go-to YouTube video setup.

Conclusions

The Godox SL60W is a keenly-priced continuous light with accurate color, good remote control, and more than adequate output for most of your indoor lighting applications. As well as photo applications, you’ll find it’s also usable for video – something more and more photographers are involved in.

If you need more light, the Godox SL200W is a higher-powered option.

I can’t speak to the long term reliability of the product yet, but I do own quite a few Godox products – some for quite a few years – and they still function perfectly.

 

Godox SL60W Continuous Light

The post Godox SL60W Review – A Light for Those that Don’t Like Flash appeared first on Digital Photography School. It was authored by Sean McCormack.


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Godox announces redesigned X2T with Bluetooth and better handling

22 May

Chinese flash manufacturer Godox has released details of an updated trigger that will have a redesigned button layout, a larger display panel and Bluetooth to allow flashes to be controlled from a smartphone.

The Godox X2T has the same hotshoe for shoot-through flash as the X1T, but now has individual buttons for each flash group on the top panel to make selection and adjustment quicker and easier. The control dial has also been moved to the base of the unit, to make it accessible to the photographer’s left hand.

Other new features include a wider display panel with a new and clearer user interface, as well as a quick-lock for the foot instead of the old locking wheel. A scanning setting automatically detects the most secure channel, and Bluetooth support allows users to control and trigger their flash units using the GodoxPhoto app on Android and iOS smartphones and tablets.

As before, the trigger will be compatible with Canon, Nikon, Sony, Fujifilm, Olympus/Panasonic and Pentax cameras and their respective TTL systems. The X2T uses 2.4GH for a wireless control range of up to 100m, and can operate across 32 channels with 99 wireless ID settings. It has a USB socket for firmware updates and is powered by two AA batteries.

The company has yet to reveal pricing or when it intends to begin shipping, but you can find more information on the Godox website.

Articles: Digital Photography Review (dpreview.com)

 
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Godox TT350 Flash Review – the Little Flash that Can

22 May

The post Godox TT350 Flash Review – the Little Flash that Can appeared first on Digital Photography School. It was authored by Sean McCormack.

Godox – the mighty Chinese brand that’s sweeping the lighting world, bringing fear to long-established premium brands. And their quality has reached the point where they can now be trusted.

Godox tt350 with box

One thing they’ve done well to push the brand forward is their system integration. Any of their X-series triggers will fire any light in the system. Not only that, their TTL speedlights can also act as masters for other lights in the system, from the mighty AD600Pro right through to the humble TT350.

That’s what we’re looking at today – the TT350.

This compact and pocketable unit is the smallest flash in the Godox range. It really is small – requiring noting more than two AA batteries.

The Specs

  • A Guide Number of 36 (rather than the typical 52 of most larger flashes).
  • Recycle time of 2.2 seconds at full power
  • 210 full-power flashes available from two 2500maH AA batteries
  • TTL, Manual, Optical Slave, Optical Slave with Preflash, and Multiflash modes available
  • Coverage from 24–105mm in full-frame 35mm terms
  • High-speed sync up to 1/8000 sec
  • Built in 2.4G radio transmitter and receiver to act as either radio master or slave
  • Wide-angle diffuser and bounce card

On-Camera

The small size and weight of the TT350 make it the perfect on-camera flash for any camera system, particularly mirrorless systems. While I’m using them with a Fuji, they’re also available for Canon, Nikon, Sony, Olympus/Panasonic and even Pentax.

As with any on-camera flash aimed directly at the subject, the light is hard and not particularly flattering.

Godox tt350 direct flash
While the flash does have a bounce card, I prefer using reverse bounce for on-camera situations to create a larger light source coming from behind me.

Godox tt350 bounce flash
On-camera, the TT350 can be used as a master for other off-camera flashes.

Now let’s look at off-camera flash.

Off-Camera

The benefits of using a flash off-camera are many. You get better placement to control shadows, and by extension the shape of the features in the shot. You also can use a larger range of modifiers to soften or shape the light itself. To go off-camera, you need a flash, a trigger and a stand (with a modifier being an additional option). In this case, our flash is the TT350.

Triggers

The TT350 can be powered from:

  • the X-16 for manual power
  • the X1T or XPro trigger for TTL and Manual.

It can also be triggered from:

  • another TT350 (and its lithium battery brother the V350)
  • the TT685 and V860II speedlights.

The trigger sits on-camera and relays information from the camera to the remote flash.

Stands

Any stand will do, even the cheap Photo-R stands . I find Neewer to be great value for money, although in the studio I prefer using C-Stands even with speedlights.

Master and Slave

To use the radio features, hold down the Sync button and then twist the dial when the antennae icon flashes.

The first option that appears is M, making your flash the Master.

Godox tt350 Master

A second twist brings you to S, which enables the Slave mode.

To change between TTL, Manual and Multi modes, press the Mode button.

Godox tt350 slave

In Master mode, press the Slave button to alternate between the Master group (M) and the A, B or C groups.

In Slave mode, pressing Slave chooses the group the flash is on (A, B or C).

Godox tt350 slave group c

The M group in Master dictates what the flash does on-camera. Press Mode to switch between flash off, TTL and Manual.

Here’s a video that takes you through the entire process.

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Make sure all your flashes or triggers are on the same channel. To set the channel:

  1. Hold down the Slave button until the CH number flashes
  2. Use the dial to change channel
  3. Press Set to make the change.

You’re now ready for off-camera flash.

Using the TT350 with modifiers

Moving the flash off-camera doesn’t automatically make it look better. But you do get to position the shadows better, as you can see in my article on lighting. I also have a list of cheap modifiers that won’t break the bank. The 120cm Octa is a good investment.

One light

Godox tt350 120cm Octa setup

With the TT350 inside a 120cm Octa (with the diffuser on), you’re ready to get some big light from a small flash. With the Octa between you and the subject, you’ll get flattering light in the ‘Butterfly’ position.

Godox tt350 120cm octa portrait

You can improve this further by adding a reflector underneath, such as the Lastolite Halo Compact.

Godox tt350 120cm octa portrait reflector

High-Speed Sync

To get really shallow depth of field with flash (especially outside), you need to use High-Speed Sync to overcome the limitation of the camera sync speed. To engage it, tap the Sync button once.

Here’s a shot at 1/2000sec and f/1.4, ISO400 with HSS on. (You’ll find bumping the ISO helps save battery life, which is why I’m using ISO400 here).

Godox tt350 120cm octa portrait HSS

Two lights

Another way to help battery life (and the recycle time) is to use two flashes in the modifier.

Godox tt350 dual

Set both flashes to the same channel and group. This allows them to automatically match power when you make a change.

Godox tt350 120cm dual 120

You can get double flash brackets and aim them into the center with them positioned either close together or further out.

Godox tt350 120cm dual portrait

Here’s a portrait with this dual-light Octa box setup on the left (facing across the shot) and a white reflector on the right.

Godox tt350 120cm octa portrait dual setup

This is what the setup looks like.

Godox tt350 120cm cross light

Removing one of the lights and putting it on a stand behind our subject gives a good cross-light setup.

Should you get a TT350?

Clearly, a flash you have with you is better than one you leave behind because of the weight. So for general flash applications the TT350 is great. But, it’s never going to overpower the sun, and and its compact size makes it the lowest-power flash in the range (excluding their mobile phone flash unit).

However, you can buy two TT350s for the price of a V860II. And while they don’t have built-in batteries, combined they can provide more power for less weight.

Me? I bought two so I can use them in the configurations I’ve shown here, and as a master-slave setup if I have an issue with a trigger.

Overall, they’re great tools to have in the bag.

Have you used this flash? What are your thoughts? Please share with us and the dPS community in the comments below.

 

The post Godox TT350 Flash Review – the Little Flash that Can appeared first on Digital Photography School. It was authored by Sean McCormack.


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Godox AD200: An Amazing Flash— If You Tweak it a Little

01 May

The Godox AD200 has been much written about (and fawned over) for good reason: it's a legit 200ws flash in a near-speedlight form factor that has a lot going for it.

At $ 299, as packaged, it's a near-miss. But at $ 366 (including two specific accessories) it's a home run.Read more »


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Profoto prepares to sue Godox over alleged A1 light patent infringement

19 Mar

Swedish lighting company Profoto is preparing to file a patent infringement lawsuit against Godox, according to Fotosidan. The complaint targets the newly listed Godox V1, which Profoto alleges is in violation of multiple patents it filed for its own A1 light. The Profoto A1 round head flash was launched in September 2017, a year before Godox introduced its cheaper V1 alternative at Photokina 2018.

The Profoto A1 costs $ 995 USD; though pricing information for the Godox V1 hasn’t been revealed, the product is expected to be cheaper than Profoto’s model. The Godox V1 sports a number of similarities with the A1, including a round head design, Fresnel lens, magnetic modifier mount, and LED modelling lights.

Speaking to Fotosidan, Profoto CEO Anders Hedebark said the company spoke with Godox about its V1 light during Photokina 2018, and that it has continued to reach out to Godox in the months since. Profoto has filed seven patents related to its A1, which spent four years in development.

‘We spend a lot of time and money on development and will protect our investments,’ Hedebark said, also warning that manufacturers and other companies may face lawsuits if they market the Godox V1. ‘It feels like we have an obligation to act.’

Articles: Digital Photography Review (dpreview.com)

 
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Watch out Profoto, the Godox V1 round head flash is just around the corner

08 Mar

At Photokina 2018, Godox revealed plans to release a round head speedlight designed to compete with the Profoto A1. That product, the Godox V1, has finally arrived under Adorama’s Flashpoint brand and is expected to launch under the Godox name through B&H Photo soon.

The Flashpoint Zoom Li-On X R2 / Godox V1 features a round zoom head with both automatic and manual zoom control, a magnetic head rim for light modifiers, backlit matrix LCD, support for 330-degree rotation and 120-degree tilt, and a guide number of 92 ft / 28 meters at ISO 100 (50mm). The model’s removable Li-ion polymer battery can power up to 650 full-power flashes per charge with a full-power recycle time of less than 1.5 seconds.

Photographers can use the Godox V1 as an on-camera standalone TTL flash and as a ‘wireless command center’ for the company’s other monolights and speedlights. As well, the new model is fully compatible with the Canon E-TTL system with support for EXIF inscription, HSS, flash value lock, and exposure compensation.

When used as a master, the Godox V1 is able to control four wireless groups, and as a slave, this flash supports both intelligent and regular optical modes.

Other features include the promise of a ‘stable’ color temperature held at 5600±200K across the full power range, HSS shutter speeds up to 1/8000s, front and rear curtain sync, laser AF assist lamp, SMD LED modelling lamp, and the inclusion of multi-purpose buttons.

The Godox V1 is currently listed as pre-release by Adorama. Neither price or availability date are provided, though it is expected to be cheaper than the Profoto A1.

Articles: Digital Photography Review (dpreview.com)

 
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Godox XPro TTL Flash Trigger Review with Phil Steele [video]

03 Feb

The post Godox XPro TTL Flash Trigger Review with Phil Steele appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video, photography educator Phil Steele reviews the Godox XPro TTL Flash Trigger. While reviewing the Godox unit, he also makes a comparison to other flash triggers he uses; the Yongnuo YN622 and the Phottix Odin. The unit is available for Canon, Nikon, Sony, Olympus, Fuji, and Pentax.

So, if you are looking to do more flash photography, you should watch this handy review. You may be surprised at the features this unit packs, especially the cross-brand compatibility. Find out more in the video.

 

You may also find the following articles helpful:

How to Trigger an Off-Camera Flash with the Pop-up Flash

8 On-Camera Flash Tips: How To Get Better Lighting From Your On-Camera Flash

Bounce Flash Secrets – Bouncing Your Way to Better Photography

DIY Lighting Hacks for Digital Photographers

How to Understand the Difference Between TTL Versus Manual Flash Modes

How to Make Beautiful Portraits Using Flash and High-Speed Sync

 

If you want to learn more from Phil, check out some of his video courses covering topics like event photography, Lightroom, headshots and more on steeletraining.com.

The post Godox XPro TTL Flash Trigger Review with Phil Steele appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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